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Domenico
Ambrogi was born in Bologna around 1600. As a young man, he was apprenticed to Bernardino Baldi, from whom he left shortly before Bernardino Baldi died (30 Jan. 1612). After that, he studied with Denis Calvaert for a short period of time and finally, became an apprentice of Francesco Brizio.
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At that time, Brizio gave public lessons in drawing and perspective, and
Ambrogi received the Menghino or Menichino del Brizio nickname. When he left the master, he collaborated with
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The fresco under the last arch of the
Annunziata portico (considered by Malvasia the first public work that Ambrogi performed without aid (In Bologna);
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from Venice, who lived many years in his house and used his drawings to produce his first paintings. He died after 1678.
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as a painter of "quadrature". During his last years, he made many designs for decorations and prints. He had pupils
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Two women symbolizing the art of painting and sculpture. The sculpture is crowned with a tasselled
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Frescoes in the
Paleotti palace (now the Student's House), first work in collaboration with Curti;
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The large canvas with the
Crowning of Mary (ceiling of the Oratory of St. Maria della Vita).
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The loggia and two rooms in the villa of the
Marquises Malvezzi (in Bagnarola);
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The
Madonna del Poggio, (the ceiling of the church of St. Maria del Poggio);
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The canvas with the
Guardian Angel (in St. Giacomo, first chapel left);
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The frescoed ceilings of five rooms in the Ratta house (In
Bologna);
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Frescoed room with stories by
Rinaldo, in the house of the poet
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All the frescoes in the chapel of St. Francis (In Bologna).
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Biographical catalogue of the principal Italian painters
192:"Dizionario Biografico degli Italiani - Volume 2 (1960)"
27:, an attribute of the Cardinals of the Catholic church.
87:, known as Dentone as a painter of figures, and with
241:. Tipografia Governativa alla Volpe. pp. 95–97.
117:The frescoes in the hall and in the chapel of the
127:The chapel in the villa of the Marchesi de 'Buoi;
54:, after a master. Mainly known as a decorator of
42:(c. 1600–after 1678) was an Italian painter from
31:, exact date unknown. In the collection of the
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235:Marchese Antonio Bolognini Amorini (1843).
230:. London: Woodfall & Kinder. p. 6.
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238:Vite de Pittori ed Artifici Bolognesi
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46:of the 17th century, also called
151:The works preserved in Bologna:
112:The works mentioned in sources:
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276:17th-century Italian painters
266:16th-century Italian painters
121:(in Brisighella (Ravenna));
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286:Italian Baroque painters
220:Farquhar, Maria (1855).
101:Giovanni Antonio Fumiani
70:(active 1599–1615), and
222:Ralph Nicholson Wornum
89:Angelo Michele Colonna
60:Domenico degli Ambrogi
58:. He is also known as
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281:Painters from Bologna
271:Italian male painters
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291:Quadratura painters
261:17th-century deaths
52:Menghino del Brizio
296:Italian decorators
97:Pier Antonio Cerva
62:. He trained with
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180:Getty ULAN entry
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68:Bernardino Baldi
64:Francesco Brizio
40:Domenico Ambrogi
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256:1600s births
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199:. Retrieved
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201:28 February
250:Categories
167:References
56:quadratura
78:Biography
48:Menichino
196:Treccani
93:Giacinto
224:(ed.).
214:Sources
44:Bologna
29:Etching
25:galero
107:Works
203:2018
99:and
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50:or
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