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the
Japanese Army has already made Hanaya a war hero, believing that he was killed in battle. Returning alive after being a prisoner shames the Army. The commander of the encampment, Captain Inokichi Sakatsuka, gives Hanaya a merciless beating but feels honor-bound to fulfill the agreement between the latter and the village. Captain Sakatsuka and his men bring a great bounty of food and wine to the village and hold a feast there that evening, as Ma goes off to fetch his lover Yu'er from a neighboring village. During the feast, Captain Sakatsuka demands to have the man who captured Hanaya. He also accuses Ma of sneaking off to fetch resistance fighters. Not given a satisfactory answer, he orders all villagers to be killed and the village to be burned. Ma and Yu'er return on a raft only to find the entire village in flames. Meanwhile, Hanaya is about to commit
565:. However, the final screenplay was largely original, with only a few similarities to You's novel. Because Jiang Wen and You Fengwei had different views about national character, this film set aside the theme of military-civilian resistance in the original work. The villagers took care of the Japanese prisoners, but the Japanese soldiers slaughtered them. It ruthlessly exposed the hidden character of the Chinese people's ignorance, numbness, servility and selfishness. This movie also embodies the Japanese national essence and
387:. When two Japanese soldiers come out to buy cigarettes, Ma hacks them with an axe and breaks into the camp, killing more POWs. He finds and pursues Hanaya, but is brought down by guards before he can kill the latter. Major Gao, commander of the Chinese Army contingent administering the town, condemns Ma's act as too despicable to deserve death by the hands of a Chinese soldier, and instead orders a Japanese POW to carry out the execution before a massive crowd. Captain Sakatsuka hands a
347:, a local peasant called Ma Dasan is caught by surprise when a man bursts into his home one night and deposits two men in gunnysacks, instructing him at gunpoint to keep them captive but alive for the next few days and interrogate them. The man, identified only as "Me", leaves before Ma can catch a glimpse of him. One of the gunnysacks contains Kosaburo Hanaya, a belligerent Japanese sergeant; the other Dong Hanchen, an obsequious Chinese interpreter working for the
692:). There were also reports from Asian film circles that the authorities planned to punish Jiang by forbidding him to work in China for seven years. A representative from the Chinese Film Bureau confirmed that Jiang's status was "under review" and that China suspected Jiang was awarded his prize at Cannes for "political reasons". The film was subsequently banned in China by the Chinese Film Bureau.
351:. Ma hurriedly enlists the help of his fellow villagers. Fearing both the mysterious "Me" and the Japanese, the village decides to follow the instructions from "Me" and detains the prisoners in Ma's cellar. Hanaya repeatedly attempts to provoke the peasants into killing him, but Dong, fearing for his own life, alters Hanaya's words in translation to make him appear conciliatory.
322:. One night, a mysterious man brings two captives in sacks (Japanese soldier Teruyuki and translator Dong Hanchen) to the doorstep of a peasant's (Ma Dasan) home and threatens Ma to keep them until he returns to pick them up on New Year's Eve. Fearing both the mystery man and the Japanese, the whole village falls into a dilemma over what to do with the two prisoners.
363:. He is told that being beheaded by Liu feels like a passing breeze, and that the severed head will roll nine times on the ground, blink three times, and smile in a gesture of gratitude for such a painless death. However, Liu fails to harm either prisoner with one stroke. Claiming that it is the will of Heaven, Liu leaves with the prisoners uninjured.
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in the film, some of whom were also members of the crew. Jiang himself also played the leading role in the film, which he admitted was a tiring experience. He said he also came to distrust what most of the crew members said about his acting, especially when they were tired and wanting to finish for the day.
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are used to accentuate certain comic episodes, one of which includes a scene where two
Japanese soldiers chase a chicken into Ma Dasan's courtyard. The scene plays out chaotically as Ma desperately tries to keep the soldiers away from the outer room where the two prisoners are being held. A hand-held
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often alternates between extreme long shots and close-ups. These long shots, contrasted with extreme close-ups that fiercely frame characters' faces yet exclude the object of their gaze, or focus on details such as a pair of military boots, a sword or other mundane objects, create a fragmented vision
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According to director Jiang Wen, Ma is initially very fearful but does not know the origins of his fear. The turning point comes when he sees his village in flames and his fellow villagers massacred. He then overcomes his own fear and begins longing for death. In the final scene, Ma dies a satisfying
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as promised. Six months later, the villagers finally run out of patience and resolve to kill the prisoners. The task falls on Ma after a drawing of lots. Not daring to commit murder, Ma instead hides the prisoners in a watchtower along the Great Wall, where he visits them regularly to bring them food
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The version shown at the 2000 Cannes Film
Festival was three hours long. This was a working version that was later cut to 139 minutes with director Jiang Wen's full participation in order to enhance the film's commercial prospects and to tighten the storyline, which he did not have time to do before
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created even stronger anti-Japanese sentiments that progressively grew stronger as the war continued on. The timeline of the film matches up accurately with history; the execution of Ma Dasan, portrayed by Jiang Wen, lines up with the announcement of the surrender of Japan on August 15, 1945, by the
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By this time, however, Hanaya has lost all his defiance and is filled only with gratitude towards the villagers. He promises to reward the village with two wagons of grain should he be released. The villagers agree and return the prisoners to the
Japanese Army encampment in the nearby town. However,
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by You
Fengwei, and was greatly modified during the process of adaptation. This film shelved the theme of "the brave resistance against Japanese aggression" in the original literature, and focused on the themes of "the ignorance of the peasants" and "the absurdity of the war." Contrary to its title,
618:
not only changes from black and white to color, but the camera perspective also shifts from a neutral third-person point-of-view to the first-person perspective of Ma's severed head. In an interview, director Jiang Wen explained that the reason for filming in black and white was to mimic the nature
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depicted in the film. Jiang spent two weeks discussing the issue with them, and showed them documentaries about the war, including some made by
Japanese filmmakers. According to Jiang, the Japanese cast members eventually came to trust him. Jiang also used many non-professional actors and actresses
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also complimented Jiang, Kagawa
Teruyuki and Kenya Sawada, saying their acting was "colorful" and "believable". Inevitably, however, some reviewers voiced displeasure after viewing the film, saying that it "further estranges the Sino-Japanese friendship that was seriously damaged in the past war".
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According to director Jiang Wen, both the
Japanese producers of the film and the Chinese Film Bureau expressed similar concerns: "Don't let Japanese soldiers kill people; Chinese people shouldn't be so dumb; Japanese soldiers shouldn't be kept as prisoners." A report confirmed that the authorities
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and water. However, an unsuccessful escape attempt by the prisoners reveals Ma's secret to the rest of the village. A bitter argument ensues and the village decides to hire an assassin from town to carry out the deed. Ma enlists the help of an old man known as One Stroke Liu, a former
Imperial
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is not at its core an anti-Japanese war film. In Jiang's own words, the film shows how
Chinese literature and film has perpetuated an attitude of blaming the aggressor and casting the Chinese population as passive victims of aggression. Jiang hoped that the film illuminates this common human
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chose to shoot the film in black and white to capture the details of the historical era depicted in the movie. Jiang Wen believed that the entire black and white film paved the way for the last few color shots. There were initial worries about the sales and distribution prospects for a
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467:. The film not only reproduces the atrocities committed by the Japanese army during the time in which it was set, but also acts as a warning. In the film, the Japanese army massacres many Chinese people. Such a tragedy once happened in Jiang Wen's hometown
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3.9 million, way above the original budget, which he did not specify. Later, however, a general manager from the same company told a reporter that the initial budget was US$ 2 million, but the final expenditure exceeded this number by over 30 percent.
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The film's portrayal and depictions of both the Chinese and the Japanese resulted in its fair share of controversies, with many from either side unhappy with how their country was presented. Its international success saw the censorship of
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846:) was initially arranged to take place after the screening on 28 March, but Jiang was eventually unable to be present. After watching the film, Minghella gave it positive remarks, calling it "candid, calm, yet filled with danger".
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camera is also used for a more somber effect at the end of the film when the massacre of the villagers is shown. To contrast, the films’ use of camera is much more subtle in the many interior shots in the early part of the film.
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in China by the People's Republic of China officials after director Jiang Wen refused to cut and edit scenes out of the film. Despite its controversies, the film went on to win a couple of minor awards in Japan in 2003.
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to Hanaya, who takes careful aim before delivering the fatal strike. As Ma's head falls to the ground, it rolls nine times, blinks three times, and smiles, just as 'One Strike' Liu's victims were supposed to have done.
442:. This makes the death of Ma all the more ironic; a great victory for the world and China is in fact the day Ma dies at the hands of the Japanese prisoners of war in a cruel twist of fate. A couple weeks later, on
424:
take place in the last few years of the Second Sino-Japanese War. While the story is fiction, it is set during the events of 1944-1945 and the final moments leading up to Japan's surrender, marking the end of
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takes back the area, Dong is publicly executed for collaborating with the enemy. Ma, bent on revenge, disguises himself as a cigarette vendor and loiters outside the Japanese encampment, now converted into a
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complained that "Chinese civilians don't hate the Japanese ", but instead are "as close as brothers" with the latter. Jiang was thus accused of having belittled the Chinese whilst beautifying the Japanese.
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was furious at Jiang for having entered the film in the Cannes Film Festival without its permission. The Film Bureau reportedly sent two officials to Cannes to try to dissuade the festival from screening
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Jiang Hongbo (姜宏波) as Yu'er, a widow from Rack-Armor Terrace and lover of Ma. She is pregnant with Ma Dasan's child, who was conceived the night the prisoners arrived at their house.
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An executive director from Beijing Zhongbo Times Film Planning, one of the three investors in the film, said in an interview that the total expenditure on the film approached
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487:(姜文) as Ma Dasan, a local peasant from the village of Rack-Armor Terrace who is threatened into keeping two prisoners (Kosaburo Hanaya and Dong Hanchen) until New Year's Eve.
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on 27 April 2002, further delaying a possible lift of ban on the film in China. All major newspapers in Japan gave the film mostly positive reviews. The liberal leaning
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307:. The film was initially not allowed to be shown in theaters in its native China for a certain period but has eventually been made commercially available there since.
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664:(UK) as part of Asia Triennial Manchester 14, and a 161-minute version arrived, somewhat to the organizers' surprise. The film was well received at this screening.
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that intends to lead viewers to comment on the images they are seeing rather than hook viewers with strong emotions. In the early scenes of the film,
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is filmed almost entirely in black and white — except for the last four minutes, during which Ma is executed. As his head rolls to the ground, the
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1438:
Silbergeld, Jerome (2008), Body in Question: Image and Illusion in Two Chinese Films by Director Jiang Wen (Princeton: Princeton University Press)
276:; literally "the devils are here"; the devil is a term of abuse for foreign invaders, here referring to brutal and violent Japanese invaders in
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It was not known publicly if the seven-year ban was eventually imposed, but Jiang did not produce any directorial work between
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1351:“Chinese Cinema in the Post-Cold War Ear and the Legacy of the Sino-Japanese War: Devils on the Doorstep and Purple Sunset”
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Yuan Ding (袁丁) as Dong Hanchen, a nervous Chinese interpreter working for the Japanese Army and held captive by Ma Dasan.
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505:(澤田 拳也) as Captain Inokichi Sakatsuka, the commander of a company of Japanese soldiers encamped near Rack-Armor Terrace.
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spirit. They were merciless and cruel when they massacred the villagers, but obedient and humble after surrendering.
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that reflects the protagonists’ confusion. This type of cinematography can be compared to the style of a detached
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539:(陈强) as 'One-Stroke' Liu, a renowned executioner who Ma Dasan is introduced to but later turns out to be a fraud.
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Raynes, Tony. tr. Wang, Norman & Clark, Paul (2000-04-17), "An interview with Jiang Wen" (attached with DVD)
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Raynes, Tony. tr. Wang, Norman & Clark, Paul (2000-04-17), "An interview with Jiang Wen" (attached with DVD)
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Haibin Li as “Me”, the man who forces Ma Dasan to hold two prisoners (Kosaburo Hanaya and Dong Hanchen) hostage.
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design had newly subsided. Jiang responded that he visited the shrine several times to collect resources for
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of historic photographs and make the film indistinguishable from its counterparts made before the advent of
711:(2002), which was a huge commercial success in China. He was also nominated for Best Actor in the official
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623:. Monochrome cinematography also contrasts with the artificiality of the bright colors characteristic of
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Werner, Michael (President of Fortissimo Films), "A note about this DVD edition" (attached with DVD)
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Werner, Michael (President of Fortissimo Films), "A note about this DVD edition" (attached with DVD)
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721:(2003). The ban was eventually lifted and the film has been commercially available in China since.
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Many Japanese media reports on the film also mentioned Jiang's past visits to the controversial
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1443:"From Red Sorghum to Devils on the Doorstep: conceptual evolution in Chinese film adaptations."
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The Japanese cast members in the film, two of whom came to know Jiang while on exchange in the
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Lianmei Chen (simplified Chinese: 陈莲梅; traditional Chinese: 陈莲梅) as Auntie, Er Bozi's mother.
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and the Second Sino-Japanese War. The film takes a different approach in comparison to other
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The story takes place in a small remote village named Guajiatai (or Rack Armor Terrace) near
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Weidong Cai as Er Bozi, a peasant from the village of Rack-Armor Terrance and Auntie's son.
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493:(香川照之) as Kosaburo Hanaya, a hostile Japanese Army sergeant held captive by Ma Dasan.
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1492:"Filming the anti-Japanese war: the devils and buffoons of Jiang Wen’s Guizi Laile."
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1142:"Filming the anti-Japanese war: the devils and buffoons of Jiang Wen's Guizi Laile"
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on 28 March and 29 March 2006. A dialogue between Jiang Wen and British director
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called the film Jiang's "overarching question on human nature". The conservative
511:(simplified Chinese: 吴大维; Traditional Chinese: 吳大維) as Major Gao, commander of a
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psychological trait of blaming others for disaster that goes beyond Chineseness.
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1394:“Discoloured vestiges of history: Black and white in the age of colour cinema.”
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1448:, Summer 2004, 64+. Gale Literature Resource Center. Retrieved on 2021-06-13.
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Journal of Chinese Cinemas 6, no. 3 (2012): 247–262. Retrieved on 2021-06-11.
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said the film "illustrates and examines the weakness of human nature". The
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on 18 December 2002. In its 65 days in theater, the film grossed a meager
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Zi Xi (曦子) as Liu Wang, a peasant from the village of Rack-Armor Terrance.
446:, the official surrender was signed and World War II was officially over.
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In a small village named Rack-Armor Terrace in Hebei, at the foot of the
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featuring subtitles in English and an introduction by American director
566:
412:. It shows the brutality of war and how it affects the Chinese people.
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1508:"Commercial release of Devils not in foreseeable future: Film Bureau"
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1222:"Commercial release of Devils not in foreseeable future: Film Bureau"
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and demanded that Jiang hand over the negative (which was brought to
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retained the central characters' relationships and story frame of
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black-and-white film, but the production eventually went ahead.
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battalion administering the area after the Japanese surrender.
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The film was inspired by and loosely based on a novel titled
463:
In an interview, Jiang Wen explained the reason why he made
371:
before being stopped by Captain Sakatsuka and informed that
1536:"Numerous voices—Reactions to screening of Devils in Japan"
1242:"Numerous voices—Reactions to screening of Devils in Japan"
660:
The film was booked for showing on 3 November 2014 at the
1522:"Visiting and worshipping are different in nature: Jiang"
1481:"Responses to Jiang's Devils screened illegally in Japan"
1067:"Responses to Jiang's Devils screened illegally in Japan"
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to mimic old-time war movies, the film premiered at the
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in the 1980s, initially expressed concerns with the
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Mainichi Film Award for Foreign Film Best One Award
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1497:2, no. 2 (2004): 107–118. Retrieved on 2021-06-12.
1262:"Visit and worship are different in nature: Jiang"
705:. However, he did act in several films, including
766:, where spirits of Japanese soldiers, including
572:Director Jiang Wen and director of photography
375:has recently surrendered, and the war is over.
1435:38, no. 8 (2002): 75. Retrieved on 2021-06-12.
354:The mystery man fails to return by the eve of
2276:
1714:
1601:
1467:"Jiang disobeys rules, Devils ban indefinite"
1090:"Jiang disobeys rules, Devils ban indefinite"
8:
1112:"Festival de Cannes: Devils on the Doorstep"
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854:Apart from the Chinese different versions,
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1767:Investigation of a Citizen Above Suspicion
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1032:People's Republic of China-Japan relations
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287:film directed, co-written and produced by
27:
18:
2576:Three Billboards Outside Ebbing, Missouri
1495:New Cinemas: Journal of Contemporary Film
1146:New Cinemas: Journal of Contemporary Film
1081:
1079:
1058:
1056:
1052:
882:) was released on 19 April 2005 in the
858:distributed a DVD version in Japan and
325:The film is inspired by the novel
280:during World War II) is a 2000 Chinese
1542:, 2002-07-01. Retrieved on 2007-03-30.
1528:, 2002-06-28. Retrieved on 2007-03-30.
1514:, 2002-06-19. Retrieved on 2007-03-30.
1487:, 2002-06-27. Retrieved on 2007-03-30.
1473:, 2000-09-18. Retrieved on 2007-03-30.
1389:, 2006-03-29. Retrieved on 2007-03-30.
1305:, 2006-03-29. Retrieved on 2007-03-30.
1268:, 2002-06-28. Retrieved on 2007-03-30.
1248:, 2002-07-01. Retrieved on 2007-03-30.
1228:, 2002-06-19. Retrieved on 2007-03-30.
1096:, 2000-09-18. Retrieved on 2007-03-30.
1073:, 2002-06-27. Retrieved on 2007-03-30.
475:death as he has fulfilled his desire.
295:, Yuan Ding and Jiang Hongbo. Shot in
862:copies for international releases. A
404:with a dark sense of humor about the
7:
1417:"China blacklists top film director"
1186:"Interview with Jiang Wen - CNN.com"
1881:Monty Python's The Meaning of Life
1375::831–850. Retrieved on 2007-03-30.
951:Hawaii International Film Festival
533:Yoshimoto Miyaji as Koji Nonomura.
14:
1349:Gieselmann, Martin (2014-08-07),
804:opened in a single cinema in the
1362:"China's "New Thinking" on Japan
610:Though it was released in 2000,
2680:Obscenity controversies in film
1873:The Night of the Shooting Stars
1730:Cannes Film Festival Grand Prix
1333:Corliss, Richard (2000-07-24),
1317:Corliss, Richard (2000-06-05),
974:Best Foreign Language Director
625:Fifth Generation Chinese cinema
320:War of Resistance Against Japan
2665:Second Sino-Japanese War films
2180:It's Only the End of the World
774:for appearing on the cover of
265:
257:
1:
2660:2000s Japanese-language films
2655:2000s Mandarin-language films
736:was commercially released in
2140:Once Upon a Time in Anatolia
1415:Rennie, David (2001-06-19),
1028:, the background of the film
768:some convicted of war crimes
718:Warriors of Heaven and Earth
2675:Films directed by Jiang Wen
1813:The Enigma of Kaspar Hauser
1140:Ward, Julian (2004-09-01).
1006:Best Foreign Language Film
518:Zhijun Cong as Grandfather.
513:National Revolutionary Army
380:National Revolutionary Army
303:on 12 May where it won the
2716:
2695:Chinese black comedy films
1459:. Retrieved on 2007-03-30.
1409:. Retrieved on 2021-06-11.
1401:"Interview with Jiang Wen"
1399:Rao, Anjali (2009-07-23),
1360:Gries, P.H. (2005-12-01).
1285:. Retrieved on 2007-03-30.
652:Cannes release and cutting
406:Japanese Invasion of China
291:, starring Jiang himself,
2690:Cannes Grand Prix winners
2298:
1696:
1624:
1383:"Devils premiers in U.K."
1299:"Devils premiers in U.K."
967:
917:
888:Home Vision Entertainment
458:
301:2000 Cannes Film Festival
273:
26:
2448:Postmen in the Mountains
2400:The Shawshank Redemption
2328:The Purple Rose of Cairo
1797:The Mother and the Whore
1751:I Even Met Happy Gypsies
1453:"Devils on the Doorstep"
1429:"Devils On The Doorstep"
1357:Retrieved on 2021-06-12.
1335:"Devils on His Doorstep"
1279:"Devils on the Doorstep"
1026:Second Sino-Japanese War
715:in 2004 for his role in
699:and the 2007 production
595:Central Academy of Drama
2650:2000 black comedy films
2320:A Sunday in the Country
2248:All We Imagine as Light
843:The Talented Mr. Ripley
190:27 April 2002
2456:Devils on the Doorstep
2188:BPM (Beats per Minute)
2062:The Man Without a Past
2035:Devils on the Doorstep
1690:Devils on the Doorstep
1638:Devils on the Doorstep
1630:In the Heat of the Sun
1576:Devils on the Doorstep
1565:Devils on the Doorstep
1554:Devils on the Doorstep
1158:10.1386/ncin.2.2.107/0
1001:Mainichi Film Concours
987:Best Supporting Actor
904:Award / Film Festival
894:Awards and nominations
816:Devils on the Doorstep
802:Devils on the Doorstep
786:Devils on the Doorstep
782:Japanese military flag
734:Devils on the Doorstep
697:Devils on the Doorstep
682:Devils on the Doorstep
668:Temporary ban in China
662:Cornerhouse Manchester
631:Devils on the Doorstep
612:Devils on the Doorstep
559:Devils on the Doorstep
465:Devils On The Doorstep
452:Devils on the Doorstep
422:Devils on the Doorstep
332:Devils on the Doorstep
249:Devils on the Doorstep
35:Devils on the Doorstep
22:Devils on the Doorstep
2392:Farewell My Concubine
2336:The Trip to Bountiful
1935:Too Beautiful for You
1889:Diary for My Children
1662:Gone with the Bullets
820:National Film Theatre
647:Release and reception
416:Historical background
175:12 May 2000
2480:Flags of Our Fathers
2240:The Zone of Interest
919:Cannes Film Festival
818:was screened at the
657:the Cannes premier.
621:color cinematography
459:Director's intention
33:American poster for
2700:2000s Chinese films
2432:Shakespeare in Love
2416:The English Patient
2156:Inside Llewyn Davis
2134:The Kid with a Bike
2102:The Mourning Forest
2011:The Sweet Hereafter
1965:The Stolen Children
1654:Let the Bullets Fly
1526:Beijing Youth Daily
1427:Reynaud, Berenice.
1422:The Daily Telegraph
1370:The China Quarterly
1266:Beijing Youth Daily
1116:festival-cannes.com
969:Kinema Junpo Awards
900:
837:The English Patient
677:Chinese Film Bureau
599:Japanese war crimes
345:Great Wall of China
262:traditional Chinese
2670:Films set in Hebei
2368:Dances with Wolves
2003:Breaking the Waves
1973:Faraway, So Close!
1943:The Sting of Death
1775:Johnny Got His Gun
1646:The Sun Also Rises
1616:Films directed by
1387:Xinhua News Agency
1355:Broken Narratives.
1303:Xinhua News Agency
1042:Surrender of Japan
899:List of Accolades
898:
792:Worldwide response
780:in a dress with a
702:The Sun Also Rises
675:reported that the
581:Budget and casting
378:After the Chinese
318:at the end of the
254:simplified Chinese
2632:
2631:
2626:
2625:
2520:The King's Speech
2424:L.A. Confidential
2360:A City of Sadness
2258:
2257:
2212:Compartment No. 6
2054:The Piano Teacher
2019:Life Is Beautiful
1957:La Belle Noiseuse
1857:My American Uncle
1827:The Marquise of O
1680:
1679:
1017:
1016:
868:Steven Soderbergh
832:Anthony Minghella
640:hand-held cameras
444:September 2, 1945
245:
244:
16:2000 Chinese film
2707:
2285:
2278:
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1981:Burnt by the Sun
1865:Light Years Away
1723:
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1700:
1684:
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1540:Nanfang Dushibao
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1118:. Archived from
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1064:
1060:
1037:Nanjing Massacre
990:Kagawa Teruyuki
901:
856:Fortissimo Films
749:Mainichi Shimbun
729:Japanese release
557:by You Fengwei.
440:Emperor Hirohito
435:Nanjing Massacre
356:Chinese New Year
275:
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143:Folmer Wiesinger
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2496:The Dark Knight
2352:Cinema Paradiso
2304:Sophie's Choice
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2126:Of Gods and Men
2041:
1929:Cinema Paradiso
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896:
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798:Box Office Mojo
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764:Yasukuni Shrine
755:Yomiuri Shimbun
731:
708:The Missing Gun
690:post-production
670:
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649:
608:
583:
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491:Kagawa Teruyuki
481:
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418:
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297:black and white
293:Kagawa Teruyuki
241:US$ 2.6 million
240:
227:
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111:Kagawa Teruyuki
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17:
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2685:Censored films
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2196:BlacKkKlansman
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2086:Broken Flowers
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2408:Ulysses' Gaze
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1995:Ulysses' Gaze
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1319:"Asia Scores"
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168:Release dates
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2046:2001–present
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2017:
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1511:
1504:(in Chinese)
1494:
1485:Meiri Xinbao
1484:
1477:(in Chinese)
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1463:(in Chinese)
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1433:Film Comment
1432:
1420:
1404:
1386:
1379:(in Chinese)
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1193:. Retrieved
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1124:. Retrieved
1120:the original
1115:
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1086:(in Chinese)
1071:Meiri Xinbao
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427:World War II
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410:World War II
399:
377:
365:
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331:
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309:
282:black comedy
248:
247:
246:
206:Running time
119:Jiang Hongbo
100:Liu Xiaodong
98:Liu Xiaodian
77:
60:Shi Jianquan
34:
2504:Gran Torino
2464:The Pianist
2312:The Dresser
2172:Son of Saul
2164:The Wonders
1688:Awards for
1446:Post Script
1190:www.cnn.com
939:Golden Palm
850:DVD release
636:documentary
574:Gu Changwei
361:executioner
312:Shanhaiguan
239:3.9 million
210:139 minutes
139:Zhang Yifan
129:Gu Changwei
89:Produced by
83:You Fengwei
68:You Fengwei
42:Directed by
2645:2000 films
2639:Categories
2512:Breathless
2488:Still Life
2384:Unforgiven
1913:Repentance
1781:Taking Off
1670:Hidden Man
1441:Tian, Yu.
1312:References
1195:2021-06-14
1126:2009-10-11
977:Jiang Wen
945:Nominated
925:Grand Prix
910:Recipient
549:Adaptation
544:Production
537:Chen Qiang
305:Grand Prix
194:2002-04-27
179:2000-05-12
161:Li Haiying
2600:Nomadland
2204:Atlantics
2118:A Prophet
1849:Siberiade
1841:The Shout
1759:Ådalen 31
1737:1967–2000
1618:Jiang Wen
1534:Yuan, Q.
1479:Unknown.
1465:Unknown.
1451:Unknown.
1392:Li, Jie.
1340:Time Asia
1324:Time Asia
1277:Unknown.
1240:Yuan, Q.
1088:Unknown.
1065:Unknown.
907:Category
686:Australia
673:Time Asia
485:Jiang Wen
438:Japanese
402:war drama
289:Jiang Wen
223:Languages
135:Edited by
115:Yuan Ding
108:Jiang Wen
94:Dong Ping
92:Jiang Wen
64:Jiang Wen
46:Jiang Wen
2592:Parasite
2110:Gomorrah
2094:Flanders
2027:Humanité
1745:Accident
1570:AllMovie
1506:Xie, X.
1220:Xie, X.
1020:See also
812:18,944.
772:Zhao Wei
563:Survival
555:Survival
509:David Wu
469:Tangshan
385:POW camp
369:harakiri
327:Survival
270:Japanese
228:Japanese
226:Mandarin
157:Liu Xing
153:Cui Jian
149:Music by
105:Starring
78:Survival
74:Based on
56:Shu Ping
2608:Belfast
2552:Birdman
2544:Boyhood
2148:Reality
1987:To Live
1789:Solaris
1520:Yu, S.
1381:Ma, G.
1297:Ma, G.
1260:Yu, S.
1003:(2003)
971:(2003)
953:(2001)
921:(2000)
913:Result
873:Traffic
567:Bushido
408:during
215:Country
192: (
177: (
2619:(2023)
2611:(2022)
2603:(2021)
2595:(2020)
2587:(2019)
2579:(2018)
2571:(2017)
2563:(2016)
2555:(2015)
2547:(2014)
2539:(2013)
2531:(2012)
2523:(2011)
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2323:(1985)
2315:(1984)
2307:(1983)
2251:(2024)
2243:(2023)
2235:(2022)
2221:(2021)
2218:A Hero
2207:(2019)
2199:(2018)
2191:(2017)
2183:(2016)
2175:(2015)
2167:(2014)
2159:(2013)
2151:(2012)
2143:(2011)
2129:(2010)
2121:(2009)
2113:(2008)
2105:(2007)
2097:(2006)
2089:(2005)
2081:(2004)
2078:Oldboy
2073:(2003)
2065:(2002)
2057:(2001)
2038:(2000)
2030:(1999)
2022:(1998)
2014:(1997)
2006:(1996)
1998:(1995)
1990:(1994)
1976:(1993)
1968:(1992)
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1876:(1982)
1868:(1981)
1860:(1980)
1852:(1979)
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1830:(1976)
1816:(1975)
1808:(1974)
1800:(1973)
1792:(1972)
1784:(1971)
1770:(1970)
1762:(1969)
1754:(1967)
1673:(2018)
1665:(2014)
1657:(2010)
1649:(2007)
1641:(2000)
1633:(1994)
824:London
777:Bazaar
389:katana
264::
256::
233:Budget
185:Cannes
183: (
2584:Joker
2560:Sully
2536:Amour
2226:Close
1949:Tilaï
1897:Birdy
1048:Notes
738:Japan
396:Genre
373:Japan
316:Hebei
278:China
274:鬼が来た!
218:China
2528:Hugo
2070:Uzak
1559:IMDb
1330:(22)
860:35mm
810:US$
688:for
587:US$
479:Cast
339:Plot
266:鬼子來了
258:鬼子来了
237:US$
2616:Tár
2376:JFK
1579:at
1568:at
1557:at
1406:CNN
1373:184
1368:).
1366:PDF
1346:(3)
1344:156
1328:156
1154:doi
1012:Won
994:Won
981:Won
962:Won
932:Won
886:by
864:DVD
822:in
285:war
81:by
2641::
2229:/
2215:/
2137:/
1984:/
1946:/
1932:/
1838:/
1824:/
1778:/
1748:/
1538:,
1524:,
1510:,
1483:,
1469:,
1455:.
1431:,
1419:,
1403:.
1385:,
1353:,
1337:,
1321:,
1301:,
1281:.
1264:,
1244:,
1224:,
1188:.
1166:^
1148:.
1144:.
1114:.
1101:^
1092:,
1078:^
1069:,
1055:^
890:.
876:,
840:,
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800:,
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627:.
314:,
272::
268:;
260:;
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1364:(
1198:.
1160:.
1156::
1150:2
1129:.
870:(
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187:)
181:)
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