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is highly significant. Instead of a hero, he has created a mob; this mob is, therefore, the protagonist—or chief character—and if individuals emerge from the rank and file they are not thrust into the foreground to stay long. It is the weavers as a class that is ever before us, and the unity of the
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Most of the characters are proletarians struggling for their rights. Unlike most plays of any period, as pointed out many times in literary criticism and introductions, the play has no true central character, providing ample opportunities for ensemble acting.
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play is in them and in them alone; they are only parts of a larger picture which will take shape as the story advances, and are not intended to be taken as important individuals."
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Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
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print series of the same name (1893-1897). Kollwitz claimed to have attended the premiere in Berlin. Several of these prints were included in
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in the 1920s, after which it became a favorite of the
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Content in this edit is translated from the existing German
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Critic
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397:"Käthe Kollwitz. March of the Weavers (Weberzug). 1893–97, published c. 1931 | MoMA"
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Marchesano, Louis; Natascha, Kirchner (2020). Marchesano, Louis (ed.).
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to the source of your translation. A model attribution edit summary is
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a machine-translated version of the German article.
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