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genres and styles, varying from sound animations for films to extremely abstract pulse structures, from "action music" to infinite voice patterns, from electro-acoustic tableaux vivants to extracts of music theatre. He is considered as someone who combines disciplines such as visual art, film, literature and theatre with the world of music. Raaijmakers has created numerous electronic compositions, "instructional pieces" for string ensembles, phono-kinetic objects, "graphic methods" for tractor and bicycle, "operations" for tape, film, theatre, percussion ensemble, museum and performance, artworks for offices and conservatory, and many soundscape compositions and music theatre productions, including some for the
Holland Festival and for theatre company Hollandia. His theoretical essays are evidence of his profound interest in special inter-media connections. For instance, in his latest publication
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84:" – Raaijmakers' nickname, he realized three tests of popular music with the help of electronic means. This work has been collected and re-released under the name Popular Electronics. Early Dutch electronic music from Philips Research Laboratories, 1956-1963. From 1960 to 1962, he was affiliated with the University of Utrecht as a researcher. From 1963 to 1966, he worked with
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In 1977, the audiovisual production Mao leve! Was born. Between 1981 and 1984 Raaijmakers created a series of productions for tape, film, theater and percussion ensemble that revolved around the film Night Owls by Laurel and Hardy (Shhh !, The
Microman, The Soundman, The Soundwall, Ow! And Come
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is the name of a work by Marey.), composed of a kind of bicycle accompanied by a complex system of sensors placed on its actuator, and which aims to reproduce in sound form, on the scale of the auditorium, the efforts of the latter (tension muscle, shortness of breath, heartbeat etc.). Designed in
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in a self-established studio for electronic music in The Hague. From 1966 until his retirement in 1995, he worked as a teacher of
Electronic and Contemporary Music at the Royal Conservatory (The Hague) and from 1991 as a teacher of music theater at the interfaculty of Sound and Vision of the Royal
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In the 1990s, a series of works for music theater was created: Intona (1991), Dépons / Der Fall (1992), The happy hand / open (1993), Der Fall / Dépons (1993), De promenoir van
Mondriaan, (1994 ), De val van Mussolini (1995) and Scheuer im Haag (1995). Raaijmakers' oeuvre covers a wide variety of
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Between 1967 and 1972, he created "photokinetic objects", which were exhibited in the
Stedelijk Museum in Amsterdam in 1971 and in the Gemeentemuseum The Hague in 1972. De grafische methode tractor was created in 1976 and De grafische methode fiets in 1979, two pieces based on the work of film
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In 1983, Ping-Pong was created, a stereo radio production about a table tennis game between Louis
Andriessen and Cornelis de Bondt. The following year, Ecstasy (in memoriam Josine van Droffelaar) was performed, for which Raaijmakers received the Matthijs Vermeulenprijs.
239:(1985), in which he describes in an exact but also poetic way how motion, cause and effect and their perception are interrelated.After obtaining a diploma in radio technique, he decided to deepen his theoretical knowledge and was particularly interested in
187:. Raaijmakers studied at the Koninklijk Conservatorium The Hague until 1953. From 1954 to 1960, he worked at Philips in the field of electroacoustics, after which he was a research assistant at the Rijksuniversiteit te Utrecht until 1962.
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published in
Netherlands in 1959. Two years before, one of the tracks on the album (Song of the 2nd Moon) was published separately. Nine years later was the launch of the US version of the LP entitled
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In late 1995, the biennial "Festival in de
Branding" was dedicated exclusively to Raaijmakers' musical and visual work. The 2014–2015 season of the festival will once again be dedicated to him.
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251:. Under the name Kid Baltan, he released several records considered to be the first Dutch electronic music, pioneering popular electronic music, in particular the LP
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from 1957. He never stopped exploring the links between scientific research and artistic creativity. Founder of Dutch electronic music, he built bridges between
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Tom
Dissevelt, Kid Baltan, Henk Badings and Dick Raaijmakers - Popular Electronics. Early Dutch Electronic Music from Philips Research Laboratories 1956-1963
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Until 1995, he taught electronic music, from 1991 electronic music for musical theater at the
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Raaijmakers received several awards for his contribution to the development of visual arts and music in the Netherlands:
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In 2004, he received a lifetime achievement award from the Johan Wagenaar Foundation and an honorary doctorate from the
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In 1966, he founded the electronic music studio at the Royal Conservatory of the Hague and lectured on electronic and
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In the early 1960s, Raaijmakers composed a number of electroacoustic works such as Vijf canons, Flux and Plumes.
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In 1992, from the Foundation for Lifetime Achievement Awards for Visual Arts, Design and Architecture (BKBV).
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Oeuvre prijzen 1992 : Jan Bons, Charlotte van Pallandt, Dick Raaijmakers, Hein Salomonson, Ad Windig
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In November 2011, Raaymakers received the Witteveen+Bos Award for Art+Technology for his entire oeuvre.
219:(2000) Raaijmakers elaborated upon the connections he saw between the 19th-century French physiologist
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on!) . The series for which Raaijmakers composed the music was performed at the 1984 Holland Festival.
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In 1985, he designed a neon sculpture for the new building of the Groningen City Conservatory.
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From 1963 to 1966, he ran a studio for electroacoustic music in The Hague with Jan Boerman.
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in his own studio for electronic music in the Hague. He was one of the co-founders of
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In 1995, the Ouborg Award for his lifetime achievements from the City of The Hague.
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761:. Cambridge Introductions to Music. Cambridge University Press. pp. 83–85.
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1979, the instrument was exhibited throughout the month of November 2008 at the
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109:. From 1954 to 1960, he worked in the field of electro-acoustic research at the
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Song Of The Second Moon: The Sonic Vibrations Of Tom Dissevelt & Kid Baltan
642:. Edited and translated by Vincent W.J. van Gerven Oei. Eindhoven: Onomatopee.
623:. Edited and translated by Vincent W.J. van Gerven Oei. Eindhoven: Onomatopee.
604:. Collected Writings of the Orpheus Institute Series. Leuven University Press.
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in Eindhoven in the electro-acoustic field. Under the pseudonym Kid Baltan, a
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The Sound of Tomorrow: How Electronic Music Was Smuggled into the Mainstream
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From 1960 to 1962, he held an appointment as scientific staff member at the
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1014:. Arjen Mulder and Joke Brouwer on 'The wonderful world of Dick Raaymakers'
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Ballade Erlkönig voor Luidsprekers (1967) Erlkönig Ballad for Loudspeakers
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The Fascinating World Of Electronic Music By Kid Baltan And Tom Dissevelt
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Proefneming met een tabakspijp (1998–1999) Experiment with a Tobacco Pipe
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939:(Press release) (in Dutch). University of Leiden. 19 November 2004
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The Fascinating World Of Electronic Music (w/ Tom Dissevelt) 1959
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De kunst van het machinelezen (1978) The Art of Reading Machines
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Witteveen+Bos-prijs voor Kunst+Techniek 2011 – Dick Raaijmakers
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Kwartet heiliger Dankgesang (2000) Quartett heiliger Dankgesang
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formed Electrosoniks and produced some of the first electronic
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Much of his early work has been re-issued on the Basta label:
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De grafische methode tractor (1976) The Graphic Method Tractor
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at the Image and Sound Interfaculty at the same conservatory.
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Collins, Nicholas; Schedel, Margaret; Wilson, Scott (2013).
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De grafische methode fiets (1979) The Graphic Method Bicycle
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Raaijmakers was born as Bernardus Franciscus Raaijmakers in
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visited them at the time and cited them as an inspiration.
937:"Dick Raaijmakers krijgt eredoctoraat Universiteit Leiden"
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Montgomery, Will (February 2013). "Machines for Living".
263:. For example, he is the designer of a mechanism called
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Composing Dissent: Avant-garde Music in 1960s Amsterdam
49:, 4 September 2013), also known as Dick Raaymakers or
913:(in Dutch). Johan Wagenaar Stichting. Archived from
483:De val van Mussolini (1995) The Fall of Mussolini
1008:Song Of The Second Moon (w/ Tom Dissevelt) 1968
907:"Inleiding op het Raaijmakers-seizoen 2014-2015"
602:Cahier 'M': A Brief Morphology of Electric Sound
133:. The most important LP of these two artists is
34:A mural of Raaijmakers in Eindhoven, Netherlands
844:Algera, Kirsten; Jongsma, Mayke, eds. (1992).
736:. USA: Bloomsbury Publishing. pp. 49–50.
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135:The Fascinating World Of Electronic Music
801:. Oxford University Press. p. 280.
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259:and the work of the French physiologist
155:From 1963 to 1966, he collaborated with
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546:Filmmuziek-1: Mechanical Motions (1960)
450:Acht labielen (1984–1985) Eight Labiles
375:Grafisch kwartet (1968) Graphic Quartet
366:The Art of Opening an Exhibition (1966)
679:Dick Raaijmakers - Complete Tape Music
573:Lied van de Arbeid (1976) Ode to Labor
525:Vijf Plastieken (1961) Five Sculptures
372:Balade Erlkönig (1967) Erlkönig Ballad
369:Radioproject (1966–1967) Radio Project
705:Mulder, Arjen; Brouwer, Joke (2008),
453:Scheuermachine (1985) Scheuer Machine
235:. One of his most important books is
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882:"Ouborgprijs 1995: Dick Raaijmakers"
537:Canon-4, super sub-trahere (1965/66)
91:Royal Academy of Fine Arts (Antwerp)
74:Koninklijke Philips Electronics N.V.
558:De lange mars (1971) The Long March
501:Ritueel moment (2005) Ritual Moment
402:De lange mars (1971) The Long March
588:Vier Fanfares (1995) Four Fanfares
396:Ideofoon 3 (1970–1973) Ideophone 3
393:Ideofoon 2 (1970–1973) Ideophone 2
390:Ideofoon 1 (1970–1973) Ideophone 1
183:His archives are preserved at the
72:. From 1954 to 1960, he worked at
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1409:20th-century Dutch male musicians
540:Canon-5, super ‘dis-moi …’ (1967)
68:Raaijmakers studied piano at the
1404:21st-century classical composers
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555:Chairman Mao Is Our Guide (1970)
498:De weergave (2000) The Rendition
486:Hermans hand (1995) Hermans Hand
399:Chairman Mao Is Our Guide (1970)
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444:Ping-pong (1983–1996) Ping Pong
387:Schaakmuziek (1969) Chess Music
269:The Graphic Method: Bicyclette
107:Royal Conservatory of The Hague
70:Royal Conservatory of The Hague
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860:"The Matthijs Vermeulen Award"
561:Mao Leve! (1977) May Mao Live!
405:Mao leve! (1977) May Mao Live!
384:Nachtmuziek (1969) Night Music
170:until his retirement in 1995.
121:. Using the alias Kid Baltan (
1:
825:. Nederlands Muziek Instituut
707:Dick Raaijmakers: a monograph
462:Tombeau de Glenn Gould (1989)
279:Contemporary Music Festival,
200:pioneer Etienne-Jules Marey.
180:He died on 3 September 2013.
105:and studied the piano at the
1044:Intona (Full Version) (1992)
1012:Composer, Researcher, Artist
549:Filmmuziek-2: Bekaert (1966)
534:Canon-3, super addere (1965)
528:Canon-1, super augere (1964)
477:Fort-klank (1993) Fort Sound
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687:- 4 CD Box, Basta #3091 412
681:- 3 CD box, Basta #3091 562
552:Filmmuziek-3: Sidmar (1969)
408:Kwintet (1972–1976) Quintet
265:De grafische methode fiets
185:Netherlands Music Institute
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797:Adlington, Robert (2013).
638:Raaijmakers, Dick (2010).
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600:Raaijmakers, Dick (2000).
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640:The Destructive Character
582:Der Fall Leiermann (1991)
519:Tweeklank (1959) Contrast
465:Der Fall Leiermann (1991)
438:The Soundwall (1982–1984)
231:and the musical views of
115:Royal Philips Electronics
1209:Gottfried Michael Koenig
1114:Matthijs Vermeulen Award
564:Ach! Ach! (1987) My! My!
441:Hey-hey! (1990) Hey-Hey!
332:Matthijs Vermeulen Award
958:Tazelaar, Kees (2011).
514:Song of the Second Moon
411:Actio in distans (1977)
139:Song Of The Second Moon
862:. Performing Arts Fund
576:Kwartet (1971) Quartet
471:Der Fall/Dépons (1993)
468:Dépons/Der Fall (1992)
459:Scheuer im Haag (1995)
378:Kwartet (1971) Quartet
330:In 1985 and 1994, the
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289:La Chute de Mussolini
89:Conservatoire and the
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594:Selected publications
312:The Fall of Mussolini
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300:The Fall of Mussolini
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285:De val van Mussolini
173:From 1991, he taught
150:University of Utrecht
45:, 1 September 1930 –
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732:Brend, Mark (2012).
447:Extase (1984) Extacy
345:University of Leiden
1024:Sonik Re-Entry 1957
823:"Raaijmakers, Dick"
426:The Microman (1982)
272:The Graphic Method
261:Étienne-Jules Marey
221:Étienne-Jules Marey
143:Jean-Jacques Perrey
97:Biography and works
1293:Peter-Jan Wagemans
1227:Peter-Jan Wagemans
917:on 4 November 2015
911:Dag in de Branding
709:, V2_ publishing,
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257:contemporary music
168:contemporary music
125:reversed), he and
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1347:Calliope Tsoupaki
1305:Michel van der Aa
974:978-94-90335-00-7
967:. Witteveen+Bos.
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630:978-90-78454-35-9
522:Pianoforte (1960)
16:(Redirected from
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1323:Jan van de Putte
1287:Misha Mengelberg
1257:Diderik Wagenaar
1239:Louis Andriessen
1233:Klas Torstensson
1149:Louis Andriessen
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