901:"undeniably important" due to its "ability to tell a story without words" and "to capture a scene and a raw emotion with just sound, a task that more than a few band bands try, and usually fail, at accomplishing." He wrote, "if you're willing to put in the three quarters of an hour that it takes to finish the album, and you're able to free your mind of any foregone conclusions or suppositions you have,
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drum sounds with a crack and thump that makes you feel like you're in the room with them." Colly used "Daydream" as an example of Hansen's attention to detail in terms of song building. As he wrote, it "starts out fairly simple with twinkly guitars and a sturdy, knocking beat, but the song's pulse quickens as it progresses, and by the end you've got something heady enough to live up to its title."
590:'s "transmorphic sound:" "He can shift from a barrage of keyboards, synthesizers, and drum machines to an acoustic guitar at the drop of a hat, all while sounding completely cohesive on both a track and album level." He described the album as an "essential device for sparking imagination," writing that it has "a spirit and liveliness which is translated through the listener on their own terms."
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s biggest selling point, it also exposes a nagging flaw, which is a lack of tension. Hansen is so committed to keeping things serene that he doesn't incorporate much danger or risk, and at times the album can feel a bit one-note." Poin similarly criticized the LP for the fact that the tracks "seem to
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sun that, as Patric Fallon writes, "practically melt into a large swath of barren earth." Even though Hansen, who created the artwork, left it vague as to whether or not the cover art is trying to depict a sun rising or setting, he stated that the cover art represented a sunset to him: "It's kind of
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to REAPER. He reasoned that "Cakewalk just wasn't working anymore for flow" and that Reaper "allowed to look at it as a multi-track tape player. But have to pull out the tape and the razor blades to do the editing." Hansen explained, "I was just struggling to get this album off the ground and the
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from the works of other independent artists that use "electro-organic" arrangements is the "simple" and "OCD-level" way each track is crafted and built up. As Colly wrote, "In place of the tinny, synthetic beats favored by lots of indie-ambient startups, Hansen takes extra care to capture real live
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was "Adrift", the last being "Elegy". Scott Hansen began writing most of the songs on guitar, some of the album's tracks even having guitars in them. He said that when he played a guitar, he often "mae more mistakes, and that characterize my process more than anything, experimentation and mistakes.
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more "multidimensional" than Tycho's previous albums. Lymangrover reasoned that it was due to its use of more acoustic instruments than past releases of the project. Stagno stated that while the album "lacks a certain flair" of previous Tycho records, it was still "the kind of high quality release
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Hansen explained that each song was developed in "little bits of inspiration", and that "taking that idea to what I consider to be a finished product is a very, very long, winding road of meticulously going over every detail." In making each track, he first created a 16-bar melody and bass line to
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also influenced Hansen to create an album "pretty informed by stepping outside the boundaries of normal experience, or your daily life, and just trying to get to another kind of space." He also explained, "I didn't want to go all the way into that world of, like, 'Hey, man, when you're high this
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has a "livelier, more carefree atmosphere" than the "nostalgic, sometimes contemplative motif" of Hansen's previous albums of the project. This is most showcased on the album's eight-minute title-track, where, as Stagno wrote, "driving beats help keep everything focused as Hansen lays down lush
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as "sun-blanched, caked in reverb and semi-hallucinatory fuzz, and kind of wavy at the point where visual lines intersect." Critic Loren Auda Poin analyzed that the synthesizer sounds "border on vagueness, barely holding their jelly-like shape as they coalesce atop relaxed but driving beats."
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such as pre-amps, analog delay devices, and old digital reverb software, as well as use microphone-recorded acoustic instrumentation. The sound and vibe of the album was also considered more "dynamic", "multidimensional" and "livelier" than past Tycho records by reviewers.
980:, "Tycho makes damn sure to make his tracks move even when they seem like they're just stargazing." He also wrote that "there's little pretension wafting over his analog craft and the melodic tokens he unearths are as iridescent as an oceanic sunset."
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to have all of the tracks contain multiple ideas, where the listener goes on a "journey through different places." As Hansen said, "I like to look at my songs as having a main part, an interlude, and almost like another song at the end." Listening to
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like the epilogue to a chapter in my life as an artist and a person. This last year has been really transformative in a lot of ways, personally, so this album is kind of a punctuation on the end of a really intense period . The end of a part of me."
968:"irresistibly good," writing that for a 66-minute-long album, "Hansen's clever enough to add spice where it's needed, edging his sluggish beats away from New Age and into something more engaging." A negative of the LP mentioned his review for
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set its mood, before working on other sounds. For making the drums, he started with making a loop to "give an idea or a grid." The last objective he completed in producing each song was editing and arranging the drum and percussion sounds.
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album and a record "ensconced in the musty past of outdated appliances and ideas." He analyzed that the LP is a set of "nature-inspired" tracks where "the seemingly commonplace nature all around us" is "as foreign and transfixing as
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was the first Tycho album where Hansen recorded acoustic instruments with microphones, thus it features many more guitar and electric bass parts than past Tycho records. It was also the first Tycho record to be made with
282:, according to Hansen, is a set of "artifacts from a future which might have more in common with our past than our present." He described it as the "full picture" of what he was trying to make with
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the third-best electronic album of 2011, writing: "eavy processing and multicolored aural flourishes unwind here and for the duration, yielding playback that's refreshingly reluctant on returns."
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did not do what electronic music instrumental records should, which is "shift into gears we didn't even know existed, so we marvel at the counterintuitive beauty of the machine." Harvey described
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described as "pulsing" synthesizers, what Ali described as "spacey" blips, subtle acoustic guitar, ocean foley, and what Miller called "sparkling" drum machines. Miller described
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472:'s Jason Lymangrover was one of these critics, writing that it uses the same format of "liquid keyboards drizzled over gentle beats" as the works of Boards of Canada and
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one expects from Hansen." He also wrote, "Drawing on a variety of different sounds and structures, Tycho is able to craft a number of immersive tracks." In a review for
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album. Bass described the album's sound as consisting of "pink sunsets, shuffling hipsters and old video hardware." Some critics have also made direct comparisons of
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was that "large portions of it overlap." He reasoned that "a few tracks feel plain identical" to the point where they fit the definition of ambient music set by
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was produced in comparison to Tycho's previous albums. Around a year before Hansen completed the album, he switched the digital workstation he was using from
931:"meets expectations, and while surpassing them is something achieved only occasionally, this is a record that well complements a no-work state of mind."
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And that's what is interesting because, in that way, the songs kind of create themselves and you're there more to witness it." The only track on
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could easily be your favorite record this year." However, he also wrote that the album is "underwhelm in certain situations." Miller wrote that
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as “music interesting/bland enough to either analyse with headphones or put on in the background while ironing.” Lemmon wrote that with
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serving as the "foundation" of most of its tracks, where "swirling melodies give way to acoustic guitars." Stagno also noted that
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remove repays repeat listens, not "ambient" per se but atmospheric, alternating moments of presence with necessary spaceouts."
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writer described as the formula of "radar loops and
Massive Attack beats" from past Tycho albums and was also made with mostly
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in terms of its "electro-organic" sound structure of synthesizers and live instruments. He wrote that what differentiates
953:’s songs gel into one atmosphere rather than branching into the semi-organic variety of the best records." He felt that
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production devices and analog sound generators; in fact, many of the sounds that appear on the album were produced on a
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and analog equipment like previous records of the project. However, there were also differences in terms of the vibe of
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soundscapes that help maintain an infectious mood that is as dreamy as it is energetic." Erik Burg of
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that Hansen started making with digital equipment was the title track; he began making the song on a
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the songs and adding EQ and compression to the instrument recordings, which was all done in the
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stroke and soothe the mind's imaginative engine, rather than exciting it." While he did enjoy
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criticized the album's lack of surprise, writing "If that nicely detailed tranquility is
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throughout. According to Reyan Ali, it uses the "sleek and economical construction" of
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1438:"For chillwave maestro Tycho, effects are as much instruments as the ones you play."
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446:. The LP mainly consists of a sound palette of female humming, what Derek Miller of
1303:"Tycho speaks about his production process and artistic values [Interview]"
1281:"Tycho: Scott Hansen takes his audio/visual experience to new heights with 'Dive'."
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from past Tycho releases that gives the LP a more "dynamic" sound: elements of
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record with a sound and style that was compared to the works of
Scottish group
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took approximately five years to complete. As with previous Tycho records,
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Scott Hansen – artwork, bass, drums, guitar, keyboards, mastering, mixing
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such as pre-amps, analog delay devices, and old digital reverb software.
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1371:"Tycho Shows Off Old-School Synths Used to Craft Dive's Ethereal Sounds"
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as "a pretty and sturdily crafted collection of techno maybe-memories."
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sounds really good.' I try to avoid self-indulgence at all costs."
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1421:"Tycho On Music And Design, Nostalgia, And Building Computers"
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to mostly positive reviews from critics, and it landed on
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1847:"Free Download: Tycho's Effervescent Electro-Pop 'Dive'"
1830:"EB Listening: Tycho's ‘Dive’ album streaming in full"
266:. The LP was the first Tycho record to be made with
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1977:"Tycho Chart History (Top Dance/Electronic Albums)"
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1167:Jianda Johnson (a.k.a. "Jianda Monique") – vocals
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464:'s sound and style was compared to the works of
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212:was released on November 8, 2011 by the label
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1348:"The Reverb Interview: Scott Hansen of Tycho"
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1951:. 22 December 2011. Retrieved 14 April 2012.
1862:. Wenner Media LLC. Retrieved June 21, 2017.
1836:. November 7, 2011. Retrieved June 21, 2017.
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1752:. 17 November 2011. Retrieved 6 April 2012.
1712:. 28 November 2011. Retrieved 6 April 2012.
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1995:"Tycho Chart History (Heatseekers Albums)"
1732:. 24 January 2012. Retrieved 6 April 2012.
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1253:Official Website. Retrieved June 20, 2017.
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1164:Matt McCord – production consultant, bass
645:available for streaming as part of their
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1845:Fuentes, Catherine (November 17, 2011).
1369:Watercutter, Angela (November 9, 2011).
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934:In a less positive review, Joe Colly of
670:stand at 200,000 copies sold worldwide.
310:before adding other analog instruments.
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1642:Judge, Stephen (December 21, 2011).
1329:Reynaldo, Shawn (January 30, 2012).
1144:The following people contributed to
494:magazine more specifically compared
1493:Miller, Derek (November 14, 2011).
1279:Fallon, Patric (October 31, 2011).
1158:Dusty Brown – production consultant
916:Both Stagno and Lymangrover called
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364:There were many differences in how
1588:Bass, George (November 17, 2011).
1467:Lemmon, Kyle (November 15, 2011).
1397:Durston, Tom (November 15, 2011).
527:The Earth Is Not a Cold Dead Place
373:second I jumped in it was done."
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1945:The Best Electronic Music of 2011
637:On November 7, 2011, the website
567:analyzed a musical difference of
2017:Ghostly International's page on
1548:Ali, Reyan (November 29, 2011).
1436:Mettler, Mike (March 30, 2015).
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393:has been described as featuring
188:musician Scott Hansen's project
1810:Burg, Erik (October 26, 2011).
1301:Leonard, Alex (July 23, 2015).
2179:Intelligent dance music albums
1777:"Tycho - Dive (album review )"
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927:, Wyndham Wallace opined that
649:series. On November 17, 2011,
16:2011 studio album by Tycho
1:
2169:Ghostly International albums
1590:"Album Review: Tycho – Dive"
1529:. Retrieved 8 November 2011.
1419:Davisman (October 3, 2011).
1346:DeLeo, Sam (June 28, 2012).
1219:
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655:released a free download of
2003:. Retrieved June 22, 2017.
1985:. Retrieved June 22, 2017.
1775:Stagno, Mike (2011-11-15).
1191:Top Dance/Electronic Albums
297:The first song written for
224:Top Dance/Electronic Albums
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1935:. Retrieved June 20, 2017.
1812:Album Review: Tycho - Dive
1652:. Retrieved June 26, 2017.
1633:. Retrieved June 20, 2017.
1605:. Retrieved June 20, 2017.
1503:. Retrieved June 20, 2017.
1475:. Retrieved June 26, 2017.
1445:. Retrieved June 22, 2017.
1427:. Retrieved June 25, 2017.
1405:. Retrieved June 22, 2017.
1383:. Retrieved June 21, 2017.
1360:. Retrieved June 21, 2017.
1337:. Retrieved June 21, 2017.
1309:. Retrieved June 21, 2017.
1289:. Retrieved June 20, 2017.
593:Kyle Lemmon, a critic for
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1967:. Retrieved 4 April 2012.
1820:. Retrieved 6 April 2012.
1680:. Retrieved 6 April 2012.
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2164:Tycho (musician) albums
2137:The Science of Patterns
1929:"Dive by Tycho reviews"
1961:Dive - Tycho - Credits
1746:Review of Tycho - Dive
1331:"In the Studio: Tycho"
498:to Boards of Canada's
293:Writing and influences
228:Top Heatseekers Albums
2174:Hypnagogic pop albums
1251:Ghostly International
1240:"Tycho presents Dive"
633:Release and promotion
532:Explosions in the Sky
460:In numerous reviews,
342:was made mostly with
214:Ghostly International
117:Ghostly International
1873:"Tycho : Epoch"
1672:Lymangrover, Jason.
679:Professional ratings
597:magazine, described
530:(2003), an album by
420:guitars, along with
308:software synthesizer
284:Sunrise Projector /
1358:Digital First Media
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1852:2017-07-03 at the
1744:Wallace, Wyndham.
1595:2017-11-10 at the
1555:The Boston Phoenix
1521:Anderson, Stacey.
1245:2016-09-20 at the
1209:Heatseekers Albums
780:The Boston Phoenix
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662:Combined sales of
647:EB Listening Party
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286:Past Is Prologue
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620:The artwork of
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1644:"Tycho – Dive"
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1550:"Tycho | Dive"
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1186:
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1162:
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1141:
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1134:
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1124:
1123:
1120:
1117:
1113:
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1109:
1106:
1102:
1101:
1098:
1095:
1091:
1090:
1087:
1084:
1080:
1079:
1076:
1073:
1069:
1068:
1065:
1062:
1058:
1057:
1054:
1051:
1047:
1046:
1043:
1040:
1036:
1035:
1032:
1029:
1025:
1024:
1021:
1018:
1014:
1013:
1010:
1007:
999:
997:
994:
893:
892:
889:
885:
884:
881:
873:
872:
869:
861:
860:
857:
849:
848:
845:
837:
836:
833:
825:
824:
821:
813:
812:
783:
775:
774:
771:
763:
762:
733:
727:
726:
723:
719:
718:
714:
713:
710:
704:
703:
700:
694:
693:
690:
686:
685:
675:
672:
634:
631:
617:
614:
440:Massive Attack
403:hypnagogic pop
387:
384:
370:Cakewalk Sonar
332:
329:
294:
291:
276:
273:
252:Cakewalk Sonar
175:
174:
171:
170:
161:
152:
138:
137:
130:
129:
126:
120:
119:
114:
108:
107:
96:
92:
91:
89:
88:
86:hypnagogic pop
83:
78:
73:
68:
62:
60:
54:
53:
50:
46:
45:
40:
33:
32:
24:
23:
15:
13:
10:
9:
6:
4:
3:
2:
2191:
2180:
2177:
2175:
2172:
2170:
2167:
2165:
2162:
2160:
2157:
2156:
2154:
2139:
2138:
2134:
2133:
2131:
2127:
2121:
2120:
2116:
2114:
2113:
2109:
2107:
2106:
2102:
2100:
2099:
2095:
2093:
2092:
2088:
2086:
2085:
2081:
2080:
2078:
2076:Studio albums
2074:
2068:
2065:
2064:
2061:
2057:
2050:
2045:
2043:
2038:
2036:
2031:
2030:
2027:
2021:
2020:
2015:
2014:
2010:
2002:
2001:
1996:
1991:
1988:
1984:
1983:
1978:
1973:
1970:
1966:
1962:
1957:
1954:
1950:
1946:
1941:
1938:
1934:
1930:
1925:
1922:
1910:
1906:
1904:
1901:"Reviews for
1896:
1893:
1881:
1874:
1868:
1865:
1861:
1860:
1859:Rolling Stone
1855:
1851:
1848:
1842:
1839:
1835:
1831:
1826:
1823:
1819:
1818:
1813:
1807:
1805:
1803:
1801:
1799:
1797:
1793:
1782:
1778:
1771:
1769:
1767:
1765:
1763:
1761:
1759:
1755:
1751:
1747:
1741:
1739:
1735:
1731:
1727:
1721:
1719:
1715:
1711:
1710:
1705:
1704:"Tycho: Dive"
1699:
1697:
1695:
1693:
1691:
1689:
1687:
1683:
1679:
1675:
1669:
1667:
1665:
1663:
1661:
1659:
1655:
1651:
1650:
1645:
1639:
1636:
1632:
1631:
1626:
1620:
1618:
1616:
1614:
1612:
1608:
1604:
1603:
1598:
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1583:
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1579:
1577:
1575:
1573:
1569:
1557:
1556:
1551:
1544:
1542:
1540:
1538:
1536:
1532:
1528:
1524:
1523:Tycho, 'Dive'
1518:
1516:
1514:
1512:
1510:
1506:
1502:
1501:
1496:
1490:
1488:
1486:
1484:
1482:
1478:
1474:
1470:
1464:
1462:
1460:
1458:
1456:
1454:
1452:
1448:
1444:
1443:
1439:
1433:
1430:
1426:
1422:
1416:
1414:
1412:
1408:
1404:
1400:
1394:
1392:
1390:
1386:
1382:
1378:
1377:
1372:
1366:
1363:
1359:
1355:
1354:
1349:
1343:
1340:
1336:
1332:
1326:
1324:
1322:
1320:
1318:
1316:
1312:
1308:
1304:
1298:
1296:
1292:
1288:
1287:
1282:
1276:
1274:
1272:
1270:
1268:
1266:
1264:
1262:
1260:
1256:
1252:
1248:
1244:
1241:
1236:
1233:
1226:
1216:
1215:
1210:
1205:
1198:
1197:
1192:
1187:
1181:
1179:Chart (2011)
1178:
1177:
1171:
1166:
1163:
1160:
1157:
1154:
1151:
1150:
1149:
1147:
1139:
1131:
1128:Total length:
1121:
1118:
1114:
1110:
1107:
1103:
1099:
1096:
1092:
1088:
1085:
1081:
1077:
1074:
1070:
1066:
1063:
1059:
1055:
1052:
1048:
1044:
1041:
1037:
1033:
1030:
1026:
1022:
1019:
1015:
1002:
996:Track listing
995:
993:
991:
987:
986:
981:
979:
975:
971:
967:
962:
960:
956:
952:
948:
943:
939:
938:
932:
930:
926:
925:
919:
914:
912:
908:
904:
900:
890:
887:
886:
882:
880:
879:
875:
874:
870:
868:
867:
863:
862:
858:
856:
855:
851:
850:
846:
844:
843:
839:
838:
834:
832:
831:
827:
826:
822:
820:
819:
815:
814:
784:
782:
781:
777:
776:
772:
770:
769:
765:
764:
734:
732:
729:
728:
720:
717:Review scores
715:
711:
709:
706:
705:
701:
699:
696:
695:
687:
682:
673:
671:
669:
665:
660:
658:
654:
653:
652:Rolling Stone
648:
644:
640:
632:
630:
627:
623:
615:
613:
611:
610:
604:
600:
596:
591:
589:
585:
584:
578:
574:
570:
566:
561:
558:
554:
550:
546:
545:
541:Joe Colly of
539:
537:
533:
529:
528:
523:
519:
515:
511:
507:
503:
502:
497:
493:
492:
487:
483:
479:
475:
471:
467:
463:
458:
455:
451:
450:
445:
441:
437:
433:
432:
427:
423:
419:
415:
412:
408:
404:
400:
396:
392:
385:
383:
381:
380:outboard gear
376:
371:
367:
362:
360:
357:
353:
349:
345:
341:
337:
330:
328:
325:
320:
315:
311:
309:
305:
300:
292:
290:
288:
287:
281:
274:
272:
269:
268:outboard gear
265:
261:
257:
253:
249:
245:
241:
240:
235:
231:
229:
225:
221:
220:
215:
211:
207:
203:
199:
195:
191:
187:
183:
182:
167:
166:
162:
158:
157:
153:
149:
148:
144:
143:
139:
135:
131:
127:
125:
121:
118:
115:
113:
109:
97:
93:
87:
84:
82:
79:
77:
74:
72:
69:
67:
64:
63:
61:
59:
55:
51:
47:
43:
38:
34:
30:
25:
20:
2135:
2117:
2110:
2103:
2096:
2090:
2089:
2082:
2018:
1999:
1990:
1981:
1972:
1956:
1940:
1924:
1912:. Retrieved
1902:
1895:
1883:. Retrieved
1879:
1867:
1857:
1841:
1825:
1815:
1784:. Retrieved
1781:Sputnikmusic
1780:
1707:
1702:Colly, Joe.
1674:Dive - Tycho
1647:
1638:
1628:
1600:
1559:. Retrieved
1553:
1498:
1472:
1440:
1432:
1424:
1402:
1374:
1365:
1351:
1342:
1334:
1306:
1284:
1235:
1213:
1195:
1145:
1143:
989:
983:
982:
977:
969:
965:
964:Bass called
963:
958:
954:
950:
946:
941:
935:
933:
928:
922:
917:
915:
906:
902:
898:
897:Burg called
896:
888:Sputnikmusic
876:
864:
852:
840:
828:
816:
778:
766:
667:
663:
661:
656:
650:
646:
642:
636:
621:
619:
607:
598:
594:
592:
587:
582:
576:
568:
565:Sputnikmusic
564:
562:
556:
548:
542:
540:
525:
521:
505:
499:
495:
489:
461:
459:
453:
447:
443:
435:
429:
414:synthesizers
390:
389:
374:
365:
363:
339:
335:
334:
316:
312:
303:
298:
296:
283:
279:
278:
263:
247:
237:
233:
232:
217:
209:
193:
180:
179:
178:
163:
155:
154:
145:
128:Scott Hansen
37:Studio album
2159:2011 albums
2067:Discography
1914:February 2,
1726:Tycho: Dive
1561:February 2,
1075:"Ascension"
603:post-modern
486:Small Black
482:Neon Indian
426:space music
407:electronica
386:Composition
198:electronica
81:electronica
2153:Categories
1949:Popmatters
1909:Metacritic
1786:2017-02-02
1730:PopMatters
1381:Conde Nast
1227:References
1086:"Melanine"
1042:"Daydream"
985:PopMatters
911:soft focus
854:PopMatters
708:Metacritic
573:folk music
518:Washed Out
514:Toro Y Moi
442:beats" as
331:Production
136:chronology
2119:Simulcast
2000:Billboard
1982:Billboard
1905:by Tycho"
1750:BBC Music
1709:Pitchfork
1214:Billboard
1196:Billboard
1184:position
1140:Personnel
1108:"Epigram"
974:Brian Eno
937:Pitchfork
924:BBC Music
842:Pitchfork
674:Reception
547:compared
544:Pitchfork
510:chillwave
422:post-rock
411:post-punk
352:arranging
319:DJ Shadow
219:Billboard
76:chill-out
71:downtempo
66:Chillwave
1965:Allmusic
1885:18 March
1850:Archived
1678:Allmusic
1593:Archived
1243:Archived
1097:"Adrift"
1020:"A Walk"
731:AllMusic
501:Geogaddi
470:Allmusic
418:shoegaze
399:balearic
348:Minimoog
344:hardware
244:hardware
230:charts.
124:Producer
49:Released
39: by
2112:Weather
1625:"Tycho"
1399:"Tycho"
1307:Earmilk
1119:"Elegy"
1031:"Hours"
616:Artwork
275:Concept
186:ambient
169:(2014)
160:(2011)
151:(2006)
1630:Filter
1473:Prefix
1425:Prefix
1172:Charts
1053:"Dive"
1012:Length
988:named
847:7.0/10
830:Filter
725:Rating
722:Source
712:80/100
702:7.4/10
692:Rating
689:Source
595:Prefix
586:noted
405:, and
359:REAPER
256:REAPER
95:Length
2105:Epoch
2098:Awake
2056:Tycho
1876:(PDF)
1649:Blurt
1376:Wired
1335:XLR8R
1286:XLR8R
1132:50:37
1009:Title
942:Dive'
871:3.5/5
668:Awake
641:made
601:as a
553:Bibio
190:Tycho
165:Awake
134:Tycho
112:Label
58:Genre
42:Tycho
2091:Dive
2019:Dive
1916:2016
1903:Dive
1887:2022
1563:2017
1527:Spin
1182:Peak
1146:Dive
1122:4:23
1111:2:28
1100:6:02
1089:2:53
1078:4:24
1067:5:34
1056:8:19
1045:5:34
1034:5:44
1023:5:16
990:Dive
978:Dive
966:Dive
959:Dive
955:Dive
951:Dive
947:Dive
929:Dive
918:Dive
907:Dive
903:Dive
899:Dive
883:6/10
878:Spin
859:8/10
823:8/10
666:and
664:Dive
657:Dive
643:Dive
626:hued
622:Dive
599:Dive
588:Dive
577:Dive
569:Dive
557:Dive
549:Dive
522:Dive
516:and
506:Dive
496:Dive
491:Spin
484:and
480:and
462:Dive
454:Dive
436:Dive
391:Dive
375:Dive
366:Dive
340:Dive
336:Dive
304:Dive
299:Dive
280:Dive
264:Dive
258:for
248:Dive
234:Dive
226:and
210:Dive
194:Dive
181:Dive
156:Dive
22:Dive
2129:EPs
1220:39
1207:US
1202:22
1189:US
1116:10.
1005:No.
891:4/5
835:83%
773:80%
609:E.T
536:Air
524:to
478:M83
395:IDM
254:to
2155::
1997:.
1979:.
1963:.
1947:.
1931:.
1907:.
1878:.
1856:.
1832:.
1814:.
1795:^
1779:.
1757:^
1748:.
1737:^
1728:.
1717:^
1706:.
1685:^
1676:.
1657:^
1646:.
1627:.
1610:^
1599:.
1571:^
1552:.
1534:^
1525:.
1508:^
1497:.
1480:^
1471:.
1450:^
1423:.
1410:^
1401:.
1388:^
1379:.
1373:.
1356:.
1350:.
1333:.
1314:^
1305:.
1294:^
1283:.
1258:^
1249:.
1217:)
1199:)
1148::
1105:9.
1094:8.
1083:7.
1072:6.
1061:5.
1050:4.
1039:3.
1028:2.
1017:1.
538:.
468:.
401:,
397:,
361:.
289:.
208:.
104:37
100:50
2048:e
2041:t
2034:v
1918:.
1889:.
1789:.
1565:.
1211:(
1193:(
102::
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
