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Diane (2018 film)

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394:, which she keeps by her bedside. She has a vivid dream in which Jess appears and injects her with heroin, though a later journal entry states that Jess appeared much kinder in her dream than he was in real life. While shopping for groceries, Diane sees the former co-worker at the soup kitchen. They pointedly avoid each other. When a call from Brian comes in, Diane declines to answer. 356:
says, "I've forgiven you, but I haven't forgotten," and tells Diane how much it hurt for her to take care of Brian while Diane left with Jess. Diane takes her coat and leaves. Diane visits Brian's apartment to find out he has disappeared. She searches for him and calls his phone to no avail. She visits on several subsequent days, but he does not reappear.
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dinner with Bobbie, she angrily states how tired she is of everyone talking about Brian, including her. Bobbie distracts her by talking about the history of the buffet restaurant they are eating at and how terrible the food is, which makes Diane laugh. When a server arrives at their table, Diane lies about how much they are enjoying the food.
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Diane receives a call that Donna is dying and rushes to the hospital. As she enters the room to see her family quietly watching Donna in her last moments, her phone rings. She realizes it is Brian and steps into the hall to answer it. When she verifies that he is fine, she goes back into the hospital
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When Diane arrives at Brian's apartment, to which she has a key, she finds him passed out on the couch. She wakes him and they proceed to argue about his sobriety. He claims to be suffering from bronchitis and is angered at Diane's insinuation that he is not sober and needs to go back to the hospital
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whose days are taken up through service to others. She makes a to-do list for her day, before delivering a casserole to friends, one of whom is recovering from a recent accident. She makes a brief stop to pick a teacher friend from school before delivering clean clothes to her adult son Brian. Brian,
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amounts to an act of cinematic bravery, not just in its choice of tough-sell material, but in the patience with which Jones tends it. Parts of his story don't quite work; but by examining a life from the angle of its final destination, the movie offers a rich and tender study of a woman hollowed out
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Late one night, Brian arrives at Diane's, intoxicated. He bitterly discusses his unhappiness in his marriage and apologizes for his cruelty to his mother. When she tells him how she cannot forgive herself for leaving him, he tells her that he was never truly angry with her and that he forced himself
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During a conversation with Jennifer, a manicurist, Diane talks about how all her aunts have died except Ina, the eldest. Jennifer discusses how she knows Diane's daughter-in-law Tally and they show mutual disapproval at the depth and fervor of Tally and Brian's faith. When Jennifer asks Diane if she
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After once again visiting Brian's empty apartment, Diane goes to a bar where she used to be a regular. She drinks margaritas and listens to the jukebox. After she becomes visibly intoxicated, the waitress cuts her off while the bartender makes a phone call. Diane exits the bar, collapses, and begins
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On a night where Diane works at the soup kitchen, Tom is reprimanded by another worker for attempting to go through the serving line a third time. Diane intervenes, tells Tom to get as much food as he wants, and upbraids the other worker, yelling at her about how she has no right to humiliate people
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Diane is briefly seen attending Ina's funeral. When cleaning up the soup kitchen one night, Diane accidentally drops a dirty pan in the kitchen. Tom comes in to help her clean up. Diane apologizes repeatedly, but Tom insists on her sitting down while he cleans. As he does so, he tells Diane how she
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During Diane's visits, Brian begins to visibly worsen. On one of her last visits, she finds him passed out in the bathroom and turns the shower on to shock him awake. She angrily tells him that he has to go back to the hospital and he lashes out verbally. Diane slaps him and leaves. At a subsequent
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Diane volunteers at a soup kitchen, where one of her favorite regulars, Tom, engages her in friendly conversation. Diane shows herself to have close familiarity with the layout of the kitchen and how much food should be out at any one time. When the power goes out, Diane and the other workers bring
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is the most accomplished dramatic feature I've seen at the Tribeca Film Festival. It's a tender, wrenching, and beautifully made movie." Gleiberman also wrote, "Place's performance has a forlorn gravity, but it's also full of spirit and pluck, and an anger you don't want to get in the way of" and
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In the film's final scene, a visibly older Diane stands outside, filling bird feeders in the snow. As she lifts the bag of birdseed and prepares to go back inside, she pauses, her mind racing with thoughts about what she has to do. She quickly becomes confused and is unable to latch onto a single
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While visiting Donna, Diane has an uncomfortable conversation with her about an incident in 1999 when their family was visiting Cape Cod when Diane left Brian and her husband at the family home and took off with Donna's boyfriend, Jess. Diane asks Donna if she has forgiven Diane. Donna pointedly
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Diane drives Madge to a family gathering with her aunts and uncles. After a tense exchange with her eldest aunt Ina, her aunt Mary tells a story about an encyclopedia salesman. Diane goes to dinner at a buffet restaurant with her best friend Bobbie. They have a conversation about how many people
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into feeling anger toward her because he felt he should. They reconcile before Brian leaves, wryly telling Diane he has to go "back to Jesusland." Diane prepares to go to bed, turning off the light for a moment before turning it back on and pulling her to-do list out, adding more entries to it.
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Diane visits Brian and Tally to have lunch. As she brings in grocery bags and starts cooking, she hears them openly praying about her. At lunch, they begin to discuss whether Diane will join their church. She is visibly uncomfortable and tries to change the subject. As they persist, she becomes
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Diane meets Brian at a small restaurant where he is far more put together and coherent. He tells her that he had to get help himself and that he went to a facility on Cape Cod to do so. Diane initially says that she has something to tell him, but when she is interrupted by the waitress bringing
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There are a lot of ways to talk about why I made my first narrative feature at the age that I did, but one of those ways is to say that everything that I valued in cinema — everything that I valued in the original movies I loved — it was all about the kind of attention that you can bring to
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reminds him of one of his aunts, who apologized for everything, thinking she could never atone for some imagined sin. Diane, barely keeping tears at bay, tells him how she has caused a great deal of pain. He finishes cleaning and tells her that when she serves him food, he feels salvation.
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gave the film a grade of "B+" and opined, "The film acquires the hallucinatory feeling of life itself. It grows even more elliptical and dreamlike, as Jones shifts our focus from the known to the unknown, from the life of the body to the life of the spirit."
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gave the film 3.5 out of 4 stars and wrote, "Kent has assembled a superb group of character actors here, who tell lived-in stories with extraordinary sensitivity and grace. Place is a marvel, showing us the longing Diane can barely acknowledge to herself."
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just because they are poor. Bobbie pulls Diane into a side room and tells her that she must get some peace. As Diane struggles to regain her composure, Bobbie gently tells her to take as much time as she needs "and come out when you're good and ready."
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Diane has a conversation with Ina about how she doesn't know how to cope with Brian's religiosity. Ina tells her of a friend who substituted religion for alcohol – one addiction for another. She reassures Diane that Brian will come around.
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where he detoxed. After she leaves, Diane visits her cousin Donna, who is in the hospital suffering from advanced cervical cancer. Donna is asleep when she arrives and Diane engages in banal conversations with the nursing staff.
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The next days pass similarly, with Diane visiting Brian and Donna in succession. Brian continues to object to his mother's visits, while Donna rejects her nurses' offer of morphine and instead engages in playing
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increasingly irritated and finally angry, lashing out at Brian for his selfishness. He turns the accusation back on her, reminding her of how she left him when she took off with Jess. Diane leaves.
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is getting her nails done to attend an aunt's funeral, Diane hesitates before saying she is going to funeral of a good friend who loved getting her nails done. Bobbie's funeral is briefly shown.
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stated, "Although the drama appears to be veering toward devastating tragedy, it makes a graceful turn instead in a more contemplative, interior direction, reflecting on time and memory."
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described the film as "a wise, captivating and continually surprising character study" and commented, "Place commands nearly every frame with a kind of hard-bitten luminosity."
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commented, "Trying to forestall our loneliness is what connects us. That's not a depressing conclusion — it's the beginning of a design for living. In its mundane way,
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with Diane. After Donna's pain increases, Diane calls her aunt Madge, who a neighbor drives to the hospital. Donna is visibly soothed by her mother's presence.
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church, visibly uncomfortable in the open worship going on. At the front of the service, Brian, now wearing a wedding ring, assists in a trust fall exercise.
1464: 961: 2348: 2328: 2228: 1804: 787: 638:, 93% of 100 critics' reviews are positive, with an average rating of 7.9/10. The website's consensus reads: "A small-scale drama rich with meaning, 2123: 622:
made $ 27,043 from three theaters in its opening weekend, an average of $ 9,014 per venue. The film ultimately grossed $ 339,838 in the United States.
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on April 22, 2018, where it won three prizes, including the Founders Award for Best U.S. Narrative Feature. It was released in select theaters and on
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gave the film 3 out of 4 stars and remarked, "Thanks to Place's down-to-earth, unaffected performance and the filmmaker's own sensitivity,
1898: 1738: 2378: 2353: 2318: 2018: 809: 2019:"Independent Spirit Awards Redresses Female Balance With Wins For Lulu Wang, Olivia Wilde & Julia Reichert – Complete Winners List" 1987: 1953: 303:. It received generally positive reviews from critics, who praised Place's performance and Jones' direction and screenplay. At the 1192: 2298: 1261: 2368: 2333: 865: 304: 1855: 1159: 1100: 432: 277: 102: 1931: 642:
offers audiences an uncommonly empathetic and wise look at life — and stellar work from Mary Kay Place in the title role."
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in supporting roles. It revolves around a selfless woman whose unwavering service to others hides a lifelong secret.
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thought. She collapses into the snow as a woman offscreen calls her name and runs up to her. Diane closes her eyes.
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room, where Donna has now died. Madge hugs Diane and tells her that Donna loved her, which makes Diane break down.
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filmmaking. It had nothing to do with preconceived ideas. It was just about the work and a direct response to it.
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grows in scope and sensibility, taking on the epic dimensions of time and the unbreakable ties that bind."
2151: 1860: 1229:"'Diane' Trailer: Selfless But Tortured Mary Kay Place Seeks Redemption In Martin Scorsese-Produced Drama" 895: 724: 2050:"2019 Critics Poll: The Best Films and Performances According to Over 300 Critics From Around the World" 1193:"'Diane' Director Kent Jones on How He Pulled Off the Perilous Transition from Film Critic to Filmmaker" 1095: 572: 141: 1295:"Elizabeth McGovern Brings 'The Chaperone'; Steve Bannon Is On 'The Brink' – Specialty B.O. Preview" 2283: 2184: 1766: 819: 736: 684: 650:, assigned the film a score of 86 out of 100, based on 28 critics, indicating "universal acclaim". 542:, which was inspired by the women in his family. Jones said about his approach to making his first 535: 477: 438: 265: 44: 2085: 1799: 1733: 1553: 1492: 1459: 1299: 1233: 1164: 1131: 700: 667: 576: 450: 1328:"Kent Jones on 'Diane,' the Misconceptions of Making a Film, Criticism, and His Female-Led Cast" 1888: 2268: 2189: 1893: 1728: 1700: 1363: 658: 631: 2081:"IFC Films Nabs U.S. Rights To 'Diane': Scorsese-Produced Locarno Entry Stars Mary Kay Place" 1424:"TRIBECA FILM FESTIVAL® ANNOUNCES FEATURE FILM LINEUP FOR 17th EDITION, RUNNING APRIL 18-29" 978: 913: 591: 486: 468: 444: 292: 198: 328:
a heroin addict and alcoholic, lives in squalor with his likewise addict girlfriend Carla.
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on April 22, 2018, and was then screened at several film festivals. In August 2018,
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coffee, she changes her mind and tells Brian she will tell him about it later.
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Diane begins writing confessional poetry, seemingly inspired by the work of
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An indeterminate amount of time passes. Diane attends a service at a
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Kent Jones, Luca Borghese, Ben Howe, Caroline Kaplan, Oren Overman
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took decades and multiple drafts to complete the screenplay for
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acquired U.S. distribution rights to the film. It was given a
1127:"With 'Diane,' Kent Jones Works Both Sides of Fest Circuit" 2017:
D'Alessandro, Anthony; Blyth, Antonia (February 8, 2020).
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lit candles to the tables so the people can eat in peace.
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sobbing. Her aunts and friends arrive to drive her home.
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Beresford, Trilby; Drury, Sharareh (January 4, 2020).
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on March 29, 2019, and was simultaneously released on
2221:"The 2019 Women Film Critics Circle (WFCC) Winners" 779: 571:, and Eddie Vaisman served as executive producers. 245: 237: 229: 219: 180: 170: 147: 137: 129: 121: 85: 58: 50: 40: 23: 555:The film was produced by Luca Borghese, Ben Howe, 323:Diane Rhodes is a sixtysomething widow living in 2180:"Kent Jones' 'Diane' takes top award at Tribeca" 918:Prize of the Ecumenical Jury - Special Mention 548: 268:in his narrative directorial debut. It stars 8: 1954:"Boston Society of Film Critics Awards 2019" 1081: 1079: 291:The film had its world premiere at the 17th 1488:"IFC Buys Kent Jones' 'Diane' (EXCLUSIVE)" 1392:"Mary Kay Place Lands Her First Lead Role" 1222: 1220: 764: 29: 20: 1120: 1118: 1046: 1044: 1727:Catsoulis, Jeannette (March 28, 2019). 1040: 962:National Society of Film Critics Awards 2126:from the original on December 31, 2019 2060:from the original on December 16, 2019 1741:from the original on December 25, 2022 1636:from the original on November 26, 2022 1467:from the original on September 6, 2023 1404:from the original on November 17, 2023 1371:from the original on February 27, 2021 1241:from the original on November 17, 2023 1205:from the original on November 17, 2023 1139:from the original on November 29, 2022 2029:from the original on February 9, 2020 1934:from the original on December 5, 2023 1901:from the original on January 17, 2023 1868:from the original on January 17, 2023 1856:"'Diane': Film Review | Tribeca 2018" 1774:from the original on October 21, 2020 1708:from the original on December 1, 2023 1500:from the original on October 26, 2021 1307:from the original on December 1, 2022 1274:from the original on November 7, 2020 1125:Morfoot, Addie (September 27, 2018). 1064:from the original on December 3, 2023 788:Boston Society of Film Critics Awards 744:gives you a glimpse of the sublime." 7: 2389:Films with screenplays by Kent Jones 2159:from the original on August 16, 2023 2112:Lattanzio, Ryan (December 8, 2019). 2093:from the original on August 21, 2023 1998:from the original on October 7, 2022 1964:from the original on October 8, 2022 1227:Pedersen, Erik (February 14, 2019). 1172:from the original on August 13, 2022 780: 579:, and lasted 20 days in early 2017. 2231:from the original on March 28, 2023 2200:from the original on April 27, 2018 1887:Edelstein, David (March 28, 2019). 1793:Gleiberman, Owen (April 25, 2018). 1519:Brueggemann, Tom (March 31, 2019). 1260:Hoffman, Barbara (March 28, 2019). 590:had its world premiere at the 17th 307:, the film earned two nominations: 2349:Films about dysfunctional families 2329:English-language independent films 1453:Kenigsberg, Ben (April 17, 2018). 1434:from the original on March 5, 2024 1390:Adams, Thelma M. (April 2, 2019). 1326:Snydel, Michael (March 27, 2019). 1158:Debruge, Peter (January 4, 2019). 1099:. Nash Information Services, LLC. 14: 2219:Neglia, Matt (December 9, 2019). 1826:Ehrlich, David (April 22, 2018). 1807:from the original on June 6, 2023 1675:from the original on June 2, 2023 1561:from the original on July 6, 2022 1338:from the original on June 7, 2020 1191:Ehrlich, David (March 28, 2019). 1103:from the original on May 23, 2023 709:"the film's ending is majestic." 2048:Kohn, Eric (December 16, 2019). 1854:Rooney, David (April 22, 2018). 1694:Chang, Justin (March 28, 2019). 1547:Brooks, Brian (March 31, 2019). 1293:Brooks, Brian (March 29, 2019). 1016:Women Film Critics Circle Awards 1760:Hornaday, Ann (April 3, 2019). 1052:"Diane | 2018 Tribeca Festival" 942:Los Angeles Film Critics Awards 474:Ray Iannicelli as Al Rymanowski 2384:Films shot in New York (state) 2178:Coyle, Jake (April 26, 2018). 2079:Evans, Greg (August 2, 2018). 1920:Minow, Nell (March 29, 2019). 1486:Lang, Brent (August 2, 2018). 1357:King, Susan (March 27, 2019). 810:Gotham Independent Film Awards 495:Kerry Flanagan as Nurse Jackie 305:35th Independent Spirit Awards 1: 513:Robert Vincent Smith as David 2374:Films directed by Kent Jones 2324:English-language drama films 2309:2010s English-language films 2289:2018 directorial debut films 840:Breakthrough Director Award 822:, Luca Borghese, Ben Howe, 2405: 2379:Films set in Massachusetts 2354:Films about evangelicalism 2319:American independent films 600:limited theatrical release 501:Gabriella Rhodeen as Carla 998: 991: 977: 950: 926: 912: 877: 866:Independent Spirit Awards 864: 856: 834: 808: 776: 773: 770: 767: 325:Pittsfield, Massachusetts 35:Theatrical release poster 28: 492:Barbara Andres as Dallas 272:in the title role, with 264:written and directed by 204:March 29, 2019 189:April 22, 2018 996:Best Narrative Feature 665:Jeannette Catsoulis of 16:2018 film by Kent Jones 2299:2018 independent films 2152:The Hollywood Reporter 1861:The Hollywood Reporter 1795:"Film Review: 'Diane'" 896:IndieWire Critics Poll 725:The Hollywood Reporter 553: 516:Patrick Husted as Bill 504:Paul McIsaac as George 299:on March 29, 2019, by 2369:Films about parenting 2334:2010s melodrama films 979:Tribeca Film Festival 914:Locarno Film Festival 592:Tribeca Film Festival 573:Principal photography 483:Charles Weldon as Tom 344:their age are dying. 293:Tribeca Film Festival 159:Sight Unseen Pictures 2314:American drama films 2304:2010s American films 1986:(October 24, 2019). 983:Best Cinematography 525:George Riddle as Les 510:Mary Fuller as Diana 498:Cara Yeates as Dorie 471:as Birdie Rymanowski 212: (United States) 2364:Films about old age 2185:The Washington Post 1767:The Washington Post 685:The Washington Post 507:Teri Gibson as Avis 489:as Carol Rymanowski 478:Celia Keenan-Bolger 260:is a 2018 American 1734:The New York Times 1554:Deadline Hollywood 1460:The New York Times 1300:Deadline Hollywood 1234:Deadline Hollywood 900:Best Lead Actress 883:Best First Feature 668:The New York Times 577:Kingston, New York 451:Phyllis Somerville 309:Best First Feature 142:Jeremiah Bornfield 2359:Films about grief 2344:Films about drugs 2225:Next Best Picture 1701:Los Angeles Times 1430:. March 7, 2018. 1426:(Press release). 1364:Los Angeles Times 1032: 1031: 737:New York Magazine 712:David Ehrlich of 659:Los Angeles Times 632:review aggregator 626:Critical response 567:, Julia Lebedev, 433:Deirdre O'Connell 278:Deirdre O'Connell 253: 252: 103:Deirdre O'Connell 2396: 2294:2018 drama films 2259: 2258: 2256:Official website 2241: 2240: 2238: 2236: 2216: 2210: 2209: 2207: 2205: 2175: 2169: 2168: 2166: 2164: 2142: 2136: 2135: 2133: 2131: 2109: 2103: 2102: 2100: 2098: 2076: 2070: 2069: 2067: 2065: 2045: 2039: 2038: 2036: 2034: 2014: 2008: 2007: 2005: 2003: 1980: 1974: 1973: 1971: 1969: 1950: 1944: 1943: 1941: 1939: 1917: 1911: 1910: 1908: 1906: 1884: 1878: 1877: 1875: 1873: 1851: 1845: 1844: 1842: 1840: 1823: 1817: 1816: 1814: 1812: 1790: 1784: 1783: 1781: 1779: 1757: 1751: 1750: 1748: 1746: 1724: 1718: 1717: 1715: 1713: 1691: 1685: 1684: 1682: 1680: 1652: 1646: 1645: 1643: 1641: 1612: 1606: 1605: 1603: 1601: 1577: 1571: 1570: 1568: 1566: 1544: 1538: 1537: 1535: 1533: 1516: 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Place 824:Caroline Kaplan 763: 732:David Edelstein 696:Owen Gleiberman 646:, which uses a 636:Rotten Tomatoes 628: 617: 612: 604:video on demand 585: 565:Martin Scorsese 557:Caroline Kaplan 533: 528: 463:Estelle Parsons 416: 392:Emily Dickinson 321: 286:Estelle Parsons 222: 215: 207: 205: 192: 190: 183: 166: 165: 152: 150: 117: 113:Estelle Parsons 81: 72:Caroline Kaplan 36: 17: 12: 11: 5: 2402: 2400: 2392: 2391: 2386: 2381: 2376: 2371: 2366: 2361: 2356: 2351: 2346: 2341: 2336: 2331: 2326: 2321: 2316: 2311: 2306: 2301: 2296: 2291: 2286: 2276: 2275: 2272: 2271: 2260: 2249: 2248:External links 2246: 2243: 2242: 2211: 2170: 2137: 2104: 2071: 2040: 2009: 1975: 1945: 1927:RogerEbert.com 1912: 1879: 1846: 1818: 1785: 1752: 1719: 1686: 1647: 1630:Fandango Media 1607: 1572: 1539: 1511: 1478: 1445: 1415: 1382: 1349: 1332:The Film Stage 1318: 1285: 1252: 1216: 1183: 1150: 1114: 1075: 1039: 1038: 1036: 1033: 1030: 1029: 1027: 1024: 1021: 1018: 1012: 1011: 1008: 1004: 1003: 1000: 997: 993: 992: 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Index


Kent Jones
Caroline Kaplan
Oren Moverman
Mary Kay Place
Jake Lacy
Deirdre O'Connell
Andrea Martin
Estelle Parsons
Jeremiah Bornfield
IFC Films
Tribeca
drama film
Kent Jones
Mary Kay Place
Jake Lacy
Deirdre O'Connell
Andrea Martin
Estelle Parsons
Tribeca Film Festival
VOD
IFC Films
35th Independent Spirit Awards
Best First Feature
Best Female Lead
Pittsfield, Massachusetts
gin rummy
Pentecostal
Emily Dickinson
Mary Kay Place

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