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tempo or changing the general mood of the set. Track choices are also due, in part, to where the DJ wishes to take his or her audience. In this way, the resulting mixset is brought about through a symbiotic relationship between audience and DJ. Studio DJs have the luxury of spending more time on their mix, which often leads to productions that could never be realized in real-time.
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In live situations, the progression of the DJ set is a dynamic process. The DJ chooses tracks partly in response to the activity on the dance floor. If the dance floor becomes less active, the DJ will make a judgement as to what track will increase dance floor activity. This may involve shifting the
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To be released commercially, DJ mixes often need many copyright clearances and licenses. The vast majority of DJ mixes throughout the years have only avoided legal action because the copyright holders generally do not choose to take legal action against the DJ for the unauthorized use of their
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for promotional purposes. Many popular DJs would release their mixes commercially on a compact disc. With declining CD usage, it has become more common for DJs to release their mix recordings through websites specifically set up for the purpose. Some of these sites, such as
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as basic aids. At this basic level, the DJ is required to develop a specific auditory skill where each track's tempo has to be distinguished while listening to more than one piece of music. The use of compact discs and players such as the
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setting. Mixsets can also be performed live on radio or recorded in a studio. Methods of mixing vary slightly depending on the music genres being played. House and trance DJs tend to aim for smooth, blended mixes while hip-hop DJs may use
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brought technological advances for the DJ performing a mix including a readout of the bpm and a visual representation of the beat. Modern computer technology has allowed automatic
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Traditional DJ mixing with vinyl required the DJ to sync the tempo of the tracks and modify each track's volume and equalisation to create a smooth blend. DJs can use a mixer's
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and led to debate regarding its use, which is sometimes described as cheating. DJ software provides automatic beatmatching and key detection which simplifies harmonic mixing.
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may be provided by the DJ or fans to allow the set to be burned to a CD, or listened to, as a series of separate tracks in the way it would be produced as a commercial mix.
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to switch between tracks or use the volume control for each source with the crossfader permanently positioned in the middle. Mixing is usually done through the use of
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disco beats can be used to create seamless mixes so as to keep dancers locked to the dancefloor. Two main characteristics of music used in DJ mixes is a dominant
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in which instead of beats, washes of synthesized sounds are combined. Further refinement to the mixing quality can be provided with
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When DJ sets are distributed directly via the
Internet, they are generally presented as a single unbroken audio file;
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by Brent Silby ─ article provides argument to support the claim that a DJ mixset is a form of art.
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Last Night a DJ Saved My Life: The
History of the Disc Jockey by Bill Brewster and Frank Broughton
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During the late 1990s and early 2000s, DJs would often distribute their recorded mixes on
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were offered beginning in the late 1970s in order to provide music which was more easily
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A DJ mixset is usually performed live in front of an audience in a nightclub, party, or
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DJ Culture in the Mix: Power, Technology, and Social Change in
Electronic Dance Music
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together to appear as one continuous track. DJ mixes are usually performed using a
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for the dancefloor. One of the earliest DJs to refine their mixing skills was
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was the first DJ to use headphones and a basic form of mixing at the
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A DJ mixes music from genres that fit into the more general term
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554:"The Legality of Sharing and Selling DJ Mixes | Digital DJ Hub"
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Attias, Bernardo; Anna
Gavanas; Hillegonda Rietveld (2013).
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DJ Skills: The
Essential Guide to Mixing and Scratching
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116:nightclub Sanctuary. Upon its release in 2000,
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81:, although it is possible to create one using
1386:Cinema / television / video
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1920:Palimpsests: Literature in the Second Degree
401:Vorobyez, Yakov; Eric Coomes (7 July 2024).
30:"Mix (music)" redirects here. For a type of
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519:"Jeff Mills gets Down with FORWARD and 88"
373:. Taylor & Francis. pp. 471–472.
88:DJ mixing is significantly different from
53:is a sequence of musical tracks typically
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404:Listen To Mixtape and uplifting Your soul
177:which ranges from 100 bpm up to 160 bpm.
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141:also known as the 'Godfather of House.'
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61:and multiple sounds sources, such as
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173:. Music mixed by DJs usually has a
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73:, sometimes with the addition of
27:Mix of recordings created by a DJ
123:Perfecto Presents: Another World
786:Two turntables and a microphone
521:. 88 Music Blog. Archived from
490:. A&C Black. pp. 2–3.
1:
1849:Pierre Menard, Author of the
1695:Archetypal literary criticism
1255:Literature / theatre
40:Audio mixing (recorded music)
1661:Source criticism in the arts
1329:Readymades of Marcel Duchamp
1862:Reality Hunger: A Manifesto
582:Is a Mixset a Piece of Art?
222:may prefer to mix during a
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1968:Appropriation in sociology
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1973:Articulation in sociology
1496:Revivalism (architecture)
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982:Releases and distribution
431:. CRC Press. p. 40.
265:and a monitor speaker or
1685:Aesthetic interpretation
791:Vinyl emulation software
425:Webber, Stephen (2009).
1927:The Pictures Generation
1706:The Death of the Author
766:Sound system (Jamaican)
1998:Copyright infringement
1978:Cultural appropriation
714:Direct-drive turntable
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147:electronic dance music
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83:sound editing software
2025:Participatory culture
1993:Intellectual property
367:Snoman, Rick (2009).
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205:Pioneer DJM 350 mixer
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1700:Artistic inspiration
1524:Intertextual figures
1491:Parody advertisement
558:www.digitaldjhub.com
234:tones during a mix.
2081:Japanese inventions
2035:Recontextualisation
1988:Information society
1983:History of printing
1963:Academic dishonesty
1724:Genius (literature)
1413:Literal music video
1324:Photographic mosaic
1119:Chopped and screwed
837:Chopped and screwed
1712:Divine inspiration
1501:Video game modding
1343:By source material
1035:Hip hop production
684:Magnetic cartridge
453:"Frankie Knuckles"
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761:Sound system (DJ)
497:978-1-62356-437-7
438:978-1-136-12310-8
380:978-0-240-52107-7
163:Four on the floor
90:live sound mixing
16:(Redirected from
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1641:Imitation in art
1611:Assemblage (art)
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1267:Cut-up technique
1166:Music plagiarism
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525:on 26 June 2012
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1151:Interpolation
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1092:Appropriation
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2066:DJ equipment
1953:Related non-
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1875:Theorization
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1716:
1631:Found object
1626:DĂ©tournement
1460:YouTube poop
1455:Video mashup
1403:Collage film
1366:
1358:
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1277:Found poetry
1272:Flarf poetry
1181:Parody music
1161:Music mashup
1145:
1136:Contrafactum
1004:Digital pool
988:
822:Beatmatching
807:Audio mixing
657:Effects unit
652:Drum machine
561:. Retrieved
557:
548:
539:
527:. Retrieved
523:the original
513:
501:. Retrieved
486:
460:. Retrieved
447:
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408:. Retrieved
403:
396:
384:. Retrieved
369:
318:
294:
291:Distribution
285:
276:beatmatching
256:
252:
243:DJ Kool Herc
208:
144:
121:
106:DJ Kool Herc
87:
50:
46:
44:
2020:Open source
1808:Plot device
1758:Originality
1741:Fan fiction
1606:After (art)
1562:Translation
1418:Parody film
1302:Visual arts
1231:Tribute act
1094:in the arts
999:Rare groove
917:Slip-cueing
892:Needle drop
781:Synthesizer
699:Phono input
647:DJ software
623:turntablism
563:3 September
301:audio files
247:Hunts Point
216:turntablism
192:in the mix.
71:sound cards
2055:Categories
1913:Nachahmung
1899:Dionysian
1839:L.H.O.O.Q.
1763:Simulacrum
1572:Adaptation
1552:Plagiarism
1486:Joke theft
1469:Other arts
1262:Assemblage
1124:Contrafact
912:Scratching
887:Music loop
827:Beatmixing
800:Techniques
731:Microphone
674:Headphones
349:References
321:cue sheets
287:material.
263:headphones
259:crossfader
220:Goa trance
190:Jeff Mills
67:CD players
63:turntables
32:Organ stop
1788:Archetype
1780:and forms
1736:Fan labor
1616:Bricolage
1557:Quotation
1445:TV format
1351:Mona Lisa
1246:Vaporwave
1241:Variation
1201:Quodlibet
1196:Potpourri
1186:Pasticcio
1176:Nightcore
958:Transform
941:Scratches
922:Pitch cue
776:Subwoofer
704:PA system
630:Equipment
232:dissonant
197:Technique
155:breakbeat
98:beatmixed
51:DJ mixset
18:Disco mix
2071:DJ mixes
2008:Fair use
1901:imitatio
1894:Diegesis
1718:Afflatus
1690:Anti-art
1677:concepts
1621:Citation
1585:Literary
1547:Pastiche
1532:Allusion
1516:concepts
1514:General
1440:Supercut
1226:Standard
1216:Sampling
1100:By field
907:Sampling
897:Phrasing
842:Chopping
736:Minutoli
642:DJ mixer
457:AllMusic
327:See also
314:Mixcrate
310:Mixcloud
305:podcasts
282:Legality
267:foldback
167:bassline
75:samplers
59:DJ mixer
1933:Pop art
1907:Mimesis
1851:Quixote
1651:Reprise
1590:Theatre
1476:In-joke
1450:Vidding
1314:Collage
1014:Mixtape
847:Covered
756:Slipmat
751:Sampler
719:SL-1200
529:25 June
151:hip hop
1866:(2010)
1856:(1939)
1843:(1919)
1656:Satire
1646:Mashup
1636:Homage
1542:Parody
1537:Calque
1428:Remake
1211:Riddim
1156:Medley
1146:DJ mix
989:DJ mix
882:Medley
877:Mashup
726:Laptop
662:Reverb
503:7 June
494:
462:2 July
435:
410:7 July
386:7 June
377:
186:techno
47:DJ mix
34:, see
2061:DJing
1830:works
1748:Genre
1729:Muses
1367:PietĂ
1359:David
1334:Swipe
1287:Trope
1236:Trope
1206:Remix
1107:Music
968:Chirp
963:Flare
948:Orbit
902:Remix
832:Break
619:DJing
343:Remix
338:Segue
297:CD-Rs
224:break
175:tempo
171:beats
159:disco
130:Music
55:mixed
2015:Meme
1882:Dada
1580:Film
1129:list
1040:Rave
973:Crab
953:Tear
862:Drop
679:iPod
621:and
565:2017
531:2012
505:2014
492:ISBN
464:2012
433:ISBN
412:2024
388:2014
375:ISBN
211:rave
157:and
77:and
857:Cut
852:Cue
637:CDJ
272:CDJ
245:at
188:DJ
120:'s
102:DJs
100:by
49:or
2057::
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556:.
472:^
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357:^
161:.
153:,
108:.
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65:,
45:A
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533:.
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441:.
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390:.
249:.
42:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
