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Die ägyptische Helena

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Troy), is about to be murdered by her husband, Menelas (Menelaus). To save the woman, Aithra conjures a flash storm to shipwreck the passengers, who soon make their way ashore and appear at the palace. Helena has been trying to save her marriage, but Menelas cannot forgive her for her betrayal with Paris at the start of the Trojan War. Bitterly, he has prevented their daughter, Hermione, from knowing her own mother. On land, Menelas once again plans to stab his wife, but the sight of her beauty by moonlight makes him hesitate. To ensure that he doesn't kill her, Aithra invokes elves to torment him; they make him believe that his rival, Paris, is present, and he rushes out to confront the specter. Aithra's magic then helps Helena regain her original youthful beauty, and a lotus drink banishes her anxiety. Servant girls take her to another room.
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illusion? Desert horsemen appear, and Altair, prince of the mountains, bows before Helena, offering gifts; his son Da-ud joins in praising her beauty. The scene reminds Menelas of a Trojan celebration in honor of Helena, but he tries to conceal his jealousy as Altair and Da-ud invite him to join a hunting party. Bidding farewell to Helena, and still uncertain of her identity, he leaves for the hunt. Aithra appears as one of the serving girls and cautions Helena that one of the vials she has packed contains a potion of forgetfulness but the other a potion of recollection. Against Aithra's strong advice Helena declares that recollection will be necessary to save her marriage; the fantasy of returning to an unblemished past is not a genuine solution.
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followed by Menelas, who remains confused, thinking it is Paris he has killed. Again defying Aithra's counsel, Helena orders the potion of recollection prepared as time for the feast draws near. Menelas now imagines that the real Helena has died, and he resolves to join her in death; the Helena before him is surely the wraith. When he takes what he thinks is the potion of death, however, he sees the dead Helena as the living one: both are united. Altair and his cohorts seize and separate the couple, but Aithra reveals a phalanx of Poseidon's soldiers, who are escorting the child Hermione. Recognizing Aithra the sorceress, Altair bows to her power. Hermione, reunited at last with her parents, will go home with them to begin their life together.
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In her island palace, the sorceress Aithra waits in vain for Poseidon's return. The oracle-like Omniscient Mussel tells her that though Poseidon is far away, he remains steadfast in his love for her. The Mussel then tells of a ship on which the most beautiful woman in the world, Helena (Helen of
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At a sign from Helena, the maidservants withdraw when Altair returns, paying bold court to her and inviting her to a banquet in her honor. Even when word arrives that Menelas has killed Da-ud during the hunt, Altair continues his suit. He steps away, though, when the youth's body is brought in,
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In the pavilion, Helena awakens and hails the couple's second wedding night ("Zweite Brautnacht"). Menelas, also awakening, still mistrusts his senses. His wife tries to soothe him with more lotus juice, but he catches sight of his sword, which revives jarring memories. Is this woman real or an
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When Menelas stumbles back in, raving about having surprised and killed Helena and Paris, Aithra gives him the soothing drink as well. Hearing of his conflicted emotions toward his wife, the sorceress tries to tell him that nine years before, when he lost Helena to Paris, the gods actually
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in mind but, creating quite a sensation at the time, the Dresden opera management refused to pay Jeritza's large fee and cast
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substituted a wraith to fool Paris; the real Helena was hidden in the castle of Aithra's father on the slopes of the
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singing Helena. Two of these ("Bei jener Nacht" and "Zweite Brautnacht") are included in the
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instead as Helen of Troy. Jeritza eventually created the part in Vienna and New York City.
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It remains the only major opera in the repertory with a role for an omniscient sea-shell.
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There is a recording of a few excerpts made in 1928 with Fritz Busch conducting the
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Divertimento for chamber orchestra after keyboard pieces by Couperin
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As inspiration for the story, Hofmannsthal used sources from
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released in 2000. Recordings of the complete opera include:
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Richard Strauss Opera Scenes – Historical Recordings 1928–43
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on 6 June 1928. Strauss had written the title role with
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Dance suite from keyboard pieces by François Couperin
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400: 397: 394: 391: 390: 384: 382: 377:two sopranos, 376: 373: 372: 368: 365: 363: 362:mezzo-soprano 358: 355: 354: 350: 347: 345: 341: 340: 337: 334: 332: 329: 326: 325: 320: 315: 312: 309: 307: 303: 302: 298: 295: 293: 289: 288: 283: 278: 275: 273: 270: 267: 266: 263: 260: 258: 255: 253: 249: 248: 245: 239: 237: 234: 231: 230: 218: 211: 203: 194: 190: 186: 183: 179: 178: 172: 170: 168: 164: 163: 158: 153: 151: 147: 146:Maria Jeritza 143: 139: 135: 131: 127: 123: 119: 118: 106: 92: 88: 85: 81: 80: 76: 72: 68: 64: 61: 58: 54: 49: 41: 36: 33: 29: 25: 20: 2035: 2010:Stefan Zweig 1964: 1944: 1936: 1928: 1920: 1896: 1673: 1649:Piano Sonata 1629: 1621: 1603: 1585: 1577: 1569: 1561: 1553: 1520: 1500: 1416: 1371: 1353: 1320: 1312: 1302: 1229: 1142:Ira Malaniuk 1138:Richard Holm 1134:Hermann Uhde 1124:, Menelaus: 1089: 1068: 1041: 1035: 1007: 1001: 981: 972: 964: 958: 952: 945: 937: 931: 925: 918: 910: 904: 898: 891: 871:,6 October) 793:Antal Doráti 782:Matti Kastu, 744: 740:Mimi Coertse 654: 640: 631:wind machine 569:glockenspiel 499:English horn 473: 467: 461: 444: 440: 427: 423: 419: 418: 405: 343: 305: 291: 277:Curt Taucher 251: 197: 193:adding to it 188: 160: 154: 121: 116: 115: 114: 77: 2134:1928 operas 1967:(1926 film) 1730:Winternacht 1719:Allerseelen 1674:Enoch Arden 1663:(1884–1885) 1605:Don Quixote 1555:Aus Italien 1408:Schlagobers 1346:Friedenstag 848:Carl Tanner 832:CD: Dynamic 752:Josef Krips 735:Jess Thomas 653:collection 627:tambourines 399:Helene Jung 374:Four elves 367:Erna Berger 317: [ 314:Maria Rajdl 292:their child 280: [ 244:Fritz Busch 242:Conductor: 2118:Categories 1546:Tone poems 1428:Orchestral 1304:Intermezzo 1279:(1912/16) 1132:, Altair: 1128:, Aithra: 1120:; Helena: 883:References 874:CD: Telarc 677:Conductor, 647:Rose Pauly 637:Recordings 595:Stage band 558:snare drum 542:Percussion 395:contralto 381:contraltos 290:Hermione, 236:Voice type 200:March 2017 142:Semperoper 128:75, is an 105:Semperoper 98:1928-06-06 56:Librettist 2043:Modernism 1938:Taillefer 1807:Sehnsucht 1741:Ständchen 1708:Die Nacht 1697:Zueignung 1634:(1911–15) 1475:(1911–17) 1465:(1885–86) 1455:(1883–84) 1449:(1882–83) 1443:(1881–82) 1373:Capriccio 1222:Feuersnot 1136:, Da-ud: 1092:(Strauss) 670:Menelaus, 623:triangles 615:trombones 603:clarinets 550:bass drum 533:trombones 503:clarinets 268:Menelaus 157:Euripides 107:, Dresden 84:Euripides 2071:Category 1985:(father) 1873:" (1906) 1862:" (1900) 1851:" (1900) 1840:" (1899) 1838:Notturno 1833:" (1898) 1822:" (1898) 1811:" (1896) 1800:" (1895) 1789:" (1894) 1778:" (1894) 1767:" (1894) 1756:" (1894) 1745:" (1886) 1734:" (1886) 1723:" (1885) 1712:" (1885) 1701:" (1885) 1571:Don Juan 1461:Burleske 1325:(1933) 1322:Arabella 1294:(1919) 1264:(1911) 1249:(1909) 1234:(1905) 767:CD: RCA 674:Altair) 668:(Helena, 611:trumpets 529:trumpets 511:bassoons 483:Woodwind 410:Synopsis 359:soprano, 331:baritone 310:soprano 304:Aithra, 296:soprano 250:Helena, 90:Premiere 74:Based on 66:Language 1901:(1948) 1829:Befreit 1785:Morgen! 1763:Cäcilie 1563:Macbeth 1389:Ballets 1376:(1942) 1245:Elektra 1212:Guntram 1067:(ed.), 672:Aithra, 619:timpani 585:strings 573:celesta 562:cymbals 546:timpani 491:piccolo 469:Elektra 344:his son 342:Da-Ud, 327:Altair 257:soprano 96: ( 2144:Operas 2094:Portal 1991:(wife) 1949:(1928) 1941:(1903) 1933:(1889) 1925:(1884) 1914:Choral 1893:(1918) 1883:(1918) 1686:Lieder 1677:(1897) 1669:(1888) 1657:(1883) 1651:(1881) 1626:(1903) 1618:(1898) 1608:(1897) 1600:(1896) 1590:(1895) 1582:(1889) 1574:(1888) 1566:(1888) 1558:(1886) 1537:(1947) 1531:(1945) 1525:(1945) 1517:(1942) 1511:(1941) 1505:(1940) 1497:(1936) 1487:(1924) 1481:(1923) 1437:(1880) 1420:(1940) 1412:(1924) 1402:(1914) 1368:(1940) 1358:(1938) 1355:Daphne 1350:(1938) 1340:(1935) 1317:(1928) 1307:(1924) 1231:Salome 1226:(1901) 1216:(1894) 1203:Operas 1075:  1050:  988:  762:Chorus 682:Label 554:tamtam 487:flutes 475:Salome 348:tenor 69:German 2108:Opera 2081:Audio 1110:Act 2 1106:Act 1 1063:, in 911:18(4) 839:2002 810:2001 774:1979 726:1970 687:1956 666:Cast 663:Year 645:with 607:horns 599:oboes 581:organ 577:harps 525:horns 521:Brass 495:oboes 493:), 2 437:Act 2 415:Act 1 321:] 284:] 272:tenor 232:Role 212:Roles 162:Helen 130:opera 79:Helen 28:Opera 1073:ISBN 1048:ISBN 986:ISBN 938:7(4) 758:and 625:, 2 621:, 4 613:, 4 609:, 2 605:, 4 601:, 6 597:: 6 575:, 2 537:tuba 531:, 3 527:, 6 523:: 6 509:, 3 501:, 3 485:: 4 472:and 466:for 379:two 195:. 126:Op. 124:), 82:by 30:by 2120:: 1112:, 1108:, 1040:. 1028:; 965:15 963:, 957:, 936:, 909:, 860:, 795:, 780:, 629:, 617:, 583:, 579:, 571:, 560:, 556:, 552:, 548:, 544:: 535:, 505:, 497:, 319:de 282:ca 169:. 2096:: 1865:" 1854:" 1843:" 1836:" 1825:" 1814:" 1803:" 1792:" 1781:" 1770:" 1759:" 1748:" 1737:" 1726:" 1715:" 1704:" 1693:" 1170:e 1163:t 1156:v 1056:. 1038:" 1034:" 994:. 951:" 924:" 897:" 850:, 845:, 827:, 787:, 742:, 737:, 732:, 711:, 703:, 698:, 693:, 591:) 587:( 564:, 517:) 202:) 198:( 159:( 120:( 100:) 50:)

Index

Opera
Richard Strauss

Ferdinand Schmutzer
Hugo von Hofmannsthal
Helen
Euripides
Semperoper
Op.
opera
Richard Strauss
Hugo von Hofmannsthal
Semperoper
Maria Jeritza
Elisabeth Rethberg
Euripides
Helen
Clemens Krauss

adding to it

Voice type
Fritz Busch
soprano
Elisabeth Rethberg
tenor
Curt Taucher
ca
Maria Rajdl
de

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