Dog Day Afternoon - Knowledge (XXG)

753:. Elfand hired Kluge and Moore to interview the people involved in the story. Before the script was written, Elfand wanted to ensure he had signed releases by all the interviewees for the story rights. After the negotiation, each hostage received $ 600 (equivalent to $ 4,100 in 2023); one hostage asked for more money and was not included in the script. Initially, Westenberg was offered $ 2,000, but he turned it down following the advice of his lawyer, as he was still serving a two-year sentence. After his release, he settled for $ 750. Wojtowicz received $ 7,500 (equivalent to $ 51,500 in 2023) for the rights to the story. From the money, he earmarked $ 2,500 to Eden's reassignment surgery. News outlets reported Wojtowicz was granted one percent of the film's net profit; Bregman later denied that his company, Artists Entertainment Complex, granted Wojtowicz a percentage of the gross. Bregman added he would give him $ 25,000 if the film performed as well as 773:, who covered the story of the heist for gay publications, and provided technical assistance regarding Manhattan's gay nightclub scene. Pierson decided he wanted to center the story around Wojtowicz, who refused to receive Pierson in prison while he was in a financial dispute with Warner Bros. Pierson analyzed the tapes of the interviews and news articles about the robbery and approached those involved for additional information. Pierson could not define Wojtowicz's character because a different impression was left on each of the interviewees. The project overwhelmed him, but he could not quit, as he had spent his cash advance. Pierson reviewed his material and found the unfulfilled promises Wojtowicz made as the common trait. Pierson viewed them as "the story of the bank" and the failure of the robbery. Pierson finished the screenplay by Christmas 1973. Author 31: 803:

adjustment necessary for the movies". Pacino again returned to the project and attributed his behavior to stress and drinking, and that he needed "a life outside work". Lumet mentioned the characterization of Sonny Wortzik's (Wojtowicz) "insane framework of life" as the stress factor for Pacino. In a meeting before the rehearsals, Pacino asked Pierson and Lumet to tone down Sonny Wortzik's behavior; his request was rejected. Eden described Wojtowicz as "a very domineering person", and added: "he is good-natured ... but sometimes went overboard ... and he terrified me". Wicker later said that the screenplay of

1069:. The production team was given one day to shoot in an area of the airport that was not a terminal. The international flights that headed to the main runway had to go around the shooting location. Lumet directed the scene at the airport from the ground. He chose to cut from the close-up after Sal was shot and a gun was held to Sonny's head, to a long shot; the view presented a panorama of the scene at the airport. Lumet centered on Pacino and ordered the crew to roll Cazale on a stretcher to be visible by the actor. Pacino used the image to improvise his reaction. 30: 909:. Pierson flew from Los Angeles to New York at Lumet's request. Pacino refused to kiss Sarandon in a scene as he thought it was "exploitative"; he felt that the script kept "pushing the gay issue" on the audience. He expressed the view that viewers already knew the characters were homosexual and wanted to convey the failure of the relationship instead. Pierson agreed; he realized the couple did not actually kiss and that they had actually carried on a phone conversation. Pierson modified the scene to include the call. The 1026:

joined the actors. Lumet directed the crowd and "whipp them up to a frenzy". By the second week, he felt that the crowd could improvise on its own. To amplify the effect in the film, he utilized hand-held cameras. In regards to the project while it was filming, Lumet said "It's out of my hands. It's got a life of its own". In a scene on the street, before Pacino left the bank, assistant director Burtt Harris whispered to him to ask the crowd about Attica. Pacino then improvised the complete dialog with the crowd.

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balance the tempo of the film. Lumet stated the scene of the last will was the reason for his decision to work on the film; he considered it "moving", but worried about the audience laughing at it. His worries were based on what he considered "the defensive attitude on sexual subjects": to avoid it, he focused on portraying emotional performances by the actors throughout the film. Lumet had access to the footage of Wojtowicz and Eden's ceremony, originally broadcast by

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second camera. For the scene, Lumet separated Pacino from the rest of the bank with a black velvet mask to isolate him. He left a hole for both cameras, and for himself to look in. Lumet wanted a second take. An exhausted Pacino accepted, and he kept the same intensity. At the end of the scene, Lumet and Pacino cried. The director later remembered it as "an amazing moment, as good a moment of directing as I've ever had in my life".

657: 1186:, and rated the film as "superb", noting the "scenes mixing the fear of violence with insane laughter". He felt that Pacino, Cazale, and Durning kept the film from "degenerating into silliness". Siskel talked about Pacino's display of "so much energy" that made him "believe the unbelievable" and Cazale's "haunting, sallow-cheeked silence". Lumet and Allen were praised for the "terrific, roller-coaster" pace of the film. 1149:"high point" of the film to be the phone conversation between Pacino and Sarandon. Sarris pointed that the dialogue featured "two wounded creatures capable of an extraordinary emotional audacity", and concluded that the film was to be "seen, but not swallowed whole" and "making heroes out of felons" was "a short step to utter chaos". Film critic 1317:

ruled in favor of Warner Bros, as the court determined that the true names or pictures of the family and robbers were not used in the film or the book. Wojtowicz then sued the studio for 1% of the earnings he claimed were included in the deal for the use of his story; he received $ 40,000 (equivalent

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described her as "a fat cunt", "no-good pusbag" and a "guinea broad", among other pejorative terms. In the film, Angie laments her weight gain as the reason for Sonny's distance. Wojtowicz was also angered by her depiction in the film, and defined his then-wife as "a sweet kid". Pierson declared that

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praised Lumet's "wonderful" direction of "in-depth, psychological probing". Critic Kevin Kelly hailed the editing by Allen as "brilliant", and defined Pacino's performance as "virtuose" and Cazele's as "shyly and sorrowfully eloquent". The review also favored the "fine performances" by the supporting

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opined that Pacino acted "assiduously with the whites of his eyes". Sarris also noted that "pain pouring out of Pacino's eyes" as he deemed Sonny a "Freudian tragic hero", and that the combination with Cazale's character's "deadpan death wish" produced "much emotional debris". The piece declared the

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and Pacino in London. Pacino, who was at the time represented by Bregman, agreed to play the role. He then backed out, and Dustin Hoffman expressed interest. Bregman did not meet with Hoffman; he felt Pacino could bring the "sensitivity" and "vulnerability" needed for the role. After more discussion,

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tipped him off. They entered the bank at 3:00 p.m. to discover that the armored truck had instead taken money away at 11:00 a.m. The robbers took the $ 29,000 (equivalent to $ 211,200 in 2023) that was available at the branch and tried to escape. Westenberg was successful, but Wojtowicz

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delivered a good review, and considered Pacino's performance to be "spectacular, and achieves a kind of nuance and complexity that few actors from his or any other generation have before or since achieved". Meanwhile, the reviewer considered that the movie displayed the reason Cazale was "one of the

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Wojtowicz's wife, Carmen, received $ 50 (equivalent to $ 300 in 2023) from Artists Entertainment Complex for her contribution to the story. She signed the documents to Wicker, who recorded in exchange a tape with her account on behalf of the company. The depiction of her character, Angie, in the

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was so extreme visually, that I thought, if we ever see that, we are not gonna be able to take the rest of the movie seriously. We're not gonna be able to take his reading of the will seriously, we are never going to be able to take this character seriously. Because it gets so campy. And people get

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lines with the condition that they did not deviate greatly from the script by Pierson. The production team had recorded improvisations during the rehearsals that were added to the script. Lumet wanted the dialog to "feel natural", and he encouraged the actors to wear their own clothes and to not use

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to hold additional lights. The production was challenged by the weather, as temperatures dropped. On the day of the heist in August 1972, the temperature reached 87 °F (31 °C) when the robbers entered the bank. The film was shot during the fall; to avoid having their breath be visible, the

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Most of the film took place inside of the bank. Lumet discarded the idea of building a studio set; instead, the director found a street with a warehouse on the lower floor of a building that used to be an automotive workshop. The crew built a bank set with movable walls, which allowed Lumet to place

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Sonny agrees to let Mulvaney leave, but the manager refuses to leave his employees. The FBI calls Sonny out of the bank to talk to his mother, who fails to persuade him to give himself up. Back inside, Sonny dictates his will to one of the hostages, acting as a secretary, leaving money from his life

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A crowd of three to four hundred extras was hired. Meanwhile, Lumet asked the neighbors to appear in the film by watching from their windows. The director offered to relocate to a hotel for those who did not want to be disturbed by the shooting. The crowd grew as filming progressed, and pedestrians

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To capture Pacino's movements in a natural fashion, and to allow the actor greater mobility, Lumet integrated the use of roller skates and wheelchairs for the cameramen in the panoramic shots. Lumet would order the camera operators to be pulled as Pacino acted to make the scene look "naturalistic",

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that the motive for the robbery was to pay for a sexual reassignment surgery for Eden. Shortly after a suicide attempt in 1971, Eden expressed to Father Gennaro Aurichio the desire to marry Wojtowicz. Aurichio recalled Eden told him, "I'm all mixed up. I want to be a girl. I have to marry the boy I

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to Eden, who wore a wedding dress. Wojtowicz's mother and eight male bridesmaids were present. Lumet planned to use it in the film; the scene would have featured the footage broadcast on a television in the bank, but he decided not to include it, as he felt it would be "unrecoverable" and that the

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in exchange for a hostage, bring hamburgers and Coca-Cola, and provide transportation to John F. Kennedy International Airport for them and the hostages. In the words of Wojtowicz: "I want them to deliver my wife here from King's County hospital. His name is Ernest Aron. It's a guy. I'm gay." They

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As they wait on the airport tarmac for the plane to taxi into position, Sal releases another hostage, who gives him her rosary beads for his first plane trip. Murphy again reminds Sal to aim his gun away. Sal does, and Sheldon seizes Sonny's weapon, allowing Murphy to pull a revolver hidden in his

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delivered a favorable review. It called the film a "gaudy street-carnival", and Lumet's "most accurate, most flamboyant" depiction of New York. The reviewer remarked the "brilliant characterizations" of the cast: Pacino's display of a "bravura style", Sarandon's performance of "fear, dignity and

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and said it "might have been a world did not want to explore". Bregman added that "no major star had ever played a gay". He wanted to make the film with Pacino. The actor backed out of the project a third time and told Bregman he wanted to return to the theater. He said he would "never make the

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The shooting was completed three weeks ahead of schedule. After editing the film, Lumet and Allen felt that the slow-paced scene of Sonny 'dictating' his will/testament conflicted with the rest of the fast-moving sequences, so they decided to restore six to seven minutes of discarded footage to

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Lumet decided to shoot the phone conversations Sonny had with his wife and Leon back-to-back. As Pacino acted the scene, he increased the intensity of the portrayal. While both conversations lasted a total of fourteen minutes, Lumet's camera could only shoot ten at a time, and he had to bring a

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to shoot from a distance. The warehouse's location also allowed Lumet to transition freely between the bank and the street, and he avoided changing film locations, and allowed the street to be visible from the inside of the bank. The scenes were shot on Prospect Park West, between 17th and 18th

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afternoon". The director shot the footage from a station wagon, and ended in front of the bank, showing the robbers. The footage was silent, as Lumet decided that he did not want a score for the film. The director felt that "he could not reconcile trying to convince an audience that this really

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The start of the final scene at the bank was shot on a 40 °F (4 °C) night with wind. Pacino was sprinkled with water to simulate sweat; Lumet mixed the artificial sweat himself, as he felt that the makeup crews often used it in excess, or that it was insufficient. The director used a

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The call between Pacino and Sarandon was improvised. Lumet felt that Sarandon "had great taste", and that the actor would not resort to "homosexual clichés". He deemed the humor of his improvisation as "genuinely funny", and that it was not "laughing at a gay character". Sarandon felt that the

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conversation was welcomed by the audiences because it "wasn't about a drag queen and his boyfriend", and that it reflected two people that were "trying to come to grips with what is wrong in their relationship." The film was characterized by its "light comic touch", and according to critic

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ordered that $ 100 (equivalent to $ 400 in 2023) were to be given weekly to Carmen Wojtowicz, plus $ 50 weekly for both children. The rest of the money was placed in escrow of the New York State Crime Victims Compensation Board to pay for the claims of the victims of the 1972 robbery.

1043:, for its "ear and instinct for comedy". In Pierson's script, Wortzik's question regarding which country Sal wanted to escape to did not have a scripted response, but Cazale improvised by answering "Wyoming". Lumet had to cover his mouth, as he nearly interrupted the scene by laughing. 439:

Sonny demands a vehicle to drive himself and Sal to the airport so they can board a jet. He also demands pizzas to be brought for the hostages, and for his wife to be brought to the bank. Sonny's partner, Leon Shermer, arrives and reveals that the robbery was intended to pay for Leon's

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four stars: it described the film as a "gut-level human comedy" and called Pacino "stunning", "brilliantly erratic and terribly touching". The publication felt that Pacino portrayed "a rich, volatile character". It favored Durning and Sarandon, and called the female cast "marvelous".

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defined it as an "exceptionally fine film—outrageously funny and deeply moving", and welcomed Pacino's acting as a "dazzing display". The supporting roles by Cazale, Durning, Allen and Broderick were deemed "excellent", while Peretz and Sarandon's performances were singled out. For

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the character was presented "farthest from the truth", and that he could not "stand how casted the role", or how Peretz portrayed her. He further stressed his disappointment at the publicity campaign that presented the film as a "true story", and remarked its differences with the

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introduced you to. If I don't, I'll be more successful next time." Aurichio, who counseled Eden, agreed to perform a ceremony. He told Eden that he would "perform a blessing" but that he was unable and unwilling to "perform a homosexual marriage". Aurichio was subsequently

644:. The robbers aimed to take the US$ 150,000–$ 200,000 (equivalent to $ 1.5 million in 2023) that they expected to be delivered at 3:30 p.m. that afternoon by an armored truck. According to Wojtowicz, a Chase Manhattan executive that he met at a gay bar in 451:

Agent Sheldon takes command of the scene. He refuses to give Sonny any more favors, but when the bank manager Mulvaney goes into diabetic shock, Sheldon lets a doctor inside. Sheldon then convinces Leon to talk to Sonny on the phone. Leon had been hospitalized at

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The film ends as Sonny watches Sal's body being taken from the car on a stretcher. On-screen text reveals that Sonny was sentenced to twenty years in prison, that Angie and her children subsisted on welfare, and that Leon was a woman living in New York City.

1112:. The film premiered in New York City on September 21, 1975, and released nationwide in October. It grossed between $ 50 million (equivalent to $ 283.12 million in 2023) and $ 56 million (equivalent to $ 317.09 million in 2023). 926:

Filming took place between September and November 1974. The opening montage shows New York's traffic, bridges, beaches, and neighborhoods before moving to a view of the Manhattan skyline from a cemetery. Lumet wanted to convey "a hot boring day, a

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attack and Sonny releases him as a display of good faith. Moretti convinces Sonny to step outside. Using the head teller as a shield, Sonny begins a dialogue with Moretti that culminates in his shouting "Attica! Attica!" to invoke the recent

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mentioned the variety of characters presented in the film. The reviewer concluded that it was "a monument to the thought and care" by the production team. Pacino's "remarkable performance", and Pierson's "all-inclusive" script were noted.

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and clear the rights to use the story. Pierson conducted his research and wrote a script that centered the story of the robbery around Wojtowicz. The cast was selected by Lumet and Pacino, with the latter selecting past co-stars from his

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wrote, "Though the farcical tone of the movie is blusterous, falling into the common show-biz habit of supplying energy in place of intent, the movie succeeds, on the whole, because it has the crucial farcical value of not faltering."

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I thought basically that the most important thing to capture was the human conflict, the human cry, the human need. And to tap that. To try to find that somehow and convey it in this bizarre situation was what we were trying to do.

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reflected on the time of its release, and the reviewer felt that "it seemed as if the great movies would never stop, when the extraordinary creative burst we'd been seeing in the 1970s looked as though it might go on forever".

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also requested a plane to fly to a safe location, where the unharmed hostages were to be released. After more than fourteen hours of holding the hostages, Naturile was killed, and Wojtowicz was arrested at Kennedy Airport.

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continued by calling the film "super-charged", and "multi-leveled" by "a slapstick comedy, tense drama, caper tale, biographical material and character study". Baltake compared Cazale's appearance on the film to that of a

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film" that "defied the establishment," particularly with the emphasis on the Attica Prison riot and the character's resentment toward the police. Commentators also mentioned its contemporaneity with the aftermath of the

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and Stevie attempt to rob the First Brooklyn Savings Bank. The plan immediately goes awry when Stevie loses his nerve and flees. Sonny discovers they arrived after the daily cash pickup, and find only $ 1,100 in cash.

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applauded Durning as "absolutely real", and the reviewer opined that the cast was "consistently fine". It concluded by mentioning "the excellent script and editing", and defined the film as "funny and poignant".

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applauded the humor in the movie. Critic Lou Cedrone felt that it was "natural and true"; he stressed that Pierson's script, combined with the work of Pacino and Lumet, made the drama "never uncomfortable". The

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were cast as Moretti and Sheldon respectively, though Lumet initially decided on Durning being the bank manager and Broderick playing Moretti until Pacino intervened. Because Durning was also working on

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feature, believed the film-makers "stayed with the surface of a lively journalistic story" and that the film had a "strong, fast-paced story" without "reflection" or "a contemplative view of life".

1962: 849:. Lumet was not initially convinced he should cast Cazale. He was thirty-nine years old, while Naturile was eighteen years old at the time of his death, but the director agreed after meeting him. 427:

Police Detective Sergeant Eugene Moretti calls the bank and Sonny bluffs that he is prepared to kill the hostages. Sal assures Sonny that he is ready to kill if necessary. A security guard has an

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called it a "frank social melodrama that's also a celebration of quotidian bravery", while it praised the cinematography by Kemper that "captures the joy as well as the decay of a crowded city".

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welcomed the performances as "very natural". It determined that "all the slickness" was on Pierson's script, and it attributed it to its closeness to the real events portrayed on the film. For

2226: 759:(1973) at the box office. Wojtowicz's lawyer, Mark Landsman, retained $ 3,500 of the payment he received. Meanwhile, Warner Bros paid for Naturile's funeral. The working title of the film was 985:

to depict the point of view of the police, and the robbers' "entrapment". Lumet wanted to use the light available on the set to avoid additional luminescence. He fitted the bank with extra

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essay by Daniel Eagan In America's Film Legacy, 2009–2010: A Viewer's Guide To The 50 Landmark Movies Added To The National Film Registry In 2009–10, Bloomsbury Publishing USA, 2011,

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and burns the register in a trash can, but the smoke raises suspicion outside, and the building is surrounded by police. The two panicked robbers take the bank employees hostage.

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gave the movie five stars out of five. The review defined it as "a quintessential 1970s story", and focused on the film's "contemporary tensions over law, media, and sexuality".

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as "a movie of fascinating realism". Critic John Huddy expressed that the street scenes were "magnificently staged", and that Lumet "finds order in chaos, sense in insanity".

8494: 6229: 763:. The budget was set at an estimate of $ 3.5 million (equivalent to $ 24.02 million in 2023), or $ 3.8 million (equivalent to $ 26.08 million in 2023). 8484: 886:, Lumet and Wise had to coordinate his schedule, as he flew between California and New York. Lumet did not worry about Broderick's recasting because of his reputation for 2150: 4720: 6641: 5392: 5318: 4797: 4460: 2055: 970:

and "like it was shot by television cameramen, fighting their way through the crowd". He wanted the production to have the appearance of a newsreel. The film featured

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after a suicide attempt. Leon turns down Sonny's offer to join him and Sal in their escape, and Sonny tells the police that Leon had nothing to do with the robbery.

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When the requested limousine arrives, Sonny checks for hidden weapons or booby traps, and selects Agent Murphy to drive him, Sal, and the remaining hostages to

1212:. In regards to the rest of the cast, he determined "everyone good". He praised Kemper's cinematography as "you-are-there" and Allen's "razor-sharp editing". 958:

streets. The bus line that ran through the street was re-routed for filming, and the second storey of the building housed the production offices and catering.

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convinced Lumet and Pacino during his reading and was cast as Leon Shermer. Lumet asked him to shift the focus of his characterization to "a little less

467:. Sonny sits in the front beside Murphy with Sal behind. Murphy repeatedly asks Sal to point his gun at the roof so Sal will not accidentally shoot him. 385: 8454: 7821: 7674: 4165: 1422: 1066: 6496: 7724: 7423: 6571: 2145: 1663: 1421:

of the early 1970s, a time when optimism was scraping rock bottom and John Wojtowicz was as good a hero as we could come up with". During the 2011

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Harris directed the scene of the caravan that headed to Kennedy Airport from a helicopter. A plane and squad cars on the tarmac were used. Senator

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issued its "100 Greatest Performances of All Time". The magazine placed Pacino's performance as Sonny as the fourth-greatest ever. In 2012, the

1017:, as he felt that Sonny "wanted to get caught". He also shaved off a moustache he grew for the role after the replay. Lumet allowed the cast to 7165: 2013: 1925: 5078: 8424: 7704: 7643: 7058: 7035: 6945: 6934:'Have You Seen...?': a Personal Introduction to 1,000 Films including masterpieces, oddities and guilty pleasures (with just a few disasters) 6907: 6825: 6802: 6783: 6729:

Collaborative Work Processes: A Comparative Study in the Network Television Production Industries of the United States and the United Kingdom

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Two hours into the negotiations Wojtowicz and Naturile extended a list of demands to the police: release Elizabeth Eden (Ernest Aron) from

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Carmen took legal action against Warner Bros. On behalf of her, and her daughters Carmen and Dawn, Wojtowicz filed a lawsuit alleging

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of the building provided light reflection. An existing lamp post was utilized, and its lighting reinforced to keep the crowd visible.

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presented Lumet's "best film for some considerable time", and deemed Pacino's acting as "brilliant" and Cazale's as "well-observed".

8429: 8414: 8384: 8314: 7714: 1595: 6237: 1657: 689:, expressed his belief that the surgery was a peripheral motive for the robbery. Bell met Wojtowicz before the hold up through the 8489: 8399: 8369: 6524: 6428: 6297: 4415: 2128: 1810: 8509: 4230: 1862: 1735: 1669: 448: 4359: 365:

plays. Filming took place between September and November 1974, and the production was finished three weeks ahead of schedule.

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was hired to write the screenplay. Aside from Kluge and Moore's research, Pierson conducted his own. He contacted journalist

381: 6153: 8504: 8389: 7543: 7253: 6456: 1559: 1299: 7553: 7363: 7082: 6997: 4561: 1875: 1750: 1680: 1637: 665: 1648:. At the San Sebastián International Film Festival Pacino won Best Actor, while the movie was nominated for Best Film. 8499: 8330: 8264: 7623: 7563: 2208: 1629: 1280:

considered it "beautifully directed" by Lumet, and "another mature American picture which faces and mirrors reality".

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in close-ups. The film required seven nights of filming. Lumet needed the neighbors' cooperation for the use of their

961: 750: 7383: 6744: 5600: 4527: 1395:, assigned the film a score of 86 out of 100, based on 15 critics, indicating "universal acclaim". Meanwhile, On the 1153:

rated it with three-and-a-half stars out of four, welcoming its "irreverent, quirky sense of humor". Gary Arnold of

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Two different cameras were used to cover the negotiations from Durning and Pacino's side. Lumet and cinematographer

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expressed that the picture relied on Pacino's "tender, forthright, generous and affecting in extreme" performance.

1187: 999: 839: 5785: 1403:, 96% of 115 critics' reviews are positive, with an average rating of 8.6/10. The website's consensus reads: " 699:, he laid out Wojtowicz's connection to pornographer Mike Umbers and proposed that the heist was organized by the 8359: 7957: 7887: 7027: 6374:

Tales from the Cult Film Trenches: Interviews with 36 Actors from Horror, Science Fiction and Exploitation Cinema

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approved of the script. Ronald Gold, then director of the organization, welcomed it as "sensitive and tasteful".

910: 8118: 8047: 7603: 7223: 7213: 7187: 7002: 6924: 6158: 6121: 4773: 4523: 1945: 1392: 1348:. It became one of the first motion pictures to portray a bisexual male character as the protagonist. In 2009, 1249: 1054: 686: 682: 591: 441: 8444: 8037: 6254: 7857: 6275:

Movie Awards: The Ultimate, Unofficial Guide to the Oscars, Golden Globes, Critics, Guild & Indie Honors

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The Hong Kong Filmography, 1977–1997: A Reference Guide to 1,100 Films Produced by British Hong Kong Studios

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Pacino shot the first scene wearing sunglasses, but he asked the director to re-shoot it after watching the

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as Sal Naturile, whose was the only name that did not change for the film. Pacino had worked with Cazale on

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at the time of the robbery, which featured Wojtowicz in his army uniform presenting a wedding ring with a

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offers a finely detailed snapshot of people in crisis with tension-soaked drama shaded in black humor."

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and Thomas Moore, was titled "The Boys in the Bank". It detailed the holdup and the hostages' eventual

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cast placed ice in their mouths to even out the temperature. Lighting was provided for the scenes by

944:" in the editing room. Lumet added the song to the film, which comes out of the getaway car's radio. 867:. Lumet wanted to portray the difference between a street police officer and one with an office job. 700: 637: 346: 6008: 5650: 4469: 1076:

defensive about that sort of thing. and that was the only real piece of footage I saw of that day.

8354: 8304: 8234: 8218: 8158: 8057: 8007: 7907: 7831: 7754: 7583: 7443: 7023: 6479: 6064: 5846: 5277: 5245: 4983: 4837: 4725: 4405: 2254: 1712: 1675: 1353: 1195:, Pacino's appearance was a "raw, high voltage, uproariously funny performance". His review on the 1155: 1123: 1093: 641: 393: 373: 8188: 8138: 8067: 7967: 7927: 7694: 7513: 7483: 7373: 7233: 6874: 6709: 6635: 6330: 6185: 5312: 4814: 4791: 4700: 4454: 1906: 1230: 1116: 864: 726: 649:

and Naturile were left behind as the police arrived on the scene. The robbery then turned into a

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starred as Sylvia "Mouth" (based on Shirley "Mouth" Ball), and had worked with Pacino before on

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published in its September 22, 1972, issue a chronicle of the robbery. The feature, written by

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Pacino accepted the part but then rejected it again. Bregman attributed it to Pacino's use of

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armrest and shoot Sal in the head. Sonny is immediately arrested, and the hostages are freed.

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Videos for Kids: The Essential, Indispensable Parent's Guide to Children's Movies on Video

3615: 1990: 1400: 1204: 1182: 1007: 954: 872: 868: 834: 782: 717: 549: 539: 505: 356:

Elfand brought Bregman's attention to the article, who proceeded to negotiate a deal with

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Any Resemblance to Actual Persons: The Real People Behind 400+ Fictional Movie Characters

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as the twentieth best edited film of all time based on a survey of its membership.

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to achieve desired exposure, and he used other fluorescent lamps of lower power as

826: 794: 778: 770: 746: 615: 533: 362: 357: 292: 190: 44: 7143: 7127: 6956: 6163: 5702: 5581:"Spike Lee Reveals The Connection Between 'Dog Day Afternoon' & 'Inside Man'" 905:

There were three weeks of rehearsals, and the name of the project was changed to

7877: 7523: 7503: 7393: 6835: 5834: 5534: 5187: 5116: 4490: 4185: 1980: 1487: 1479: 1341: 1192: 1173: 1150: 994: 891: 877: 830: 722: 527: 495: 330: 308: 288: 133: 87: 6497:"Bank Bandit Slain. 2d Seized at Kennedy, Ending 14-Hour Ordeal for 7 Hostages" 5079:"Forty Years Later, FBI Agent Who Shot Bank Robber Recalls "Dog Day Afternoon"" 4382:

The Alyson Almanac: A Treasury of Information for the Gay and Lesbian Community

1521:

The names of several television series episodes referenced the film, including

1289:

film affected her, as she felt she was deemed "repulsive". The novelization of

8224: 7997: 7977: 6701: 6013: 5721: 4403:

Arnold, Gary (October 15, 1975). "A Gritty and Gripping 'Dog Day Afternoon'".

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mixture of glycerin and water that he learned to make during the shooting of

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Television Comedy Series: An Episode Guide to 153 TV Sitcoms in Syndication

1661:

list. Meanwhile, the line "Attica! Attica!" placed at number eighty-six on

1352:

was deemed "culturally, historically, or aesthetically significant" by the

1003: 392:

was deemed "culturally, historically, or aesthetically significant" by the

6917:

The Simpsons staff (2017). "I Don't Wanna Know Why the Caged Bird Sings".

3506: 3504: 3022: 3020: 1425:, the film was included as a tribute to Pierson for his recent death. The 656: 8128: 7116: 7050: 6207: 4364: 1410: 1121:

silliness" and the acting "that one remembers" from the supporting cast.

1002:, that were specially fitted with four 7,500 watt lamps. The white brick 971: 928: 350: 7110: 7088: 4596:"The Story of the Doomed Bank Robbery That Inspired 'Dog Day Afternoon'" 1363:

On November 11, 1979, a censored and shortened version was broadcast on

781:

of the Pierson script, to be published after the release of the film by

372:

was a critical and box office success. The film was nominated for seven

7403: 6397: 5795: 2875: 2873: 2871: 1384: 1014: 1010:

were used on set in scenes where the power was shut off by the police.

755: 650: 444:, and divulges that Sonny has children with his estranged wife, Angie. 334: 5629:"Revisiting the Brooklyn bank robbery that inspired Dog Day Afternoon" 2654: 8168: 2793: 2791: 2789: 693:, under the alias of "Littlejohn Basso". In his article published by 428: 8320: 2983: 2981: 2979: 2977: 2975: 3932: 3930: 2973: 2971: 2969: 2967: 2965: 2963: 2961: 2959: 2957: 2955: 2776: 2774: 2761: 2759: 2757: 2755: 2753: 2683: 2681: 2679: 2677: 2675: 2335: 2333: 1159:

called it "a triumphant new classic of American movie naturalism".

7987: 7837: 6572:"The Write Stuff: Magazine articles that make it to the Big Scree" 1367:, which marked the film's television premiere. It was released on 1065:, an acquaintance of Lumet, facilitated the negotiations with the 960: 655: 8480:

Films whose writer won the Best Original Screenplay Academy Award

3038: 2846: 2844: 2842: 1318:

to $ 201,100 in 2023) after lawyer's fees were deducted. The

3962: 3960: 2320: 2318: 2316: 2314: 2312: 1089: 7772: 7147: 5894:

Magill's Survey of Cinema: English Language Films, First Series

5422:

Gilliatt, Penelope (September 22, 1975). "The Current Cinema".

3103: 3101: 3076: 3074: 3061: 3059: 2363: 859:. For the role of Wortzik's mother, Pacino asked Lumet to cast 5439: 4979:

Catalog of Copyright Entries. Third Series: 1975: January-June

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happened ... with putting a music score into it". Editor

825:

Much of the cast consisted of actors Pacino performed with in

807:

portrayed Wojtowicz to be "more rational than he really was".

333:

and Thomas Moore. The feature chronicled the 1972 robbery and

5037:

Essaying the Past: How to Read, Write and Think about History

4558:

Street Smart: The New York of Lumet, Allen, Scorsese, and Lee

2910: 2908: 2631: 2629: 2627: 894:

was cast as bank manager Mulvaney (based on Robert Barrett).

6975:

Washington Post-LA Times News Services (December 26, 1974).

6460:(in Italian). Scroll to 1976, names seen under "Targa D'Oro" 5192:"Lumet's 'Dog Day Afternoon': Hot Crime, Summer in the City" 3837: 3765: 2906: 2904: 2902: 2900: 2898: 2896: 2894: 2892: 2890: 2888: 2299: 2297: 2295: 2293: 2291: 2278: 2276: 1097:

audiences would not "take the rest of the movie seriously".

3947: 3945: 2509: 2507: 5402:"The bizarre true story that inspired 'Dog Day Afternoon'" 3897: 2614: 2612: 1071: 809: 7026:(2003). "Hollywood from Vietnam to Reagan-- and Beyond". 4721:"Dog Day Afternoon deeply loves the America it critiques" 4309:"AFI's 100 Years...100 Movies (10th Anniversary Edition)" 3510: 3026: 2666: 2494: 2492: 1490:. A bank robbery featuring Sonny and Sal was featured on 729:. The authors compared Wojtowicz's appearance to that of 636:, and Robert Westenberg attempted to rob a branch of the 7800:

Los Angeles Film Critics Association Award for Best Film

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National Board of Review Award for Best Supporting Actor

1506:

roles as Miriam Douglas and a pizza delivery man in the

5962:

Ray Martin's Favourites: The Stories Behind the Legends

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insurance for Angie, and for Leon to have the surgery.

7122:"The Boys in the Bank", by P.F. Kluge and Thomas Moore 5368:

Film Review Digest staff (1975). "Dog Day Afternoon".

2399: 1931:

Outstanding Directorial Achievement in Motion Pictures

5077:

Dienst, Jonathan; Valiquette, Joe (August 22, 2012).

3411: 2339: 1642:

Writers Guild of America Award for Best Written Drama

5353:] (in German). Schwartzkopf & Schwartzkopf. 4050: 3155: 2987: 2797: 2765: 2687: 2471: 1893:

Jack Fitzstephens, Richard Cirincione, Sandy Packow,

1417:

wrote in 2006 that the film "captures perfectly the

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With the finished script, Bregman met with director

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As night sets in, the bank's lights are shut off as

368:

Upon theatrical release on September 21, 1975,

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Tribal Television: Viewing Native People in Sitcoms

5835:"Films Selected to the 2009 National Film Registry" 3936: 3387: 1486:character. It was the basis for the final voice of 269: 261: 253: 245: 235: 196: 186: 172: 162: 152: 121: 100: 68: 60: 50: 40: 23: 6181:"Robber Sentenced In a Holdup to Pay 'Sex Change'" 6041:(3). Motion Pictures Editors Guild. Archived from 4122: 3873: 3729: 3522: 3255: 3143: 1383:. For the film's fortieth anniversary, a two-disc 6706:The Celluloid Closet: Homosexuality in the Movies 4863:"'Dog Day' is a Superior Mix of Horror and Humor" 3741: 3645: 3546: 3191: 2780: 974:centered on Sonny and the situation in the bank. 965:Pacino and Allen, re-entering the bank on a scene 5813:"'Dog Day Afternoon': S.F. Film Festival review" 4579:Blanco y Negro staff (1976). "Tarde de Perros". 4360:"2 Broke Girls : And the Dad Day Afternoon" 3813: 3203: 3065: 2850: 2809: 2699: 2483: 2324: 2178:Online Film & Television Association Awards 1472:) was a remake of the film. For his audition on 1315:appellate division of the New York Supreme Court 6525:"Incongruities of Ordeal Recounted by Hostages" 6311:"Third Man Turns Self In In Brooklyn Bank Case" 3861: 3849: 3801: 3777: 3681: 2375: 2351: 737:. The feature caught the attention of producer 8440:Films based on newspaper and magazine articles 7354:King: A Filmed Record... Montgomery to Memphis 6840:"A (dog) day in the life of the Hostage Taker" 5479:"He Wants to Change 'Dog Day' to 'Love Story'" 4026: 3909: 3753: 3693: 3375: 3219: 3179: 3131: 3107: 3092: 3080: 2447: 2282: 1356:, and it was selected for preservation in the 1298:article. Pierson presented a complaint to the 16:1975 American crime drama film by Sidney Lumet 7784: 7159: 6614:Roura, Phil; Poster, Tom (January 11, 1980). 6475:"100 Greatest Movie Performances of All Time" 5212:"Lumet Makes 'Dog Day' A Crackling Good Film" 3966: 3885: 3825: 3705: 3657: 3471: 3399: 2999: 2914: 2833: 2744: 2588: 2303: 508:as Sergeant Eugene Moretti (Louis C. Cottell) 8: 6640:: CS1 maint: multiple names: authors list ( 5391:: CS1 maint: multiple names: authors list ( 5317:: CS1 maint: multiple names: authors list ( 4796:: CS1 maint: multiple names: authors list ( 4632:'Dog Day Afternoon': Casting the Controversy 4459:: CS1 maint: multiple names: authors list ( 3717: 3669: 3558: 3363: 3351: 3327: 3315: 3303: 3291: 3279: 3267: 3243: 3231: 3011: 2931: 2879: 2862: 2732: 2720: 2603: 2557: 2545: 2529: 2513: 2435: 2423: 1313:and requesting $ 12,000,000 in damages. The 6745:"It's Mythmaking Time for Pacino and Lumet" 6335:: CS1 maint: numeric names: authors list ( 4953:. Vol. 3, 784, no. 1, 397. Sydney 4690:: CS1 maint: numeric names: authors list ( 4667:: CS1 maint: numeric names: authors list ( 4644:: CS1 maint: numeric names: authors list ( 4528:"Littlejohn & the mob: Saga of a heist" 4475:British Academy of Film and Television Arts 4191:Academy of Motion Picture Arts and Sciences 4110: 4098: 4086: 3951: 3921: 3789: 3534: 3495: 3483: 3459: 3339: 2821: 2655:Washington Post-LA Times News Services 1974 2635: 2618: 2364:Dienst, Jonathan & Valiquette, Joe 2012 2056:Los Angeles Film Critics Association Awards 1496:I Don't Wanna Know Why the Caged Bird Sings 606:as Sonny's mother (Theresa Basso-Wojtowicz) 582:Gary Springer as Stevie (Robert Westenberg) 396:, and was selected for preservation in the 329:magazine article "The Boys in the Bank" by 8495:United States National Film Registry films 7791: 7777: 7769: 7166: 7152: 7144: 6255:"Film Hall of Fame Inductees: Productions" 5377:Geisinger, Elliot; Saland, Ronald (1975). 4770:Hollywood Reborn: Movie Stars of the 1970s 4414:Associated Press staff (August 23, 1972). 4134: 4038: 3632: 2227:Best Drama Written Directly for the Screen 1689: 1622:Academy Award for Best Original Screenplay 1482:used an imitation voice based on Pacino's 1108:opened on September 20, 1975, at the 552:as FBI Special Agent Murphy (James Murphy) 386:Academy Award for Best Original Screenplay 29: 20: 8485:LGBT-related films based on actual events 6597:Contemporary Theatre, Film and Television 6204:History in the Media: Film and Television 4943:Constantino, Romola (December 21, 1975). 4678:'Dog Day Afternoon': Recreating the Facts 4146: 4074: 4014: 4002: 3990: 3978: 2946: 2498: 2411: 2387: 2192:San Sebastián International Film Festival 1423:San Francisco International Film Festival 1110:San Sebastián International Film Festival 1067:Port Authority of New York and New Jersey 600:as the Limo Driver / Undercover FBI Agent 570:Estelle Omens as Edna (Josephine Tuttino) 6259:Online Film & Television Association 5839:Library of Congress Information Bulletin 4892:Cercone, Francesca (November 10, 1979). 4831:Carroll, Kathleen (September 22, 1975). 4495:"'Dog Day Afternoon': A Howling Success" 524:as Sylvia 'Mouth' (Shirley "Mouth" Ball) 6417:People magazine staff (June 11, 1977). 6179:New York Times staff (April 24, 1973). 6031:"The Best Edited Films: By the Numbers" 5579:Jagernauth, Kevin (November 24, 2017). 5005:Crittenden, John (September 22, 1975). 4208:All in the Family: A Critical Appraisal 4156: 2272: 2039:Kansas City Film Critics Circle Awards 436:. The crowd begins cheering for Sonny. 6680:Bowker's Complete Video Directory 2000 6633: 6328: 6298:"Robber killed, 7 bank hostages freed" 5724:; Moore, Thomas (September 22, 1972). 5477:Gottlieb, Martin (September 7, 1977). 5384: 5310: 4789: 4683: 4660: 4637: 4619:'Dog Day Afternoon': After the Filming 4452: 3039:Geisinger, Elliot; Saland, Ronald 1975 2258:, a 2013 documentary on John Wojtowicz 1976:Best Supporting Actor – Motion Picture 1963:Best Actor in a Motion Picture – Drama 1632:nominations: Pacino was nominated for 953:the cameras as he desired, and to use 8375:American films based on actual events 5981:"An Insider is Sought in Bank Holdup" 5866:'Dog Day Afternoon': Audio Commentary 5507:"'Dog Day Afternoon' Poignant, Funny" 5433:Gilchrist, Todd (December 13, 2018). 5293:Eisner, Joel; Krinsky, David (1984). 4894:"'Dog Day Afternoon' to Drag Viewers" 4810:"Screen: Lumet's 'Dog Day Afternoon'" 4435:Atkison, Doug; Zippan, Fiona (1995). 1651:The film ranked at number seventy on 1566:The New Adventures of Winnie the Pooh 1445:great character actors of all time". 408:On August 22, 1972, first-time crook 7: 6983:. Washington Post, Los Angeles Times 6957:"The man who robbed a bank for love" 6955:Venema, Vibeke (February 16, 2015). 6058:Mulligan, Arthur (August 24, 1972). 5911:Malcolm, Derek (December 18, 1975). 5877:. Knopf Doubleday Publishing Group. 5791:Los Angeles Film Critics Association 5651:"Bob's Burgers: "Bob Day Afternoon"" 5060:Italian Crime Filmography, 1968–1980 4289:"AFI's 100 Years...100 Movie Quotes" 1705: 6733:University of California, San Diego 6555:. University of Mississippi Press. 6531:. Vol. 121, no. 41, 851. 6523:Ranley, Robert (August 24, 1972b). 6503:. Vol. 121, no. 41, 851. 6495:Ranley, Robert (August 24, 1972a). 6391:Parker, Jerry (December 22, 1974). 5242:"True Story Makes Exceptional Film" 5240:Dugas, David (September 28, 1975). 5164:Entertainment Weekly Staff (2017). 5007:"Bank heist subject of action film" 2570:Kluge, P.F & Moore, Thomas 1972 2460:Kluge, P.F & Moore, Thomas 1972 2146:New York Film Critics Circle Awards 1895:Stephen A. Rotter, James Sabat and 1624:. The film was nominated for seven 902:, a little more Queens housewife". 8520:English-language crime drama films 8420:Drama films based on actual events 8410:Crime films based on actual events 7675:Hans Brinker and the Silver Skates 7644:Before the Devil Knows You're Dead 5943:Sidney Lumet: The Actor's Director 5833:Library of Congress staff (2010). 5811:LaSalle, Mike (December 7, 2011). 5673:"Al Pacino in 'Dog Day Afternoon'" 5599:Jahr, Cliff (September 29, 1975). 5273:"Al Pacino on His Legendary Roles" 5166:The Ultimate Guide to Supernatural 4768:Cagle, Chris; Davis, Nick (2010). 4422:. (Pennsylvania). Associated Press 4416:"Gunman is slain; second captured" 4380:Alyson Publications staff (1990). 829:plays. Pacino asked Lumet to cast 14: 8315:Everything Everywhere All at Once 6868:Stark, Susan (October 22, 1975). 6450:Premi David Di Donatello (2020). 6346:"He Wanted the Money for 'Ernie'" 6304:. (Bend, Oregon). UPI. p. 1. 6189:. Vol. 124, no. 42, 094 5764:. Vol. 198. Montreal, Quebec 5754:Lanken, Dane (October 25, 1975). 5671:Kelly, Kevin (October 11, 1975). 5505:Gray, Farnum (October 25, 1975). 5210:Huddy, John (December 25, 1975). 4861:Cedrone, Lou (October 16, 1975). 4818:. Vol. 125, no. 42, 975 4470:"Bafta Awards: Dog Day Afternoon" 3838:Atkison, Doug; Zippan, Fiona 1995 3766:Eisner, Joel; Krinsky, David 1984 1926:Directors Guild of America Awards 1915:Martin Bregman and Martin Elfand 1455:Operazione Kappa: sparate a vista 1180:four stars on his review for the 727:fraternization with their captors 8455:Films produced by Martin Bregman 6981:The Central New Jersey Home News 6889: 6859: 6814:Her Again: Becoming Meryl Streep 6795:Al Pacino: In Films and on Stage 6762: 6647: 6441: 6363: 6143: 6112: 6079: 5998: 5979:Meskil, Paul (August 24, 1972). 5932: 5775: 5756:"'Dog Day' People will hold you" 5745: 5692: 5618: 5525: 5496: 5400:Getlen, Larry (August 3, 2014). 5262: 5231: 5026: 4996: 4964: 4911: 4883: 4852: 4556:Blake, Richard Aloysius (2005). 4547: 4514: 4186:"The 48th Academy Awards – 1976" 2129:National Film Preservation Board 2014:Best Screenplay – Motion Picture 1331:Analysis in the 21st century of 7822:One Flew Over the Cuckoo's Nest 6870:"A Bizarre Film Rooted in Fact" 6401:. Vol. 1974, no. 50. 6393:"Going Thorugh a Dog Day Again" 6309:UPI staff 2 (August 25, 1972). 6093:"City Council OKs Filmex Grant" 6060:"Hostages Freed After 15 Hours" 5707:Kansas City Film Critics Circle 5703:"KCFCC Award Winners – 1970–79" 5649:Kaiser, Rowan (March 9, 2012). 5627:Jones, J.R. (October 1, 2014). 5271:Edelstein, David (March 2018). 4869:. Vol. 131, no. 155. 4166:One Flew Over the Cuckoo's Nest 3898:Entertainment Weekly Staff 2017 2222:Writers Guild of America Awards 2099:National Board of Review Awards 1502:and Lionel Pina reprised their 319:. The screenplay is written by 8515:LGBT-related crime drama films 8450:Films directed by Sidney Lumet 8078:Crouching Tiger, Hidden Dragon 6979:. Vol. 98, no. 275. 6977:"Bank robbery comes to screen" 6656:Rotten Tomatoes staff (2020). 6313:. Vol. 95, no. 351. 5562:World Film Locations: New York 4746:Box Office Mojo staff (2020). 4655:'Dog Day Afternoon': The Story 3511:Library of Congress staff 2010 3027:Cagle, Chris; Davis, Nick 2010 2667:Alyson Publications staff 1990 2249:List of American films of 1975 2181:Hall of Fame – Motion Picture 2001:Best Director – Motion Picture 1628:but won none. It received six 1: 7264:Long Day's Journey into Night 7047:Al Pacino: A Life on the Wire 6878:. Vol. 147, no. 170 6848:. Vol. 129, no. 297 6457:Accademia del Cinema Italiano 6348:. Vol. 61, no. 81. 6296:UPI staff (August 23, 1972). 5681:. Vol. 208, no. 103 5560:Harris, Scott Jordan (2011). 5372:. Kraus-Thomson Organization. 5244:. Vol. 96, no. 83. 4719:Bowen, Chuck (June 1, 2015). 4676:Bouzereau, Laurent 4 (2006). 4653:Bouzereau, Laurent 3 (2006). 4630:Bouzereau, Laurent 2 (2006). 4184:Academy Awards staff (2020). 4063:Premi David Di Donatello 2020 3424:Roura, Phil; Poster, Tom 1980 3168:Film Review Digest staff 1975 3051:National Weather Service 1972 745:, who piqued the interest of 181:Artists Entertainment Complex 8425:1970s English-language films 7424:Murder on the Orient Express 7364:Last of the Mobile Hot Shots 7083:AFI Catalog of Feature Films 6923:. Season 19-4. Episode 404. 6622:. Vol. 61, no. 172 6576:New York Review of Magazines 6352:. United Press International 6344:UPI staff (April 24, 1973). 6317:. United Press International 5896:. Vol. 1. Salem Press. 5868:(DVD). Warner Bros. WB 1024. 5455:Golden Globes Staff (2020). 4701:"Dog Day Afternoon (review)" 4680:(DVD). Warner Bros. WB 1024. 4657:(DVD). Warner Bros. WB 1024. 4634:(DVD). Warner Bros. WB 1024. 4594:Bono, Sal (April 18, 2022). 4562:University of Kentucky Press 4503:. Vol. 51, no. 162 3448:Blake, Richard Aloysius 2005 3436:Blake, Richard Aloysius 2005 3120:Blake, Richard Aloysius 2005 2027:New Star of the Year – Actor 1841:Best Actor in a Leading Role 1681:Motion Picture Editors Guild 1664:100 Years...100 Movie Quotes 1640:. Pierson also received the 1634:Best Actor in a Leading Role 1365:NBC's Sunday Night Big Event 843:, and then in the 1972 film 666:Kings County Hospital Center 530:as Mulvaney (Robert Barrett) 220:September 21, 1975 205:September 20, 1975 8475:Films shot in New York City 8435:Films about hostage takings 8395:American LGBT-related films 6991:– via Newspapers.com. 6898:Tahmahkera, Dustin (2014). 6886:– via Newspapers.com. 6856:– via Newspapers.com. 6751:. Vol. 20, no. 39 6630:– via Newspapers.com. 6438:– via Newspapers.com. 6412:– via Newspapers.com. 6360:– via Newspapers.com. 6325:– via Newspapers.com. 6140:– via Newspapers.com. 6132:. Vol. 54, no. 51 6109:– via Newspapers.com. 6076:– via Newspapers.com. 6068:. Vol. 54, no. 52 5995:– via Newspapers.com. 5987:. Vol. 54, no. 52 5929:– via Newspapers.com. 5772:– via Newspapers.com. 5734:. Vol. 73, no. 12 5689:– via Newspapers.com. 5607:. Vol. 20, no. 39 5522:– via Newspapers.com. 5493:– via Newspapers.com. 5485:. Vol. 59, no. 63 5259:– via Newspapers.com. 5228:– via Newspapers.com. 5220:. Vol. 66, no. 25 5023:– via Newspapers.com. 5015:. Vol. 81, no. 92 4961:– via Newspapers.com. 4908:– via Newspapers.com. 4880:– via Newspapers.com. 4849:– via Newspapers.com. 4841:. Vol. 57, no. 76 4536:. Vol. 17, no. 35 4511:– via Newspapers.com. 4258:"America's Greatest Movies" 4229:AFI staff (June 13, 2001). 2400:Associated Press staff 1972 1951:Best Motion Picture – Drama 1811:British Academy Film Awards 1673:in 1998 and 2007. In 2006, 1630:British Academy Film Awards 1302:. Kluge, a coauthor of the 536:as Angie (Carmen Wojtowicz) 488:as Sonny Wortzik (based on 8536: 8465:Films set in New York City 7898:E.T. the Extra-Terrestrial 7474:Just Tell Me What You Want 6812:Schulman, Michael (2016). 6778:. Carol Publishing Group. 6735:, Department of Sociology. 6658:"Dog Day Afternoon (1975)" 6126:"Temperatures in New York" 5250:United Press International 5149:Directors Guild of America 4748:"Dog Day Afternoon (1975)" 4340:"Dog Day Afternoon (1975)" 3412:People magazine staff 1977 2340:Box Office Mojo staff 2020 1335:has interpreted it as an " 1188:United Press International 840:The Indian Wants the Bronx 546:Sheldon (Richard J. Baker) 8380:Bisexuality-related films 7705:The Count of Monte Cristo 7182: 7028:Columbia University Press 6797:(2 ed.). McFarland. 6793:Schoell, William (2016). 6727:Saferstein Barry (1991). 6007:Metacritic staff (2020). 5742:– via Google Books. 4993:– via Google Books. 4231:"100 Years...100 Thrills" 4051:Academy Awards staff 2020 3156:Blanco y Negro staff 1976 2988:Bouzereau, Laurent 4 2006 2798:Harris, Scott Jordan 2011 2766:Bouzereau, Laurent 2 2006 2688:Bouzereau, Laurent 3 2006 2472:New York Times staff 1973 2203: 2195: 2190: 2180: 2160: 2144: 2132: 2110: 2102: 2097: 2067: 2059: 2054: 1974: 1957: 1949: 1944: 1825: 1819: 1809: 1730: 1711: 1277:The Sydney Morning Herald 35:Theatrical release poster 28: 8430:Films about bank robbery 8415:American docudrama films 8385:Male bisexuality in film 7604:Night Falls on Manhattan 7003:Writers Guild of America 6759:– via Google News. 6553:Sidney Lumet: Interviews 6454:[1976 Winners]. 6159:National Board of Review 6122:National Weather Service 5615:– via Google News. 5345:Evermann, Jovan (1999). 5144:"28th Annual DGA Awards" 5098:"The Deacon and the Dog" 4774:Rutgers University Press 4544:– via Google News. 3937:Golden Globes Staff 2020 3388:Constantino, Romola 1975 1781:Best Original Screenplay 1658:100 Years... 100 Thrills 1300:Writers Guild of America 1250:The Atlanta Constitution 687:investigative journalist 660:The Chase branch in 1975 592:Philip Charles MacKenzie 588:as Howard (Calvin Jones) 442:sex reassignment surgery 414:Salvatore "Sal" Naturile 8490:Films about trans women 8400:American neo-noir films 8370:1975 LGBT-related films 6932:Thomson, David (2008). 6473:Premiere staff (2006). 6273:O'Neil, Thomas (2003). 6035:Editor's Guild Magazine 5941:Malone, Aubrey (2019). 5921:. London and Manchester 5818:San Francisco Chronicle 5058:Curti, Roberto (2013). 4699:Bozzola, Lucia (2012). 4500:Philadelphia Daily News 4358:Allmovie staff (2017). 4344:American Film Institute 4316:American Film Institute 4293:American Film Institute 4265:American Film Institute 4236:American Film Institute 4206:Adler, Richard (1979). 3874:Tahmahkera, Dustin 2014 3730:The Simpsons staff 2017 3523:Cercone, Francesca 1979 3256:Gilliatt, Penelope 1975 3144:Bouzereau, Laurent 2006 2882:, p. 11 (Part IV). 1667:. It was nominated for 1620:. Pierson received the 1428:San Francisco Chronicle 1198:Philadelphia Daily News 911:National Gay Task Force 567:Sandra Kazan as Deborah 558:as Jenny 'The Squirrel' 420:Sonny takes the bank's 8510:1975 crime drama films 7938:Hannah and Her Sisters 7254:A View from the Bridge 7195:Awards and nominations 6776:The Films of Al Pacino 6743:(September 29, 1975). 6595:Riggs, Thomas (2007). 6570:Rayburn, Nina (2001). 6403:San Francisco Examiner 6202:Niemi, Robert (2006). 5892:Magill, Frank (1980). 5873:Lumet, Sidney (2010). 5726:"The Boys in the Bank" 5326:Erickson, Hal (2017). 4920:Charles, John (2015). 4900:. Paterson, New Jersey 4808:(September 22, 1975). 3742:Jagernauth, Kevin 2017 3646:Null, Christopher 2006 3547:Schulman, Michael 2016 3192:Carroll, Kathleen 1975 2781:Schulman, Michael 2016 2134:National Film Registry 1670:100 Years...100 Movies 1616:was nominated for six 1453:The 1977 Italian film 1387:was released in 2015. 1358:National Film Registry 1320:New York Supreme Court 966: 691:Gay Activists Alliance 661: 616:Edwin "Chu Chu" Malave 398:National Film Registry 73:"The Boys in the Bank" 8460:Films set in Brooklyn 8405:BAFTA winners (films) 8149:Letters from Iwo Jima 7045:Yule, Andrew (1992). 6551:Rapf, Joanna (2006). 6427:. Columbus, Indiana: 6228:(February 28, 2006). 6166:on September 27, 2007 5544:National Public Radio 5351:The series Guide: F-L 5347:Der Serien-Guide: F-L 5041:John Wiley & Sons 4950:Sydney Morning Herald 4325:on September 19, 2009 3814:Saferstein Barry 1991 3204:Crittenden, John 1975 3066:Edelstein, David 2018 2851:Schoell, William 2016 2810:Schoell, William 1995 2700:Copyright Office 1976 2484:Mulligan, Arthur 1972 2325:Gottlieb, Martin 1977 2166:Best Supporting Actor 2116:Best Supporting Actor 1850:The Godfather Part II 1766:Best Supporting Actor 1463:Hong Kong action film 1457:was loosely based on 1101:Release and reception 964: 672:Wojtowicz told Judge 659: 598:Dick Anthony Williams 8505:1970s American films 8390:American heist films 8331:The Zone of Interest 8265:Call Me by Your Name 7735:Sacco-Vanzetti Story 6838:(October 24, 1975). 6678:R.R. Bowker (2000). 6419:"Court Rejects Suit" 6372:Paul, Louis (2014). 6152:NBRMP staff (2007). 6091:(October 15, 1975). 5960:Martin, Ray (2011). 5784:LAFCA staff (2010). 5701:KCFCA staff (2020). 5547:(Interview). WHYY-FM 5537:(December 6, 2004). 5512:Atlanta Constitution 5190:(October 15, 2015). 5035:Cullen, Jim (2013). 4982:. Copyright Office, 4733:on February 17, 2021 4468:BAFTA staff (2020). 3862:Evermann, Jovan 1999 3850:Evermann, Jovan 1999 3802:Evermann, Jovan 1999 3778:Evermann, Jovan 1999 3682:Gilchrist, Todd 2018 2376:Ranley, Robert 1972b 2352:Ranley, Robert 1972a 1912:David Special Award 1530:Welcome Back, Kotter 761:The Boys in the Bank 741:. Elfand took it to 701:Gambino crime family 638:Chase Manhattan Bank 628:On August 22, 1972, 618:as Maria's boyfriend 323:and is based on the 228: (United States) 8159:There Will Be Blood 8058:Saving Private Ryan 7908:Terms of Endearment 7584:A Stranger Among Us 7010:on December 5, 2012 6902:. UNC Press Books. 6684:R.R. Bowker Company 6620:New York Daily News 6582:on January 11, 2006 6253:OFTA staff (2015). 6230:"Dog Day Afternoon" 6130:New York Daily News 6124:(August 23, 1972). 6065:New York Daily News 6029:MPEG staff (2012). 6009:"Dog Day Afternoon" 5985:New York Daily News 5847:Library of Congress 5798:on January 17, 2010 5483:New York Daily News 5457:"Dog Day Afternoon" 5435:"Dog Day Afternoon" 5246:Beckley Post-Herald 5121:"Dog Day Afternoon" 4984:Library of Congress 4945:"Dog Day Afternoon" 4838:New York Daily News 4833:"Bad day in B'klyn" 4526:(August 31, 1972). 4493:(October 9, 1975). 4406:The Washington Post 4386:Alyson Publications 4123:O'Neil, Thomas 2003 4027:Premiere staff 2006 3910:Allmovie staff 2017 3754:Adler, Richard 1979 3694:Curti, Roberto 2013 3376:Malcolm, Derek 1975 3220:Sarris, Andrew 1975 3180:Canby, Vincent 1975 3132:Thomson, David 2008 3108:Malone, Aubrey 2019 3093:Malone, Aubrey 2019 3081:Malone, Aubrey 2019 2448:Venema, Vibeke 2015 2283:Bozzola, Lucia 2012 1946:Golden Globe Awards 1354:Library of Congress 1311:invasion of privacy 1156:The Washington Post 1124:New York Daily News 1030:Phone conversations 642:Gravesend, Brooklyn 640:at 450 Avenue P in 579:Amy Levitt as Maria 394:Library of Congress 374:Golden Globe Awards 284:is a 1975 American 265:$ 3.5–$ 3.8 million 8500:Warner Bros. films 8189:The Social Network 8139:Brokeback Mountain 8038:Secrets & Lies 7968:Do the Right Thing 7695:Three by Tennessee 7685:All the King's Men 7484:Prince of the City 7374:The Anderson Tapes 7234:That Kind of Woman 7174:Films directed by 7106:TCM Movie Database 6996:WGA staff (2012). 6875:Detroit Free Press 6616:"Dog Day in Court" 6529:The New York Times 6501:The New York Times 6186:The New York Times 5913:"Boys in the Bank" 5564:. Intellec Books. 5370:Film Review Digest 5196:The New York Times 5142:DGA staff (2020). 4815:The New York Times 4615:Bouzereau, Laurent 4338:AFI staff (2020). 4307:AFI staff (2007). 4287:AFI staff (2005). 4256:AFI staff (2002). 3967:Magill, Frank 1980 3886:Kaiser, Rowan 2012 3826:Riggs, Thomas 2007 3706:Charles, John 2015 3658:LaSalle, Mike 2011 3472:Erickson, Hal 2017 3400:Rayburn, Nina 2001 3000:Lumet, Sidney 2010 2915:Lumet, Sidney 2005 2834:Niemi, Robert 2006 2745:Getlen, Larry 2014 2589:Erickson, Hal 2017 2304:Parker, Jerry 1974 1907:David di Donatello 1725:and Martin Elfand 1644:, and Durning the 1636:and Allen won the 1449:In popular culture 1371:in 1985. In 2006, 1337:anti-authoritarian 1231:Detroit Free Press 1117:The New York Times 1000:emergency vehicles 967: 865:The Living Theatre 777:later worked on a 662: 634:Salvatore Naturile 500:Salvatore Naturile 434:Attica Prison riot 412:, and his friends 343:Salvatore Naturile 8470:Films set in 1972 8365:1970s heist films 8342: 8341: 8119:American Splendor 8048:L.A. Confidential 8028:Leaving Las Vegas 7868:Kramer vs. Kramer 7816:Dog Day Afternoon 7766: 7765: 7745:100 Centre Street 7725:The Iceman Cometh 7665:Beyond This Place 7544:The Morning After 7434:Dog Day Afternoon 7324:Bye Bye Braverman 7314:The Deadly Affair 7244:The Fugitive Kind 7129:Dog Day Afternoon 7112:Dog Day Afternoon 7101:Dog Day Afternoon 7090:Dog Day Afternoon 7077:Dog Day Afternoon 7060:978-1-56171-161-1 7037:978-0-231-12966-4 6947:978-0-14-192658-2 6909:978-1-4696-1869-2 6827:978-0-571-33100-0 6818:Faber & Faber 6804:978-0-7864-7196-6 6785:978-0-8065-1596-0 6749:The Village Voice 6719:978-0-06-337019-7 6693:978-0-8352-4308-7 6606:978-0-7876-9049-6 6562:978-1-57806-724-4 6383:978-0-7864-8402-7 6315:Dayton Daily News 6288:978-0-399-52922-1 6240:on March 30, 2006 6226:Null, Christopher 6217:978-1-57607-952-2 6154:"Awards for 1975" 6098:Los Angeles Times 6045:on March 17, 2015 5971:978-0-522-86088-7 5964:. Victory Books. 5952:978-1-4766-7553-4 5903:978-0-89356-225-0 5884:978-0-307-76366-2 5605:The Village Voice 5571:978-1-84150-530-5 5379:Lumet: Film Maker 5360:978-3-89602-196-0 5337:978-1-4766-2930-8 5304:978-0-89950-088-1 5179:978-1-68330-947-5 5126:Chicago Sun-Times 5069:978-0-7864-6976-5 5050:978-1-4443-5140-8 4935:978-1-4766-0262-2 4871:The Baltimore Sun 4783:978-0-8135-4748-0 4571:978-0-8131-7167-8 4533:The Village Voice 4446:978-1-55958-635-1 4395:978-1-55583-019-9 4274:on August 7, 2011 4221:978-0-275-90326-8 3718:Gross, Terry 2004 3670:Bowen, Chuck 2015 3609:Dog Day Afternoon 3574:Dog Day Afternoon 3559:Hoberman, J. 2015 3364:Lanken, Dane 1975 3352:Gray, Farnum 1975 3328:Stark, Susan 1975 3316:Cedrone, Lou 1975 3304:Kelly, Kevin 1975 3292:Baltake, Joe 1975 3280:Dugas, David 1975 3270:, p. 1 (S3). 3268:Siskel, Gene 1975 3244:Arnold, Gary 1975 3232:Ebert, Roger 1975 3012:Rapf, Joanna 2006 2932:Yule, Andrew 1992 2880:Murphy, Mary 1975 2863:Rapf, Joanna 2006 2733:Bell, Arthur 1972 2721:Yule, Andrew 1992 2604:Yule, Andrew 1992 2558:Bell, Arthur 1972 2546:Bell, Arthur 1972 2530:Bell, Arthur 1972 2514:Meskil, Paul 1972 2436:Bell, Arthur 1972 2424:Meskil, Paul 1972 2240: 2239: 1854: 1796:Best Film Editing 1685:Dog Day Afternoon 1614:Dog Day Afternoon 1560:Perfect Strangers 1554:Hill Street Blues 1524:All in the Family 1504:Dog Day Afternoon 1500:Marcia Jean Kurtz 1484:Dog Day Afternoon 1466:Yan man ying hung 1459:Dog Day Afternoon 1405:Dog Day Afternoon 1397:review aggregator 1379:on a double-disc 1377:Dog Day Afternoon 1373:Warner Home Video 1350:Dog Day Afternoon 1346:Watergate scandal 1333:Dog Day Afternoon 1291:Dog Day Afternoon 1272:Dog Day Afternoon 1245:Dog Day Afternoon 1178:Dog Day Afternoon 1161:Penelope Gilliatt 1141:The Village Voice 1129:Dog Day Afternoon 1106:Dog Day Afternoon 1085: 1084: 987:fluorescent lamps 907:Dog Day Afternoon 823: 822: 805:Dog Day Afternoon 696:The Village Voice 674:Anthony J. Travia 651:hostage situation 646:Greenwich Village 612:as Sonny's father 574:Marcia Jean Kurtz 514:as Leon Shermer ( 498:as Sal Naturile ( 454:Bellevue Hospital 422:traveler's checks 390:Dog Day Afternoon 370:Dog Day Afternoon 335:hostage situation 303:. The film stars 291:film directed by 281:Dog Day Afternoon 277: 276: 24:Dog Day Afternoon 8527: 8360:1975 drama films 8335: 8325: 8309: 8299: 8289: 8279: 8269: 8259: 8249: 8239: 8229: 8213: 8203: 8193: 8183: 8173: 8163: 8153: 8143: 8133: 8123: 8113: 8103: 8082: 8072: 8062: 8052: 8042: 8032: 8022: 8012: 8008:Schindler's List 8002: 7992: 7982: 7972: 7962: 7952: 7942: 7932: 7922: 7912: 7902: 7892: 7882: 7872: 7862: 7852: 7842: 7826: 7793: 7786: 7779: 7770: 7759: 7749: 7739: 7729: 7719: 7709: 7699: 7689: 7679: 7669: 7648: 7638: 7628: 7618: 7608: 7598: 7588: 7578: 7568: 7558: 7554:Running on Empty 7548: 7538: 7528: 7518: 7508: 7498: 7488: 7478: 7468: 7458: 7448: 7438: 7428: 7418: 7408: 7398: 7388: 7378: 7368: 7358: 7348: 7338: 7328: 7318: 7308: 7298: 7288: 7278: 7268: 7258: 7248: 7238: 7228: 7218: 7197: 7190: 7168: 7161: 7154: 7145: 7064: 7041: 7019: 7017: 7015: 7006:. Archived from 6998:"Awards Winners" 6992: 6990: 6988: 6971: 6969: 6967: 6951: 6928: 6913: 6894: 6893: 6887: 6885: 6883: 6864: 6863: 6857: 6855: 6853: 6831: 6808: 6789: 6772:Schoell, William 6767: 6766: 6760: 6758: 6756: 6736: 6723: 6710:Harper & Row 6697: 6674: 6672: 6670: 6652: 6651: 6645: 6639: 6631: 6629: 6627: 6610: 6591: 6589: 6587: 6578:. Archived from 6566: 6547: 6545: 6543: 6519: 6517: 6515: 6491: 6489: 6487: 6469: 6467: 6465: 6452:"Vincitori 1976" 6446: 6445: 6439: 6437: 6435: 6413: 6411: 6409: 6387: 6368: 6367: 6361: 6359: 6357: 6340: 6334: 6326: 6324: 6322: 6305: 6292: 6269: 6267: 6265: 6249: 6247: 6245: 6236:. Archived from 6221: 6198: 6196: 6194: 6175: 6173: 6171: 6162:. Archived from 6148: 6147: 6141: 6139: 6137: 6117: 6116: 6110: 6108: 6106: 6084: 6083: 6077: 6075: 6073: 6054: 6052: 6050: 6025: 6023: 6021: 6003: 6002: 5996: 5994: 5992: 5975: 5956: 5937: 5936: 5930: 5928: 5926: 5907: 5888: 5869: 5857: 5855: 5853: 5829: 5827: 5825: 5807: 5805: 5803: 5794:. Archived from 5780: 5779: 5773: 5771: 5769: 5750: 5749: 5743: 5741: 5739: 5717: 5715: 5713: 5697: 5696: 5690: 5688: 5686: 5667: 5665: 5663: 5645: 5643: 5641: 5623: 5622: 5616: 5614: 5612: 5595: 5593: 5591: 5575: 5556: 5554: 5552: 5530: 5529: 5523: 5521: 5519: 5501: 5500: 5494: 5492: 5490: 5473: 5471: 5469: 5451: 5449: 5447: 5429: 5418: 5416: 5414: 5396: 5390: 5382: 5373: 5364: 5341: 5322: 5316: 5308: 5289: 5287: 5285: 5267: 5266: 5260: 5258: 5256: 5236: 5235: 5229: 5227: 5225: 5206: 5204: 5202: 5183: 5170:Time, Inc. Books 5160: 5158: 5156: 5138: 5136: 5134: 5129:. RogerEbert.com 5112: 5110: 5108: 5093: 5091: 5089: 5073: 5054: 5031: 5030: 5024: 5022: 5020: 5001: 5000: 4994: 4992: 4990: 4974:Copyright Office 4969: 4968: 4962: 4960: 4958: 4939: 4916: 4915: 4909: 4907: 4905: 4888: 4887: 4881: 4879: 4877: 4857: 4856: 4850: 4848: 4846: 4827: 4825: 4823: 4801: 4795: 4787: 4764: 4762: 4760: 4742: 4740: 4738: 4729:. Archived from 4715: 4713: 4711: 4695: 4689: 4681: 4672: 4666: 4658: 4649: 4643: 4635: 4626: 4610: 4608: 4606: 4590: 4575: 4552: 4551: 4545: 4543: 4541: 4519: 4518: 4512: 4510: 4508: 4486: 4484: 4482: 4464: 4458: 4450: 4431: 4429: 4427: 4410: 4399: 4376: 4374: 4372: 4354: 4352: 4350: 4334: 4332: 4330: 4324: 4318:. Archived from 4313: 4303: 4301: 4299: 4283: 4281: 4279: 4273: 4267:. Archived from 4262: 4252: 4250: 4248: 4239:. Archived from 4225: 4202: 4200: 4198: 4170: 4161: 4150: 4144: 4138: 4132: 4126: 4120: 4114: 4111:NBRMP staff 2007 4108: 4102: 4099:LAFCA staff 2010 4096: 4090: 4087:KCFCA staff 2020 4084: 4078: 4072: 4066: 4060: 4054: 4048: 4042: 4036: 4030: 4024: 4018: 4012: 4006: 4000: 3994: 3988: 3982: 3976: 3970: 3964: 3955: 3952:BAFTA staff 2020 3949: 3940: 3934: 3925: 3922:Martin, Ray 2011 3919: 3913: 3907: 3901: 3895: 3889: 3883: 3877: 3871: 3865: 3859: 3853: 3847: 3841: 3835: 3829: 3823: 3817: 3811: 3805: 3799: 3793: 3790:Paul, Louis 2014 3787: 3781: 3775: 3769: 3763: 3757: 3751: 3745: 3739: 3733: 3727: 3721: 3715: 3709: 3703: 3697: 3691: 3685: 3679: 3673: 3667: 3661: 3655: 3649: 3643: 3637: 3636: 3631: 3629: 3627: 3603: 3597: 3596: 3594: 3592: 3568: 3562: 3556: 3550: 3544: 3538: 3535:R.R. Bowker 2000 3532: 3526: 3520: 3514: 3508: 3499: 3496:Russo, Vito 1981 3493: 3487: 3484:Cullen, Jim 2013 3481: 3475: 3469: 3463: 3460:Wood, Robin 2003 3457: 3451: 3445: 3439: 3433: 3427: 3421: 3415: 3409: 3403: 3397: 3391: 3385: 3379: 3373: 3367: 3361: 3355: 3349: 3343: 3340:Huddy, John 1975 3337: 3331: 3325: 3319: 3313: 3307: 3301: 3295: 3289: 3283: 3277: 3271: 3265: 3259: 3253: 3247: 3241: 3235: 3229: 3223: 3217: 3211: 3201: 3195: 3189: 3183: 3177: 3171: 3165: 3159: 3153: 3147: 3141: 3135: 3129: 3123: 3117: 3111: 3105: 3096: 3090: 3084: 3078: 3069: 3063: 3054: 3048: 3042: 3036: 3030: 3024: 3015: 3009: 3003: 2997: 2991: 2985: 2950: 2944: 2935: 2929: 2918: 2912: 2883: 2877: 2866: 2860: 2854: 2848: 2837: 2831: 2825: 2822:UPI staff 2 1972 2819: 2813: 2807: 2801: 2795: 2784: 2778: 2769: 2763: 2748: 2742: 2736: 2730: 2724: 2718: 2703: 2697: 2691: 2685: 2670: 2664: 2658: 2652: 2639: 2636:Jahr, Cliff 1975 2633: 2622: 2619:Jones, J.R. 2014 2616: 2607: 2601: 2592: 2586: 2573: 2567: 2561: 2555: 2549: 2543: 2537: 2527: 2521: 2511: 2502: 2496: 2487: 2481: 2475: 2469: 2463: 2462:, p. 68–69. 2457: 2451: 2445: 2439: 2433: 2427: 2421: 2415: 2409: 2403: 2397: 2391: 2385: 2379: 2373: 2367: 2361: 2355: 2349: 2343: 2337: 2328: 2322: 2307: 2301: 2286: 2280: 2120:Charles Durning 1846: 1707: 1690: 1584:King of the Hill 1415:Christopher Null 1393:weighted average 1260:Montreal Gazette 1217:The Boston Globe 1081:— Sidney Lumet. 1072: 1008:Emergency lights 979:Victor J. Kemper 940:'s composition " 863:, co-founder of 810: 751:Richard Shepherd 610:Dominic Chianese 295:and produced by 227: 225: 212: 210: 157:Victor J. Kemper 33: 21: 8535: 8534: 8530: 8529: 8528: 8526: 8525: 8524: 8345: 8344: 8343: 8338: 8328: 8312: 8302: 8292: 8282: 8272: 8262: 8252: 8242: 8232: 8216: 8206: 8199:The Descendants 8196: 8186: 8179:The Hurt Locker 8176: 8166: 8156: 8146: 8136: 8126: 8116: 8106: 8096: 8085: 8075: 8065: 8055: 8045: 8035: 8025: 8015: 8005: 7995: 7985: 7975: 7965: 7955: 7945: 7935: 7925: 7915: 7905: 7895: 7885: 7875: 7865: 7855: 7845: 7829: 7813: 7802: 7797: 7767: 7762: 7752: 7742: 7732: 7722: 7712: 7702: 7692: 7682: 7672: 7662: 7651: 7641: 7631: 7621: 7611: 7601: 7591: 7581: 7571: 7564:Family Business 7561: 7551: 7541: 7531: 7521: 7511: 7501: 7491: 7481: 7471: 7461: 7451: 7441: 7431: 7421: 7411: 7401: 7391: 7381: 7371: 7361: 7351: 7344:The Appointment 7341: 7331: 7321: 7311: 7301: 7291: 7281: 7271: 7261: 7251: 7241: 7231: 7221: 7211: 7200: 7193: 7186: 7178: 7172: 7124:at Google Books 7072: 7067: 7061: 7044: 7038: 7022: 7013: 7011: 6995: 6986: 6984: 6974: 6965: 6963: 6954: 6948: 6931: 6916: 6910: 6897: 6888: 6881: 6879: 6867: 6858: 6851: 6849: 6845:Chicago Tribune 6834: 6828: 6811: 6805: 6792: 6786: 6770: 6761: 6754: 6752: 6739: 6726: 6720: 6700: 6694: 6682:. Vol. 1. 6677: 6668: 6666: 6663:Rotten Tomatoes 6655: 6646: 6632: 6625: 6623: 6613: 6607: 6594: 6585: 6583: 6569: 6563: 6550: 6541: 6539: 6522: 6513: 6511: 6494: 6485: 6483: 6472: 6463: 6461: 6449: 6440: 6433: 6431: 6416: 6407: 6405: 6390: 6384: 6371: 6362: 6355: 6353: 6350:Kingsport Times 6343: 6327: 6320: 6318: 6308: 6295: 6289: 6272: 6263: 6261: 6252: 6243: 6241: 6224: 6218: 6201: 6192: 6190: 6178: 6169: 6167: 6151: 6142: 6135: 6133: 6120: 6111: 6104: 6102: 6087: 6078: 6071: 6069: 6057: 6048: 6046: 6028: 6019: 6017: 6006: 5997: 5990: 5988: 5978: 5972: 5959: 5953: 5940: 5931: 5924: 5922: 5910: 5904: 5891: 5885: 5872: 5860: 5851: 5849: 5832: 5823: 5821: 5810: 5801: 5799: 5783: 5774: 5767: 5765: 5753: 5744: 5737: 5735: 5720: 5711: 5709: 5700: 5691: 5684: 5682: 5670: 5661: 5659: 5648: 5639: 5637: 5626: 5617: 5610: 5608: 5598: 5589: 5587: 5578: 5572: 5559: 5550: 5548: 5533: 5524: 5517: 5515: 5504: 5495: 5488: 5486: 5476: 5467: 5465: 5454: 5445: 5443: 5432: 5421: 5412: 5410: 5399: 5383: 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Durning 835:Israel Horovitz 791: 783:Dell Publishing 714: 709: 626: 621: 550:Lance Henriksen 540:James Broderick 506:Charles Durning 481: 465:Kennedy Airport 406: 347:Chase Manhattan 317:Charles Durning 313:James Broderick 273:$ 50–56 million 238: 231: 223: 221: 208: 206: 199: 182: 177: 175: 148: 144:Charles Durning 139:James Broderick 117: 96: 95: 82: 74: 36: 17: 12: 11: 5: 8533: 8531: 8523: 8522: 8517: 8512: 8507: 8502: 8497: 8492: 8487: 8482: 8477: 8472: 8467: 8462: 8457: 8452: 8447: 8442: 8437: 8432: 8427: 8422: 8417: 8412: 8407: 8402: 8397: 8392: 8387: 8382: 8377: 8372: 8367: 8362: 8357: 8347: 8346: 8340: 8339: 8337: 8336: 8326: 8310: 8300: 8290: 8280: 8270: 8260: 8250: 8240: 8230: 8214: 8204: 8194: 8184: 8174: 8164: 8154: 8144: 8134: 8124: 8114: 8104: 8099:In the Bedroom 8093: 8091: 8087: 8086: 8084: 8083: 8073: 8063: 8053: 8043: 8033: 8023: 8013: 8003: 7993: 7983: 7973: 7963: 7953: 7948:Hope and Glory 7943: 7933: 7923: 7913: 7903: 7893: 7883: 7873: 7863: 7853: 7843: 7827: 7810: 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A7, 3196: 3184: 3172: 3160: 3148: 3136: 3134:, p. 484. 3124: 3112: 3097: 3085: 3070: 3055: 3043: 3031: 3016: 3014:, p. 125. 3004: 3002:, p. 100. 2992: 2951: 2947:AFI staff 2020 2936: 2934:, p. 117. 2919: 2884: 2867: 2855: 2838: 2836:, p. 404. 2826: 2814: 2802: 2785: 2783:, p. 136. 2770: 2749: 2737: 2725: 2723:, p. 115. 2704: 2692: 2671: 2659: 2640: 2638:, p. 125. 2623: 2608: 2606:, p. 114. 2593: 2574: 2562: 2550: 2538: 2522: 2503: 2499:UPI staff 1973 2488: 2476: 2464: 2452: 2440: 2428: 2416: 2412:UPI staff 1972 2404: 2392: 2388:Bono, Sal 2022 2380: 2368: 2356: 2344: 2329: 2308: 2287: 2271: 2269: 2266: 2265: 2264: 2259: 2251: 2244: 2241: 2238: 2237: 2235: 2232: 2231:Frank Pierson 2229: 2224: 2218: 2217: 2214: 2211: 2205: 2204: 2202: 2199: 2194: 2188: 2187: 2185: 2182: 2179: 2175: 2174: 2171: 2168: 2162: 2161: 2159: 2156: 2153: 2148: 2142: 2141: 2139: 2136: 2131: 2125: 2124: 2121: 2118: 2112: 2111: 2109: 2106: 2101: 2095: 2094: 2091: 2088: 2082: 2081: 2078: 2075: 2069: 2068: 2066: 2063: 2058: 2052: 2051: 2049: 2046: 2043: 2040: 2036: 2035: 2032: 2029: 2023: 2022: 2019: 2018:Frank Pierson 2016: 2010: 2009: 2006: 2003: 1997: 1996: 1993: 1987: 1986: 1983: 1978: 1972: 1971: 1968: 1965: 1959: 1958: 1956: 1953: 1948: 1942: 1941: 1939: 1936: 1933: 1928: 1922: 1921: 1919: 1916: 1913: 1910: 1903: 1902: 1899: 1891: 1885: 1884: 1881: 1878: 1872: 1871: 1868: 1867:Frank Pierson 1865: 1859: 1858: 1855: 1843: 1837: 1836: 1833: 1831:Best Direction 1827: 1826: 1824: 1821: 1818: 1813: 1807: 1806: 1803: 1798: 1792: 1791: 1788: 1783: 1777: 1776: 1773: 1771:Chris Sarandon 1768: 1762: 1761: 1758: 1753: 1747: 1746: 1743: 1738: 1732: 1731: 1729: 1726: 1723:Martin Bregman 1720: 1715: 1713:Academy Awards 1709: 1708: 1703: 1700: 1697: 1694: 1618:Academy Awards 1610: 1607: 1572:The New Lassie 1548:Sledge Hammer! 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McFarland. 6375: 6370: 6366: 6351: 6347: 6342: 6338: 6332: 6316: 6312: 6307: 6303: 6299: 6294: 6290: 6284: 6280: 6276: 6271: 6260: 6256: 6251: 6239: 6235: 6231: 6227: 6223: 6219: 6213: 6209: 6205: 6200: 6188: 6187: 6182: 6177: 6165: 6161: 6160: 6155: 6150: 6146: 6131: 6127: 6123: 6119: 6115: 6100: 6099: 6094: 6090: 6086: 6082: 6067: 6066: 6061: 6056: 6044: 6040: 6036: 6032: 6027: 6016: 6015: 6010: 6005: 6001: 5986: 5982: 5977: 5973: 5967: 5963: 5958: 5954: 5948: 5945:. McFarland. 5944: 5939: 5935: 5920: 5919: 5914: 5909: 5905: 5899: 5895: 5890: 5886: 5880: 5876: 5875:Making Movies 5871: 5867: 5863: 5862:Lumet, Sidney 5859: 5848: 5844: 5840: 5836: 5831: 5820: 5819: 5814: 5809: 5797: 5793: 5792: 5787: 5782: 5778: 5763: 5762: 5757: 5752: 5748: 5733: 5732: 5727: 5723: 5719: 5708: 5704: 5699: 5695: 5680: 5679: 5674: 5669: 5658: 5657: 5656:The A.V. 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McFarland. 5061: 5056: 5052: 5046: 5042: 5038: 5033: 5029: 5014: 5013: 5008: 5003: 4999: 4985: 4981: 4980: 4975: 4971: 4967: 4952: 4951: 4946: 4941: 4937: 4931: 4927: 4923: 4918: 4914: 4899: 4895: 4890: 4886: 4872: 4868: 4864: 4859: 4855: 4840: 4839: 4834: 4829: 4817: 4816: 4811: 4807: 4803: 4799: 4793: 4785: 4779: 4775: 4771: 4766: 4755: 4754: 4749: 4744: 4732: 4728: 4727: 4726:The A.V. CLub 4722: 4717: 4706: 4702: 4697: 4693: 4687: 4686:cite AV media 4679: 4674: 4670: 4664: 4663:cite AV media 4656: 4651: 4647: 4641: 4640:cite AV media 4633: 4628: 4624: 4620: 4616: 4612: 4601: 4597: 4592: 4588: 4584: 4583: 4577: 4573: 4567: 4563: 4559: 4554: 4550: 4535: 4534: 4529: 4525: 4521: 4517: 4502: 4501: 4496: 4492: 4488: 4477: 4476: 4471: 4466: 4462: 4456: 4448: 4442: 4439:. Prima Pub. 4438: 4433: 4421: 4420:Reading Eagle 4417: 4412: 4408: 4407: 4401: 4397: 4391: 4387: 4383: 4378: 4367: 4366: 4361: 4356: 4345: 4341: 4336: 4321: 4317: 4310: 4305: 4294: 4290: 4285: 4270: 4266: 4259: 4254: 4242: 4238: 4237: 4232: 4227: 4223: 4217: 4213: 4209: 4204: 4193: 4192: 4187: 4182: 4181: 4176: 4175: 4168: 4167: 4160: 4157: 4148: 4143: 4140: 4136: 4131: 4128: 4124: 4119: 4116: 4112: 4107: 4104: 4100: 4095: 4092: 4088: 4083: 4080: 4076: 4071: 4068: 4064: 4059: 4056: 4052: 4047: 4044: 4040: 4035: 4032: 4028: 4023: 4020: 4016: 4011: 4008: 4004: 3999: 3996: 3992: 3987: 3984: 3980: 3975: 3972: 3968: 3963: 3961: 3957: 3953: 3948: 3946: 3942: 3938: 3933: 3931: 3927: 3923: 3918: 3915: 3911: 3906: 3903: 3900:, p. 91. 3899: 3894: 3891: 3887: 3882: 3879: 3875: 3870: 3867: 3863: 3858: 3855: 3851: 3846: 3843: 3839: 3834: 3831: 3827: 3822: 3819: 3815: 3810: 3807: 3804:, p. 13. 3803: 3798: 3795: 3792:, p. 15. 3791: 3786: 3783: 3779: 3774: 3771: 3767: 3762: 3759: 3755: 3750: 3747: 3743: 3738: 3735: 3731: 3726: 3723: 3719: 3714: 3711: 3707: 3702: 3699: 3695: 3690: 3687: 3683: 3678: 3675: 3671: 3666: 3663: 3659: 3654: 3651: 3647: 3642: 3639: 3635: 3622: 3618: 3617: 3612: 3610: 3602: 3599: 3587: 3583: 3582: 3577: 3575: 3567: 3564: 3560: 3555: 3552: 3548: 3543: 3540: 3536: 3531: 3528: 3525:, p. 22. 3524: 3519: 3516: 3513:, p. 13. 3512: 3507: 3505: 3501: 3497: 3492: 3489: 3486:, p. 84. 3485: 3480: 3477: 3474:, p. 37. 3473: 3468: 3465: 3461: 3456: 3453: 3450:, p. 71. 3449: 3444: 3441: 3438:, p. 70. 3437: 3432: 3429: 3426:, p. 9C. 3425: 3420: 3417: 3414:, p. B6. 3413: 3408: 3405: 3401: 3396: 3393: 3390:, p. 69. 3389: 3384: 3381: 3378:, p. 10. 3377: 3372: 3369: 3366:, p. 50. 3365: 3360: 3357: 3353: 3348: 3345: 3341: 3336: 3333: 3329: 3324: 3321: 3318:, p. B4. 3317: 3312: 3309: 3306:, p. 12. 3305: 3300: 3297: 3294:, p. 26. 3293: 3288: 3285: 3282:, p. 13. 3281: 3276: 3273: 3269: 3264: 3261: 3258:, p. 95. 3257: 3252: 3249: 3245: 3240: 3237: 3233: 3228: 3225: 3221: 3216: 3213: 3209: 3205: 3200: 3197: 3194:, p. 42. 3193: 3188: 3185: 3182:, p. 41. 3181: 3176: 3173: 3169: 3164: 3161: 3157: 3152: 3149: 3145: 3140: 3137: 3133: 3128: 3125: 3122:, p. 68. 3121: 3116: 3113: 3110:, p. 94. 3109: 3104: 3102: 3098: 3095:, p. 93. 3094: 3089: 3086: 3083:, p. 96. 3082: 3077: 3075: 3071: 3067: 3062: 3060: 3056: 3052: 3047: 3044: 3040: 3035: 3032: 3029:, p. 73. 3028: 3023: 3021: 3017: 3013: 3008: 3005: 3001: 2996: 2993: 2989: 2984: 2982: 2980: 2978: 2976: 2974: 2972: 2970: 2968: 2966: 2964: 2962: 2960: 2958: 2956: 2952: 2948: 2943: 2941: 2937: 2933: 2928: 2926: 2924: 2920: 2916: 2911: 2909: 2907: 2905: 2903: 2901: 2899: 2897: 2895: 2893: 2891: 2889: 2885: 2881: 2876: 2874: 2872: 2868: 2865:, p. 67. 2864: 2859: 2856: 2853:, p. 45. 2852: 2847: 2845: 2843: 2839: 2835: 2830: 2827: 2824:, p. 24. 2823: 2818: 2815: 2812:, p. 18. 2811: 2806: 2803: 2800:, p. 56. 2799: 2794: 2792: 2790: 2786: 2782: 2777: 2775: 2771: 2767: 2762: 2760: 2758: 2756: 2754: 2750: 2746: 2741: 2738: 2735:, p. 32. 2734: 2729: 2726: 2722: 2717: 2715: 2713: 2711: 2709: 2705: 2701: 2696: 2693: 2689: 2684: 2682: 2680: 2678: 2676: 2672: 2669:, p. 32. 2668: 2663: 2660: 2657:, p. 72. 2656: 2651: 2649: 2647: 2645: 2641: 2637: 2632: 2630: 2628: 2624: 2620: 2615: 2613: 2609: 2605: 2600: 2598: 2594: 2591:, p. 36. 2590: 2585: 2583: 2581: 2579: 2575: 2572:, p. 66. 2571: 2566: 2563: 2560:, p. 62. 2559: 2554: 2551: 2548:, p. 60. 2547: 2542: 2539: 2535: 2531: 2526: 2523: 2519: 2515: 2510: 2508: 2504: 2500: 2495: 2493: 2489: 2485: 2480: 2477: 2474:, p. 81. 2473: 2468: 2465: 2461: 2456: 2453: 2449: 2444: 2441: 2438:, p. 30. 2437: 2432: 2429: 2426:, p. 2C. 2425: 2420: 2417: 2413: 2408: 2405: 2401: 2396: 2393: 2389: 2384: 2381: 2378:, p. 37. 2377: 2372: 2369: 2365: 2360: 2357: 2353: 2348: 2345: 2341: 2336: 2334: 2330: 2327:, p. 28. 2326: 2321: 2319: 2317: 2315: 2313: 2309: 2305: 2300: 2298: 2296: 2294: 2292: 2288: 2284: 2279: 2277: 2273: 2267: 2263: 2260: 2257: 2256: 2252: 2250: 2247: 2246: 2242: 2236: 2233: 2230: 2228: 2225: 2223: 2220: 2219: 2215: 2212: 2210: 2207: 2206: 2200: 2198: 2193: 2189: 2186: 2183: 2177: 2176: 2172: 2169: 2167: 2164: 2163: 2157: 2154: 2152: 2149: 2147: 2143: 2140: 2137: 2135: 2130: 2127: 2126: 2122: 2119: 2117: 2114: 2113: 2107: 2105: 2104:Top Ten Films 2100: 2096: 2092: 2089: 2087: 2084: 2083: 2079: 2077:Sidney Lumet 2076: 2074: 2073:Best Director 2071: 2070: 2064: 2062: 2057: 2053: 2050: 2047: 2044: 2041: 2038: 2037: 2033: 2030: 2028: 2025: 2024: 2020: 2017: 2015: 2012: 2011: 2007: 2005:Sidney Lumet 2004: 2002: 1999: 1998: 1994: 1992: 1989: 1988: 1984: 1982: 1979: 1977: 1973: 1969: 1966: 1964: 1961: 1960: 1954: 1952: 1947: 1943: 1940: 1937: 1935:Sidney Lumet 1934: 1932: 1929: 1927: 1924: 1923: 1920: 1917: 1914: 1911: 1908: 1905: 1904: 1900: 1898: 1892: 1890: 1887: 1886: 1882: 1879: 1877: 1874: 1873: 1869: 1866: 1864: 1861: 1860: 1856: 1852: 1851: 1844: 1842: 1839: 1838: 1834: 1832: 1829: 1828: 1822: 1820:Sidney Lumet 1817: 1814: 1812: 1808: 1804: 1802: 1799: 1797: 1794: 1793: 1789: 1787: 1786:Frank Pierson 1784: 1782: 1779: 1778: 1774: 1772: 1769: 1767: 1764: 1763: 1759: 1757: 1754: 1752: 1749: 1748: 1744: 1742: 1739: 1737: 1736:Best Director 1734: 1733: 1727: 1724: 1721: 1719: 1716: 1714: 1710: 1704: 1701: 1698: 1695: 1692: 1691: 1688: 1686: 1682: 1678: 1677: 1672: 1671: 1666: 1665: 1660: 1659: 1654: 1649: 1647: 1643: 1639: 1635: 1631: 1627: 1626:Golden Globes 1623: 1619: 1615: 1608: 1606: 1604: 1603: 1602:2 Broke Girls 1598: 1597: 1592: 1591: 1590:Bob's Burgers 1586: 1585: 1580: 1579: 1574: 1573: 1568: 1567: 1562: 1561: 1556: 1555: 1550: 1549: 1544: 1543: 1542:St. Elsewhere 1538: 1537: 1532: 1531: 1526: 1525: 1519: 1517: 1516: 1512: 1511:thriller film 1509: 1505: 1501: 1497: 1493: 1492:The Simpsons' 1489: 1485: 1481: 1477: 1476: 1471: 1470:People's Hero 1467: 1464: 1460: 1456: 1448: 1446: 1443: 1442: 1437: 1436: 1435:The A.V. Club 1430: 1429: 1424: 1420: 1416: 1412: 1408: 1406: 1402: 1398: 1394: 1390: 1386: 1382: 1378: 1374: 1370: 1366: 1361: 1359: 1355: 1351: 1347: 1343: 1338: 1334: 1326: 1324: 1321: 1316: 1312: 1307: 1305: 1301: 1297: 1292: 1283: 1281: 1279: 1278: 1273: 1269: 1268: 1262: 1261: 1255: 1252: 1251: 1246: 1242: 1241: 1235: 1233: 1232: 1226: 1225: 1219: 1218: 1213: 1211: 1208:character by 1207: 1206: 1200: 1199: 1194: 1189: 1185: 1184: 1179: 1175: 1171: 1168: 1167: 1162: 1158: 1157: 1152: 1147: 1146:Andrew Sarris 1143: 1142: 1137: 1136: 1130: 1126: 1125: 1119: 1118: 1113: 1111: 1107: 1100: 1098: 1095: 1091: 1080: 1079: 1074: 1073: 1070: 1068: 1064: 1059: 1057: 1056: 1046: 1044: 1042: 1041:David Thomson 1036: 1029: 1027: 1023: 1020: 1016: 1011: 1009: 1005: 1001: 996: 992: 988: 984: 980: 975: 973: 963: 959: 956: 947: 945: 943: 939: 935: 930: 922:Opening scene 921: 916: 914: 912: 908: 903: 901: 897: 893: 889: 888:method acting 885: 884: 879: 874: 870: 866: 862: 861:Judith Malina 858: 857: 852: 848: 847: 846:The Godfather 842: 841: 836: 832: 828: 818: 817: 812: 811: 808: 806: 801: 800:method acting 796: 788: 786: 784: 780: 776: 775:Leslie Waller 772: 768: 767:Frank Pierson 764: 762: 758: 757: 752: 748: 744: 740: 739:Martin Elfand 736: 732: 728: 724: 720: 719: 711: 706: 704: 702: 698: 697: 692: 688: 684: 680: 675: 670: 667: 658: 654: 652: 647: 643: 639: 635: 631: 623: 617: 614: 611: 608: 605: 604:Judith Malina 602: 599: 596: 594:as the doctor 593: 590: 587: 586:John Marriott 584: 581: 578: 575: 572: 569: 566: 563: 560: 557: 554: 551: 548: 545: 544:Special Agent 541: 538: 535: 532: 529: 526: 523: 520: 517: 513: 510: 507: 504: 501: 497: 494: 491: 487: 484: 483: 478: 476: 472: 468: 466: 461: 457: 455: 450: 445: 443: 437: 435: 430: 425: 423: 418: 415: 411: 410:Sonny Wortzik 403: 401: 399: 395: 391: 387: 383: 379: 375: 371: 366: 364: 359: 354: 352: 348: 344: 340: 336: 332: 328: 327: 322: 321:Frank Pierson 318: 314: 310: 306: 302: 301:Martin Elfand 298: 294: 290: 287: 283: 282: 272: 268: 264: 260: 256: 252: 249:United States 248: 244: 240: 234: 219: 216: 215:San Sebastián 204: 203: 201: 198:Release dates 195: 192: 189: 185: 179: 171: 168: 165: 161: 158: 155: 151: 145: 142: 140: 137: 135: 132: 130: 127: 126: 124: 120: 114: 113:Martin Elfand 111: 109: 106: 105: 103: 99: 91: 89: 86: 85: 80: 79: 71: 67: 63: 59: 56: 55:Frank Pierson 53: 51:Screenplay by 49: 46: 43: 39: 32: 27: 22: 19: 8445:Films à clef 8329: 8319: 8313: 8305:Drive My Car 8303: 8293: 8283: 8273: 8263: 8253: 8243: 8233: 8223: 8217: 8207: 8197: 8187: 8177: 8167: 8157: 8147: 8137: 8127: 8117: 8107: 8097: 8090:2001–present 8076: 8066: 8056: 8046: 8036: 8026: 8018:Pulp Fiction 8016: 8006: 7996: 7986: 7976: 7966: 7956: 7946: 7936: 7926: 7916: 7906: 7896: 7886: 7876: 7866: 7856: 7846: 7836: 7830: 7820: 7815: 7814: 7755:Strip Search 7753: 7743: 7733: 7723: 7713: 7703: 7693: 7683: 7673: 7663: 7642: 7632: 7622: 7612: 7602: 7592: 7582: 7572: 7562: 7552: 7542: 7532: 7522: 7512: 7502: 7492: 7482: 7472: 7462: 7452: 7442: 7433: 7432: 7422: 7414:Lovin' Molly 7412: 7402: 7392: 7384:Child's Play 7382: 7372: 7362: 7352: 7342: 7334:The Sea Gull 7332: 7322: 7312: 7302: 7292: 7282: 7272: 7262: 7252: 7242: 7232: 7224:Stage Struck 7222: 7214:12 Angry Men 7212: 7176:Sidney Lumet 7128: 7111: 7100: 7089: 7076: 7046: 7012:. Retrieved 7008:the original 7001: 6985:. Retrieved 6964:. Retrieved 6960: 6933: 6920:The Simpsons 6918: 6899: 6880:. Retrieved 6873: 6850:. Retrieved 6843: 6836:Siskel, Gene 6813: 6794: 6775: 6753:. Retrieved 6748: 6728: 6705: 6679: 6667:. Retrieved 6661: 6624:. Retrieved 6619: 6596: 6584:. Retrieved 6580:the original 6575: 6552: 6540:. Retrieved 6528: 6512:. Retrieved 6500: 6484:. Retrieved 6478: 6462:. Retrieved 6455: 6432:. Retrieved 6429:The Republic 6422: 6406:. Retrieved 6396: 6373: 6354:. Retrieved 6319:. Retrieved 6302:The Bulletin 6301: 6279:Perigee Book 6274: 6262:. Retrieved 6258: 6242:. Retrieved 6238:the original 6233: 6203: 6191:. Retrieved 6184: 6168:. Retrieved 6164:the original 6157: 6134:. Retrieved 6129: 6103:. Retrieved 6096: 6089:Murphy, Mary 6070:. Retrieved 6063: 6047:. Retrieved 6043:the original 6038: 6034: 6018:. Retrieved 6012: 5989:. Retrieved 5984: 5961: 5942: 5923:. Retrieved 5918:The Guardian 5916: 5893: 5874: 5865: 5850:. Retrieved 5842: 5838: 5822:. 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Retrieved 3614: 3608: 3601: 3586:Fandom, Inc. 3579: 3573: 3566: 3554: 3542: 3530: 3518: 3491: 3479: 3467: 3455: 3443: 3431: 3419: 3407: 3395: 3383: 3371: 3359: 3347: 3335: 3323: 3311: 3299: 3287: 3275: 3263: 3251: 3239: 3227: 3215: 3199: 3187: 3175: 3163: 3151: 3139: 3127: 3115: 3088: 3046: 3034: 3007: 2995: 2858: 2829: 2817: 2805: 2740: 2728: 2695: 2662: 2565: 2553: 2541: 2525: 2501:, p. 3. 2486:, p. 1. 2479: 2467: 2455: 2443: 2431: 2419: 2414:, p. 1. 2407: 2402:, p. 1. 2395: 2383: 2371: 2359: 2354:, p. 1. 2347: 2306:, p. 7. 2253: 2197:Golden Shell 1897:Dick Vorisek 1876:Best Editing 1848: 1741:Sidney Lumet 1718:Best Picture 1684: 1674: 1668: 1662: 1656: 1650: 1638:Best Editing 1613: 1612: 1600: 1596:Supernatural 1594: 1588: 1582: 1576: 1570: 1564: 1558: 1552: 1546: 1540: 1534: 1528: 1522: 1520: 1513: 1503: 1498:". In 2006, 1491: 1483: 1475:The Simpsons 1473: 1469: 1465: 1458: 1454: 1452: 1439: 1433: 1426: 1409: 1404: 1376: 1362: 1349: 1332: 1330: 1308: 1303: 1295: 1290: 1287: 1275: 1271: 1270:opined that 1267:The Guardian 1265: 1258: 1256: 1248: 1244: 1240:Miami Herald 1238: 1236: 1229: 1222: 1215: 1214: 1210:Ralph Bakshi 1203: 1196: 1181: 1177: 1172: 1164: 1154: 1139: 1133: 1128: 1122: 1115: 1114: 1105: 1104: 1086: 1063:Jacob Javits 1060: 1055:12 Angry Men 1053: 1050: 1037: 1033: 1024: 1012: 995:fire escapes 976: 968: 951: 925: 906: 904: 881: 854: 844: 838: 827:Off-Broadway 824: 819:— Al Pacino 804: 795:Sidney Lumet 792: 779:novelization 771:Randy Wicker 765: 760: 754: 749:' executive 747:Warner Bros. 716: 715: 694: 671: 663: 627: 534:Susan Peretz 473: 469: 462: 458: 446: 438: 426: 419: 407: 389: 382:Best Picture 369: 367: 363:Off-Broadway 358:Warner Bros. 355: 324: 293:Sidney Lumet 286:biographical 280: 279: 278: 237:Running time 191:Warner Bros. 92:Thomas Moore 76: 64:Thomas Moore 45:Sidney Lumet 18: 8068:The Insider 7878:Raging Bull 7858:Coming Home 7524:Garbo Talks 7504:The Verdict 7394:The Offence 7188:Filmography 7024:Wood, Robin 7014:January 29, 6882:January 11, 6702:Russo, Vito 6669:January 11, 6626:January 11, 6599:. 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In 2009, 380:(including 331:P. F. Kluge 309:John Cazale 289:crime drama 241:125 minutes 134:John Cazale 101:Produced by 88:P. F. 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