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is connected to the front of each machine's main body. However, the film's war machines are shaped like manta rays, with a bulbous, elongated green window at the front, through which the
Martians observe their surroundings. On top of the machine is the cobra-like head heat-ray attached to a long, narrow, goose-neck extension, which can fire in any direction. They can be mistaken for flying machines, but Forrester states that they are lifted by invisible legs. One scene when the first war machine emerges has faint traces of three "energy legs" beneath that leave three sparking traces where they touch the burning ground, so they are tripods, though they are never so called. Whereas the novel's machines have no protection against the British army and navy cannon fire, the film's war machines have a force field surrounding them, described by Forrester as a "protective blister".
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each side of their mouths and two large "luminous, disk-like eyes". Because of budget constraints, their film counterparts are short, reddish-brown creatures with two long, thin arms with three long, thin fingers with suction-cup tips. The
Martian head is a broad "face" at the top-front of its broad-shouldered upper torso, the only apparent feature of which is a single, large eye with three distinctly colored lenses of red, blue, and green. The Martians' lower extremities are never shown. Some speculative designs suggest three thin legs resembling their fingers, and others show them as
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life, leading to the
Martians' decision to try to make Earth their new home. They land in the same way, by crashing to Earth. The novel's spacecraft, however, are large, cylindrical projectiles fired from the Martian surface from a cannon, instead of the film's meteorite-spaceships; but the Martians emerge from their craft in the same way, by unscrewing a large, round hatch. They appear to have no use for humans in the film. In the novel, however, the invaders are observed "feeding" on humans by fatally transfusing their captives' blood supply directly into Martian bodies through
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from the crash-landing of the
Martian meteorite-ships to their eventual defeat by Earth's microorganisms. Forrester also experiences similar events to the book's narrator, with an ordeal in a destroyed house, observing an actual Martian up close, and eventually reuniting with his love interest at the end of the story. The film has more of a Cold War theme with the atomic bomb against the invading enemy and the mass destruction that such a global war would inflict on humanity.
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while still in the pit made by the first
Martian cylinder after it crash-lands. The film's first heat-ray scene has a projector shaped like a cobra head with a single, red pulsing light, which likely acts as a targeting telescope for the Martians inside their war machine shaped like a manta ray. The novel describes another weapon, the "black smoke" used to kill all life; the war machines fire canisters containing a black smoke-powder through a
1448:(BFI): “t has to do be said that is one of the most dated elements of the special-effects, as they are all too clearly visible in many sequences of the film.... In British showings of the film (when it was re-released in a curious late-1960s US/UK double bill with Hitchcock’s Psycho ), the more sophisticated audiences of the day chuckled at these antediluvian special-effects.” Forshaw, Barry.
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the first machines can be seen rising from the
Martian's landing site. It proved too difficult and dangerous to mark out the invisible legs while smoke and other effects must remain visible beneath the machines, and the effect also created a major fire hazard. In all of the subsequent scenes, however, the three invisible leg beams create small, sparking fires where they touch the ground.
865:'s review commented: " an imaginatively conceived, professionally turned adventure, which makes excellent use of Technicolor, special effects by a crew of experts, and impressively drawn backgrounds ... Director Byron Haskin, working from a tight script by Barré Lyndon, has made this excursion suspenseful, fast and, on occasion, properly chilling". "Brog" in
629:, whom the narrator regards with disgust, with which the reader is invited to concur. In the film, there is instead the sympathetic and heroic Pastor Collins who dies a martyr's death. And then the film's final scene in the church, strongly emphasizing the Divine nature of Humanity's deliverance, has no parallel in the original book."
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Forrester sees one of the aliens die, he reflects, "We were all praying for a miracle." He and other survivors look heavenward. An off-screen narrator explains that the aliens had "no resistance to the bacteria in our atmosphere to which we have long since become immune which God in His wisdom had put upon this earth."
1079:, although an adaptation of the Wells novel, has several references to the 1953 film. Gene Barry and Ann Robinson have cameo appearances near the end, and the invading aliens have three-fingered hands but are reptilian, walking tripods. A long, snaking, alien camera probe is deployed by the invaders. In his 2018 film
1499:: “Wells’ unique walking tripods are replaced by ordinary spaceship-like designs that move on beams of light. This wouldn’t be so bad if the wires holding them up weren’t visible in many scenes.” Henderson, C. J. Encyclopedia of Science Fiction Movies: From 1897 to the Present. New York: Checkmark Books, 2001.
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that resembles, when briefly visible between explosions, the clear jar placed over a mantle clock, or a bell jar with a cylindrical shape and a hemispherical top. This effect was accomplished with simple matte paintings on clear glass, which were then photographed and combined with other effects, and
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The film's
Martians bear no physical resemblance to those of the novel, who are described as bear-sized, roundish creatures with grayish-brown bodies, "merely heads", with quivering beak-like, V-shaped mouths dripping saliva. They have sixteen whip-like tentacles in two groupings of eight arranged on
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Pal's adaptation has many other differences from H. G. Wells's novel. The closest resemblance is probably that of the antagonists. The film's aliens are indeed
Martians and invade Earth for the same reasons as those stated in the novel. The state of Mars suggests that it is becoming unable to support
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of Wells's novel. It was eventually decided to make the
Martian machines appear to float in the air on three invisible legs. To visualize them, subtle special effects of downward lights were to be added directly under the moving war machines; however, in the final film, these only appear when one of
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The film's
Martian war machines are more like those of the book than they first seem. The novel's war machines are 10-story-tall fast-moving tripods made of glittering metal, each with a "brazen hood" atop the body, moving "to and fro" as the machine moves. A heat-ray projector on an articulated arm
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The Martian weaponry is also partially unchanged. The heat-ray has the very same effect as that of the novel. However, the novel's heat-ray mechanism is briefly described as just a rounded hump when its silhouette rises above the landing crater's rim; it fires an invisible energy beam in a wide arc
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explores the house, but Forrester severs the eye with an axe. Later, an alien creature enters and approaches Sylvia but retreats when Forrester wounds it. He collects its blood on a cloth. Then, they escape just before the farmhouse is destroyed by a heat-ray. Forrester takes the electronic eye and
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and its southwestern suburbs while the Martians attack, eventually being reunited with his wife; the film's protagonist is a Californian scientist who falls in love with a former college student after the Martian invasion begins. However, certain points of the film's plot are similar to the novel,
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1938 radio interpretation ... what starring honors there are go strictly to the special effects, which create an atmosphere of soul-chilling apprehension so effectively audiences will actually take alarm at the danger posed in the picture. It can't be recommended for the weak-hearted, but to the
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3-strip Technicolor prints were replaced by the easier-to-use and less expensive Eastman Color stock, the quality of the film's special effects suffered dramatically. This degraded the lighting, timing, and image resolution, causing the original invisible overhead wires suspending the Martian war
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and as a weapon. The electronic eye houses a heat ray, which pulses and fires red sparking beams, all accompanied by thrumming and a high-pitched clattering shriek when the ray was used. The distinctive sound effect of the weapon was created by an orchestra performing a written score, mainly with
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Dr. Forrester's and the other scientists' Pacific Tech (Pacific Institute of Science and Technology, represented by buildings on the Paramount studio lot) has since been part of other films and television episodes when it was decided to include a scientific California university without using the
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A large object crashes near the small town of Linda Rosa, California. At the impact site, Dr. Clayton Forrester, an atomic scientist, investigates. He meets Sylvia Van Buren and her uncle, Pastor Collins. Together, they attend an evening square dance. Back at the crash site, a hatch on the object
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has mild references to the Pal version. The Martian's mouth has three tongues that closely resemble the three Martian fingers in the Pal film. The Asylum film has scenes of power outages after the aliens' arrival via meteorite-ships. As in the Pal film, refugees hide in the mountains, instead of
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Stranded in Los Angeles, Forrester seeks Sylvia. Based on a story she told him earlier, he guesses she has taken refuge in a church. After searching through several, he finds Sylvia among many praying survivors. Just as the invaders attack near the church, their machines lose power and crash. As
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The disintegration effect took 144 separate matte paintings to create. The sound effects of the war machines' heat rays firing were created by mixing the sound of three electric guitars being recorded backwards. The Martian's scream in the farmhouse ruins was created by mixing the sound of a
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The film finally began moving forward after George Pal was assigned to the project in July 1951. Pal originally envisioned a film more faithful to the source material in which a scientist would search for his wife after the invasion destroyed society, but Paramount Pictures production head
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in the United States using the same 4K remaster and restoration. The Blu-ray documentation says the transfer process and careful color and contrast calibrations allowed the special effects to be restored to Technicolor release print quality, without the war machine's supporting wires.
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of the UK called it "the best of the postwar American science-fiction films; the Martian machines have a quality of real terror, their sinister apparitions, prowlings and pulverisings are spectacularly well done, and the scenes of panic and destruction are staged with real flair".
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with them, but they are defeated by Earth microorganisms, as in the novel. However, they die from the effects of the microorganisms within three days of the landing of the first meteorite-ship; in the novel, the Martians die within about three weeks of their invasion of England.
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until late that year. The film was both a critical and box-office success. The film accrued $ 2,000,000 in distributors' domestic (U.S. and Canada) rentals, making the film the year's biggest science fiction hit. ("Rentals" refers to the distributor and studio's share of the
662:-like tube accessory. When dispersed, this black powder is lethal to all life forms who breathe it. This weapon is replaced in the film by a Martian "skeleton beam" of green pulsing energy bursts fired from the wingtips of the manta-ray machines; these bursts break apart the
579:, which stood in for the fictitious town of Linda Rosa. St. Brendan's Catholic Church, at 310 South Van Ness Avenue in Los Angeles, was the setting for the climactic scene in which a large group of desperate people gather to pray. The rolling hills and main thoroughfares of
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sought to have the film's certificate reduced to A, meaning persons under 16 could view the film if accompanied by an adult, but this was rejected. The film was reclassified A in 1981, now meaning that the film may be unsuitable to under 14s. For its 1986 VHS release,
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demanded changes including a romantic subplot in which the scientist would meet and fall in love with a woman. This is the first of two adaptations of Wells's classic science fiction filmed by Pal. It is considered one of the great science fiction films of the 1950s.
598:, were close friends. Pal tried always to include Woody out of friendship and for good luck in his productions. Joe Adamson wrote years later: "Walter had been close friends with Pal ever since Pal had left Europe in advance of the war and arrived in Hollywood".
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optically printed together during post-production. While conventional Earth weapons cannot penetrate the electromagnetic shields, the Martian death ray weapons can fire through the shields against their targets without trouble.
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1465:, Vol. 16, No. 9, June 24, 2016: “The movie cost $ 2 million, and its $ 1.4 million worth of special effects remains, despite visible wires, impressive even in an age of CGI.” Time, Inc.’s Special magazine publication,
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The machines also fire a pulsing green ray (referred to in dialog as "a skeleton beam") from their wingtips, generating a distinctive sound and disintegrating their targets. This second weapon is a replacement for the
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The plot of the film is very different from the novel, which tells the story of a 19th-century writer (with additional narration in later chapters by his medical-student younger brother) who journeys through
637:. There is later speculation about the Martians' eventually using trained human slaves to hunt down all remaining survivors after they conquer Earth. In the film, the Martians do not bring their fast-growing
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shape floating above the ground. Three Martian war machine props were made of copper. The same blueprints were used a decade later (without neck and cobra head) to construct the alien spacecraft in the film
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bomber in the 1953 film) and Captain Hiller being based in El Toro, California, which Dr. Forrester mentions as the home of the Marines, which make the first assault on the invading Martians in Pal's film.
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and how it used "the apocalyptic paranoia of the atomic age". The Registry also cited the special effects, which at its release were called "soul-chilling, hackle-raising, and not for the faint of heart".
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838:(BBFC) for its alarming and "horrific" content, meaning no one under 16 could see the film. This was unsuccessfully protested by several local authorities, believing the rating should be lower. In 1961,
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machines to become increasingly visible with each succeeding film and video format change. This led many, including respected critics, to mistakenly believe the effects were originally of low quality.
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1380:: “Unfortunately these wires are often visible on the screen, particularly during the sequence when the war machines first emerge from their crater and engage the army in battle.” Brosnan, John.
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blood sample to his team of scientists at a Los Angeles university, hoping to find a way to defeat the invaders. The colleagues examine the sample and discover the visitors' blood is extremely
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was re-rated PG (meaning all audiences can see it but some scenes may be unsuitable for young children). It is an unusual example of a film that has was once rated X but now stands as a PG.
352:. However, it proves ineffective, and the aliens continue their advance on Los Angeles. During the city's chaotic evacuation, Forrester, Sylvia, and the other scientists become separated.
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is a sequel to the Pal film. Ann Robinson reprises her role as Sylvia Van Buren in three episodes. Robinson also reprises her role in two other films, first as Dr. Van Buren in 1988's
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1397:: “Not all Jennings’ spectacular special effects work well—on their first appearance the Martian war machines have an obvious network of wires surrounding them.” Hardy, Phil (Ed.).
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Forrester and Sylvia escape in a small plane but later crash land. Hiding in a nearby empty farmhouse, they are nearly buried by yet another crashing cylinder. A long cable with an
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Flying Wing is prominently featured in the atomic-bombing sequence. Pal and Haskin incorporated Northrop color footage of a YB-49 test flight, originally used in Paramount's
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1482:: “The first appearance of the war machines, after an impressive build-up of suspense, is spoilt by the obvious maze of wires supporting each one.” Nicholls, Peter.
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is in a treetop, center screen, when the first large Martian meteorite-ship crashes through the sky, near the beginning of the film. George Pal and Woody's creator,
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Caroline Blake has written that the film is very different from the original novel in its attitude toward religion, as reflected especially in the depiction of
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process to visually enhance the Martians' attack on Los Angeles. The plan was dropped before production began. World War II stock footage was used to produce a
348:. Meanwhile, as the world's capitals fall to the invaders, experts predict total world domination in just weeks. The U.S. government thus authorizes use of the
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retains an unnerving power, updating H. G. Wells's classic sci-fi tale to the Cold War era and featuring some of the best special effects of any 1950s film".
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now emerge from the Linda Rosa cylinder. Pastor Collins attempts contact but is disintegrated. Marines open fire, but are unable to penetrate the invaders'
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as the sound of an overloading hand phaser. Another prominent sound effect is a chattering, synthesized echo, perhaps representing some kind of Martian
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violins and cellos. For many years, it was utilized as a standard ray-gun sound on children's television shows and the science-fiction anthology series
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When the large Marine force opens fire on the Martians with everything in its heavy arsenal, each Martian machine is protected by an impenetrable
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1431:: "While those cables holding up the machines are painfully visible, viewers tend to cut pre-digital fx a good deal of slack." Gerani, Gary.
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1511:: "Kids are likely to smirk at some of the special effects (as when the wires holding up the war machines are visible)." Maltin, Leonard.
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unscrews and falls away. As three men standing guard attempt to make contact waving a white flag, a heat-ray obliterates them.
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hiding underground as in the Wells novel, and the protagonist actively tries to fight the aliens by biological means.
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described in Wells's novel. Its sound effect (created by striking a high tension cable with a hammer) was reused in
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of destruction to show the worldwide invasion, with armies of all nations joining together to fight the invaders.
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for 1954 in the category of Best Dramatic Presentation — Short Form (works running 90 minutes or less).
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and went on to influence other science fiction films. In 2011, it was selected for preservation in the
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bonds that hold matter together. These beams are used off-screen to obliterate several French cities.
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to direct an adaptation of the novel under his contract with the studio but failed to produce a film.
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planned as director, but the project was put into turn-around. Later in the 1930s, Paramount assigned
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1414:: “The wires holding up the machines are too often visible.” Clute, John, and Peter Nicholls (Eds.).
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many who delight in an occasional good scare, it's socko entertainment of hackle-raising quality".
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microphone scraping along dry ice being combined with a woman's recorded scream and then reversed.
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magazine, Volume 5, No. 4, 1977. A comprehensive "making of" retrospective and review of the film.
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1611:"The Screen in Review: New Martian Invasion Is Seen in War of the Worlds, Which Bows at Mayfair."
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1802:"Artsbeat:'Silence of the Lambs', 'Bambi', and 'Forrest Gump' added to National Film Registry."
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was deemed culturally, historically, or aesthetically significant in 2011 by the United States
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gross, which, according to Gebert, is roughly half of the money generated by ticket sales.)
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Each Martian machine is topped with an articulated metal neck and arm, culminating in the
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1756:"'The War of the Worlds' (1953) Joining The Criterion Collection With New 4K Restoration"
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and the dramatic opening title card and credits. The story begins with a series of color
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Lee Marvin was considered as the protagonist before Gene Barry was cast. Jim Meservy,
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still receives high acclaim from some critics. On the film review aggregator website
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that describes the destructive technological advancements of Earthly warfare from
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Howe, Tom. "Northrop YB-49 Flying Wing." cedmagic.com. Retrieved: 25 August 2012.
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head heat ray projector, housing a single electronic eye that operates both as a
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later surround the site, as reports pour in of more cylinders, presumably from
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transfer from the original three-strip Technicolor negatives was published on
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Vol I: 1950–1957. Jefferson, North Carolina: McFarland & Company, 1982.
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said, " a socko science-fiction feature, as fearsome as a film as was the
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On the commentary track of the 2005 Special Collector's DVD Edition of
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990:. The Registry noted the film's release during the early years of the
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Pal had planned for the final third of the film to be shot in the new
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1560:"https://www.bbfc.co.uk/education/case-studies/the-war-of-the-worlds"
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The Encyclopedia of Science Fiction Movies: From 1897 to the Present
756:. The sound when the Martian ships begin to move was also reused by
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An effort was made to avoid the stereotypical flying saucer look of
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1782:"Review: Byron Haskin's The War of the Worlds on Criterion Blu-ray"
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theatrical shorts, to show the Flying Wing's takeoff and bomb run.
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may have optioned the rights, but the project did not go forward.
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http://www.thehugoawards.org/hugo-history/1954-retro-hugo-awards/
1452:. London: British Film Institute/Palgrave MacMillan, 2014. p. 152
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also entered discussions about adapting the novel with Wells and
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called it "to put it gently, terrific", and "for my money, the
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when the studio bought the film rights to the novel in 1925.
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the only world worthy of their scrutiny and coming invasion.
2081:. Jefferson, North Carolina: McFarland & Company, 1977.
2066:. Jefferson, North Carolina: McFarland & Company, 2016.
1822:"2011 National Film Registry More Than a Box of Chocolates."
1351:. Jefferson, North Carolina: McFarland & Company, 2016.
966:. In July 2020, the film was reissued on Blu-ray and DVD by
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The Walter Lantz Story: with Woody Woodpecker and Friends
265:. It is the first of several feature film adaptations of
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Hugo Award for Best Dramatic Presentation winning works
998:
The Martians were ranked the 27th best villains in the
3420:
Travels of a Republican Radical in Search of Hot Water
1687:"The 26th Academy Awards (1954) Nominees and Winners."
1670:(August 21, 1953). "'War of Worlds' A Real Wingding".
814:
was on February 20, 1953, although it did not go into
779:
There were many problems trying to create the walking
2586:
Jeff Wayne's Musical Version of The War of the Worlds
2019:. Metuchen, New Jersey: Scarecrow Press, Inc., 2010.
1105:
named one of its lead characters, the mad scientist
625:
Wells depicted a cowardly and thoroughly uninspiring
4337:
Films that won the Best Visual Effects Academy Award
590:, Robinson and Barry say that the cartoon character
4198:
4171:
3765:
3738:
3517:
3464:
3229:
2810:
2709:
2665:
2618:
2577:
2533:
2450:
2424:
2364:
2353:
2337:
2313:
1656:. Vol. 20, no. 232. May 1953. p. 71.
320:, landing all over Earth, destroying cities. Three
221:
213:
205:
197:
187:
152:
142:
132:
122:
112:
98:
88:
71:
61:
51:
34:
1895:"Ready Player One: The COMPLETE Easter Egg Guide"
1827:, December 28, 2011. Retrieved: January 11, 2015.
1809:, December 27, 2011. Retrieved: January 11, 2015.
336:attack jets follow up, but they are annihilated.
332:weaponry, sending the Marines into full retreat.
2554:The League of Extraordinary Gentlemen, Volume II
1878:"War of the Worlds: A Post 9/11 Digital Attack."
1867:, October 10, 2012. Retrieved: January 12, 2015.
454:opens with a black-and-white prologue featuring
4118:Retro Hugo Award for Best Dramatic Presentation
2017:Historical Dictionary of Science Fiction Cinema
1618:, August 14, 1953. Retrieved: January 11, 2015.
1467:LIFE—Science Fiction: 100 Years of Great Movies
1463:LIFE—Science Fiction: 100 Years of Great Movies
1399:The Overlook Film Encyclopedia: Science Fiction
1395:The Overlook Film Encyclopedia: Science Fiction
541:also expressed interest in adapting the novel.
3343:Mr. Belloc Objects to "The Outline of History"
1091:, creator of the breakthrough 1978 video game
650:with short, stubby legs with three-toed feet.
4102:
3837:
2899:The Food of the Gods and How It Came to Earth
2779:
2263:
1418:. New York: St. Martin’s Press, 1993. p. 1300
1401:. Woodstock, NY: Overlook Books, 1994. p. 143
1204:, March 9, 1953. Retrieved: January 11, 2015.
764:sounds like hissing electronic rattlesnakes.
8:
2224:(1953) in 30 seconds, re-enacted by bunnies.
2217:: February 8, 1955. Adaptation of 1953 film.
2138:. New York: Garland Publishing, Inc., 1985.
2051:. New York: A. S. Barnes and Company, 1977.
1883:, July 7, 2005. Retrieved: January 12, 2015.
698:. The Martian war machines were designed by
513:Paramount Pictures first attempted to adapt
399:Housely Stevenson Jr. as General Mann's aide
18:Doctor Clayton Forrester (War of the Worlds)
2077:Parish, James Robert and Michael R. Pitts.
1461:Time, Inc.’s Special magazine publication,
1384:. New York: St. Martin’s Press, 1978. p. 91
1382:Future Tense: The Cinema of Science Fiction
1020:and then as Dr. Sylvia Van Buren in 2005's
4342:United States National Film Registry films
4287:Films about the United States Marine Corps
4109:
4095:
4087:
3844:
3830:
3822:
3473:The Country of the Blind and Other Stories
2786:
2772:
2764:
2361:
2270:
2256:
2248:
2136:Variety's Complete Science Fiction Reviews
1929:. No. 3. Live Publishing. p. 35.
40:
31:
3441:The Work, Wealth and Happiness of Mankind
1943:Academy of Television Arts & Sciences
1486:. New York: Doubleday; 1st edition, 1979)
1004:AFI's 100 Years...100 Heroes and Villains
1435:. San Diego: IDW Publishing, 2011 p. 129
1235:
1233:
1231:
1229:
1227:
1225:
1223:
682:
4267:American science fiction thriller films
3666:The Queer Story of Brownlow's Newspaper
3494:The Stolen Bacillus and Other Incidents
2105:. London: Octopus Books Limited, 1976.
2092:Rubin, Steve. "The War of the Worlds".
1478:Peter Nicholls’ (Ed.) first edition of
1263:
1261:
1259:
1257:
1255:
1253:
1251:
1249:
1247:
1245:
1144:
792:For 50 years, from the late 1960s when
236:(also known in promotional material as
4372:English-language science fiction films
2033:, New York: St. Martin's Press, 1996.
1817:
1815:
1725:"War of the Worlds" On iTunes…For Now"
1588:
1587:
1576:
1469:, Vol. 16, No. 9, June 24, 2016: p. 16
396:as The Reverend Doctor Matthew Collins
1033:has several allusions to Pal's 1953
405:as Radio reporter/pre-titles narrator
293:Academy Award for Best Visual Effects
7:
4302:Films based on The War of the Worlds
2236:- A Radio and Film Score Remembrance
1982:. New York: HarperPaperbacks, 1996.
1535:"The War of the Worlds Case Studies"
1275:
1273:
1201:British Board of Film Classification
836:British Board of Film Classification
414:Vernon Rich as Colonel Ralph Heffner
4297:Films adapted into television shows
4282:Films about nuclear war and weapons
2475:The War of the Worlds: Next Century
2387:Sherlock Holmes's War of the Worlds
1513:Leonard Maltin’s Family Movie Guide
1416:The Encyclopedia of Science Fiction
1412:The Encyclopedia of Science Fiction
1213:'The Top Box Office Hits of 1953',
1049:bomber (a direct descendant of the
810:The official Hollywood premiere of
4292:Films about the United States Army
3487:Select Conversations with an Uncle
3115:Mr. Blettsworthy on Rampole Island
2689:Jeff Wayne's The War of the Worlds
2568:H. G. Wells' The War of the Worlds
2507:War of the Worlds 2: The Next Wave
2483:H. G. Wells' The War of the Worlds
2179:The War of the Worlds: Sky on Fire
2079:The Great Science Fiction Pictures
1509:Leonard Maltin's Family Film Guide
1037:. The failed attempt of a dropped
390:Sandro Giglio as Doctor Bilderbeck
239:H. G. Wells' The War of the Worlds
25:
4277:Films about extraterrestrial life
3406:The Story of a Great Schoolmaster
1978:Aberly, Rachel and Volker Engel.
1723:Jeffrey Wells (October 3, 2018).
1515:. New York: Signet, 1999. p. 803
1410:John Clute’s and Peter Nicholls’
1171:"The War of the Worlds - Details"
1109:, as an homage to the 1953 film.
1041:is replaced with a nuclear-armed
521:began working on an outline with
3266:An Englishman Looks at the World
2739:The Soul Selects Her Own Society
2031:The Encyclopedia of Movie Awards
1754:Squires, John (April 16, 2020).
1484:The Science Fiction Encyclopedia
1480:The Science Fiction Encyclopedia
613:Differences from the Wells novel
575:Location shooting took place in
328:. The aliens counterattack with
4215:Frankenstein Meets the Wolf Man
3755:The Man Who Could Work Miracles
3638:The Man Who Could Work Miracles
2632:The Great Martian War 1913–1917
2467:The Night That Panicked America
1940:"Mystery Science Theater 3000."
1893:Dyce, Andrew (March 30, 2018).
1336:Religion in Speculative Fiction
955:In 2018, a new, fully restored
731:, particularly in the episode "
490:that depict the planets of our
281:. Earth is suddenly invaded by
4307:Films directed by Byron Haskin
3067:The Secret Places of the Heart
2491:H. G. Wells' War of the Worlds
1980:The Making of Independence Day
1964:. Retrieved February 20, 2018.
1945:. Retrieved: January 12, 2015.
1842:. Retrieved: January 12, 2015.
1780:Bowen, Chuck (July 20, 2020).
1692:. Retrieved: January 11, 2015.
1063:H. G. Wells' War of the Worlds
749:Star Trek: The Original Series
583:, were also used in the film.
273:. The setting is changed from
1:
4317:Films scored by Leith Stevens
3480:The Plattner Story and Others
3336:Mind at the End of Its Tether
3099:The World of William Clissold
2064:Mars in the Movies: A History
1851:Aberly and Engel 1996, p. 86.
1349:Mars in the Movies: A History
752:, accompanying the launch of
733:The Children of Spider County
506:find our lush green and blue
4357:1950s English-language films
4312:Films produced by George Pal
3890:Action in the North Atlantic
3793:Simon Wells (great-grandson)
3399:A Short History of the World
3035:Mr. Britling Sees It Through
2995:The Wife of Sir Isaac Harman
2626:"The Night America Trembled"
1713:). Retrieved: July 10, 2022.
1267:Rubin 1977, pp. 4–16, 34–47.
1176:AFI Catalog of Feature Films
1159:. April 2, 1953. p. 15.
1102:Mystery Science Theater 3000
447:Theatrical re-release poster
4367:1950s science fiction films
4262:Films about alien invasions
4229:The Curse of the Cat People
3701:A Story of the Days to Come
3273:Experiment in Autobiography
3259:The Discovery of the Future
3139:The Shape of Things to Come
3123:The Autocracy of Mr. Parham
2835:The Island of Doctor Moreau
2547:Superman: War of the Worlds
2241:September 24, 2021, at the
369:as Doctor Clayton Forrester
271:1898 novel of the same name
4388:
4145:The Picture of Dorian Gray
4018:From the Earth to the Moon
3508:Twelve Stories and a Dream
3434:The Way the World Is Going
3203:Babes in the Darkling Wood
3091:Christina Alberta's Father
2486:(2005, Pendragon Pictures)
1702:"'The War of the Worlds'."
1197:"'The War of the Worlds'."
816:general theatrical release
788:Quality of special effects
4124:
3860:
3715:Triumphs of a Taxidermist
2883:The First Men in the Moon
2801:
2380:Edison's Conquest of Mars
2291:
1837:"Ann Robinson Biography."
1653:The Monthly Film Bulletin
1650:"The War of the Worlds".
1239:Warren 1982, pp. 151–163.
907:Special Achievement Award
879:The Monthly Film Bulletin
172:August 13, 1953
46:Theatrical release poster
39:
27:1953 film by Byron Haskin
4347:Paramount Pictures films
4332:Films shot in California
4322:Films set in Los Angeles
3722:The Truth About Pyecraft
3708:A Story of the Stone Age
3624:Mr. Ledbetter's Vacation
3561:The Country of the Blind
3533:The Argonauts of the Air
3245:Certain Personal Matters
3219:You Can't Be Too Careful
3027:The Research Magnificent
2923:In the Days of the Comet
1919:Staff (April 15, 2004).
1118:Retrospective Hugo Award
986:for preservation in the
968:The Criterion Collection
690:advertisement from 1953.
225:$ 2 million (US rentals)
4066:Robinson Crusoe on Mars
3631:The Lord of the Dynamos
3501:Tales of Space and Time
2955:The History of Mr Polly
2658:(2019–2022, Fox/Canal+)
2642:(1988–1990, syndicated)
2415:The Massacre of Mankind
2228:Angry Alien Productions
2121:Keep Watching The Skies
2049:The Films of George Pal
1729:hollywood-elsewhere.com
1281:"The War of the Worlds"
1130:List of works based on
1018:Midnight Movie Massacre
1000:American Film Institute
710:Robinson Crusoe on Mars
486:by astronomical artist
433:as post-titles narrator
161:April 3, 1953
4327:Films set in the 1950s
3603:The Empire of the Ants
3378:The Outline of History
3308:God the Invisible King
3171:The Camford Visitation
3131:The Bulpington of Blup
2987:The Passionate Friends
2867:When the Sleeper Wakes
2732:To Mars and Providence
2103:Science Fiction Movies
1921:"Nishikado-San Speaks"
1060:'s 2005 direct-to-DVD
988:National Film Registry
691:
581:El Sereno, Los Angeles
448:
297:National Film Registry
4223:The Canterville Ghost
4161:The War of the Worlds
4130:The War of the Worlds
4034:Jet Over the Atlantic
3962:The War of the Worlds
3954:Denver and Rio Grande
3788:Joseph Wells (father)
3596:A Dream of Armageddon
3547:The Chronic Argonauts
3455:A Year of Prophesying
3385:Russia in the Shadows
3329:Mankind in the Making
3301:The Future in America
3287:First and Last Things
3211:All Aboard for Ararat
2859:The War of the Worlds
2682:The War of the Worlds
2647:The War of the Worlds
2459:The War of the Worlds
2440:The War of the Worlds
2433:The War of the Worlds
2284:The War of the Worlds
2234:The War of the Worlds
2222:The War of the Worlds
2208:The War of the Worlds
2062:Miller, Thomas Kent.
1450:The War of the Worlds
1446:The War of the Worlds
1433:Top 100 Sci-Fi Movies
1429:Top 100 Sci-Fi Movies
1347:Miller, Thomas Kent.
1132:The War of the Worlds
1116:was presented with a
1107:Dr. Clayton Forrester
980:The War of the Worlds
945:The War of the Worlds
937:The War of the Worlds
925:Sound Department and
903:The War of the Worlds
845:The War of the Worlds
828:The War of the Worlds
826:On its 1953 release,
812:The War of the Worlds
794:The War of the Worlds
686:
515:The War of the Worlds
452:The War of the Worlds
446:
381:as Major General Mann
299:by the United States
289:The War of the Worlds
242:) is a 1953 American
233:The War of the Worlds
77:The War of the Worlds
35:The War of the Worlds
4362:1950s American films
4257:1950s thriller films
3729:A Vision of Judgment
3589:The Door in the Wall
3413:This Misery of Boots
3043:The Soul of a Bishop
2875:Love and Mr Lewisham
2843:The Wheels of Chance
2725:Mars: The Home Front
2188:Criterion Collection
2045:Hickman, Gail Morgan
1960:May 7, 2011, at the
1862:"=Mockbuster video."
1304:Booker 2010, p. 126.
572:name of a real one.
3970:His Majesty O'Keefe
3906:Man-Eater of Kumaon
3798:H. G. Wells Society
3645:The New Accelerator
3575:A Deal in Ostriches
3392:The Science of Life
3371:The Open Conspiracy
3357:The New World Order
2971:The New Machiavelli
2827:The Wonderful Visit
2193:Making of the movie
1825:Library of Congress
1673:The Washington Post
1334:Caroline G. Blake,
1153:"London Amusements"
984:Library of Congress
929:were nominated for
890:The Washington Post
375:as Sylvia Van Buren
301:Library of Congress
279:Southern California
3914:Too Late for Tears
3893:(1943, uncredited)
3852:Films directed by
3783:Anthony West (son)
3659:The Plattner Story
3617:The Land Ironclads
3540:The Beautiful Suit
3427:War and the Future
3364:New Worlds for Old
3315:In the Fourth Year
3179:Apropos of Dolores
3147:The Croquet Player
3003:The World Set Free
2963:The Sleeper Awakes
2931:The War in the Air
2607:The New Generation
2494:(2005, The Asylum)
2470:(1975, television)
2373:Fighters from Mars
2015:Booker, M. Keith.
2002:G.P. Putnam's Sons
1806:The New York Times
1760:Bloody Disgusting!
1615:The New York Times
1217:, January 13, 1954
1089:Tomohiro Nishikado
858:The New York Times
840:Paramount Pictures
692:
577:Corona, California
458:war footage and a
449:
147:Paramount Pictures
4272:Apocalyptic films
4239:
4238:
4084:
4083:
4026:The Little Savage
3994:Conquest of Space
3819:
3818:
3652:The Pearl of Love
3582:The Diamond Maker
2851:The Invisible Man
2761:
2760:
2757:
2756:
2718:Global Dispatches
2674:War of the Worlds
2655:War of the Worlds
2639:War of the Worlds
2502:(2005, Paramount)
2499:War of the Worlds
2394:The Space Machine
2214:Lux Radio Theater
2202:star Ann Robinson
2200:War of the Worlds
2171:War of the Worlds
2159:War of the Worlds
2134:Willis, Don, ed.
2072:978-0-7864-9914-4
2029:Gebert, Michael.
2025:978-0-8108-5570-0
2010:978-0-39913-096-0
1735:on April 17, 2019
1586:External link in
1365:978-0-7864-9914-4
1357:978-0-7864-9914-4
1114:War of the Worlds
1076:War of the Worlds
1073:'s 2005 version,
1035:War of the Worlds
1022:The Naked Monster
1012:War of the Worlds
851:Critical reaction
621:. "The staunchly
588:War of the Worlds
527:Sergei Eisenstein
488:Chesley Bonestell
474:. The image then
229:
228:
16:(Redirected from
4379:
4153:Destination Moon
4111:
4104:
4097:
4088:
3986:Long John Silver
3978:The Naked Jungle
3846:
3839:
3832:
3823:
3059:The Undying Fire
2819:The Time Machine
2788:
2781:
2774:
2765:
2362:
2321:Fighting machine
2295:Related texts: "
2272:
2265:
2258:
2249:
2101:Strick, Philip.
1965:
1952:
1946:
1937:
1931:
1930:
1916:
1910:
1909:
1907:
1905:
1890:
1884:
1876:Desowitz, Bill.
1874:
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1731:. Archived from
1720:
1714:
1699:
1693:
1684:
1678:
1677:
1664:
1658:
1657:
1647:
1641:
1638:
1632:
1631:, April 6, 1953.
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1495:C.J Henderson’s
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1444:Barry Forshaw’s
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1167:
1161:
1160:
1149:
1082:Ready Player One
1071:Steven Spielberg
1030:Independence Day
923:Paramount Studio
754:photon torpedoes
728:The Outer Limits
702:with a sinister
672:Victorian London
592:Woody Woodpecker
531:Alfred Hitchcock
523:Cecil B. DeMille
500:Cedric Hardwicke
431:Cedric Hardwicke
277:England to 1953
179:
177:
168:
166:
44:
32:
21:
4387:
4386:
4382:
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4380:
4378:
4377:
4376:
4242:
4241:
4240:
4235:
4194:
4188:Heaven Can Wait
4167:
4120:
4115:
4085:
4080:
4058:Captain Sindbad
4050:Armored Command
4042:September Storm
4002:The First Texan
3922:Treasure Island
3856:
3850:
3820:
3815:
3809:Time After Time
3773:Political views
3761:
3734:
3694:The Stolen Body
3680:The Sea Raiders
3568:The Crystal Egg
3526:Æpyornis Island
3513:
3460:
3350:The New America
3280:The Fate of Man
3225:
3195:The Holy Terror
2915:A Modern Utopia
2806:
2797:
2792:
2762:
2753:
2705:
2699:1999 video game
2694:1998 video game
2661:
2614:
2573:
2529:
2446:
2420:
2408:The Martian War
2356:
2349:
2333:
2309:
2297:The Crystal Egg
2287:
2276:
2243:Wayback Machine
2198:Interview with
2154:
2149:
2095:Cinefantastique
1974:
1969:
1968:
1962:Wayback Machine
1953:
1949:
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1706:Rotten Tomatoes
1700:
1696:
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1668:Coe, Richard L.
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941:Rotten Tomatoes
931:Sound Recording
853:
808:
803:
790:
741:chemical weapon
681:
679:Special effects
615:
607:Popular Science
539:Alexander Korda
535:Gaumont-British
484:matte paintings
441:
436:
420:as Cop at crash
387:as Doctor Pryor
385:Bob Cornthwaite
362:
309:
257:, and starring
244:science fiction
190:
183:
180: (New York)
175:
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127:Everett Douglas
105:
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2523:The True Story
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1027:The 1996 film
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3854:Byron Haskin
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3803:Lunar crater
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3610:In the Abyss
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2748:Rainbow Mars
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1972:Bibliography
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1902:. Retrieved
1898:
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1785:. Retrieved
1775:
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1737:. Retrieved
1733:the original
1728:
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1640:Willis 1985
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1609:(as A. W.),
1602:
1589:|title=
1567:. Retrieved
1563:
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1538:
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1524:Gebert 1996
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1378:Future Tense
1377:
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1288:. Retrieved
1284:
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1180:. Retrieved
1174:
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1157:Daily Mirror
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960:Dolby Vision
954:
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919:Film Editing
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873:Orson Welles
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863:A. H. Weiler
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492:Solar System
472:World War II
451:
450:
426:as Salvatore
394:Lewis Martin
379:Les Tremayne
373:Ann Robinson
354:
338:
322:war machines
314:U.S. Marines
310:
288:
287:
263:Ann Robinson
251:Byron Haskin
249:directed by
238:
237:
232:
231:
230:
189:Running time
107:Ann Robinson
75:
66:Barré Lyndon
56:Byron Haskin
29:
3946:Silver City
3812:(1979 film)
3778:G. P. Wells
3739:Screenplays
3465:Collections
3448:World Brain
3322:Little Wars
3294:Floor Games
3252:Crux Ansata
2939:Tono-Bungay
2795:H. G. Wells
2666:Video games
2650:(2019, BBC)
2279:H. G. Wells
2184:J. Hoberman
1926:Retro Gamer
1904:November 9,
1787:November 9,
1765:November 9,
1285:AFI Catalog
1039:atomic bomb
769:force field
744:black smoke
555:Dan Dowling
547:Don Hartman
519:Ray Pomeroy
480:Technicolor
468:World War I
409:Bill Phipps
326:force field
267:H. G. Wells
217:$ 2 million
89:Produced by
83:H. G. Wells
52:Directed by
4252:1953 films
4246:Categories
4199:Short Form
3230:Nonfiction
2619:Television
2600:Highlights
2355:Derivative
2338:Characters
2000:New York:
1899:ScreenRant
1690:oscars.org
1564:BBFC.co.uk
1539:BBFC.co.uk
1139:References
1058:The Asylum
1047:B-2 Spirit
921:, and the
830:was rated
821:box-office
664:sub-atomic
623:secularist
476:smash cuts
464:Paul Frees
460:voice-over
439:Production
403:Paul Frees
367:Gene Barry
259:Gene Barry
255:George Pal
222:Box office
193:85 minutes
176:1953-08-13
165:1953-04-03
103:Gene Barry
93:George Pal
4207:Pinocchio
4172:Long Form
4074:The Power
3882:The Siren
3107:Meanwhile
3083:The Dream
2541:Killraven
1739:April 16,
1338:, Ch.2, 5
1290:April 20,
1112:In 2004,
1014:TV series
1009:The 1988
909:from the
896:King Kong
801:Reception
758:Star Trek
722:periscope
704:manta ray
619:clergymen
494:, except
478:to vivid
350:atom bomb
334:Air Force
330:death ray
123:Edited by
4180:Fantasia
4132:" (1939)
4010:The Boss
3687:The Star
3554:The Cone
3155:Brynhild
2979:Marriage
2435:" (1938)
2345:Martians
2314:Concepts
2239:Archived
2004:, 1985.
1958:Archived
1881:VFXWorld
1711:Fandango
1579:cite web
1182:July 30,
1124:See also
1002:'s list
992:Cold War
913:for its
688:Drive-in
639:red weed
635:pipettes
504:Martians
470:through
456:newsreel
291:won the
283:Martians
206:Language
133:Music by
99:Starring
72:Based on
3938:Warpath
3766:Related
2515:Goliath
2186:at the
2173:Website
1629:Variety
1627:"Brog".
1215:Variety
911:Academy
868:Variety
834:by the
806:Release
781:tripods
660:bazooka
566:montage
209:English
198:Country
174: (
163: (
4232:(1945)
4218:(1944)
4210:(1941)
4191:(1944)
4183:(1941)
4164:(1954)
4156:(1951)
4148:(1946)
4140:(1943)
4077:(1968)
4069:(1964)
4061:(1963)
4053:(1961)
4045:(1960)
4037:(1959)
4029:(1959)
4021:(1958)
4013:(1956)
4005:(1956)
3997:(1955)
3989:(1954)
3981:(1954)
3973:(1954)
3965:(1953)
3957:(1952)
3949:(1951)
3941:(1951)
3933:(1951)
3925:(1950)
3917:(1949)
3909:(1948)
3901:(1947)
3885:(1927)
3877:(1927)
3869:(1927)
3758:(1937)
3750:(1936)
3222:(1941)
3214:(1940)
3206:(1940)
3198:(1939)
3190:(1938)
3182:(1938)
3174:(1937)
3166:(1937)
3158:(1937)
3150:(1936)
3142:(1933)
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3126:(1930)
3118:(1928)
3110:(1927)
3102:(1926)
3094:(1925)
3086:(1924)
3078:(1923)
3070:(1922)
3062:(1919)
3054:(1918)
3046:(1917)
3038:(1916)
3030:(1915)
3022:(1915)
3014:(1915)
3011:Bealby
3006:(1914)
2998:(1914)
2990:(1913)
2982:(1912)
2974:(1911)
2966:(1910)
2958:(1910)
2950:(1909)
2942:(1909)
2934:(1908)
2926:(1906)
2918:(1905)
2910:(1905)
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2894:(1902)
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2878:(1900)
2870:(1899)
2862:(1898)
2854:(1897)
2846:(1896)
2838:(1896)
2830:(1895)
2822:(1895)
2811:Novels
2685:(1984)
2677:(1982)
2534:Comics
2526:(2012)
2518:(2012)
2510:(2008)
2478:(1981)
2462:(1953)
2443:(1968)
2365:Novels
2142:
2127:
2109:
2085:
2070:
2055:
2037:
2023:
2008:
1986:
1363:
1355:
975:Legacy
964:iTunes
905:won a
648:bipeds
627:Curate
346:anemic
214:Budget
4137:Bambi
2907:Kipps
2578:Music
2451:Films
2425:Radio
2357:works
1315:1985'
762:sonar
718:cobra
508:Earth
496:Venus
3019:Boon
2326:HMS
2164:IMDb
2140:ISBN
2125:ISBN
2107:ISBN
2083:ISBN
2068:ISBN
2053:ISBN
2035:ISBN
2021:ISBN
2006:ISBN
1984:ISBN
1906:2020
1789:2020
1767:2020
1741:2019
1594:help
1571:2024
1546:2024
1361:ISBN
1353:ISBN
1292:2023
1184:2018
696:UFOs
429:Sir
360:Cast
318:Mars
307:Plot
261:and
2281:'s
2226:at
2211:on
2162:at
887:of
855:In
735:".
462:by
81:by
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