920:"he tragedy of Immanuel Rath was not that he lost his head over a woman, but that he could not reconcile the loss of power with the acquisition of freedom." When Rath is forced to relinquish "his authority his students, he sinks into alienated apathy…Rath's failure to grasp the chance opened to him…is portrayed in terms of his increasing silence, as he sinks more and more sullenly into the guise of the ridiculous, ironically named clown…In the end, the authoritarian master of language is bereft of articulate speech", finally erupting into a "paraoxysmic cockscrow" when he discovers that he has been cuckolded by Lola.
908:
not related to the old sterotype of the seductress finally showing her true colors, but rather to a psychological development in
Dietrich's Lola from mere sensual passivity to a more forceful fatalism about the nature of her desires. Lola's first instinct is to accept the Professor's paternal protection and her last is to affirm her natural instincts, not as coquettish expedients but as the very terms by which she expresses her existence. Thus, as the Professor has been defeated by Lola's beauty, Lola has been ennobled by the Professor's jealousy..."
864:, unhappy with socialist Heinrich Mann's association with the production, blocked release. Production manager Pommer defended the film, and Mann issued a statement distancing his anti-bourgeois critique from Sternberg's more sympathetic portrayal of professor Immanuel Rath in his movie version. Sternberg, who declared himself apolitical, had departed the country in February, shortly after the film was completed, and conflict ensued. Hugenberg ultimately relented on grounds of financial expediency, still convinced that Sternberg had concealed within
403:
586:
49:
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925:"achieved a moment of masculine beauty crowing like a maddened rooster" at Lola's deception: "Sternberg will not cheapen that moment by degrading a man who has been defeated." Sternberg presents "the spectacle of a prudent, prudish man blocked off from all means of displaying his manhood except the most animalistic." The loss of Lola leaves Rath with but one alternative: death.
924:
When Rath, in a jealous rage, enters the room where Lola is making love to the cabaret strongman
Mazeppa, Sternberg declines to show Rath, now a madman, at the moment when he is violently subdued by the authorities and placed in a straitjacket. Sternberg rewards the degraded Professor Rath for having
907:
achieved its most electrifying effects through careful grading and construction. When
Dietrich sings "Falling in Love Again" for the first time, the delivery is playful, flirtatious, and self-consciously seductive. The final rendition is harsher, colder, and remorseless. The difference in delivery is
455:
Rath resigns his position at the school and marries Lola. Their happiness is short-lived, however, as Rath becomes humiliatingly dependent on Lola. Over several years, he sinks lower and lower, first selling dirty postcards, and then becoming a clown in Lola's troupe to pay the bills. His growing
818:
The narrative of Mann's story was largely abandoned by
Sternberg (with Mann's consent), retaining only scenes describing an affair between a college professor of high rectitude who becomes infatuated with a promiscuous cabaret singer. During filming, Sternberg altered dialogue, added scenes and
459:
The troupe returns to The Blue Angel, where everyone attends to watch the former professor play a clown. On stage, Rath is humiliated by the magician
Kiepert, who breaks eggs on Rath's head, and by seeing Lola embrace and kiss the strongman Mazeppa. Rath is enraged to the point of insanity. He
442:
called The Blue Angel. Hoping to catch the boys at the club, Rath goes there later that evening. He does find some students there, but while chasing them, he also finds Lola backstage and becomes infatuated with her. When he returns to the cabaret the following evening to return a pair of
394:, a print was discovered in a German film archive, restored and screened at San Francisco's Berlin and Beyond film festival on January 19, 2009. The German version is considered to be "obviously superior"; it is longer and not marred by actors struggling with English pronunciation.
746:
was favored by UFA producer Erich Pommer for the part of Lola, with support from leading man Emil
Jannings, but Sternberg vetoed her as insufficiently glamorous for a major production. Sternberg also rejected author Heinrich Mann's actress-girlfriend
847:
is double-edged in a way
Sternberg could not have anticipated when he undertook the project. The rise of Lola Lola and fall of Professor Immanuel Rath in reel life is paralleled in the real life by the rise of Marlene Dietrich and the fall of Emil
374:
presents the tragic transformation of a respectable professor into a cabaret clown and his descent into madness. The film was the first feature-length German sound film and brought
Dietrich international fame. It also introduced her signature song,
896:. The harshness of the narrative "transcends the trivial genre of bourgeois male corrupted by bohemian female" and the complexity of Sternberg's character development rejects "the old stereotype of the seductress" who ruthlessly cuckolds her men.
826:
was filmed in both German and
English, shot in tandem for efficiency. The shooting spanned 11 weeks, from 4 November 1929 to 22 January 1930, at an estimated budget of $ 500,000—remarkably expensive for an UFA production of that period.
830:
During filming, although he was still the nominal star of the film (with top billing), Jannings became jealous over the growing closeness between
Sternberg and Dietrich and engaged in histrionics and threatened quit the production.
1481:, p. 74: The production "was complicated romance...Jannings, as expected, had reacted with special bitterness to the affair, working actively to break down their rapport, throwing tantrums and threatening to walk out."
1664:, p. 221: "...it is Lola's strength that she has lived with shabbiness long enough to know how to bend without breaking and the Professor's tragic misfortune to bend to first and still break after all."
1771:
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that was smuggled into his coat by one of his students, he spends the night with her. The next morning, reeling from his night of passion, Rath arrives late to school to find his classroom in chaos; the
1683:
819:
modified cast characterizations that "gave the script an entirely new dimension." The professor's descent from sexual infatuation to jealous rage and insanity was entirely Sternberg's invention.
871:
The film proved to be "an instant international success." Dietrich, at Sternberg's insistence, was brought to Hollywood under contract to Paramount, where the studio would film and release
1652:, p. 221: "Sternberg's profundity...is measured less by the breadth of this vision than by the perfection of his form and by the emotional force of his characters within that form."
308:
1195:
892:, ostensibly a story of the downfall of a respectable middle-age academic at the hands of a pretty young cabaret singer, is Sternberg's "most brutal and least humorous" film of his
2471:
1545:, p. 54: "Hugenberg had sensed that, within the framework of an entertainment film, Sternberg had subtly mirrored the paranoiac tendencies of the Prussian bourgeoisie."
785:– and the other six Sternberg-Dietrich film collaborations – obscured the more meaningful merits not only of these particular works but of Sternberg's career as a whole."
438:. The boys disrespect and play pranks on him. Rath punishes several of his students for circulating photographs of the beautiful Lola Lola, the headliner at the local
1469:, p. 25: "The film was produced simultaneously in German and English language versions for the maximum benefit of the Paramount-Ufa combine in world markets."
728:, both from 1930, are often cited as his first sound films, Sternberg had already directed "a startling experiment" in asynchronous sound techniques with his 1929
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Later that night, Rath is released and he revisits his old classroom. Rejected, humiliated and destitute, he dies clutching the desk at which he once taught.
1196:"The Blue Angel [Der blaue Engel] ***** (1930, Marlene Dietrich, Emil Jannings, Kurt Gerron, Rosa Valetti, Hans Albers) – Classic Movie Review 1285"
1675:
705:
By 1929, Sternberg had completed a number of films for Paramount, none of which were box-office successes. However, Paramount's sister studio in Germany,
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was to be his last great cinematic moment, and it was also one of UFA's last successful films. Sarris comments on this double irony:
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remarks on the irony of the relationship: "Josef von Sternberg is too often subordinated to the mystique of Marlene Dietrich...the
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755:, seriously considered by Sternberg, was not available for the part. Sternberg and Pommer settled on stage and film actress
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709:, asked him to direct Emil Jannings in his first sound film. Jannings was the Oscar-winning star of Sternberg's 1928 film
2098:
2018:
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pose. Her reclining position with one leg elevated was selected after a dozen other attitudes were tested and discarded.
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815:) (1905), which critiques "the false morality and corrupt values of the German middle class," and agreed to adapt it.
31:
659:" ("Always Be True and Faithful") as well as an orchestral version of the song. The original melody was composed by
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2189:
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697:: "Use always fidelity and honesty / Up to your cold grave / And stray not one inch / From the ways of the Lord".
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650:
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715:, and had specially requested Sternberg's participation, despite an "early clash of temperaments" on the set.
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2199:
2149:
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730:
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as Lola: "She straddles a chair...imperiously, magisterially, fully the measurer of men in the audience..."
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2001:
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1996:
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insecurities about Lola's profession as a "shared woman" eventually consume him with lust and jealousy.
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In 1998, the Gems adaptation was translated to Japanese. With added songs composed by accordionist
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1930:
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1609:(1930) the downfall of a middle-aged bourgeois male through the machinations of a disreputable
1308:
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100:
762:
Sternberg first saw 29-year-old Marie Magdalene "Marlene" Dietrich at a music revue called the
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echoes this the key thematic sequence that reveals "the tragic dignity" of Rath's downfall:
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After arriving at Berlin's UFA studios, Sternberg declined an offer to direct a film about
2307:
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1976:
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807:
770:. Sternberg began immediately to groom Dietrich into "the woman he saw she could become."
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641:" ("A Man, Just a Regular Man"): Music by Hollaender, lyrics by Liebmann, sung by Dietrich
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1875:"You Ain't Heard Nothin' Yet": The American Talking Film: History & Memory, 1927–1949
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was scheduled for its Berlin premiere on 1 April 1930, but UFA owner and industrialist
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Sarris outlines Sternberg's "complex interplay" between Lola and the professor:
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attempts to strangle Lola, but Mazeppa and others subdue him and lock him in a
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Lola Lola surrounded by chorus line dancers on stage at The Blue Angel cabaret
1990:
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1965:
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Librettist David Thompson Working on New Musicals With Stew, Scott Ellis"
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1935:
Josef von Sternberg: a Critical Study of the Great Film Director
615:" ("They Call Me Naughty Lola"): Music by Hollaender, lyrics by
602:" ("Falling in Love Again (Can't Help It)": Music and lyrics by
434:(high school for students expected to proceed to university) in
2014:
801:. However, he was intrigued with a story by socialist reformer
1844:
German Culture Through Film: An Introduction to German Cinema
1825:
Hollywood Censored: Morality Codes, Catholics, and the Movies
356:, with uncredited contributions by Sternberg, it is based on
1621:
1619:
628:" ("Beware of Blond Women"): Music by Hollaender, lyrics by
1278:, p. 19: "...arrived at only after much experiment..."
1169:; Thompson, Kristin (2003) . "The Introduction of Sound".
961:. It was unsuccessful and closed after three performances.
1426:
1424:
1351:
1349:
1173:(2nd ed.). New York City: McGraw-Hill. p. 204.
30:
This article is about the 1930 film. For other uses, see
1015:, the Japanese version was staged as a musical starring
797:, the former Russian spiritual advisor to the family of
386:
The film was shot simultaneously in German- and English-
1324:
1322:
1320:
1318:
1074:
Lola Lola's nightclub act has been parodied on film by
370:) and set in an unspecified northern German port city.
383:". The film is considered a classic of German cinema.
993:'s loose adaptation of the film and its source novel.
2140:
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973:'s highly successful Marathi/Hindi adaptation with
390:. Though the English version was once considered a
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1038:, starring Florin Zamfirescu as the professor and
1030:playwright Răzvan Mazilu premiered in 2001 at the
520:Hans Roth as the caretaker of the secondary school
1896:(2nd ed.). Checkmark Books. pp. 34–35.
1892:Tibbetts, John C.; Welsh, James M., eds. (2005).
1055:was writing the book for a musical adaptation of
766:(Two Neckties), which was produced by dramatist
918:
901:
837:
822:In order to maximize the film's profitability,
598:Ich bin von Kopf bis Fuß auf Liebe eingestellt
2026:
638:Kinder, heut' abend, da such' ich mir was aus
8:
1842:Reimer, Robert C.; Zachau, Reinhard (2005).
1153:
688:
666:
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623:
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595:
2472:English-language musical comedy-drama films
881:would appear in American theatres in 1931.
452:is furious and demands Rath's resignation.
2033:
2019:
2011:
1913:World Film Directors: Volume One 1890-1945
428:Immanuel Rath is a professor at the local
47:
38:
1827:. Cambridge: Cambridge University Press.
1566:
1542:
1518:
1442:
1430:
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1000:produced a stage adaptation, written by
1915:(1st ed.). New York: H.W. Wilson.
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1008:, that toured the UK from 1991 to 1992.
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868:"a parody of the German bourgeoisie."
759:for the amount of 25,000 Reichsmarks.
565:Die Weintraub Syncopators as Orchestra
2402:Films directed by Josef von Sternberg
1846:. Newburyport, MA: Focus Publishing.
1748:from the original on 24 November 2022
381:Falling in Love Again (Can't Help It)
27:1930 German musical comedy-drama film
7:
2417:Films scored by Friedrich Hollaender
1894:The Encyclopedia of Novels Into Film
1716:from the original on 29 October 2023
1686:from the original on 29 October 2023
625:Nimm Dich in Acht vor blonden Frau'n
538:Robert Klein-Lörk as Pupil Goldstaub
1736:"RSC Performances - The Blue Angel"
645:The film also features the famous
25:
2452:German musical comedy-drama films
1808:. London: A. S. Barnes & Co.
1806:The Cinema of Josef von Sternberg
1230:Leonard Maltin's 2005 Movie Guide
1109:List of German films of 1919–1932
929:Remakes, adaptations and parodies
2362:1930s musical comedy-drama films
1866:The Films of Josef von Sternberg
1674:Joyce, Mike (18 February 1993).
2377:Films about adultery in Germany
2412:Films produced by Erich Pommer
1194:Winnert, Derek (3 June 2014).
957:musical version with music by
690:Üb' immer Treu und Redlichkeit
656:Üb' immer Treu und Redlichkeit
1:
1171:Film History: An Introduction
499:as Guste, the magician's wife
2437:German black-and-white films
2407:Films of the Weimar Republic
2397:Films based on German novels
2372:1930s English-language films
1741:Shakespeare Birthplace Trust
2442:1930s German-language films
2392:Films about musical theatre
1877:. Oxford University Press.
32:Blue Angel (disambiguation)
2488:
1823:Black, Gregory D. (1994).
1497:"had no successors at UFA"
781:publicity that enshrouded
651:Garrison Church at Potsdam
606:, sung by Marlene Dietrich
523:Rolf Müller as Pupil Angst
481:as Professor Immanuel Rath
295:$ 77,982 (2001 re-release)
29:
2447:German multilingual films
2357:1930 musical comedy films
1457:, pp. 63, 67, 74–75.
998:Royal Shakespeare Company
668:Ein Mädchen oder Weibchen
574:Wolfgang Staudte as Pupil
517:as the director of school
505:as Mazeppa, the strongman
74:
58:
53:Theatrical release poster
46:
2387:Films about entertainers
1676:"Ellington's Lesser Gem"
1301:"The Blue Angel - Music"
1255:"Der Blaue Engel (1930)"
1154:Reimer & Zachau 2005
1067:providing the score and
991:Rainer Werner Fassbinder
848:Jannings..."</ref>
493:as Kiepert, the magician
207:Robert Liebmann (lyrics)
2367:Babelsberg Studio films
2352:1930 multilingual films
2347:1930 comedy-drama films
1873:Sarris, Andrew (1998).
1706:"The German Connection"
1253:Travers, James (2005).
661:Wolfgang Amadeus Mozart
612:Ich bin die fesche Lola
379:and Robert Liebmann's "
2422:Films set in the 1920s
2129:The Case of Lena Smith
1911:Wakeman, John (1988).
1868:. New York: Doubleday.
1493:, pp. 63, 74–75:
1232:. Plume. p. 151.
1026:A stage adaptation by
922:
910:
850:
689:
667:
655:
637:
624:
611:
596:
590:
515:Eduard von Winterstein
425:
414:
316:
239:1 April 1930
2427:Films set in cabarets
2382:Films about educators
2119:The Docks of New York
2059:The Salvation Hunters
1078:as Fraulein Lilli in
683:and subsequently the
588:
420:
405:
2432:Films set in Germany
2280:The Shanghai Gesture
2240:Crime and Punishment
2230:The Devil is a Woman
2069:The Exquisite Sinner
1265:on 17 November 2015.
663:for Papageno's aria
604:Friedrich Hollaender
569:Friedrich Hollaender
377:Friedrich Hollaender
203:Friedrich Hollaender
2220:The Scarlet Empress
2190:An American Tragedy
2043:Josef von Sternberg
1937:. New York: Dutton.
1931:Weinberg, Herman G.
1786:on 18 October 2012.
1712:. 15 January 2006.
1628:, pp. 220–221.
1593:, pp. 219–220.
1370:, pp. 217–218.
1206:on 7 September 2022
885:Themes and analysis
330:Josef von Sternberg
321:) is a 1930 German
225:Universum Film A.G.
108:Josef von Sternberg
83:Josef von Sternberg
2467:1930s German films
2263:(1937, unfinished)
2250:The King Steps Out
2082:(1926, unfinished)
2079:A Woman of the Sea
2041:Films directed by
1997:TCM Movie Database
1406:, pp. 63, 66.
1013:Yasuhiro Kobayashi
632:, sung by Dietrich
619:, sung by Dietrich
591:
548:Wilhelm Diegelmann
426:
415:
2457:Tragicomedy films
2329:
2328:
2007:– Thomas Caldwell
1834:978-0-521-45299-1
1533:, pp. 74–75.
1521:, pp. 53–54.
1239:978-0-452-28592-7
1180:978-0-07-115141-2
989:(1981), director
969:(1972), director
939:(1959), director
738:Casting Lola Lola
687:, the lyrics of "
388:language versions
328:film directed by
299:
298:
16:(Redirected from
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2312:
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2284:
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2200:Shanghai Express
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2099:The Last Command
2093:
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2035:
2028:
2021:
2012:
1938:
1926:
1907:
1888:
1869:
1857:
1838:
1819:
1788:
1787:
1782:. Archived from
1770:(1 April 2010).
1768:Simonson, Robert
1764:
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1605:, p. 121: "
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1312:
1311:on 20 July 2013.
1307:. Archived from
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1266:
1261:. Archived from
1250:
1244:
1243:
1222:
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1211:
1202:. Archived from
1191:
1185:
1184:
1163:
1157:
1151:
1145:
1133:
1090:Luchino Visconti
1040:Maia Morgenstern
1004:and directed by
862:Alfred Hugenberg
839:"The ultimately
799:Czar Nicholas II
749:Trude Hesterberg
712:The Last Command
695:Prussian virtues
692:
670:
658:
640:
627:
614:
601:
560:Ilse Fürstenberg
529:as Pupil Lohmann
485:Marlene Dietrich
422:Marlene Dietrich
407:Marlene Dietrich
334:Marlene Dietrich
311:
246:
244:
213:(orchestrations)
150:Marlene Dietrich
51:
39:
21:
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2270:Sergeant Madden
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2002:Notes on Film:
1977:Rotten Tomatoes
1945:
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1680:Washington Post
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1224:
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1045:In April 2010,
943:'s remake with
931:
887:
877:in 1930 before
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813:Professor Filth
808:Professor Unrat
791:
779:Svengali-Trilby
740:
703:
685:Weimar Republic
676:The Magic Flute
617:Robert Liebmann
583:
578:
577:
554:Gerhard Bienert
535:as Pupil Ertzum
473:
409:in her classic
400:
368:Professor Filth
363:Professor Unrat
354:Robert Liebmann
350:Karl Vollmöller
318:Der blaue Engel
307:
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101:Karl Vollmöller
69:Der blaue Engel
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18:Der Blaue Engel
15:
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2462:UFA GmbH films
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2160:The Blue Angel
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2015:
2009:
2008:
2004:The Blue Angel
1999:
1992:The Blue Angel
1988:
1984:The Blue Angel
1979:
1972:The Blue Angel
1968:
1961:The Blue Angel
1957:
1950:The Blue Angel
1944:
1943:External links
1941:
1940:
1939:
1927:
1922:978-0824207571
1921:
1908:
1903:978-1859835203
1902:
1889:
1884:978-0195038835
1883:
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1710:Indian Express
1697:
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1642:
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1607:The Blue Angel
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1084:(1961) and by
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1057:The Blue Angel
1053:David Thompson
1043:
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979:Shreeram Lagoo
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1592:
1587:
1584:
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1575:
1572:
1569:, p. 54.
1568:
1567:Weinberg 1967
1563:
1560:
1557:, p. 75.
1556:
1551:
1548:
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1543:Weinberg 1967
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1532:
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1524:
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1519:Weinberg 1967
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1444:
1443:Weinberg 1967
1439:
1436:
1433:, p. 50.
1432:
1431:Weinberg 1967
1427:
1425:
1421:
1418:, p. 72.
1417:
1412:
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1405:
1400:
1397:
1393:
1388:
1385:
1382:, p. 66.
1381:
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1358:, p. 48.
1357:
1356:Weinberg 1967
1352:
1350:
1346:
1343:, p. 63.
1342:
1337:
1334:
1331:, p. 25.
1330:
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1290:, p. 28.
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1159:
1156:, p. 34.
1155:
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1086:Helmut Berger
1083:
1082:
1081:On the Double
1077:
1073:
1070:
1066:
1062:
1058:
1054:
1050:
1049:
1044:
1042:as Lola Lola.
1041:
1037:
1033:
1032:Odeon Theatre
1029:
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753:Brigitte Helm
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693:" symbolized
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358:Heinrich Mann
355:
351:
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344:. Written by
343:
339:
338:Emil Jannings
335:
332:and starring
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2210:Blonde Venus
2208:
2198:
2188:
2178:
2168:
2159:
2158:
2148:
2127:
2117:
2109:The Drag Net
2107:
2097:
2087:
2077:
2067:
2057:
2050:Silent films
2003:
1991:
1987:– Danny Hahn
1983:
1971:
1960:
1949:
1934:
1912:
1893:
1874:
1865:
1843:
1824:
1805:
1802:Baxter, John
1784:the original
1779:
1773:
1762:
1750:. Retrieved
1739:
1730:
1718:. Retrieved
1709:
1700:
1688:. Retrieved
1679:
1669:
1657:
1645:
1633:
1606:
1598:
1586:
1574:
1562:
1550:
1538:
1526:
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1411:
1399:
1387:
1375:
1363:
1336:
1309:the original
1304:
1295:
1283:
1271:
1263:the original
1258:
1248:
1229:
1220:
1208:. Retrieved
1204:the original
1199:
1189:
1170:
1161:
1149:
1136:
1119:
1118:
1093:
1079:
1056:
1046:
1017:Kenji Sawada
984:
971:V. Shantaram
964:
950:
945:Curd Jürgens
934:
923:
919:
911:
904:
902:
898:
893:
889:
888:
878:
872:
870:
865:
857:
856:
844:
841:tragic irony
838:
832:
829:
823:
821:
817:
812:
806:
792:
782:
772:
768:Georg Kaiser
763:
761:
741:
729:
723:
719:
717:
710:
704:
681:German Reich
674:
664:
644:
556:as Policeman
544:as Innkeeper
533:Carl Balhaus
527:Roland Varno
511:as the clown
497:Rosa Valetti
487:as Lola Lola
466:
462:straitjacket
458:
454:
429:
427:
385:
371:
367:
361:
326:comedy-drama
317:
302:
301:
300:
256:Running time
232:Release date
211:Franz Waxman
137:Erich Pommer
119:
68:
36:
2260:I, Claudius
2150:Thunderbolt
2141:Sound films
1982:Dissecting
1752:23 November
1662:Sarris 1998
1650:Sarris 1998
1638:Baxter 1971
1626:Sarris 1998
1603:Sarris 1998
1591:Sarris 1998
1579:Sarris 1998
1555:Baxter 1971
1531:Baxter 1971
1507:Sarris 1998
1491:Baxter 1971
1479:Baxter 1971
1467:Sarris 1966
1455:Baxter 1971
1416:Baxter 1971
1404:Baxter 1971
1392:Sarris 1998
1380:Baxter 1971
1368:Sarris 1998
1341:Baxter 1971
1329:Sarris 1966
1288:Sarris 1966
1276:Baxter 1971
1069:Scott Ellis
1006:Trevor Nunn
951:Pousse-Cafe
914:John Baxter
912:Biographer
757:Käthe Haack
731:Thunderbolt
503:Hans Albers
491:Kurt Gerron
342:Kurt Gerron
260:108 minutes
188:Sam Winston
185:Walter Klee
160:Kurt Gerron
133:Produced by
79:Directed by
2342:1930 films
2336:Categories
2180:Dishonored
2089:Underworld
1774:Scottsboro
1115:References
1095:The Damned
1076:Danny Kaye
1071:directing.
789:Production
701:Background
571:as Pianist
550:as Captain
292:Box office
243:1930-04-01
89:Written by
2318:Jet Pilot
1036:Bucharest
1023:in Tokyo.
1021:Bunkamura
953:, a 1966
805:entitled
679:. In the
653:playing "
450:principal
431:Gymnasium
392:lost film
309:‹See Tfd›
275:Languages
179:Edited by
2308:Anatahan
2289:The Town
1966:AllMovie
1933:(1967).
1864:(1966).
1804:(1971).
1780:Playbill
1746:Archived
1720:3 August
1714:Archived
1690:18 March
1684:Archived
1210:19 April
1103:See also
1048:Playbill
1028:Romanian
1002:Pam Gems
955:Broadway
795:Rasputin
647:carillon
196:Music by
143:Starring
116:Based on
2170:Morocco
1995:at the
1795:Sources
1305:TCM.com
1098:(1969).
1059:, with
1019:at the
975:Sandhya
874:Morocco
853:Release
773:Critic
742:Singer
725:Morocco
718:Though
649:of the
445:panties
440:cabaret
411:cabaret
323:musical
284:English
269:Germany
265:Country
241: (
2321:(1957)
2311:(1953)
2301:(1952)
2291:(1943)
2283:(1941)
2273:(1939)
2253:(1936)
2243:(1935)
2233:(1935)
2223:(1934)
2213:(1932)
2203:(1932)
2193:(1931)
2183:(1931)
2173:(1930)
2163:(1930)
2153:(1929)
2132:(1929)
2122:(1928)
2112:(1928)
2102:(1928)
2092:(1927)
2072:(1926)
2062:(1925)
1919:
1900:
1881:
1850:
1831:
1812:
1236:
1177:
1139:(1930)
966:Pinjra
313:German
281:German
64:German
2298:Macao
1120:Notes
894:œuvre
673:from
581:Music
1955:IMDb
1917:ISBN
1898:ISBN
1879:ISBN
1848:ISBN
1829:ISBN
1810:ISBN
1754:2022
1722:2013
1692:2021
1613:..."
1234:ISBN
1212:2023
1175:ISBN
1143:IMDb
1063:and
1061:Stew
996:The
986:Lola
977:and
722:and
471:Cast
398:Plot
352:and
340:and
1975:at
1964:at
1953:at
1141:at
1092:'s
1088:in
1034:in
843:of
707:UFA
125:by
2338::
1778:.
1744:.
1738:.
1708:.
1682:.
1678:.
1618:^
1423:^
1348:^
1317:^
1303:.
1257:.
1198:.
1128:^
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