Knowledge (XXG)

Dirty Pictures

Source πŸ“

597:, John Carman said the film "labors to apply a semigloss coat of dramatic entertainment to a thorny social issue . . . But the best efforts of veteran director Frank Pierson and screenwriter Ilene Chaiken can't turn the trick . . . We may not know much about art, or First Amendment niceties, but who can't relate to a family in turmoil? Problem is, there's a de rigueur movie feel to it. Real or not, these story points pull our chain too obviously. The movie is drier but more rewarding when it sticks to the point." 606:, James Poniewozik described the film as a "mechanical, insultingly didactic placard . . . that wants to be an agitprop documentary, interrupting its storyline with interviews of mostly pro-Mapplethorpe notables. The film isn't obligated to be neutral, but it's so bullying and one-sided that a viewer feels guilty for agreeing with it. Defending an artist who preferred aesthetics to righteousness, 631:
characters are underwritten, odd legal issues are over-emphasised and the domestic scenes scream 'made-for-TV'. In purely dramatic terms the most powerful moment comes right at the end and the stark conclusion goes a long way to redeeming the film's inadequacies, even if the events that inspired it are profoundly depressing."
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predictable . . . Will viewers come away with renewed respect for Mapplethorpe's artistic intentions? Maybe. But they might also feel the way the jury does here: condescended to, as if we aren't capable of grappling with disturbing images without an art expert guiding us through them like a therapist."
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Even before the exhibit opens, controversy about its content arises and is fueled by the local media, and after it does, Barrie is indicted and put on trial on pandering and obscenity charges, and he and his family become the center of the highly charged case. As time passes, they become the targets
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of engaging drama by denying the opposition any believability; they present Barrie's persecutors as hostile idiots and hopeless prudes . . . The director further hobbles the movie's pace by interrupting the narrative with commentator interviews . . . , while occasionally eloquent, are also entirely
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Many of the actual Mapplethorpe photographs displayed in the exhibit, including some of the more controversial ones, are seen in the film. A warning at its start advises viewers of the film's content and explains the necessity of displaying the images to allow both an understanding of the graphic
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organization, and bullied by Monty Lobb, leader of the conservative group People for Community Values, but also find themselves receiving a great deal of support from not only the art community at large, but local citizens as well. As his marriage begins to disintegrate and the prospect of a jail
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describes it as "flawed but still engaging . . . more notable for what it says than the way it actually says it . . . it's a thought-provoking trip driven by the reliably charismatic Woods. While the issues themselves get a thorough airing however, other aspects are less satisfying. Supporting
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and, despite his legal victory, his experience and the wide publicity it received consequently impacted on other museum curators and boards who opted to avoid presenting potentially controversial exhibits in their venues for fear of a similar backlash.
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says, "Coming over at times like a radical left-field essay film . . . lifts off from its factual origins to deliver a major plea for tolerance and minority understanding, and against political censorship in culture generally."
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books a potentially controversial exhibit of Robert Mapplethorpe's nude photography for the Contemporary Arts Center and, with the support of his
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nature of the handful of provocative pictures that prompted Barrie's arrest and an appreciation for the overall beauty of the photographer's
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sentence looms before him, he finds himself torn between his devotion to his family and his determination to defend the doctrines of the
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of ongoing harassment and ridicule, are ostracized by their friends, offered a substantial bribe by the shady spokesman for a
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Golden Globe Award for Best Performance by an Actor in a Mini-Series or Motion Picture Made for Television
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called the film "titillatingly titled but artistically timid" and added, "Chaiken and Pierson drain
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Throughout the film, scripted scenes intermingle with archival interviews with
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Emmy Award for Outstanding Sound Mixing for a Miniseries or a Movie (nominee)
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for Outstanding Cinematography for a Miniseries, Movie or a Special (nominee)
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Golden Globe Award for Best Mini-Series Or Motion Picture Made for Television
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Outstanding Performance by a Male Actor in a Miniseries or Television Movie
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Golden Globe Award for Best Limited or Anthology Series or Television Film
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Eddie Award for Best Edited Motion Picture for Non-Commercial Television (
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Best Miniseries or Television Movie Golden Globe winners
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Satellite Award for Best Actor - Miniseries or TV Film
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The film focuses on the 1990 trial of 1720:Television films based on actual events 727: 610:sadly advances exactly the opposite." 268:(Woods), who was accused of promoting 16:2000 TV film directed by Frank Pierson 1680:American films based on actual events 7: 1554:The Assassination of Gianni Versace 1396:The Life and Death of Peter Sellers 972:Lakota Woman: Siege at Wounded Knee 14: 1690:Films about freedom of expression 1305:Rasputin: Dark Servant of Destiny 956:Somebody Has to Shoot the Picture 761:Poniewozik, James (2000-05-29). 685:Satellite Award for Best TV Film 1695:Films directed by Frank Pierson 1675:American drama television films 1295:Indictment: The McMartin Trial 1122:All Quiet on the Western Front 1: 1655:2000s English-language films 1715:Showtime (TV network) films 1530:The People v. O. J. Simpson 1736: 1685:American legal drama films 1325:From the Earth to the Moon 769:. Time.com. Archived from 735:John Carman (2000-05-25). 572:and depictions of nature. 417:– District Attorney Prouty 325:, removes it from theirs. 18: 1700:Films scored by Mark Snow 918: 791:Ken Tucker (2000-05-26). 691:Screen Actors Guild Award 39: 1670:American docudrama films 1588:The Underground Railroad 280:and graphic displays of 276:that included images of 262:Contemporary Arts Center 1705:Films set in Cincinnati 1660:2000s legal drama films 739:San Francisco Chronicle 701:American Cinema Editors 594:San Francisco Chronicle 319:Corcoran Gallery of Art 19:For the 2010 single by 1275:Barbarians at the Gate 1188:The Jewel in the Crown 1178:Something About Amelia 662:(James Woods, nominee) 644:Awards and nominations 540:Lawrence Bayne – Stein 477:Kenneth McGregor – Gil 290:The film premiered on 212:May 20, 2000 1710:Films shot in Toronto 1635:2000 television films 1493:Behind the Candelabra 924:The Looking Glass War 591:In his review in the 575:The film was shot in 426:David Huband – Sirkin 1650:2000s American films 1558:American Crime Story 1534:American Crime Story 1256:One Against the Wind 1158:Brideshead Revisited 1112:A Family Upside Down 1092:Eleanor and Franklin 797:Entertainment Weekly 616:Entertainment Weekly 175:Production companies 1376:The Gathering Storm 1224:War and Remembrance 1208:Escape from Sobibor 1074:That Certain Summer 948:King of the Gypsies 501:John Evans – Tucker 274:Robert Mapplethorpe 230:is a 2000 American 181:The Manheim Company 1578:The Queen's Gambit 1285:The Burning Season 910:Films directed by 822:"Channel 4 review" 587:Critical reception 505:Jonathan Whittaker 486:Sally Cahill – Liz 404:Sheriff Simon Leis 315:board of directors 1622: 1621: 1386:Angels in America 1014: 1013: 773:on March 15, 2007 355:George H. 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Nelson 387: 371:William Buckley 336:First Amendment 308: 251:Craig T. Nelson 245:, and starring 235:television film 215: 213: 189: 142:Michael Manheim 103: 94:Craig T. 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Reid 444:– Reising 432:– Mizibov 296:videotape 264:director 232:docudrama 112:Mark Snow 56:Docudrama 46:DVD cover 21:Taio Cruz 1509:season 1 1472:series 1 1426:Longford 793:"Review" 677:(Woods, 558:– Ruberg 531:– Kardon 462:– Brenda 456:– Angela 343:epilogue 292:Showtime 203:Showtime 139:Producer 108:Music by 82:Starring 1335:RKO 281 1265:Sinatra 1198:Promise 847:review" 767:review" 741:review" 579:, with 577:Toronto 513:– Walsh 507:– Muntz 483:– Harry 474:– Floyd 347:divorce 214: ( 209:Release 199:Network 129:English 1614:(2023) 1604:(2022) 1591:(2021) 1581:(2020) 1571:(2019) 1561:(2018) 1547:(2017) 1537:(2016) 1523:(2015) 1513:(2014) 1496:(2013) 1486:(2012) 1476:(2011) 1459:(2010) 1456:Carlos 1449:(2009) 1439:(2008) 1429:(2007) 1419:(2006) 1409:(2005) 1399:(2004) 1389:(2003) 1379:(2002) 1369:(2001) 1348:(2000) 1338:(1999) 1328:(1998) 1318:(1997) 1308:(1996) 1298:(1995) 1288:(1994) 1278:(1993) 1268:(1992) 1258:(1991) 1250:(1990) 1240:(1989) 1230:(1988) 1217:(1987) 1201:(1986) 1191:(1985) 1181:(1984) 1171:(1983) 1161:(1982) 1151:(1981) 1135:(1980) 1125:(1979) 1115:(1978) 1105:(1977) 1095:(1976) 1085:(1975) 1077:(1972) 1067:(1971) 1007:(2003) 999:(2001) 991:(2000) 983:(1995) 980:Truman 975:(1994) 967:(1992) 959:(1990) 951:(1978) 943:(1976) 935:(1971) 927:(1969) 715:winner 705:winner 679:winner 654:winner 492:– Mary 377:, and 253:, and 157:Editor 23:, see 1503:Fargo 519:– Ian 498:-Suit 52:Genre 1611:Beef 1142:Bill 1083:Babe 876:IMDb 765:Time 693:for 603:Time 468:– Ed 298:and 874:at 600:In 321:in 300:DVD 1631:: 1556:: 1532:: 1211:/ 1145:/ 795:. 402:– 393:– 381:. 373:, 369:, 365:, 361:, 357:, 338:. 302:. 287:. 249:, 1511:) 1507:( 1474:) 1470:( 1040:e 1033:t 1026:v 903:e 896:t 889:v 856:. 843:" 831:. 810:. 780:. 763:" 750:. 737:" 717:) 707:) 681:) 656:) 652:( 218:) 27:.

Index

Taio Cruz
Dirty Picture

Docudrama
Ilene Chaiken
Frank Pierson
James Woods
Craig T. Nelson
Diana Scarwid
Mark Snow
Hiro Narita
Peter Zinner
MGM Television
Showtime
docudrama
television film
Frank Pierson
Ilene Chaiken
James Woods
Craig T. Nelson
Diana Scarwid
Cincinnati
Contemporary Arts Center
Dennis Barrie
pornography
Robert Mapplethorpe
naked children
homosexual
sadomasochism
Showtime

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