33:
457:
505:
618:
juicer, believing that carrot juice would offset the effects of alcohol. He arrived at clubs and discovered he got the week of his performance wrong. He frequently arrived at folk clubs without his guitar, borrowing one from the audience, upon which he would play quite unaffected by any instrumental inadequacies. He addressed most people he met as "Dear Boy". His most frequent request was for an advance on his fee or to cash a check for the same purpose, which he would refer to in slang as "sausage me a gregory": sausage and mash for "cash", Gregory Peck for "check". David "Brillo" Etheridge (double bass) and
598:, During the early part of his career, Disley developed an accompaniment style that incorporated complex and subtle jazz harmonies, the ability to play in any key anywhere on the instrument, including traditionally "non guitar-friendly" keys such as B flat and E flat, the choice of numerous alternate voicings for any chord, plus the incorporation of moving figures in the bassline and internal notes of chords. Although much of Disley's playing in this respect remains undocumented from his folk club years except for a few amateur recordings, the two tracks on Dave Swarbrick's
213:, England, where his mother worked as schoolteacher. In his childhood, he learned to play the banjo, but took up jazz guitar at the age of 15, after being exposed to the playing of Django Reinhardt. As Disley recalled, his neighbour Norry Greenwood taught him the chords to "Miss Annabel Lee" and "Try a Little Tenderness" in the summer of 1946.
216:
Disley showed an early gift for drawing. On leaving school he enrolled at Leeds
College of Art, a college with a reputation for student music making, in particular trad jazz, and was soon playing in the Vernon City Ramblers and the Yorkshire Jazz Band, with trumpeter Dick Hawdon and clarinettist Alan
224:
overseas in the Army from 1950–1953, after which he resumed his studies in Leeds, and began selling cartoons to national newspapers and periodicals. In 1953 he worked for a summer season in
Morecambe, Lancashire, as part of the comedy harmony group The Godfrey Brothers, still playing banjo. He moved
413:
to return to public performances using an all-strings acoustic line-up, recreating the spirit of the
Quintette for a new generation of listeners. Before this, Grappelli had spent a number of years playing "cocktail jazz" in a Paris hotel. After a couple of "warm up" gigs in small folk clubs, they
617:
Disley was very much a one-off "character" and remembered for his personality traits and eccentricities. Contributors talk of his chaotic life. He had the ability to make large sums of money and then be completely penniless. He drove and slept in a Rolls-Royce hearse with a sack of carrots and a
422:
on second acoustic guitar. This began a collaboration between
Grappelli and the Diz Disley Trio, sometimes billed The Hot Club of London, with tours of Australia, Europe, and the United States. Karl Dallas reported Disley as having "single-handedly created a revival of interest in the music of
532:, who was starting to explore other musical styles. Musicians with Kennedy were Jeff Green, Ian Cruickshank, Nils Solberg (guitars), and Dave Etheridge (bass), who had played with Disley and Denny Wright on their 1973 tour with Grappelli. In 1986, Disley formed the Soho String Quintette with
609:-style instruments noted for their projection and bright open tone, as well as choice of appropriate chord voicings. His contributions are most easily discernible in the solo introductions to certain swing tunes and in acoustic guitar solos backed by the other rhythm guitar and double bass.
435:
where he was booked later that night to perform his folk club act of idiocy and mayhem, keeping up the tradition he has built up over the past 20 years for delivering a shrewd mixture of musical brilliance and vocal insanity." There were a few changes in line-up with Ike Isaacs,
563:. In the 2000s he spent time in Spain, where he had purchased land with the stated intention of building a golf course. He ran a jazz bar there from 1988, between trips to the UK for continued performances. He led his own groups and made overseas tours until suffering a
444:
alternating as second guitarist. The Disley Trio accompanied
Grappelli for another five years until Disley was forced to take a break in 1979 after breaking his wrist when he was knocked down by a motorcycle in London. His replacement was a young
488:
although the two musicians parted ways soon after, this time for good. For the second concert performance (filmed at the Great
American Music Hall), Grappelli and the Trio were joined for an encore by David Grisman,
257:. In 1958, he formed a quintet to replicate that sound, employing Dick Powell on violin, Danny Pursford and Nevil Skrimshire on rhythm guitars, and a range of double bassists including Tim Mahn.
264:
dominated traditional jazz in popular culture in the UK, in the late 1950s and early 1960s, Disley started working as guitarist with a number of skiffle groups, including those of Ken Colyer,
605:
Much better documented are the years of Disley's association with
Grappelli. His rhythm playing is notable for the lightness and propulsion engendered by his right hand technique while using
32:
233:. Melly described him as having "a beard and the face of a satyr en route to a cheerful orgy". He worked with most of the trad jazz bands of the day, including those of
381:
on their first London concert. As arguably the "folk world"'s then most competent performer in the area of jazzy guitar accompaniment he collaborated with fiddle player
586:
Disley's style was frequently compared to Django
Reinhardt's, particularly the single-string soloing. But he was also influenced by plectrum-style players such as
449:, who toured with Grappelli for ten years. During that period, Disley continued to play folk clubs and festivals as a solo performer and also mentored a young
1650:
1645:
481:. Grappelli and Disley had walk-on parts as gypsy musicians and were suitably attired for the occasion, but the soundtrack to the movie was never released.
373:-style guitar instrumentals, often with the assistance of some unsuspecting second guitarist invited up from the audience. He was also employed by the
1610:
1605:
1615:
1600:
484:
Disley was back with
Grappelli in 1981–2 with a visit to the U.S. which resulted in parts of two performances captured on film, later released as
1655:
1218:
456:
852:- Live 1982 concert recordings with Diz Disley and Martin Taylor (guitars), Jack Sewing (double bass) - DVD, Storyville Films 26072, 2007
253:. He played banjo and occasionally guitar. His first love remained the music of Django Reinhardt, in particular the sound of the pre-war
504:
1625:
1620:
1512:
1424:
937:
1382:
1640:
1635:
1630:
254:
1548:
1530:
1490:
1468:
1446:
1100:
924:
401:. By the 1970s, he was one of the folk scene's busiest artists and a mainstay of folk festivals as musician and compere.
667:
622:(guitar) have spoken highly of his mentoring and sharing of his musical knowledge at formative stages in their careers.
1019:
760:
341:
In the early to mid 1960s, the "trad" and skiffle booms were coming to an end and Disley moved across to the emerging
284:
on BBC Radio for a number of years and was voted second best (1960) and best (1961) British jazz guitarist in the UK
1450:
1075:
591:
446:
437:
210:
1575:
619:
494:
461:
450:
465:
432:
415:
881:
Stéphane
Grappelli, violin; Diz Disley & Martin Taylor, guitars: "Rhythm On 2" Great Malvern, UK, BBC2
273:
242:
1270:
1059:
919:
453:, who would establish his own name in the swing jazz, guitar flatpicking and celtic folk guitar fields.
694:
410:
181:
1595:
1590:
578:
in Hampstead on 2 February. He died on 21 March 2010. He never married and left no direct survivors.
992:
958:
509:
929:
885:
575:
477:
345:
scene, developing a new persona as an entertainer/musical comedian with an act based on songs from
809:
541:
533:
547:
In the 1990s, during several years spent in Los Angeles, Disley recorded with blues saxophonist
353:
and other humorous ditties accompanied by lightly swinging guitar, monologues in the manner of
1544:
1526:
1508:
1486:
1464:
1442:
1420:
933:
427:, Australia, and New Zealand" (the latter in September 1974). "...the night he closed at the
556:
428:
354:
298:
221:
165:
548:
1390:
829:
522:
441:
382:
358:
322:
310:
265:
521:
In the early 1980s Disley formed a working partnership with gypsy jazz guitar prodigy
1584:
1347:
873:- Anglia TV, September 1986 (from promotional tour for "Zing Went The Strings" album)
866:- Anglia TV, September 1986 (from promotional tour for "Zing Went The Strings" album)
859:- Anglia TV, September 1986 (from promotional tour for "Zing Went The Strings" album)
799:
606:
529:
498:
472:
424:
390:
297:
reported that the biggest trad jazz event to be staged in Britain had taken place at
269:
226:
1562:
1146:
409:
In 1973, he was influential in persuading Quintette du Hot Club de France violinist
1205:
997:
963:
775:
564:
419:
394:
366:
362:
330:
318:
306:
230:
525:, with whom he again toured the world, including a return visit to Carnegie Hall.
180:
scenes as a performer and humorist, and for his collaborations with the violinist
1552:
1534:
1516:
1494:
1472:
1432:
1108:
789:
765:
490:
378:
164:. He is best known for his acoustic jazz guitar playing, strongly influenced by
1321:
1295:
1243:
819:
753:
656:
595:
587:
370:
350:
314:
302:
277:
250:
246:
234:
206:
177:
361:), banter with the audience, and a string of one-line jokes in the manner of
197:
William Charles Disley was born, to Welsh parents then overseas for work, in
779:
552:
393:
on the more folk-based material. Disley also played guitar accompaniment to
346:
342:
321:, Mick Mulligan, and Disley. That same year Diz played the conductor in the
238:
169:
1178:
1043:
D. Disley, in sleeve notes for Norry Greenwood & The Craven Hot Club's
568:
202:
198:
78:
74:
877:
Other filmed performances apparently in existence (information from ):
560:
512:
in his "folk entertainer" persona: "Just one drink to steady myself..."
261:
173:
1561:
Issue no. 56, 2010 (includes Diz Disley appreciation on pp. 3–5)
1134:(1 ed.). London: Reed International Books. p. 116. CN 5585.
884:
Stéphane Grappelli, violin; Diz Disley & Martin Taylor, guitars;
95:
503:
455:
161:
38:
1481:
Biographical entry in Carr, I.; Fairweather, D;, Priestley, B.:
1505:
Masters of Jazz Guitar: The Story of the Players and Their Music
157:
106:
1274:
528:
In 1984 Disley was instrumental in forming a club quintet for
414:
played together to an unexpectedly warm reception at the 1973
374:
293:
842:
Various TV and concert performance extracts included on DVD:
574:
In early 2010 he suffered ill health and was admitted to the
555:. He painted several portraits of jazz musicians, including
536:(violin), Nils Solberg, Jeff Green, and David Etheridge.
369:, always finding room at the end of the evening for some
209:
in Montgomeryshire in Wales and then five years later to
1439:
Singing from the Floor: A History of British Folk Clubs.
602:
album give an indication of his swinging accompaniment.
385:
on several ragtime tunes the 1967 Dave Swarbrick album,
377:
as compere for a number of shows, including introducing
471:
In 1978 Grappelli, Disley, and others were invited by
205:, Canada. When he was four, his parents moved back to
156:(27 May 1931 – 22 March 2010) was an Anglo-Canadian
130:
122:
112:
102:
85:
61:
51:
46:
23:
1209:, July 27, 1974, "Disley - still making whoopee"
460:Disley (right of centre) jams onstage with the
301:. The event included George Melly, Alex Welsh,
844:Stéphane Grappelli: A Life In The Jazz Century
1551:(section with Diz: pp. 153–177) view on
1020:"Disley, Diz : Actually William Charles"
291:In January 1963, the British music magazine,
272:, and performed on numerous recordings. With
8:
914:
912:
910:
908:
906:
904:
902:
501:for a performance of "Sweet Georgia Brown".
1055:
1053:
423:Stephane Grappelli, which has taken him to
1296:"Diz Disley - health - died 22 March 2010"
953:
951:
949:
888:, cello: "Rhythm On 2" Edinburgh, UK, BBC2
846:, Music on Earth MoE 001, 2002 (2-DVD set)
786:A Jazz Legend: Through the Years 1930-1998
486:Stéphane Grappelli - Live in San Francisco
31:
20:
16:Anglo-Canadian jazz guitarist and banjoist
986:
984:
982:
850:Stéphane Grappelli Live in San Francisco
1224:, 12 April 2010, accessed 13 April 2010
1101:"The Melody Maker Jazz Polls 1960-1974"
898:
1461:Who's Who of British Jazz: 2nd Edition
1523:Skiffle: The Definitive Inside Story.
1065:, 3 April 2010, accessed 7 April 2010
7:
869:Diz Disley's Soho String Quintette:
862:Diz Disley's Soho String Quintette:
855:Diz Disley's Soho String Quintette:
613:Anecdotes and personal reminiscences
475:to contribute the score to the film
405:Back to jazz with Stephane Grappelli
329:(1963), a slapstick comedy starring
1651:21st-century British male musicians
1646:20th-century British male musicians
1417:Stéphane Grappelli: A Life In Jazz.
1383:"Martin Taylor Discography - Video"
1076:"Diz Disley and His String Quintet"
731:Live at the Cambridge Folk Festival
1322:"Obit: Diz Disley - 22 March 2010"
750:At the BBC 1957–1962: The Airshots
168:, for his contributions to the UK
14:
1503:. Ch. 22 in Alexander, C. (Ed.):
1348:"Diz Disley | Gypsy Jazz UK"
643:Diz Disley and his String Quintet
1611:21st-century Canadian guitarists
1606:20th-century Canadian guitarists
1541:Stéphane Grappelli: a biography.
551:and country-rockabilly musician
337:Folk club performer and humorist
1616:Alumni of Leeds Arts University
1457:Disley, "Diz" (William Charles)
991:Vacher, Peter (15 April 2010).
255:Quintette du Hot Club de France
1601:20th-century British musicians
1483:Jazz: The Essential Companion.
1479:Disley, Diz (William Charles).
1271:"Folk: Remembering Diz Disley"
925:The Guinness Who's Who of Jazz
822:& the Blues Machine (1992)
389:, along with singer-guitarist
1:
1656:Canadian male jazz musicians
399:Save the Last Gherkin for Me
397:on the latter's 1968 album,
357:(especially those penned by
37:Disley (centre) at the 1981
806:At the Jazz Band Ball Vol 3
761:Like an Old Fashioned Waltz
737:Live at Corby Festival Hall
1672:
1244:"Diz Disley retrospective"
1080:Musicweb-international.com
816:Last of the Blues Shouters
708:Tiger Rag Revisited (1977)
309:, Kenny Ball, Ken Colyer,
1352:Gypsyjazzuk.wordpress.com
1233:MacKenzie chapter, p. 159
772:A Little Bit of Heartache
211:Ingleton, North Yorkshire
30:
1626:Canadian male guitarists
1621:Canadian jazz guitarists
1459:. Biographical entry in
1441:Faber & Faber, 2014
1105:Iancarrsnucleus.webs.com
1641:Musicians from Winnipeg
1636:English male guitarists
1631:English jazz guitarists
1427:especially chapter 20:
1387:Gould68.freeserve.co.uk
1181:Mike Absalom Music Shop
1132:NME Rock 'N' Roll Years
466:Cambridge Folk Festival
416:Cambridge Folk Festival
1507:. Balafon Books, 1999
1047:CD (G8INA-CD003, 1999)
826:Rags, Reels & Airs
600:Rags, Reels & Airs
559:, in the style of the
513:
468:
387:Rags, Reels & Airs
57:William Charles Disley
47:Background information
1543:Pavilion Books, 1987
1130:Tobler, John (1992).
993:"Diz Disley obituary"
959:"Diz Disley obituary"
802:(Acoustic Disc, 1996)
725:Live in San Francisco
713:Live at Carnegie Hall
686:Christmas with Colyer
538:Zing Went the Strings
507:
459:
225:to London and joined
1559:Tales From The Woods
1501:The Legacy of Django
1149:Tales from the Woods
1145:Keith Woods (2010).
674:BBC Jazz Club Vol. 7
1574:Diz Disley page on
1525:Robson Books, 1997
1463:. Bloomsbury, 2004
1419:Bobcat Books, 2008
1220:The Daily Telegraph
930:Guinness Publishing
886:Julian Lloyd Webber
871:Sweet Georgia Brown
857:Sweet Georgia Brown
576:Royal Free Hospital
508:Disley at the 1981
478:King of the Gypsies
1372:(Philips 9286 893)
1045:Sweet and Swinging
932:. pp. 121/2.
928:(First ed.).
810:Humphrey Lyttelton
782:(Watermelon, 1997)
695:Stéphane Grappelli
542:Waterfront Records
534:Johnny Van Derrick
514:
469:
464:group at the 1977
411:Stéphane Grappelli
327:The Chimney Sweeps
182:Stéphane Grappelli
1354:. 13 October 2014
1185:. Mikeabsalom.com
639:(Jazzology, 1985)
637:At the White Bear
607:Selmer/Maccaferri
567:and the onset of
140:
139:
1663:
1477:Fairweather, D.
1403:
1402:
1400:
1398:
1393:on 29 March 2012
1389:. Archived from
1379:
1373:
1370:
1364:
1363:
1361:
1359:
1344:
1338:
1337:
1335:
1333:
1318:
1312:
1311:
1309:
1307:
1292:
1286:
1285:
1283:
1281:
1266:
1260:
1259:
1257:
1255:
1240:
1234:
1231:
1225:
1216:
1210:
1201:
1195:
1194:
1192:
1190:
1175:
1169:
1168:
1166:
1164:
1155:
1142:
1136:
1135:
1127:
1121:
1120:
1118:
1116:
1107:. Archived from
1097:
1091:
1090:
1088:
1086:
1072:
1066:
1057:
1048:
1041:
1035:
1034:
1032:
1030:
1024:Encyclopedia.com
1016:
1010:
1009:
1007:
1005:
988:
977:
976:
974:
972:
955:
944:
943:
916:
864:Roses of Picardy
719:Shades of Django
680:Captured Moments
557:Illinois Jacquet
355:Stanley Holloway
349:and the British
299:Alexandra Palace
222:National Service
166:Django Reinhardt
133:
118:Graphic designer
92:
71:
69:
54:
35:
21:
1671:
1670:
1666:
1665:
1664:
1662:
1661:
1660:
1581:
1580:
1571:
1412:
1410:Further reading
1407:
1406:
1396:
1394:
1381:
1380:
1376:
1371:
1367:
1357:
1355:
1346:
1345:
1341:
1331:
1329:
1328:. 22 March 2010
1320:
1319:
1315:
1305:
1303:
1302:. 23 March 2010
1294:
1293:
1289:
1279:
1277:
1268:
1267:
1263:
1253:
1251:
1250:. 22 March 2010
1242:
1241:
1237:
1232:
1228:
1217:
1213:
1202:
1198:
1188:
1186:
1177:
1176:
1172:
1162:
1160:
1153:
1144:
1143:
1139:
1129:
1128:
1124:
1114:
1112:
1111:on 23 July 2017
1099:
1098:
1094:
1084:
1082:
1074:
1073:
1069:
1058:
1051:
1042:
1038:
1028:
1026:
1018:
1017:
1013:
1003:
1001:
990:
989:
980:
970:
968:
967:. 15 April 2010
957:
956:
947:
940:
918:
917:
900:
895:
839:
702:Violinspiration
664:At the 100 Club
652:
633:
628:
615:
584:
549:Big Jay McNeely
519:
517:After Grappelli
407:
339:
276:he appeared on
268:, Bob Cort and
220:Disley did his
195:
190:
146:William Charles
143:
131:
117:
94:
90:
73:
67:
65:
52:
42:
26:
17:
12:
11:
5:
1669:
1667:
1659:
1658:
1653:
1648:
1643:
1638:
1633:
1628:
1623:
1618:
1613:
1608:
1603:
1598:
1593:
1583:
1582:
1579:
1578:
1570:
1569:External links
1567:
1566:
1565:
1555:
1537:
1519:
1499:MacKenzie, A.
1497:
1485:Paladin, 1988
1475:
1453:
1435:
1429:Along Came Diz
1411:
1408:
1405:
1404:
1374:
1365:
1339:
1313:
1287:
1269:Mike Harding.
1261:
1235:
1226:
1211:
1196:
1170:
1137:
1122:
1092:
1067:
1049:
1036:
1011:
978:
945:
938:
922:, ed. (1992).
897:
896:
894:
891:
890:
889:
882:
875:
874:
867:
860:
853:
847:
838:
835:
834:
833:
830:Dave Swarbrick
823:
813:
803:
793:
783:
769:
768:(Island, 1974)
757:
741:
740:
734:
728:
722:
716:
710:
705:
690:
689:
683:
677:
671:
651:
648:
647:
646:
640:
632:
629:
627:
624:
614:
611:
592:Lonnie Johnson
583:
580:
540:was issued by
523:Bireli Lagrene
518:
515:
510:Essex Festival
442:John Etheridge
433:The Troubadour
406:
403:
383:Dave Swarbrick
359:Marriott Edgar
338:
335:
323:Harrison Marks
311:Monty Sunshine
266:Lonnie Donegan
194:
191:
189:
186:
160:guitarist and
142:Musical artist
141:
138:
137:
134:
128:
127:
124:
120:
119:
114:
110:
109:
104:
100:
99:
93:(aged 78)
87:
83:
82:
63:
59:
58:
55:
49:
48:
44:
43:
39:Essex Festival
36:
28:
27:
24:
15:
13:
10:
9:
6:
4:
3:
2:
1668:
1657:
1654:
1652:
1649:
1647:
1644:
1642:
1639:
1637:
1634:
1632:
1629:
1627:
1624:
1622:
1619:
1617:
1614:
1612:
1609:
1607:
1604:
1602:
1599:
1597:
1594:
1592:
1589:
1588:
1586:
1577:
1573:
1572:
1568:
1564:
1560:
1556:
1554:
1550:
1546:
1542:
1538:
1536:
1532:
1528:
1524:
1521:McDevitt, C.
1520:
1518:
1514:
1513:9780879307288
1510:
1506:
1502:
1498:
1496:
1492:
1488:
1484:
1480:
1476:
1474:
1470:
1466:
1462:
1458:
1454:
1452:
1448:
1444:
1440:
1436:
1434:
1430:
1426:
1425:9781847725769
1422:
1418:
1414:
1413:
1409:
1392:
1388:
1384:
1378:
1375:
1369:
1366:
1353:
1349:
1343:
1340:
1327:
1323:
1317:
1314:
1301:
1297:
1291:
1288:
1276:
1272:
1265:
1262:
1249:
1245:
1239:
1236:
1230:
1227:
1223:
1221:
1215:
1212:
1208:
1207:
1203:Karl Dallas,
1200:
1197:
1184:
1182:
1174:
1171:
1159:
1152:
1151:Issue no. 56"
1150:
1141:
1138:
1133:
1126:
1123:
1110:
1106:
1102:
1096:
1093:
1081:
1077:
1071:
1068:
1064:
1062:
1056:
1054:
1050:
1046:
1040:
1037:
1025:
1021:
1015:
1012:
1000:
999:
994:
987:
985:
983:
979:
966:
965:
960:
954:
952:
950:
946:
941:
939:0-85112-580-8
935:
931:
927:
926:
921:
915:
913:
911:
909:
907:
905:
903:
899:
892:
887:
883:
880:
879:
878:
872:
868:
865:
861:
858:
854:
851:
848:
845:
841:
840:
836:
831:
827:
824:
821:
817:
814:
811:
807:
804:
801:
800:David Grisman
797:
794:
791:
787:
784:
781:
777:
773:
770:
767:
763:
762:
758:
755:
751:
748:
747:
746:
745:
738:
735:
732:
729:
726:
723:
720:
717:
714:
711:
709:
706:
703:
700:
699:
698:
697:
696:
687:
684:
681:
678:
675:
672:
669:
668:Johnny Parker
665:
662:
661:
660:
659:
658:
649:
644:
641:
638:
635:
634:
630:
625:
623:
621:
612:
610:
608:
603:
601:
597:
593:
589:
581:
579:
577:
572:
570:
566:
562:
558:
554:
550:
545:
543:
539:
535:
531:
530:Nigel Kennedy
526:
524:
516:
511:
506:
502:
500:
499:Rob Wasserman
496:
495:Mike Marshall
492:
487:
482:
480:
479:
474:
473:David Grisman
467:
463:
458:
454:
452:
448:
447:Martin Taylor
443:
439:
438:Louis Stewart
434:
431:, he went to
430:
426:
425:Carnegie Hall
421:
417:
412:
404:
402:
400:
396:
392:
391:Martin Carthy
388:
384:
380:
376:
372:
368:
364:
360:
356:
352:
348:
344:
336:
334:
332:
328:
324:
320:
316:
312:
308:
304:
300:
296:
295:
289:
287:
283:
279:
275:
271:
270:Nancy Whiskey
267:
263:
258:
256:
252:
248:
244:
240:
236:
232:
229:'s band with
228:
227:Mick Mulligan
223:
218:
214:
212:
208:
204:
200:
192:
187:
185:
183:
179:
175:
171:
167:
163:
159:
155:
151:
147:
135:
129:
126:Banjo, guitar
125:
123:Instrument(s)
121:
115:
113:Occupation(s)
111:
108:
105:
101:
97:
89:22 March 2010
88:
84:
80:
76:
64:
60:
56:
50:
45:
40:
34:
29:
22:
19:
1576:PATRUS53.com
1558:
1553:Google Books
1540:
1535:Google Books
1522:
1517:Google Books
1504:
1500:
1495:Google Books
1482:
1478:
1473:Google Books
1460:
1456:
1455:Chilton, J.
1451:Google Books
1438:
1433:Google Books
1428:
1416:
1395:. Retrieved
1391:the original
1386:
1377:
1368:
1356:. Retrieved
1351:
1342:
1330:. Retrieved
1325:
1316:
1304:. Retrieved
1299:
1290:
1278:. Retrieved
1264:
1252:. Retrieved
1247:
1238:
1229:
1219:
1214:
1206:Melody Maker
1204:
1199:
1187:. Retrieved
1180:
1173:
1161:. Retrieved
1157:
1148:
1140:
1131:
1125:
1113:. Retrieved
1109:the original
1104:
1095:
1083:. Retrieved
1079:
1070:
1060:
1044:
1039:
1027:. Retrieved
1023:
1014:
1002:. Retrieved
998:The Guardian
996:
969:. Retrieved
964:The Guardian
962:
923:
920:Colin Larkin
876:
870:
863:
856:
849:
843:
825:
815:
805:
795:
792:(Avid, 1998)
785:
776:Rosie Flores
771:
759:
749:
743:
742:
736:
730:
724:
718:
712:
707:
701:
692:
691:
685:
679:
673:
663:
654:
653:
645:(Lake, 2011)
642:
636:
620:Chris Newman
616:
604:
599:
585:
582:Guitar style
573:
565:heart attack
546:
537:
527:
520:
485:
483:
476:
470:
462:Chris Newman
451:Chris Newman
420:Denny Wright
408:
398:
395:Mike Absalom
386:
367:Groucho Marx
363:W. C. Fields
340:
331:Pamela Green
326:
319:Bruce Turner
307:Chris Barber
292:
290:
288:jazz polls.
286:Melody Maker
285:
281:
259:
231:George Melly
219:
215:
196:
153:
149:
145:
144:
132:Years active
91:(2010-03-22)
18:
1596:2010 deaths
1591:1931 births
1563:pdf version
1437:Bean, J.P.
1415:Balmer, P.
1158:Tftw.org.uk
837:Filmography
790:Nat Gonella
766:Sandy Denny
744:With others
626:Discography
491:Darol Anger
379:The Beatles
282:Guitar Club
243:Sandy Brown
136:1950s–2000s
72:27 May 1931
1585:Categories
1557:Woods, K.
1549:1851450122
1539:Smith, G.
1531:1861051409
1491:0586085300
1469:0826423892
1447:0571305466
1431:. view on
1326:Mudcat.org
1300:Mudcat.org
1248:Mudcat.org
1189:9 February
893:References
820:Big Miller
754:Kenny Ball
657:Ken Colyer
650:As sideman
596:Teddy Bunn
588:Eddie Lang
351:music hall
315:Bob Wallis
303:Acker Bilk
278:Ken Sykora
274:Ike Isaacs
251:Alex Welsh
247:Kenny Ball
235:Ken Colyer
207:Llandyssil
193:Early life
68:1931-05-27
53:Birth name
25:Diz Disley
1061:The Times
780:Ray Campi
631:As leader
553:Ray Campi
429:Palladium
347:trad jazz
343:folk club
239:Cy Laurie
188:Biography
170:trad jazz
116:Guitarist
98:, England
41:, England
1533:view on
1515:view on
1493:view on
1471:view on
1449:view on
1397:14 March
1358:14 March
1332:14 March
1306:18 March
1280:14 March
1254:22 March
1222:obituary
1163:22 March
1115:14 March
1085:14 March
1063:obituary
1029:13 March
569:dementia
371:hot-club
217:Cooper.
203:Manitoba
199:Winnipeg
162:banjoist
81:, Canada
79:Manitoba
75:Winnipeg
1004:10 July
971:26 July
561:Cubists
262:skiffle
174:skiffle
1547:
1529:
1511:
1489:
1467:
1445:
1423:
936:
832:(1967)
812:(2001)
796:DGQ-20
778:&
756:(2000)
739:(2003)
733:(2000)
727:(2000)
721:(1990)
715:(1983)
704:(1975)
688:(2003)
682:(2001)
676:(2001)
670:(2000)
594:, and
497:, and
440:, and
249:, and
154:Disley
103:Genres
96:London
1154:(PDF)
693:With
655:With
418:with
325:film
1545:ISBN
1527:ISBN
1509:ISBN
1487:ISBN
1465:ISBN
1443:ISBN
1421:ISBN
1399:2016
1360:2016
1334:2016
1308:2016
1282:2016
1256:2016
1191:2012
1165:2016
1117:2016
1087:2016
1031:2016
1006:2018
973:2021
934:ISBN
365:and
178:folk
176:and
158:jazz
107:Jazz
86:Died
62:Born
1275:BBC
798:,
375:BBC
294:NME
280:'s
260:As
150:Diz
1587::
1385:.
1350:.
1324:.
1298:.
1273:.
1246:.
1156:.
1103:.
1078:.
1052:^
1022:.
995:.
981:^
961:.
948:^
901:^
828:,
818:,
808:,
788:,
774:,
764:,
752:,
666:,
590:,
571:.
544:.
493:,
333:.
317:,
313:,
305:,
245:,
241:,
237:,
201:,
184:.
172:,
152:"
77:,
1401:.
1362:.
1336:.
1310:.
1284:.
1258:.
1193:.
1183:"
1179:"
1167:.
1147:"
1119:.
1089:.
1033:.
1008:.
975:.
942:.
148:"
70:)
66:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.