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Dominique de Menil

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525:, a small Catholic institution in Houston, with funding to build Strake Hall and Jones Hall, designed by Philip Johnson per their recommendation. In an effort to provide a strong art history curriculum in Houston for students and adults, they founded the art department at the University of St. Thomas in 1959, inviting Jermayne MacAgy to teach courses and curate exhibitions held at Jones Hall. They established the university's Media Center in 1967. The de Menils often personally recruited faculty members for the departments and brought many renowned artists and art historians to Houston, including 514: 44: 759: 449:. De Menil credited dealer and adviser John Klejman with shaping their tastes in African and Oceanic objects, saying that he "made buying African art very tempting". They bought more than two hundred pieces from Klejman's New York Gallery. Influenced by the teachings of Father Couturier and Father Congar, the de Menils developed a particular 537:, whom they convinced to serve as museum director for the Museum of Fine Arts, Houston from 1961 to 1967. After Jermayne MacAgy's death in 1964, de Menil took over her classes and became the chairperson of the art department at the University of St. Thomas, curating several exhibitions over the next few years. 789:
building in Paris, to come up with a design that would fit her vision for the museum. "I dreamed of preserving some of the intimacy I had enjoyed with works of art," she wrote. "We would show only portions of the Collection at a time, but displayed in generous and attractive space... The public would
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echoed the architecture of the surrounding bungalows, which had been painted gray by the Menil Foundation, and featured a roof of canopy leaves that allowed filtered natural light to fill the galleries. The result was a museum that appeared "small on the outside, but...as big as possible inside".
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was dedicated on Menil Foundation property in 1971 in a ceremony that included members of various religions. It was established as an autonomous organization the next year and began hosting colloquia, beginning with "Traditional Modes of Contemplation and Action," which brought together religious
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as its director; she curated several groundbreaking exhibitions, including "The Sphere of Mondrian" and "Totems Not Taboo: An Exhibition of Primitive Art." In 1954 they founded the Menil Foundation, a non-profit organization dedicated to the "support and advancement of religious, charitable,
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for a two-week residence in Rome in June–July 1970 for daily work with Rossellini, conceiving a film about cosmology that did not advance to filming but that was published in 1975 as a personal memoir of a life discovering the universe. Other filmmakers who visited the Media Center included
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ethos in which they understood art as a central part of the human experience. Their collection was motivated by their shared interest in the many ways individuals over different cultures and eras reveal through art their understanding of what it means to be human.
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paintings, sculptures, and works on paper. Designed by Renzo Piano, the permanent gallery echoes some of the architectural features of the Menil Collection, such as the use of diffused natural light, while retaining its own, separate identity.
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The de Menils, however, did not limit their acquisitions to modern art, and their eclectic tastes became a hallmark of their collecting practices. As modernists, they recognized the profound formal and spiritual connections between
895:-like space interior where they were displayed until March 2012, at which time they were returned to the Church of Cyprus. The building was designed by architect Francois de Menil and mimics the original Lysi chapel. 1635: 922:
on the eastern and western sides of the building's exterior, two sets of diagonal white lights on the foyer walls, and a large work in the main interior space featuring pink, yellow, green, blue, and
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Spurred in part by the lack of a real arts community in Houston, in the 1950s and 1960s the de Menils promoted modern art through exhibitions held at the Contemporary Arts Association (later the
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neighborhood of Houston near the Rothko Chapel. Kahn did produce some preliminary drawings, but the project was suspended in 1973 after John de Menil's and Kahn's deaths less than a year apart.
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and would have the rare joy of sitting in front of a painting and contemplating it... Works would appear, disappear, and reappear like actors on a stage." Piano's understated design for the
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for an ecumenical chapel intended for the University of St. Thomas as a space of dialogue and reflection between faiths. After undergoing revisions by several architects, including
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The city refused the gift, sparking a controversial debate that ended only when the de Menils purchased the sculpture themselves and placed it in front of the newly completed
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Dedicated on June 7, 1987, the Menil Collection exhibits objects from John and Dominique de Menil's collection, including selections of African Art, a vast collection of
568:, who made several trips to Houston to teach Rice University students and create television documentaries. The de Menils supported Rice University astrophysics professor 2020: 2015: 2010: 2005: 2000: 1621: 2071: 746:, sponsored by the Rothko Chapel, to organizations or individuals for their commitment to human rights. She also established the Óscar Romero Award, named after 620:, who served as head of the photography department at Rice Media Center. Photography became an important component of the collection, which includes works by 310:, where John would eventually become president of Schlumberger Overseas (Middle and Far East) and Schlumberger Surenco (Latin America), two branches of the 1356: 1382: 252:, would become crucial to the development of their collecting ethos in the coming decades. They had five children: Marie-Christophe (who was married to 1076: 1011: 494:. The de Menils filled their home with art and hosted many of the leading artists, scientists, civil rights activists, and intellectuals of the day. 660:. An ongoing project that seeks to catalogue and study the depiction of individuals of African descent in Western art, it is now under the aegis of 691:
The de Menils had originally made plans to build the Rothko Chapel in 1964 when Dominique de Menil commissioned a suite of meditative paintings by
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in particular. In 1960 they launched the ambitious scholarly research project "The Image of the Black in Western Art," directed by art historian
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clergy at the University of St. Thomas, in 1969 the de Menils moved the art department—including the art history faculty—and Media Center to
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Plans to create a museum to house and exhibit John and Dominique de Menil's collection began as early as 1972 when they asked the architect
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Giovannini, Joseph. “Modern Reliquary: In a New Houston Museum, Francois de Menil Crafts an Authentic Setting for Two Byzantine Frescoes.”
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After moving to Houston, the de Menils quickly became key figures in the city's developing cultural life as advocates of modern art and
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Donald D. Clayton, "The Dark Night Sky: a personal adventure in cosmology" Quadrangle/The New York Times Book Co. (New York 1975)
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In 1986, de Menil deepened her involvement in social causes, establishing the Carter-Menil Human Rights Foundation with former
389:. Over the years the family enjoyed close personal friendships with many of the artists whose work they collected, including 505:, to which they gave important gifts of art. They were instrumental in the Contemporary Arts Association's decision to hire 482:, it generated controversy not only by standing out amongst the mansions of River Oaks but also by pairing Johnson's clean, 561: 502: 280: 605: 361:
The de Menils were particularly interested in modern European art, and a core strength of the collection was the many
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as a partial gift to the city of Houston in 1969, on the condition that it be dedicated to the recently assassinated
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In addition to becoming known as collectors and patrons of art, John and Dominique de Menil were vocal champions of
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The Menil Collection: A Selection from the Paleolithic to the Modern Era'.' New York: Abrams, 1987. Rev. ed., 1997.
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and the arts of ancient and indigenous cultures, broadening their collection to include works from classical
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In the 1980s de Menil again began looking for an architect to design the museum, eventually commissioning
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John and Dominique de Menil began collecting art intensively in the 1940s, beginning with a purchase of
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to "promote the protection of human rights throughout the world". The Foundation offered the
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The de Menils also organized exhibitions that promoted human and civil rights, including
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works they acquired. By the 1960s the de Menils had gravitated toward the major American
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grocery store in Houston. The Dan Flavin installation consists of two horizontal green
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Strake and Jones Halls, designed by Philip Johnson, University of St. Thomas, Houston
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allowed the works to remain in Houston on a 20-year loan. The frescoes—a dome with
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Holmes, Ann, and Patricia C. Johnson. Articles in Zest section “The Menil Opens.”
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A Byzantine Masterpiece Recovered:The Thirteenth-Century Murals of Lysi, Cyprus
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Hobdy, D. J. “Institute of Religion Accepts Controversial ‘Broken Obelisk.’”
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Houston: Menil Foundation; New Haven and London: Yale University Press, 2008.
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Their most controversial action on behalf of civil rights was their offer of
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convention, held in Houston that year, and worked with photographers such as
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Hugetz, Edward, and Brian Huberman. "The Memory of Rossellini in Texas." In
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Richard, Paul. “Why Not Dedicate Art to King, De Menil Asks City Council.”
501:), such as Max Ernst's first solo exhibition in the United States, and the 806:
pieces, and the work of a number of contemporary American artists such as
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and Louise Schlumberger (née Delpech), Calvinist Alsatians. She studied
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lights. Also on display in Richmond Hall are four examples of Flavin's
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Sacred Modern:Faith, Activism, and Aesthetics in the Menil Collection
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in 1932. The de Menils' Catholic faith, especially their interest in
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Ingersoll, Richard. “Pianissimo: The Very Quiet Menil Collection.”
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A Modern Patronage: de Menil Gifts to American and European Museums
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After being met with increasing resistance by the more traditional
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Schlumberger, Dominique. "Les divers procédés du film parlant".
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to the United States of America. They maintained residences in
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Exhibition catalogue. Houston: University of St. Thomas, 1968.
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La rime et la raison: Les collections MĂ©nil (Houston–New York)
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to design a museum campus on Menil Foundation property in the
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and developed an interest in filmmaking, which took her to
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Art and Activism: Projects of John and Dominique de Menil
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De Menil's final project was a 1996 commission of three
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leaders, scholars, and musicians from four continents.
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John and Dominique de Menil also shared an interest in
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Dominique Isaline Zelia Henriette Clarisse Schlumberger
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Dominique Isaline Zelia Henriette Clarisse Schlumberger
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London: Scala; Houston: Menil Foundation, Inc., 2007.
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Tehran: Imperial Iranian Academy of Philosophy, 1977.
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Jermayne MacAgy: A Life Illustrated by an Exhibition.
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worldwide. Their actions in Houston focused upon the
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Brennan, Marcia, Alfred Pacquement, and Ann Temkin.
1927: 1856: 1794: 1723: 1652: 294:occupation of France, the de Menils emigrated from 132: 104: 82: 53: 34: 762:Southeast corner of the Menil Collection, Houston 1547:Carr, Annemarie Weyl, and Laurence J. Morrocco. 1061:"The de Menil Family: The Medici of Modern Art". 510:literary, scientific and educational purposes". 1206:, 127–29. Marrero, La.: Hope Haven Press, 1949. 1152:Dominique de Menil, Quoted in Browning 1983, 37 933:De Menil died in Houston on December 31, 1997. 1449:Traditional Modes of Contemplation and Action. 1166:. University of Texas Press. pp. 77, 78. 1629: 1447:Ibish, Yusuf, and Peter Lamborn Wilson, eds. 1259:London: Allen Lane. March 5, 2020.  845:, opened in 1995, houses more than thirty of 486:lines with a bold color palette and eclectic 8: 2082:Converts to Roman Catholicism from Calvinism 1107: 1105: 157:; March 23, 1908 – December 31, 1997) was a 1241:Menil Foundation - Handbook of Texas Online 1124: 1122: 1120: 312:Houston-based oilfield services corporation 180:oil-equipment fortune. She was awarded the 1636: 1622: 1614: 1551:. Austin: University of Texas Press, 1991. 1408:Richard, Paul. “Woe Follows the Obelisk.” 966: 474:neighborhood in Houston. One of the first 466:. In 1949 they commissioned the architect 357:De Menil with gallery model, Houston, 1973 31: 970:Helfenstein, Josef, and Laureen Schipsi. 964: 962: 960: 958: 956: 954: 952: 950: 948: 946: 616:, who went on to establish FotoFest, and 1202:de Menil, John. “A Provincial Town.” In 991:Lifetime Honors - National Medal of Arts 1313:"Photo Archive In Nuclear Astrophysics" 1291:"Photo Archive In Nuclear Astrophysics" 974:. Houston: The Menil Collection, 2010. 942: 125: 1931; died 1973) 1381:: CS1 maint: archived copy as title ( 1374: 1141:African Art from The Menil Collection. 2072:French emigrants to the United States 1460:Butterfield, Jan. “The Deluxe Show.” 1344:The Image of the Black in Western Art 1188:“A House That Rattled Texas Windows.” 7: 1066:, May 18, 1986: 28–46, 66, 106, 113. 785:architect known for his provocative 334:) in 1945. With the guidance of the 216:to serve as script assistant on the 1521:Tomkins, Calvin. “The Benefactor.” 1436:The Rothko Chapel: An Act of Faith. 1162:Smart, Pamela G. (March 25, 2011). 853:The Menil campus also includes the 437:cultures, as well as objects from 256:and was the grandmother of artist 27:American art collector (1908–1997) 25: 1645:National Medal of Arts recipients 1497:The Menil Collection: Art Spaces. 930:, created between 1964 and 1969. 864:had been stolen from a chapel in 521:That same year they provided the 246:Father Yves Marie Joseph Congar's 499:Contemporary Arts Museum Houston 42: 744:Carter–Menil Human Rights Prize 122: 748:the slain El Salvadoran bishop 556:, and "Raid the Icebox 1 with 554:Museum of Modern Art, New York 1: 2062:American women art collectors 1438:Houston: Rothko Chapel, 1989. 1050:2, no. 9 (April 1930): 43–52. 1010:Paul Richard (June 7, 1987). 562:Rhode Island School of Design 2097:20th-century Roman Catholics 1958:John Birks "Dizzy" Gillespie 1204:Houston: Text by Houstonians 914:for Richmond Hall, a former 503:Museum of Fine Arts, Houston 470:to design their home in the 2087:American former Protestants 1257:Warhol:  A Life as Art 606:American Federation of Arts 232:In 1930 she met the banker 2118: 1512:37 (May/June 1987): 40–47. 286:Following the outbreak of 2077:Art collectors from Paris 1996: 1988:Dayton Hudson Corporation 707:, the non-denominational 427:contemporary works of art 240:, Dominique converted to 41: 2102:American Roman Catholics 2052:American philanthropists 928:"monuments" to V. 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Kahn 760: 753: 751: 749: 745: 741: 738: 733: 731: 730:Mickey Leland 728: 724: 720: 719: 713: 710: 709:Rothko Chapel 706: 702: 698: 694: 689: 687: 686:Rothko Chapel 683: 679: 678: 674: 669: 667: 663: 659: 655: 651: 643: 641: 639: 635: 631: 627: 623: 619: 615: 614:Wendy Watriss 611: 607: 603: 599: 594: 592: 588: 584: 580: 576: 571: 567: 563: 559: 555: 551: 550:Pontus Hulten 547: 543: 538: 536: 532: 531:Roberto Matta 528: 524: 515: 511: 508: 504: 500: 495: 493: 492:Charles James 489: 485: 481: 477: 473: 469: 465: 457: 455: 452: 448: 444: 440: 436: 432: 431:Mediterranean 428: 422: 420: 416: 412: 408: 407:RenĂ© Magritte 404: 400: 396: 392: 388: 384: 380: 377:movements of 376: 372: 368: 364: 355: 351: 349: 345: 341: 337: 333: 329: 325: 317: 315: 313: 309: 305: 301: 297: 293: 289: 284: 282: 279: 275: 271: 267: 263: 259: 255: 251: 248:teachings on 247: 243: 239: 235: 234:Jean de MĂ©nil 230: 229: 225: 224: 219: 215: 211: 207: 203: 199: 195: 187: 185: 183: 179: 175: 171: 167: 166:art collector 164: 160: 156: 152: 143: 139: 136:5 (including 135: 131: 112: 111:John de Menil 107: 103: 99: 95: 85: 81: 77: 73: 56: 52: 45: 40: 33: 30: 19: 1909:Brooke Astor 1874:Gordon Parks 1848:Sydney Lewis 1836:J. W. Fisher 1775: 1771:Eudora Welty 1583:. Retrieved 1579:the original 1569: 1562:Architecture 1561: 1556: 1548: 1543: 1535: 1530: 1522: 1517: 1509: 1504: 1496: 1491: 1483:the original 1478: 1469: 1461: 1456: 1448: 1443: 1435: 1430: 1422: 1417: 1409: 1404: 1396: 1391: 1365:. Retrieved 1361:the original 1343: 1338: 1329: 1317:. Retrieved 1307: 1295:. Retrieved 1285: 1277: 1272: 1256: 1253:Blake Gopnik 1248: 1236: 1228: 1224: 1216: 1211: 1203: 1198: 1190: 1182: 1163: 1157: 1148: 1140: 1135: 1128: 1111: 1092:. 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M. Pei 1367:March 13, 1089:0013-0613 1026:0190-8286 910:sculptor 893:reliquary 859:Byzantine 847:Twombly's 737:president 484:modernist 435:Byzantine 395:Max Ernst 371:Modernist 336:Dominican 258:Dash Snow 250:ecumenism 184:in 1986. 1377:cite web 1319:June 28, 1297:June 28, 994:Archived 862:frescoes 834:and the 772:Montrose 552:for the 542:Basilian 451:humanist 375:post-war 332:Mountain 328:Montagne 300:New York 290:and the 270:Philippa 210:Sorbonne 163:American 133:Children 1647:(1980s) 1585:May 18, 1350:in the 889:Panayia 880:and an 783:Italian 443:Oceania 383:pop art 338:priest 308:Houston 208:at the 202:physics 127:​ 119:​ 115:​ 94:Houston 1267:p. 601 1263:  1170:  1087:  1032:  1024:  978:  902:light 870:Cyprus 826:, and 703:, and 636:, and 589:, and 533:, and 439:Africa 417:, and 385:, and 363:Cubist 304:France 214:Berlin 159:French 105:Spouse 76:France 2021:2010s 2016:2000s 2011:1990s 2006:1980s 480:Texas 296:Paris 281:order 153:(nĂ©e 121:( 117: 98:Texas 72:Paris 1928:1989 1857:1988 1795:1987 1724:1986 1653:1985 1587:2010 1383:link 1369:2015 1321:2014 1299:2014 1261:ISBN 1168:ISBN 1096:2019 1085:ISSN 1030:OCLC 1022:ISSN 976:ISBN 882:apse 866:Lysi 664:and 612:and 433:and 346:and 302:and 292:Nazi 278:Sufi 204:and 140:and 83:Died 54:Born 906:by 490:by 264:), 2038:: 1477:. 1379:}} 1375:{{ 1354:. 1255:, 1119:^ 1104:^ 1079:. 1028:. 1014:. 945:^ 868:, 838:. 822:, 818:, 814:, 810:, 750:. 699:, 688:. 668:. 640:. 632:, 628:, 624:, 593:. 585:, 581:, 577:, 529:, 441:, 421:. 413:, 409:, 405:, 401:, 397:, 393:, 381:, 365:, 314:. 168:, 123:m. 96:, 74:, 1637:e 1630:t 1623:v 1589:. 1385:) 1371:. 1323:. 1301:. 1176:. 1098:. 1036:. 330:( 161:- 144:) 66:) 62:( 20:)

Index

Dominique De Menil

Paris
France
Houston
Texas
John de Menil
George de Menil
Philippa de Menil
French
American
art collector
philanthropist
Menil Collection
Schlumberger Limited
National Medal of Arts
Conrad Schlumberger
physics
mathematics
Sorbonne
Berlin
Josef von Sternberg
The Blue Angel
Jean de MĂ©nil
Protestant
Roman Catholicism
Father Yves Marie Joseph Congar's
ecumenism
Robert Thurman
Dash Snow

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