419:, but relents when the Corregidor urges her not to. The Corregidor is so taken by Frasquita that he is dumbstruck for a moment. He begins to woo her, and she seizes the opportunity to press for a favor she has obviously already requested many times: the appointment of her nephew as court notary in the nearby town of Estella. The Corregidor refuses, and his advances become ever more ardent. In his passion, he loses his balance and crashes to the ground. Lukas takes this cue to reveal himself. The couple ridicules the old man, who, realizing that Lukas has heard the entire exchange, childishly vows his revenge. Frasquita offers him some grapes in order to placate him, but he hesitates.
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Frasquita begins to tidy up the dishes. She then sits down to her spinning wheel and muses to herself about
Tonuelo's summons. From outside, she hears a sudden shout for help. Thinking it is Lukas, she rushes to the door, only to discover that it is the Corregidor, who has fallen into the millstream.
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Frasquita enters the yard and sets the table while singing to herself. Lukas surprises her from the arbor and teases her about the affections of the
Corregidor, magistrate of the province in which they live. Lukas spies the Corregidor approaching with Repela, his servant, and goes back into hiding in
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In the kitchen at the millhouse, Lukas and
Frasquita are eating dinner and discussing, first teasingly, then passionately, how happy they are together. They are interrupted by a knock at the door. It is Tonuelo, one of the Alkalde's servants, coming under the banner of the “rule of law.” He is very,
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Repela, who has also been watching the entire scene, enters, intending to reprimand
Frasquita for her behaviour. He is interrupted by the sound of the Bishop's arrival in the distance. Lukas and Frasquita rush off to finish their preparations, while the Corregidor sends Repela off to set his revenge
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Lukas enters, still dressed in the
Corregidor's clothes and imitating the Corregidor's mannerisms. After everyone's true identity is revealed, the characters recap the story and explain what happened when Lukas arrived in disguise at the Corregidor's house (Wolf cut most of this section in his 1897
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Donna
Mercedes, the Corregidora, appears in the plaza. Although she has already sized up the situation, she continues to treat her husband as if he were Lukas. The Corregidor, finally realizing what is going on, attempts to blame Frasquita for everything that has happened, but his wife does not let
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The
Corregidor, Frasquita, Repela, Tonuelo and the Alkalde arrive at the Corregidor's house. They knock, but there is no reply. Repela, making light of the situation, pretends that he is serenading the house by faking the sound of a guitar. Finally the Duenna wakes up and comes to the window. The
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The
Corregidor enters the house, soaking wet from the stream. Frasquita becomes angry, realizing at once what the Corregidor has intended all along. He attempts to bribe Frasquita into bed with her nephew's appointment, and when she refuses, he threatens her with a pistol. She in turn pulls out a
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Tio Lukas is picking grapes and preparing his millyard for the arrival of an unnamed Bishop and conversing with a neighbor. The neighbor taunts Lukas, saying that the only reason people show him any favor is because he has such a pretty wife. Lukas shrugs off the comment. The neighbor leaves, and
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The
Corregidor, awoken by Lukas, cautiously comes out of the bedroom. Vexed that his own clothes have apparently been stolen, he puts on those that Lukas left behind. The Alkalde enters with Frasquita, Tonuelo and Repela, but they do not yet notice the Corregidor, who tries to slip back into the
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Lukas arrives back at the mill. He notices the
Corregidor's clothes still hanging by the fire and the notary appointment on the table, and jumps to the obvious conclusion. Grabbing the blunderbuss, he creeps towards the bedroom door. Seeing the Corregidor asleep on the bed, Lukas berates himself
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The Alkalde notices the Corregidor, but thinking he is Lukas, orders Tonuelo to apprehend him. Tonuelo knocks the Corregidor to the ground, but the group quickly realizes their mistake. After Repela divines Lukas's intent in stealing the Corregidor's clothes, everyone agrees to head off to the
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Tonuelo summons Lukas to the Alkalde, the local mayor. Lukas says he will go in the morning, but Tonuelo insists that he come immediately. Frasquita wishes to accompany him, but Tonuelo again relays that he is to summon Lukas only. The two men exit, leaving Frasquita alone.
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Corregidor announces his presence, but the Duenna does not believe him, saying that the lord of the house is already home. Realizing who that must be, Frasquita despairs that Lukas did indeed think her unfaithful. The Corregidor does not understand what is going on.
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The Corregidor removes his wet clothes, instructing Repela to hang them by the fire to dry. Realizing that Frasquita is no longer there, he sends Repela off to intercept her before she reaches town. The Corregidor, alone, sings to himself, in another song from the
589:
A troop of officers and servants bursts out of the gate and start to beat the party. They try to run away and explain their presence at the same time. The chorus of soldiers sings confusedly. The Corregidor still does not understand what is going on.
551:
quietly in a fit of humiliation and jealousy. Suddenly realizing that the Corregidor also has a pretty wife, he forms his own plan for vengeance. Donning the Corregidor's clothes and laughing, Lukas heads for the Corregidor's house.
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The revelers drink to Lukas, even though he is clearly not in the mood to be trifled with. Lukas tricks the group into a drinking game, then pretends to go to sleep on a bench. The drunken servants go off to find their own beds.
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Repela enters to tend to the Corregidor, while Frasquita prepares to leave on the pretense of summoning a doctor from town. In reality, she leaves to find Lukas and to inform the Corregidora of what her husband is up to.
534:
Frasquita makes her way to the Alkalde's house to find Lukas. Unbeknownst to either, Lukas passes her on his way back to the mill. She speaks to herself nervously. Repela enters, but Frasquita does not notice him yet.
411:
The Corregidor approaches Frasquita, who flirts with him and dances a fandango. He is afraid that her dancing might wake Lukas. She threatens to wake Lukas (with the song "In dem Schatten meiner Locken" from the
604:
revision). Lukas and Frasquita are reconciled, and the Corregidor gives way, realizing that he has been bested. The ensemble thanks the Corregidora with respect and gratitude for her benevolent intervention.
404:
Repela enters, taking a pinch of snuff and sneezing violently. Frasquita tells him that Lukas is asleep, which Repela is interested to know. He runs off to tell his master that Frasquita is apparently alone.
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After a few moments, Manuela enters the room to ask Lukas to hire her away from the Alkalde. Realizing that Lukas is no longer there, she rouses the rest of the household.
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Some older versions of the story (which is found in several sources dating back as far as the fifteenth century) mention the town of
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Repela reveals himself. He mocks Frasquita, and she yells at him. They decide to go off together in search of Lukas.
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The Alkalde and his servants Manuela and Pedro are drinking together. Lukas and Tonuelo enter through a rear door.
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Till Gerrit Waidelich: Rosa Mayreders Libretto für Hugo Wolf und das Problem der Stilhöhe. In:
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Feministin auf librettistischen (Ab-)wegen. Rosa Mayreders Libretto fĂĽr Hugo Wolfs Corregidor.
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At this point, the curtain drops, and the orchestra plays some brief scene-change music.
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Pedro and Tonuelo join Manuela, and the three reluctantly go out to search for Lukas.
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904:(November 1989). "Hugo Wolf and the Operatic Grail: The Search for a Libretto".
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In front of the Corregidor's house, a night watchman announces 5:30 AM.
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plan in motion. The Bishop approaches amid an onstage brass fanfare.
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643:– 1944 – Urania, a performance recorded by German radio at the
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Hugo Wolf's Corregidor: A Study of the Opera and its Origins
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Lukas climbs up into an arbor to continue his preparations.
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This is followed by another episode of scene-change music.
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Wolf composed the opera in 1895 and revised it in 1897.
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Lukas, enraged, gets up and escapes out of the window.
863:(Analysis, work details, synopsis, German and English)
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Emergent Holistic Consciousness: The Postmodern Mystic
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Time and place: in and around an unnamed village in
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614:Conductor/Mercedes/Frasquita/Eugenio/Lukas/Repela
612:There are two complete recordings (cast key is
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892:Frankfurter Zeitschrift fĂĽr Musikwissenschaft
817:Robert Hernried (January 1940). "Hugo Wolf's
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398:order to spy on the old man's conversation.
169:made an arrangement of the opera's prelude.
22:
879:Musikwissenschaftlicher Verlag, Wien 2000,
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947:International Music Score Library Project
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1156:Works based on The Three-Cornered Hat
155:The opera was first performed at the
134:-Obermayer, based on the short novel
7:
739:. L'Almanacco di Gherardo Casaglia
14:
179:Roles, voice types, premiere cast
1103:
1080:
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802:. London: privately published.
896:Online-Publikation 11, S. 1–18
1:
16:1896 comic opera by Hugo Wolf
877:Hugo Wolfs "Der Corregidor".
335:Donna Mercedes's housekeeper
694:Heywood, Stuart P. (2011).
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855:Bradford Robinson (2006).
727:Casaglia, Gherardo (2005).
193:Premiere cast, 7 June 1896
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918:10.1017/s0954586700003037
157:Mannheim National Theatre
137:El sombrero de tres picos
104:Mannheim National Theatre
78:El sombrero de tres picos
41:
30:
1043:Italienisches Liederbuch
667:Dietrich Fischer-Dieskau
263:the Corregidor's servant
142:Pedro Antonio de AlarcĂłn
83:Pedro Antonio de AlarcĂłn
906:Cambridge Opera Journal
200:Don Eugenio de Zuniga,
1151:Operas based on novels
1126:German-language operas
851:26 (2007), S. 219–230.
849:Musikologica Austriaca
629:Margarete Teschemacher
597:him get away with it.
344:Helene Seubert-Hansen
23:
1050:Spanisches Liederbuch
824:The Musical Quarterly
479:Spanisches Liederbuch
415:Spanisches Liederbuch
303:the Corregidor's wife
195:Conductor: Hugo Röhr
93:7 June 1896
837:10.1093/mq/xxvi.1.19
754:Jerez de la Frontera
565:Corregidor's house.
243:Anton Friedrich Erl
159:on 7 June 1896 with
48:The composer in 1902
1146:Operas set in Spain
1131:Operas by Hugo Wolf
956:Boosey & Hawkes
798:Peter Cook (1976).
373:, in the year 1804.
328:Helene Hohenleiter
181:
1035:Lieder collections
351:the Alkalde's maid
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875:Leopold Spitzer:
772:(2CDs). Germany:
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821:at Mannheim".
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865:. Retrieved
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777:. Retrieved
767:
766:"Hugo Wolf:
760:
748:
741:(in Italian)
737:7 June 1896"
730:
696:
689:
675:Koch Schwann
659:Doris Soffel
655:Helen Donath
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1136:1896 operas
702:AuthorHouse
647:in Dresden.
625:Marta Fuchs
461:blunderbuss
317:Frasquita,
291:A neighbour
275:Tio Lukas,
120:comic opera
32:Comic opera
1120:Categories
819:Corregidor
645:Semperoper
641:Georg Hann
608:Recordings
270:Karl Marx
267:buffo bass
202:Corregidor
189:Voice type
97:1896-06-07
60:-Obermayer
54:Librettist
992:Hugo Wolf
926:191480822
867:17 August
831:: 19–30.
779:22 August
673:– 1985 –
558:bedroom.
521:Scene 11:
515:Scene 10:
371:Andalusia
349:Manuela,
340:contralto
248:Tonuelo,
161:Hugo Röhr
124:Hugo Wolf
36:Hugo Wolf
1085:Category
894:. 2008.
633:Karl Erb
601:Scene 5:
594:Scene 4:
587:Scene 3:
580:Scene 2:
574:Scene 1:
562:Scene 5:
555:Scene 4:
548:Scene 3:
539:Scene 2:
532:Scene 1:
509:Scene 9:
502:Scene 8:
496:Scene 7:
474:Scene 6:
467:Scene 5:
456:Scene 4:
449:Scene 3:
442:Scene 2:
435:Scene 1:
423:Scene 5:
409:Scene 4:
402:Scene 3:
395:Scene 2:
388:Scene 1:
364:Synopsis
333:Duenna,
282:baritone
261:Repela,
128:libretto
89:Premiere
73:Based on
65:Language
378:Prelude
308:soprano
234:Pedro,
219:Alkalde
148:History
95: (
1141:Operas
1096:Portal
999:Operas
943:(Wolf)
924:
883:
806:
735:
708:
277:miller
206:buffo
68:German
1110:Opera
1060:Other
922:S2CID
681:Notes
569:Act 4
527:Act 3
430:Act 2
383:Act 1
294:tenor
250:usher
240:tenor
208:tenor
185:Role
173:Roles
118:is a
881:ISBN
869:2020
847:In:
829:26/1
804:ISBN
781:2010
706:ISBN
254:bass
225:bass
223:low
914:doi
910:1/3
833:doi
774:jpc
616:):
140:by
122:by
81:by
34:by
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920:.
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720:^
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
