327:, a location Ford had used in some of his own films, producing footage that Bogdanovich described as "one of the funnier sequences in the picture". Ford, who was partially deaf and who did not enjoy discussing his work, would routinely make interviewers sit on the side of his bad ear, and then indicate that he was unable to understand the questions he was being asked. Whenever his interrogators ultimately succeeded in making themselves understood, he would deliver only monosyllabic responses. Ford's behavior in his interview with Bogdanovich accordingly delivered little useful information, but it pleased Bogdanovich anyway because he felt that it was an accurate depiction of Ford's character.
290:
because he resented the implication that his time as a director was nearing its end. Despite this, Bogdanovich and Ford remained friends. In 1967, Bogdanovich completed an interview book about Ford, which was published in
England. Ford affected a lack of interest in the work, describing it as "a caricature" and claiming that he threw his copy away after reading the first three pages, though in reality, he purchased more than 200 copies. The next year, Bogdanovich began working on
468:, Todd McCarthy was largely positive. He praised the interviews with Fonda, Stewart, and Wayne, describing them as "possessing an extraordinary here-and-now immediacy", and found the interview with Ford "hilarious". He was less enthusiastic about some of the newer interviews, which were shot on video, feeling that they lacked the "vibrant look" and "elegant mobility" of the earlier interviews, recorded on film by a dolly-mounted camera. He did, however, single out
502:
of that name), that
Bogdanovich would have directed. It was to have starred Fonda, Stewart, and Wayne, but Bogdanovich claims that Ford talked Wayne out of participating, causing the project's collapse. Bogdanovich voiced the belief that the work "would have been my masterpiece," but was unwilling to
347:
Bogdanovich had long been dissatisfied with the initial version of the film, for several reasons. In addition to the rights issues, he felt that some of the film clips used came across as "a little long and lugubrious", and he was unhappy that the film did not go into sufficient depth when exploring
436:
praised it as "workmanlike, amusing, instructive," and noted that on several occasions he was "moved literally to tears" while watching it. However, he also expressed disappointment that the film did not place the end of Ford's career into what he felt to be the proper context, ignoring films such
425:
characterized the initial cut of the film as a "piece of lightweight scholarship", in which Ford's "every blemish is a virtue, and no detail is too trivial to examine." Though dismissive of
Bogdanovich's critical analysis within the film, the reviewer was more positive about the interview segments,
289:
piece temporarily produced some measure of friction between the two, as
Bogdanovich did not remove the profanity from Ford's quotes in his initial draft, to Ford's displeasure. Ford described it as "nauseating". He was also unhappy with the tone of the piece, entitled "The Autumn of John Ford",
29:
334:
exhausted its funding and was unable to purchase the rights to the film clips of Ford's work used in the documentary. As a result, the film could only be shown in non-profit venues, such as free screenings at film festivals or one fundraiser for
369:, promising to "use all the good stuff and do some interviews with new people and jazz it up a little bit and make it more commercial, faster and incisive, and also more revealing." Marshall, in turn, brokered a deal with
380:
When re-editing the film, Bogdanovich started with the original set of interviews with Fonda, Ford, Stewart, and Wayne, as well as the Welles narration. To supplement them, he conducted additional interviews with actors
279:
magazine, one in a series of profiles of famous directors. Ford, who typically despised interviews, perversely decided to be accommodating after he witnessed a production assistant warning
Bogdanovich and his then-wife
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about Ford's difficult nature. Ford occasionally found himself exasperated by
Bogdanovich's questions, but also enjoyed his company, and amused himself by needling the young man and pulling his leg. Bogdanovich's
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certain aspects of Ford's personal life, which were either unknown at the time the film was made or too controversial to include during Ford's lifetime.
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in which Fonda, Stewart, and Wayne displayed the "terror and awe" of young and callow actors when discussing Ford. Reviewing the film for
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speak about Ford's motives in acting as he did. The screenplay, written by
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Bogdanovich first met John Ford in 1963, on the set of Ford's film
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delivered an original narration, which was recorded in a
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Bogdanovich later developed a one-man stage show called
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1137:Rescuers: Stories of Courage: Two Women
731:", The New York Times, October 7, 1971.
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2549:Films directed by Peter Bogdanovich
2574:English-language documentary films
715:", Time magazine, October 8, 1971.
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799:Original 1971 version of the film
2554:Films produced by Frank Marshall
2242:The Man Who Shot Liberty Valance
2458:Korea: Battleground for Liberty
2106:When Willie Comes Marching Home
1096:The Great Buster: A Celebration
583:Searching for John Ford: a life
2477:(1971) (produced and co-wrote)
1671:The Face on the Bar-Room Floor
1147:Naked City: A Killer Christmas
769:", Variety, September 6, 2006.
662:", Reuters, November 23, 2006.
540:List of American films of 1971
16:1971 film by Peter Bogdanovich
1:
2466:Chesty: A Tribute to a Legend
742:John Ford: A Bio-Bibliography
2564:1970s English-language films
2381:The Adventures of Marco Polo
1946:The Prisoner of Shark Island
1167:The Mystery of Natalie Wood
585:, Macmillan, 2001, p. 655.
317:while Welles was directing
309:, as well as Ford himself.
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2534:American documentary films
1519:The Outcasts of Poker Flat
1208:The Killing of the Unicorn
421:An unattributed review in
320:The Other Side of the Wind
530:, including one of Ford.
464:In a review published in
198:October 6, 1971
149:Patrick Alexander Stewart
26:
2098:She Wore a Yellow Ribbon
1962:The Plough and the Stars
1938:Steamboat Round the Bend
1922:The Whole Town's Talking
1543:A Gun Fightin' Gentleman
351:The original version of
2539:American Film Institute
2434:December 7th: The Movie
2300:The Colter Craven Story
2050:How Green Was My Valley
803:American Film Institute
483:How Green Was My Valley
472:'s 1992 interview with
357:Telluride Film Festival
332:American Film Institute
330:During production, the
183:American Film Institute
2529:1971 documentary films
2194:The Rising of the Moon
2018:Drums Along the Mohawk
1663:The Village Blacksmith
1559:The Prince of Avenue A
355:was shown at the 1999
2493:Directed by John Ford
2146:The Sun Shines Bright
2066:My Darling Clementine
1986:Four Men and a Prayer
1759:The Shamrock Handicap
1567:The Girl in Number 29
1447:The Fighting Brothers
1076:Directed by John Ford
1035:The Thing Called Love
915:The Last Picture Show
848:Directed by John Ford
837:Directed by John Ford
826:Directed by John Ford
816:publicspiritedcitizen
767:Directed by John Ford
729:Directed By John Ford
634:McBride, pp. 684-685.
566:John Ford: Ford focus
510:The Last Picture Show
496:The Streets of Laredo
454:Directed by John Ford
371:Turner Classic Movies
353:Directed by John Ford
292:Directed by John Ford
244:Directed by John Ford
22:Directed by John Ford
2569:1970s American films
2426:The Battle of Midway
2250:How the West Was Won
2058:They Were Expendable
2034:The Long Voyage Home
1218:This is Orson Welles
1117:To Sir, with Love II
1086:Runnin' Down a Dream
1055:She's Funny That Way
490:Bogdanovich and Ford
2186:The Wings of Eagles
2026:The Grapes of Wrath
1695:North of Hudson Bay
1503:Riders of Vengeance
1127:The Price of Heaven
727:Greenspun, Roger. "
564:MacNab, Geoffrey. "
66:George Stevens, Jr.
2559:Films shot in Utah
2503:(2017 documentary)
2495:(1971 documentary)
2402:and training films
2293:Rookie of the Year
2218:The Horse Soldiers
2162:The Long Gray Line
1906:The World Moves On
1751:The Fighting Heart
1647:Little Miss Smiles
1375:The Phantom Riders
853:TCM Movie Database
795:Films Incorporated
778:Lemire, Christy. "
695:2012-02-17 at the
658:Modderno, Craig. "
429:The New York Times
412:Critical reception
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2474:Vietnam! Vietnam!
2234:Two Rode Together
2226:Sergeant Rutledge
2010:Young Mr. Lincoln
1970:Wee Willie Winkie
1818:Men Without Women
1679:Three Jumps Ahead
1527:Ace of the Saddle
1431:Three Mounted Men
1343:Straight Shooting
1311:The Trail of Hate
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1067:Documentary films
955:At Long Last Love
889:Peter Bogdanovich
765:McCarthy, Todd. "
713:Festival (Contd.)
581:McBride, Joseph.
478:Katharine Hepburn
375:Warner Home Video
253:Peter Bogdanovich
251:film directed by
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220:2006: 110 minutes
159:Richard Patterson
79:Peter Bogdanovich
49:Peter Bogdanovich
40:Peter Bogdanovich
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2138:What Price Glory
1994:Submarine Patrol
1954:Mary of Scotland
1615:Desperate Trails
1535:Rider of the Law
1455:A Fight for Love
1399:The Scarlet Drop
1367:Bucking Broadway
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218:1971: 99 minutes
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2202:Gideon's Day
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2173:(co-d, 1955)
2168:
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2128:
2120:
2114:Wagon Master
2112:
2104:
2096:
2090:3 Godfathers
2088:
2080:
2074:The Fugitive
2072:
2064:
2056:
2048:
2042:Tobacco Road
2040:
2032:
2024:
2016:
2008:
2000:
1992:
1984:
1976:
1968:
1960:
1952:
1944:
1936:
1930:The Informer
1928:
1920:
1914:Judge Priest
1912:
1904:
1896:
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1842:Seas Beneath
1840:
1834:Up the River
1832:
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1359:A Marked Man
1357:
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1319:The Scrapper
1317:
1309:
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1295:Silent films
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945:Daisy Miller
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740:Levy, Bill.
736:
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460:2006 version
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417:1971 version
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329:
318:
311:Orson Welles
296:
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243:
242:
241:
214:Running time
191:Release date
147:Eric Sherman
128:Orson Welles
2418:Sex Hygiene
2317:Productions
2082:Fort Apache
1890:Doctor Bull
1802:Sound films
1687:Cameo Kirby
1423:The Craving
1303:The Tornado
965:Nickelodeon
820:archive.org
807:archive.org
528:impressions
403:Walter Hill
299:Henry Fonda
282:Polly Platt
249:documentary
124:Narrated by
98:Walter Hill
90:Henry Fonda
54:Produced by
36:Directed by
2524:1971 films
2518:Categories
2442:Undercover
2285:Television
2122:Rio Grande
2002:Stagecoach
1882:Pilgrimage
1858:Arrowsmith
1791:Strong Boy
1607:The Wallop
1551:Marked Men
1471:Bare Fists
1383:Wild Women
1025:Noises Off
1015:Texasville
975:Saint Jack
935:Paper Moon
546:References
307:John Wayne
263:Production
202:1971-10-06
175:Production
118:John Wayne
46:Written by
1783:Four Sons
1767:3 Bad Men
1743:Thank You
1727:Lightnin'
1631:Sure Fire
1583:Just Pals
1407:Hell Bent
1288:John Ford
432:, critic
257:John Ford
154:Edited by
94:John Ford
2309:" (1962)
2302:" (1960)
2295:" (1955)
1866:Air Mail
1850:The Brat
1775:Upstream
1463:Rustlers
831:AllMovie
693:Archived
534:See also
500:the song
233:Language
164:Music by
76:Starring
2485:Related
2274:7 Women
2154:Mogambo
1479:Gun Law
905:Targets
851:at the
498:(after
466:Variety
446:7 Women
366:Targets
287:Esquire
276:Esquire
236:English
225:Country
200: (
177:company
2469:(1970)
2461:(1959)
2453:(1951)
2445:(1943)
2437:(1943)
2429:(1942)
2421:(1942)
2413:(1942)
2392:(1965)
2384:(1938)
2376:(1932)
2368:(1929)
2365:Salute
2360:(1928)
2352:(1928)
2344:(1928)
2336:(1926)
2328:(1924)
2277:(1966)
2269:(1964)
2261:(1963)
2253:(1962)
2245:(1962)
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2229:(1960)
2221:(1959)
2213:(1958)
2205:(1958)
2197:(1957)
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2165:(1955)
2157:(1953)
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2125:(1950)
2117:(1950)
2109:(1950)
2101:(1949)
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2077:(1947)
2069:(1946)
2061:(1945)
2053:(1941)
2045:(1941)
2037:(1940)
2029:(1940)
2021:(1939)
2013:(1939)
2005:(1939)
1997:(1938)
1989:(1938)
1981:(1937)
1973:(1937)
1965:(1936)
1957:(1936)
1949:(1936)
1941:(1935)
1933:(1935)
1925:(1935)
1917:(1934)
1909:(1934)
1901:(1934)
1893:(1933)
1885:(1933)
1877:(1932)
1869:(1932)
1861:(1931)
1853:(1931)
1845:(1931)
1837:(1930)
1829:(1930)
1821:(1930)
1813:(1929)
1794:(1929)
1786:(1928)
1778:(1927)
1770:(1926)
1762:(1926)
1754:(1925)
1746:(1925)
1738:(1925)
1730:(1925)
1722:(1924)
1714:(1924)
1706:(1923)
1698:(1923)
1690:(1923)
1682:(1923)
1674:(1923)
1666:(1922)
1658:(1922)
1650:(1922)
1642:(1921)
1639:Jackie
1634:(1921)
1626:(1921)
1623:Action
1618:(1921)
1610:(1921)
1602:(1921)
1594:(1921)
1586:(1920)
1578:(1920)
1570:(1920)
1562:(1920)
1554:(1919)
1546:(1919)
1538:(1919)
1530:(1919)
1522:(1919)
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1482:(1919)
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1466:(1919)
1458:(1919)
1450:(1919)
1442:(1919)
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1426:(1918)
1418:(1918)
1410:(1918)
1402:(1918)
1394:(1918)
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1370:(1917)
1362:(1917)
1354:(1917)
1346:(1917)
1338:(1917)
1330:(1917)
1322:(1917)
1314:(1917)
1306:(1917)
1242:(1968)
1221:(1992)
1211:(1984)
1201:(1973)
1180:(2004)
1177:Hustle
1170:(2004)
1160:(1999)
1150:(1998)
1140:(1997)
1130:(1997)
1120:(1996)
1099:(2018)
1089:(2007)
1079:(1971)
1058:(2014)
1048:(2001)
1038:(1993)
1028:(1992)
1018:(1990)
1008:(1988)
998:(1985)
988:(1981)
978:(1979)
968:(1976)
958:(1975)
948:(1974)
938:(1973)
928:(1972)
918:(1971)
908:(1968)
748:
589:
401:, and
305:, and
2373:Flesh
1874:Flesh
1439:Roped
1284:Films
1230:Other
1189:Books
247:is a
995:Mask
842:IMDb
746:ISBN
587:ISBN
443:and
389:and
373:and
1286:by
840:at
829:at
818:on
814:by
805:on
568:",
437:as
337:PBS
2520::
797:.
756:^
720:^
704:^
667:^
639:^
618:^
606:^
553:^
519:.
397:,
385:,
377:.
301:,
294:.
259:.
2305:"
2298:"
2291:"
1276:e
1269:t
1262:v
881:e
874:t
867:v
711:"
204:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
