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Doña Francisquita

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last piques her interest in him. But it is too late, he is now completely in love with Francisquita. All is resolved after a series of misunderstandings and machinations involving Cardona disguising himself as a woman; Aurora's lover, Lorenzo Perez, challenging Fernando to a duel; and rumours that Fernando plans to marry Francisquita's mother to the subsequent horror of Don Mathias. Don Mathias eventually realizes he is too old for Francisquita and gives his blessing to the young couple. In the finale all celebrate the forthcoming wedding of Francisquita and Fernando by singing "Canción de la Juventud" ("Song of Youth"), a hymn to the youthful spirit of Madrid.
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would be happier with her than Aurora. Francisquita is then wooed by the Don Mathias, Fernando's father, in the presence of Doña Francisca, Francisquita's mother. At first, Doña Francisca mistakenly believes that she is the object of Don Mathias' affections. Francisquita pretends to accept the elderly man's advances, hoping to make Fernando jealous.
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Francisquita is in love with student and would-be poet, Fernando. He, however, is infatuated with the fiery actress Aurora la Beltrana, who in turn is the lover of Lorenzo Pérez. When Francisquita tries to flirt with Fernando, he ignores her. His friend Cardona takes him to task and suggests that he
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in Madrid on 17 October 1923. It became very popular, receiving over 5000 performances throughout the Spanish-speaking world in the years immediately following its premiere. The work is still regularly performed in Spain and Latin America, but like most works in this genre, has only rarely been seen
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At the urging of Cardona, Fernando also makes advances to Francisquita hoping to make Aurora jealous. Fernando's passion for Francisquita starts to grow. He is horrified that she might marry his father and become Doña Francisquita. He tells Aurora that she no longer has any power over him, which at
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aria "Por el humo se sabe donde está el fuego" ("We know where the fire is by the smoke") have been individually recorded or sung in recitals by many opera singers from Spanish-speaking countries.
530: 514: 652: 180:). With its colourful score and comic story of multiple love triangles which ends happily for the young lovers, Francisquita and Fernando, 564: 605: 592: 583: 431: 694: 464: 699: 689: 714: 645: 629: 724: 156: 68: 20: 659: 213: 511: 165: 94: 196: 123: 704: 228: 435: 170: 99: 709: 609: 460: 588: 450: 343: 439: 719: 568: 518: 446: 427: 152: 63: 232: 224: 559: 683: 578: 456: 423: 419: 311: 236: 673: 160: 144: 89: 38: 201: 46: 468: 269: 327: 636: 624: 398: 373: 205: 148: 140: 34: 282: 240: 184:
is considered a classic of the zarzuela genre, and Vives' masterpiece.
668: 394: 246:"Canción del ruiseñor" ("The Song of the Nightingale") and the act 2 295: 247: 209: 449:(Fernando), Norma Lerer (Aurora); Orquesta Filarmonía de España; 572: 243: 200:
elsewhere. It was, however, performed in French translation at
453:(conductor). Label: Alhambra/Columbia MCE 846-7 / SCE 946-7. 651:: audio files of piano accompaniment for two arias at the 657: 108: 85: 77: 56: 28: 16:Zarzuela in three acts composed by Amadeo Vives 8: 219:There have been several film adaptations of 223:, the most recent of which was directed by 212:in 1934 and received a major production at 45: 25: 653:International Music Score Library Project 257: 664: 486: 445:María Rosa del Campo (Francisquita), 7: 463:(Fernando), Linda Mirabal (Aurora); 606:"An Operatic Armada Sweeps Ashore." 541:. L'Almanacco di Gherardo Casaglia 471:(conductor). Label: Sony Classical. 637:Detailed synopsis and analysis of 14: 584:The New Grove Dictionary of Opera 260:Roles, voice types, premiere cast 667: 623: 239:in the leading roles. The act 1 274:Premiere cast, 17 October 1923 19:For the 1953 Spanish film, see 581:and Bashford, Christina (eds) 512:Cannes Film Festival Archives. 432:Orquesta Sinfónica de Tenerife 1: 561:Sunday Afternoon at the Opera 465:Orquesta Sinfónica de Sevilla 741: 529:Casaglia, Gherardo (2005). 143:in three acts composed by 18: 214:Washington National Opera 113:17 October 1923 44: 33: 517:August 22, 2011, at the 157:Guillermo Fernández-Shaw 69:Guillermo Fernández-Shaw 21:Doña Francisquita (film) 695:Spanish-language operas 575:Radio, July–August 2008 700:1920s in Spanish music 690:Operas by Amadeo Vives 715:Operas based on plays 323:Francisquita's mother 166:La discreta enamorada 95:La discreta enamorada 635:Christopher Webber, 632:at Wikimedia Commons 438:(conductor). Label: 305:Aurora la Beltrana, 229:Cannes Film Festival 725:Operas set in Spain 587:, Macmillan, 1992. 262: 188:Performance history 178:The Ingenious Lover 613:, August 11, 1996. 610:The New York Times 567:2008-11-20 at the 390:Time: 19th century 258: 647:Doña Francisquita 639:Doña Francisquita 630:Doña Francisquita 628:Media related to 533:Doña Francisquita 493:Sadie 1992, p. 34 451:Lamberto Gardelli 382: 381: 355:Fernando's friend 339:Fernando's father 300:Juan de Casenave 227:and shown at the 221:Doña Francisquita 195:premiered at the 193:Doña Francisquita 182:Doña Francisquita 136:Doña Francisquita 132: 131: 29:Doña Francisquita 732: 672: 671: 663: 627: 546: 544: 539:17 October 1923" 538: 527: 521: 509: 503: 500: 494: 491: 459:(Francisquita), 436:Antoni Ros-Marbà 422:(Francisquita), 362:Antonio Palacio 321:Doña Francisca, 263: 261: 174: 120: 118: 103: 49: 26: 740: 739: 735: 734: 733: 731: 730: 729: 680: 679: 678: 666: 658: 642:on Zarzuela.net 620: 604:Zinger, Pablo, 601: 599:Further reading 569:Wayback Machine 550: 549: 542: 536: 528: 524: 519:Wayback Machine 510: 506: 501: 497: 492: 488: 478: 461:Plácido Domingo 440:Naïve Classique 428:Raquel Pierotti 416: 387: 367:Lorenzo Pérez, 292:Fernando Soler 259: 256: 190: 168: 153:Federico Romero 128: 127: 121: 116: 114: 97: 73: 64:Federico Romero 52: 24: 17: 12: 11: 5: 738: 736: 728: 727: 722: 717: 712: 707: 702: 697: 692: 682: 681: 677: 676: 656: 655: 643: 633: 619: 618:External links 616: 615: 614: 600: 597: 596: 595: 579:Sadie, Stanley 576: 558:Brown, Keith, 548: 547: 522: 504: 495: 485: 484: 477: 474: 473: 472: 454: 443: 415: 412: 403: 402: 391: 386: 383: 380: 379: 378:Juan Frontera 376: 371: 369:Aurora's lover 364: 363: 360: 357: 350: 349: 348:Ricardo Güell 346: 341: 334: 333: 332:Felisa Lázaro 330: 325: 318: 317: 314: 309: 302: 301: 298: 293: 289: 288: 285: 280: 276: 275: 272: 267: 255: 252: 233:Mirtha Legrand 225:Ladislao Vajda 189: 186: 130: 129: 122: 112: 110: 106: 105: 87: 83: 82: 79: 75: 74: 72: 71: 66: 60: 58: 54: 53: 50: 42: 41: 31: 30: 15: 13: 10: 9: 6: 4: 3: 2: 737: 726: 723: 721: 718: 716: 713: 711: 708: 706: 703: 701: 698: 696: 693: 691: 688: 687: 685: 675: 670: 665: 661: 654: 650: 648: 644: 641: 640: 634: 631: 626: 622: 621: 617: 612: 611: 607: 603: 602: 598: 594: 593:0-935859-92-6 590: 586: 585: 580: 577: 574: 570: 566: 563: 562: 557: 556: 555: 554: 540: 534: 526: 523: 520: 516: 513: 508: 505: 499: 496: 490: 487: 483: 482: 475: 470: 466: 462: 458: 457:Ainhoa Arteta 455: 452: 448: 447:Jaime Aragall 444: 441: 437: 433: 429: 425: 424:Alfredo Kraus 421: 418: 417: 413: 411: 407: 400: 396: 392: 389: 388: 384: 377: 375: 372: 370: 366: 365: 361: 358: 356: 352: 351: 347: 345: 342: 340: 337:Don Mathias, 336: 335: 331: 329: 326: 324: 320: 319: 315: 313: 312:mezzo-soprano 310: 308: 304: 303: 299: 297: 294: 291: 290: 286: 284: 281: 279:Francisquita 278: 277: 273: 271: 268: 265: 264: 253: 251: 249: 245: 242: 238: 237:Armando Calvo 234: 231:in 1953 with 230: 226: 222: 217: 215: 211: 207: 203: 198: 194: 187: 185: 183: 179: 175: 172: 167: 162: 159:and based on 158: 154: 150: 147:to a Spanish 146: 142: 138: 137: 125: 111: 107: 104: 101: 96: 91: 88: 84: 80: 76: 70: 67: 65: 62: 61: 59: 55: 48: 43: 40: 36: 32: 27: 22: 646: 638: 608: 582: 560: 552: 551: 543:(in Italian) 532: 525: 507: 498: 489: 480: 479: 426:(Fernando), 408: 404: 368: 354: 338: 322: 306: 287:Mari Isaura 220: 218: 197:Teatro Apolo 192: 191: 181: 177: 164: 161:Lope de Vega 145:Amadeo Vives 135: 134: 133: 124:Teatro Apolo 93: 90:Lope de Vega 39:Amadeo Vives 705:1923 operas 397:during the 202:Monte Carlo 169: [ 98: [ 684:Categories 502:Brown 2008 476:References 469:Miguel Roa 430:(Aurora); 420:María Bayo 414:Recordings 316:Cora Raga 307:an actress 270:Voice type 117:1923-10-17 57:Librettist 710:Zarzuelas 353:Cardona, 328:contralto 216:in 1998. 565:Archived 515:Archived 399:Carnival 385:Synopsis 374:baritone 206:Brussels 163:'s play 149:libretto 141:zarzuela 126:, Madrid 109:Premiere 86:Based on 78:Language 35:Zarzuela 649:(Vives) 553:Sources 401:season. 393:Place: 283:soprano 241:soprano 115: ( 81:Spanish 720:Operas 660:Portal 591:  537:  395:Madrid 359:tenor 51:Poster 674:Opera 481:Notes 296:tenor 266:Role 254:Roles 248:tenor 210:Vichy 173:] 139:is a 102:] 589:ISBN 573:WWUH 344:bass 244:aria 235:and 208:and 155:and 151:by 92:'s 37:by 686:: 571:, 467:; 434:; 204:, 171:es 100:es 662:: 545:. 535:, 531:" 442:. 176:( 119:) 23:.

Index

Doña Francisquita (film)
Zarzuela
Amadeo Vives

Federico Romero
Guillermo Fernández-Shaw
Lope de Vega
La discreta enamorada
es
Teatro Apolo
zarzuela
Amadeo Vives
libretto
Federico Romero
Guillermo Fernández-Shaw
Lope de Vega
La discreta enamorada
es
Teatro Apolo
Monte Carlo
Brussels
Vichy
Washington National Opera
Ladislao Vajda
Cannes Film Festival
Mirtha Legrand
Armando Calvo
soprano
aria
tenor

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