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Carracci has portrayed Christ as a muscular athlete easily carrying the cross on his shoulder as he passes St Peter, with a dramatic gesture, bursting forth on the canvas. This new era took on a dramatic feel with a leaning towards intensifying movement and "figures are rich in dignity". Peter
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and crucifixion. Saint Peter realizes that he is on his way to making the same mistake all over again now, abandoning Jesus and His church in a moment of danger. Peter turns around when he understands that this was a sign, and returns to Rome to face the
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bearing his Cross. Peter asks Jesus "Quo vadis?" to which he replies, "Romam vado iterum crucifigi" ("I am going to Rome to be crucified again"). Peter returns to Rome after this vision.
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originally had a straighter posture, but
Annibale changed this in order to illustrate the emotional shock of Peter coming across Jesus. The paintings included references to
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outside the city, who is walking in the opposite direction towards the city, carrying his cross. Peter asks him,
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436:"Annibale Carracci, Christ Appearing to Saint Peter on the Appian Way – Smarthistory"
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135:. Annibale Carracci was the founder of the Italian Baroque painting school, called
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The question is in Latin and means "Lord, where are you going?" Jesus replies,
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139:. This painting is one of his best known works. Peter is depicted fleeing
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The Story of
Painting, The Essential Guide to the History of Western Art
289:"Annibale Carracci - Christ appearing to Saint Peter on the Appian Way"
238:
222:
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The artwork blends two differing styles; both illustrating the typical
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77 cm Ă— 56 cm (30 in Ă— 22 in)
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Acts of St. Peter, describes Peter who is fleeing Rome at the time of
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Saint
Didacus of Alcalá Presenting Juan de Herrera's Son to Christ
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The
Madonna and Sleeping Child with the Infant St John the Baptist
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218:, and was kept in the Aldobrandini Collection recorded in 1603.
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approach to the subject. The colours were influenced by the
129:. The subject is a rare representation in art of the theme
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which means: "I am going to Rome to be crucified again."
535:, translated by Märta Holkers, Albert Bonniers Förlag,
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The Virgin
Appears to Saint Luke and Saint Catherine
205:, when Peter chose to deny Jesus three times during
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Madonna and Child in Glory over the City of
Bologna
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PietĂ with Saints Clare, Francis and Mary
Magdalene
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32:
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1069:PietĂ with Saint Francis and Saint Mary Magdalene
201:'s persecution. This encounter is reminiscent of
126:Christ appearing to Saint Peter on the Appian Way
1017:Portrait of Monsignor Giovanni Battista Agucchi
872:Christ in Glory with Saints and Odoardo Farnese
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512:Quo Vadis: A Narrative of the Time of Nero
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1161:Paintings in the National Gallery, London
977:Portable Altarpiece with PietĂ and Saints
159:The work depicts a scene featured in the
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112:(1560–1609), depicting a scene from the
896:Christ Appearing to Saint Anthony Abbot
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341:"Domine quo vadis? (Annibale Carracci)"
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1166:Paintings of Christ carrying the cross
317:. artist.artmuseum.com. Archived from
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18:Domine quo vadis? (Annibale Carracci)
7:
1029:Landscape with the Flight into Egypt
689:The Mystic Marriage of St Catherine
315:"Artwork Detail Domine, quo vadis?"
214:. It was commissioned by Cardinal
25:
721:Venus with a Satyr and Two Cupids
295:from the original on 2 April 2015
385:"Annibale Carracci, 1560 - 1609"
291:. The National Gallery, London.
414:Encyclopedia of World Biography
363:"Where Are You Going, America?"
193:The scene as catalogued in the
1156:Paintings by Annibale Carracci
833:Christ and the Canaanite Woman
793:Christ and the Samaritan Woman
123:, where it is given the title
1:
1045:Rest on the Flight into Egypt
769:Madonna and Child with Saints
713:Madonna and Child with Saints
665:An Allegory of Truth and Time
365:. catholicdefense.blogspot.se
27:Painting by Annibale Carracci
509:Sienkiewicz, Henryk (1998),
147:and has a vision of meeting
1120:Accademia degli Incamminati
1009:The Martyrdom of St Stephen
937:The Three Marys at the Tomb
697:The Vision of Saint Eustace
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912:Christ Crowned with Thorns
904:Christ Crowned with Thorns
880:The Death of Saint Francis
705:Two Children Teasing a Cat
260:Church of Domine Quo Vadis
188:Eo Romam iterum crucifigi,
101:is a 1602 painting by the
1125:Palazzo Sampieri frescoes
1001:Self-Portrait on an Easel
888:Saint Margaret of Antioch
37:
1171:Paintings of Saint Peter
953:Assumption of the Virgin
745:Assumption of the Virgin
737:Self-Portrait in Profile
416:. Encyclopedia.com. 2004
1085:The Birth of the Virgin
1037:The Dead Christ Mourned
961:Saint Gregory at Prayer
849:Venus, Adonis and Cupid
649:Crucifixion with Saints
529:Laurella, Anne (1999),
487:Beckett, Wendy (1994),
862:The Choice of Hercules
801:Saint Roch Giving Alms
119:. It is housed in the
1077:The Loves of the Gods
985:PietĂ with Two Angels
495:, Dorling Kidersley,
841:Entombment of Christ
515:, Regnery Gateway,
387:. condor.depaul.edu
248:classical antiquity
216:Pietro Aldobrandini
945:Rinaldo and Armida
625:The Laughing Youth
562:2015-04-02 at the
243:Domine, quo vadis?
184:Domine, quo vadis?
174:along the ancient
98:Domine, quo vadis?
33:Domine, quo vadis?
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1109:Ludovico Carracci
1103:Agostino Carracci
969:Domine quo vadis?
956:(Rome; 1600–1601)
673:Baptism of Christ
619:List of paintings
605:Annibale Carracci
557:The men of Joseph
522:978-0-89526-345-2
110:Annibale Carracci
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51:Annibale Carracci
16:(Redirected from
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1115:The Carracci
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569:Old classics
532:The Art Book
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480:Bibliography
479:
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473:, p. 85
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443:. Retrieved
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418:. Retrieved
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389:. Retrieved
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367:. Retrieved
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345:. Retrieved
343:. www.wga.hu
335:
323:. Retrieved
319:the original
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297:. Retrieved
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235:Michelangelo
220:
199:Emperor Nero
192:
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68:Oil on panel
1088:(1605–1609)
1072:(1602–1607)
1056:(1600–1605)
1004:(1603–1604)
907:(1598–1600)
899:(1598–1600)
883:(1597–1598)
836:(1594–1595)
804:(1587–1595)
796:(1593–1594)
732:(1587–1590)
729:Lamentation
724:(1588–1590)
708:(1587–1588)
700:(1585–1586)
668:(1584–1585)
660:(1583–1585)
636:(1580–1590)
207:his passion
168:Saint Peter
145:crucifixion
1145:Categories
445:2019-02-21
410:"Carracci"
266:References
231:classicism
195:apocryphal
161:apocryphal
114:apocryphal
73:Dimensions
60:c. 1601–02
1105:(brother)
1064:(c. 1606)
1048:(c. 1604)
1040:(c. 1604)
1032:(c. 1604)
996:(c. 1603)
988:(c. 1603)
972:(c. 1602)
948:(c. 1601)
940:(c. 1600)
932:(c. 1600)
914:(Bologna)
852:(c. 1595)
844:(c. 1595)
828:(c. 1590)
788:(c. 1593)
692:(c. 1585)
612:Paintings
271:Citations
233:found in
212:martyrdom
176:Via Appia
143:to avoid
132:Quo vadis
1111:(cousin)
1022:disputed
1020:(1604) (
560:Archived
420:25 March
391:25 March
369:25 March
347:25 March
325:25 March
299:25 March
293:Archived
254:See also
178:, meets
155:Painting
108:painter
81:Location
1096:Related
817:Hunting
809:Fishing
740:(1590s)
628:(1580s)
239:Raphael
223:Baroque
106:Baroque
103:Italian
1080:(1608)
980:(1603)
891:(1599)
865:(1596)
780:(1593)
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756:(1592)
716:(1588)
684:(1585)
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652:(1583)
644:(1583)
539:
519:
499:
180:Christ
149:Christ
89:London
65:Medium
47:Artist
1053:Danaë
929:PietĂ
537:ISBN
517:ISBN
497:ISBN
422:2015
393:2015
371:2015
349:2015
327:2015
301:2015
237:and
172:Rome
141:Rome
57:Year
1147::
438:.
412:.
401:^
278:^
166:.
87:,
1024:)
597:e
590:t
583:v
448:.
424:.
395:.
373:.
351:.
329:.
303:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
