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and collective improvisation. The number of special features, pre-written stop-time breaks and improvised solo passages in this record yield a tapestry of musical contrasts. Jazz was producing significant accomplishments in its other aspects, such as the development of the soloist, but the
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specifically New
Orleans jazz style of collective counterpoint playing would reach its apotheosis here and in a few other 1926-7 Morton recordings.
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got his name on it as co-composer, as was often his practice. It enjoyed its initial popularity in the 1920s. It continues to be played by
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as a record made by Jelly Roll Morton and his Red Hot
Peppers in 1926, is a prime example of early New Orleans jazz
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The
Cambridge History of Twentieth-Century Music, September 2004, Cambridge University Press, p. 131.
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This article is about the song by King Oliver. For the record label, see
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Tin Pan Alley: an encyclopedia of the golden age of
American song Author
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Gioia, Ted, The
History of Jazz, Oxford University Press, 2011, p. 60.
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Music
Division, New York Public Library for the Performing Arts.
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groups. It has been performed by many notable acts, such as
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did a performance of this song on their 1969 release
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31:" is a popular tune and song written by
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240:Songs written by King Oliver
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