Knowledge (XXG)

Diminished third

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122: 1484: 396: 294: 157: 129: 275:, the chromatic semitone and diminished third are in fact represented by the same interval of 141.18 cents, which allows the minor third to be evenly divided in half. In 1205: 306:, such as 31-equal temperament, it will come close to that value; for instance in 31-equal temperament the diminished third is a cent sharp of 8/7. 450: 548: 516: 471: 279:, the diminished third is ~ 109 cents while the chromatic semitone is ~ 163 cents and the diatonic semitone is ~ 55 cents. 1506: 283: 997: 977: 1103: 1109: 419: 892: 201: 194: 181:. For instance, the interval from A to C is a minor third, three semitones wide, and both the intervals from A 1511: 1487: 1225: 1164: 541: 271:
In superpythagorean tunings, the diminished third is narrower than the major second. In the special case of
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it has a more typical value of 232.3 cents. In a twelve-note keyboard tuned in a meantone tuning from E
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tunings with fifths flatter than 700 cents, the diminished third is wider than the major second. In
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A manual of harmony for use in music-schools and seminaries and for self-instruction
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thereby contain the diminished third as well. For example, a German sixth chord E
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are diminished thirds, two semitones wide. Being diminished, it is considered a
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the diminished third is considered to approximate the interval of a
825: 120: 302:), with ratio 8/7, and in any meantone tuning in the vicinity of 496:, p.89-90. Thurgate & Sonsasaetd. Digitized August 16, 2007. 530: 526: 1438: 1405: 1294: 1264: 1234: 1191: 1182: 1155: 1082: 1065: 907: 890: 879: 816: 761: 706: 669: 632: 597: 579: 564: 109: 99: 92: 82: 72: 62: 57: 49: 41: 36: 24: 361:' which complements the augmented sixth between E 380:arises in the extended C major scale between F 224:it is in fact enharmonically equivalent to an 542: 8: 520:, p.165. Theodore Baker, trans. G. Schirmer. 19: 1483: 1188: 1079: 904: 887: 594: 576: 549: 535: 527: 244:, the dimininished third appears between C 228:, both having a value of 252.6 cents. In 437: 435: 464:The Mathematical Theory of Tone Systems 431: 349:' exhibits a diminished third between C 18: 443:Music: In Theory and Practice, Vol. I 7: 14: 505:Benward & Saker (2003), p.92. 1482: 494:Music: Its Theory & Practice 483:Haluska, ibid. Diminished third. 313:to the diminished third is the 1: 317:, and the numerous chords of 284:septimal meantone temperament 212:, both having a value of 200 88:144:125, 256:225, 65536:59049 441:Benward & Saker (2003). 1104:septimal chromatic semitone 474:. Classic diminished third. 1528: 1110:septimal diatonic semitone 898:(Numbers in brackets refer 420:List of meantone intervals 1480: 900:to fractional semitones.) 893:24-tone equal temperament 202:12-tone equal temperament 101:12-Tone equal temperament 1488:List of pitch intervals 1226:Subminor and supermajor 1165:minor diatonic semitone 1075:refer to pitch ratios.) 492:Hoffmann, F.A. (1881). 1286:Undecimal quarter tone 323:augmented sixth chords 311:complementary interval 304:quarter-comma meantone 204:a diminished third is 138: 1281:Septimal quarter tone 1092:septimal quarter tone 462:Haluska, Jan (2003). 378:just diminished third 288:septimal major second 256:, and again between G 187:to C, and from A to C 124: 1507:Diminished intervals 1468:Incomposite interval 1221:Pythagorean interval 1073:(Numbers in brackets 581:(Numbers in brackets 514:Paul, Oscar (1885). 277:22 equal temperament 273:17 equal temperament 230:31 equal temperament 222:19 equal temperament 1251:Pythagorean apotome 1098:septimal third tone 404:and between B and D 321:music described as 21: 1364:Septimal semicomma 179:chromatic semitone 139: 1494: 1493: 1476: 1475: 1306:Pythagorean comma 1246:Pythagorean limma 1178: 1177: 1174: 1173: 1140:supermajor fourth 1116:supermajor second 1061: 1060: 875: 874: 871: 870: 583:are the number of 451:978-0-07-294262-0 125:Diminished third 119: 118: 1519: 1486: 1485: 1376:Septimal kleisma 1189: 1146:subminor seventh 1128:supermajor third 1080: 1068:Just intonations 1053: 1052: 1048: 1045: 1033: 1032: 1028: 1025: 1013: 1012: 1008: 1005: 993: 992: 988: 985: 973: 972: 968: 965: 953: 952: 948: 945: 933: 932: 928: 905: 888: 595: 577: 551: 544: 537: 528: 521: 512: 506: 503: 497: 490: 484: 481: 475: 460: 454: 439: 409: 408: 403: 402: 401: 399: 391: 390: 385: 384: 372: 371: 366: 365: 360: 359: 354: 353: 348: 347: 342: 341: 336: 335: 330: 329: 301: 300: 299: 297: 267: 266: 261: 260: 255: 254: 249: 248: 243: 242: 237: 236: 226:augmented second 192: 191: 186: 185: 167:musical interval 164: 163: 162: 160: 151:diminished third 136: 135: 134: 132: 22: 20:diminished third 16:Musical interval 1527: 1526: 1522: 1521: 1520: 1518: 1517: 1516: 1497: 1496: 1495: 1490: 1472: 1434: 1401: 1344:Septimal diesis 1290: 1260: 1230: 1184: 1170: 1151: 1074: 1071: 1057: 1050: 1046: 1043: 1041: 1030: 1026: 1023: 1021: 1010: 1006: 1003: 1001: 990: 986: 983: 981: 970: 966: 963: 961: 950: 946: 943: 941: 930: 926: 925: 915: 914: 913: 909: 899: 896: 883: 881: 867: 812: 757: 702: 665: 628: 589: 584: 582: 572: 570: 567: 560: 555: 525: 524: 513: 509: 504: 500: 491: 487: 482: 478: 461: 457: 440: 433: 428: 416: 406: 405: 397: 395: 394: 393: 388: 387: 382: 381: 369: 368: 363: 362: 357: 356: 351: 350: 345: 344: 339: 338: 333: 332: 327: 326: 319:common practice 315:augmented sixth 295: 293: 292: 291: 264: 263: 258: 257: 252: 251: 246: 245: 240: 239: 234: 233: 189: 188: 183: 182: 158: 156: 155: 154: 147:Western culture 143:classical music 130: 128: 127: 126: 111:Just intonation 31:augmented sixth 17: 12: 11: 5: 1525: 1523: 1515: 1514: 1512:Thirds (music) 1509: 1499: 1498: 1492: 1491: 1481: 1478: 1477: 1474: 1473: 1471: 1470: 1465: 1460: 1455: 1450: 1444: 1442: 1436: 1435: 1433: 1432: 1427: 1422: 1417: 1411: 1409: 1403: 1402: 1400: 1399: 1393: 1387: 1380: 1379: 1373: 1367: 1361: 1355: 1348: 1347: 1341: 1338:Greater diesis 1335: 1328: 1327: 1324:Septimal comma 1321: 1318:Holdrian comma 1315: 1312:Syntonic comma 1309: 1302: 1300: 1292: 1291: 1289: 1288: 1283: 1278: 1272: 1270: 1262: 1261: 1259: 1258: 1253: 1248: 1242: 1240: 1232: 1231: 1229: 1228: 1223: 1218: 1213: 1208: 1203: 1197: 1195: 1186: 1180: 1179: 1176: 1175: 1172: 1171: 1169: 1168: 1161: 1159: 1153: 1152: 1150: 1149: 1143: 1137: 1134:subminor fifth 1131: 1125: 1122:subminor third 1119: 1113: 1107: 1101: 1095: 1088: 1086: 1077: 1063: 1062: 1059: 1058: 1056: 1055: 1035: 1015: 995: 975: 955: 935: 918: 916: 908: 902: 885: 877: 876: 873: 872: 869: 868: 866: 865: 859: 853: 847: 841: 835: 829: 822: 820: 814: 813: 811: 810: 804: 798: 792: 786: 780: 774: 767: 765: 759: 758: 756: 755: 749: 743: 737: 731: 725: 719: 712: 710: 704: 703: 701: 700: 694: 688: 682: 675: 673: 667: 666: 664: 663: 657: 651: 645: 638: 636: 630: 629: 627: 626: 620: 614: 608: 601: 599: 592: 574: 562: 561: 556: 554: 553: 546: 539: 531: 523: 522: 507: 498: 485: 476: 455: 430: 429: 427: 424: 423: 422: 415: 412: 216:. However, in 117: 116: 113: 107: 106: 103: 97: 96: 90: 89: 86: 80: 79: 76: 74:Interval class 70: 69: 66: 60: 59: 55: 54: 51: 47: 46: 43: 39: 38: 34: 33: 28: 15: 13: 10: 9: 6: 4: 3: 2: 1524: 1513: 1510: 1508: 1505: 1504: 1502: 1489: 1479: 1469: 1466: 1464: 1461: 1459: 1456: 1454: 1451: 1449: 1446: 1445: 1443: 1441: 1437: 1431: 1428: 1426: 1423: 1421: 1418: 1416: 1413: 1412: 1410: 1408: 1404: 1397: 1394: 1391: 1388: 1385: 1382: 1381: 1377: 1374: 1371: 1368: 1365: 1362: 1359: 1356: 1353: 1350: 1349: 1345: 1342: 1339: 1336: 1333: 1332:Lesser diesis 1330: 1329: 1325: 1322: 1319: 1316: 1313: 1310: 1307: 1304: 1303: 1301: 1299: 1298: 1293: 1287: 1284: 1282: 1279: 1277: 1274: 1273: 1271: 1269: 1268: 1267:Quarter tones 1263: 1257: 1254: 1252: 1249: 1247: 1244: 1243: 1241: 1239: 1238: 1233: 1227: 1224: 1222: 1219: 1217: 1216:Pseudo-octave 1214: 1212: 1209: 1207: 1204: 1202: 1199: 1198: 1196: 1194: 1190: 1187: 1181: 1166: 1163: 1162: 1160: 1158: 1154: 1147: 1144: 1141: 1138: 1135: 1132: 1129: 1126: 1123: 1120: 1117: 1114: 1111: 1108: 1105: 1102: 1099: 1096: 1093: 1090: 1089: 1087: 1085: 1081: 1078: 1076: 1070: 1069: 1064: 1039: 1036: 1019: 1016: 999: 996: 979: 976: 959: 956: 939: 936: 923: 920: 919: 917: 912: 906: 903: 901: 895: 894: 889: 886: 878: 863: 860: 857: 854: 851: 848: 845: 842: 839: 836: 833: 830: 827: 824: 823: 821: 819: 815: 808: 805: 802: 799: 796: 793: 790: 787: 784: 781: 778: 775: 772: 769: 768: 766: 764: 760: 753: 750: 747: 744: 741: 738: 735: 732: 729: 726: 723: 720: 717: 714: 713: 711: 709: 705: 698: 695: 692: 689: 686: 683: 680: 677: 676: 674: 672: 668: 661: 658: 655: 652: 649: 646: 643: 640: 639: 637: 635: 631: 624: 621: 618: 615: 612: 609: 606: 603: 602: 600: 596: 593: 591: 587: 578: 575: 569: 563: 559: 552: 547: 545: 540: 538: 533: 532: 529: 519: 518: 511: 508: 502: 499: 495: 489: 486: 480: 477: 473: 472:0-8247-4714-3 469: 465: 459: 456: 452: 448: 444: 438: 436: 432: 425: 421: 418: 417: 413: 411: 400: 379: 374: 324: 320: 316: 312: 307: 305: 298: 289: 285: 280: 278: 274: 269: 231: 227: 223: 219: 215: 211: 207: 203: 198: 196: 180: 176: 172: 168: 161: 152: 148: 144: 133: 123: 115:245, 223, 180 114: 112: 108: 104: 102: 98: 95: 91: 87: 85: 84:Just interval 81: 77: 75: 71: 67: 65: 61: 56: 52: 48: 44: 40: 35: 32: 29: 27: 23: 1439: 1406: 1392:(0.72 cents) 1386:(1.95 cents) 1366:(13.8 cents) 1360:(10.1 cents) 1354:(19.5 cents) 1346:(35.7 cents) 1340:(62.6 cents) 1334:(41.1 cents) 1326:(27.3 cents) 1320:(22.6 cents) 1314:(21.5 cents) 1308:(23.5 cents) 1295: 1276:Quarter tone 1266: 1265: 1236: 1235: 1192: 1157:Higher-limit 1072: 1066: 978:major fourth 922:quarter tone 897: 891: 776: 580: 515: 510: 501: 493: 488: 479: 463: 458: 442: 377: 375: 308: 281: 270: 210:major second 199: 169:produced by 150: 140: 50:Abbreviation 1425:Millioctave 1407:Measurement 1398:(0.4 cents) 1378:(7.7 cents) 1372:(8.1 cents) 1256:Major limma 998:minor fifth 175:minor third 42:Other names 1501:Categories 1458:Semiditone 1352:Diaschisma 1167:(17-limit) 858:(22 or 23) 856:fourteenth 852:(20 or 21) 850:thirteenth 846:(18 or 19) 840:(17 or 18) 834:(15 or 16) 828:(13 or 14) 763:Diminished 590:interval.) 571:(post-Bach 466:, p.xxvi. 426:References 206:enharmonic 197:interval. 1420:Centitone 1358:Semicomma 1237:Semitones 1201:Microtone 1185:intervals 862:fifteenth 708:Augmented 586:semitones 558:Intervals 208:with the 195:dissonant 171:narrowing 165:) is the 64:Semitones 1390:Breedsma 838:eleventh 818:Compound 573:Western) 568:semitone 445:, p.54. 414:See also 407:♭ 389:♭ 383:♯ 370:♯ 364:♭ 358:♭ 352:♯ 346:♭ 340:♯ 334:♭ 328:♭ 265:♭ 259:♯ 253:♭ 247:♯ 241:♯ 235:♭ 218:meantone 190:♭ 184:♯ 1396:Ragisma 1384:Schisma 1370:Kleisma 1206:5-limit 1112:(15:14) 1106:(21:20) 1100:(28:27) 1094:(36:35) 1084:7-limit 1049:⁄ 1038:seventh 1029:⁄ 1009:⁄ 989:⁄ 969:⁄ 949:⁄ 929:⁄ 911:Neutral 884:systems 844:twelfth 801:seventh 752:seventh 697:seventh 660:seventh 598:Perfect 566:Twelve- 26:Inverse 1453:Ditone 1440:Others 1430:Savart 1297:Commas 1193:Groups 1142:(10:7) 938:second 882:tuning 807:octave 783:fourth 771:second 734:fourth 722:second 716:unison 679:second 642:second 623:octave 611:fourth 605:unison 588:in the 470:  449:  1463:Secor 1211:Comma 1183:Other 1148:(7:4) 1136:(7:5) 1130:(9:7) 1124:(7:6) 1118:(8:7) 1018:sixth 958:third 880:Other 832:tenth 826:ninth 795:sixth 789:fifth 777:third 746:sixth 740:fifth 728:third 691:sixth 685:third 671:Minor 654:sixth 648:third 634:Major 617:fifth 386:and A 367:and C 355:and E 262:and B 250:and E 214:cents 177:by a 145:from 94:Cents 1448:Wolf 1415:Cent 864:(24) 809:(11) 754:(12) 748:(10) 699:(10) 662:(11) 625:(12) 468:ISBN 447:ISBN 398:Play 376:The 331:-G-B 309:The 296:play 238:to G 159:Play 149:, a 131:Play 58:Size 37:Name 803:(9) 797:(7) 791:(6) 785:(4) 779:(2) 773:(0) 742:(8) 736:(6) 730:(5) 724:(3) 718:(1) 693:(8) 687:(3) 681:(1) 656:(9) 650:(4) 644:(2) 619:(7) 613:(5) 607:(0) 282:In 200:In 141:In 105:200 1503:: 1042:10 434:^ 410:. 392:, 373:. 343:-E 337:-C 268:. 173:a 53:d3 1054:) 1051:2 1047:1 1044:+ 1040:( 1034:) 1031:2 1027:1 1024:+ 1022:8 1020:( 1014:) 1011:2 1007:1 1004:+ 1002:6 1000:( 994:) 991:2 987:1 984:+ 982:5 980:( 974:) 971:2 967:1 964:+ 962:3 960:( 954:) 951:2 947:1 944:+ 942:1 940:( 934:) 931:2 927:1 924:( 550:e 543:t 536:v 453:. 290:( 153:( 137:. 78:2 68:2 45:-

Index

Inverse
augmented sixth
Semitones
Interval class
Just interval
Cents
12-Tone equal temperament
Just intonation

Play
classical music
Western culture
Play
musical interval
narrowing
minor third
chromatic semitone
dissonant
12-tone equal temperament
enharmonic
major second
cents
meantone
19 equal temperament
augmented second
31 equal temperament
17 equal temperament
22 equal temperament
septimal meantone temperament
septimal major second

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