383:) and his BASH company had an electronic vibe that highlighted celestas, toy piano, farfisa organ, and strange synth sounds, reflecting both science and power. He said "One of the greatest values I think score can provide to a film is that sense of cohesion, if everything is linked. In this case, the link was actually a story point, which was the fact that BASH Communications' tentacles were everywhere ... You’re feeling this sort of psychotic jingle all the time." In a sequence where, Isherwell presents his pitch to the
367:
characters are on the phone with NASA — became the key to crack the musical code. It consisted of odd instruments in a clash of musical sounds and vocals escalating in intensity, Britell said "It’s the moment where we go from the world that we think we live in to the world that we actually live in. A comet is coming and we will follow the science. But politics intervenes. We had to turn up the dial from the ‘OMG a comet’s coming!’ to what was going to happen next." While working on the film's score,
354:) discover the comet. Britell wrote the demo titled "Overture to Logic and Knowledge" as an ode to science, where he conceived the piece as feeling "almost like looking at Earth from above. There’s a sense of remove." But while including this piece in the climatic sequence when both Mindy, Dibiasky and company at their last supper before the comet strikes, it sounded like a requiem for humanity, which Britell felt it "heartbreaking" when the cue was juxtaposed in the scene.
375:"The water was pouring down and I told Adam, ‘Trust me: I feel anxious.’ I literally screamed into the microphone over the piece. I pitched my voice up an octave and ran it through some tape filters, woven into the track. I’m humming the main theme, but I’m also screaming multiples of me on top of itself. That is harmony and cacophony, almost like a losing-your-mind kind of feeling."
1058:
but you also can’t completely telegraph the joke by playing it solely for laughs, as then you run the risk of not conveying the serious aspect of the story to the audience. Britell has successfully walked that tonal tightrope, and considering that the film itself is appealing to the left-leaning members of the industry, looks likely to snag an Oscar nomination." Anton Smit of
366:
The musical score featured the widest range of instrumentation: full string orchestra, brass, woodwinds, flutes, harps, celestas, pianos, toy piano, half a dozen saxophones (including bass sax), farfisa organ, and large bass synthesizers. A piece written for the film "The Call" — was played when both
293:(2019–2022), where McKay was the executive producer. Britell's score consisted of widest range of instrumentation used in the film, that produces multiple genres and musical styles, ranging from big-band jazz, traditional orchestral sounds and electronics and offbeat music. The album was led by the
1057:
Music critic
Jonathan Broxton wrote "Britell’s way of tackling this difficult subject matter to be intellectually fulfilling and musically enjoyable. Satire is a challenging genre for composers; you can’t undercut or undersell the points that the film is trying to make – both serious and comedic –
345:
was the most challenging as "it had to be a mixture of tones, incredibly comedic and at the same time it had to be about the existential crisis of the planet". After going through the initial prospects of the script, he was asked to write a piece of music played onset — especially for the planned
357:
The main theme is an "exciting up-tempo big-band piece" that consisted of various jazz players from London, which was "something about capturing the chaos and craziness that needed to go to this heightened place. It’s bombastic but musically there’s a bit of melancholy." Britell felt the mood of
1062:
wrote "Nicholas
Britell’s music is a fantastic match for this movie. Writing music for a comedy with such a satirical dark undertone can be a challenge. Britell’s approach to it by writing a semi-serious score was the perfect solution. In addition, not only are the themes Britell has created
31:
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but about to lose" regarding how humans response for an extinction event ridiculously, which inspired a World War II-era ensemble music but multiple instruments being used, as "There’s a brashness to the frequency of this film and the music had to convey or resonate with that."
1409:
395:, and said "I have a really, really virtuosic, cadenza-like violin solo I want you to do. There’s a male choir, women’s choir, full orchestra, brass, and then you have this huge descant violin line on top. That one’s completely over the top," for which he agreed.
309:. that was described as a "love song for the end of the world". The song was issued on December 3, 2021 for streaming and digital download. The album featuring Britell's original score and an original song titled "Second Nature" by
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391:) on breaking the comet into smaller comets for business, Britell soared the music "a level of seriousness that is so grandiloquent" to be much obvious on the joke. He called his friend and soloist
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for "The Daily Rip" — the fictional talk show, which was not "goofing" but made subconsciously. In addition to the score, Britell also co-wrote two original songs: "
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1528:"Adam McKay Made 'Don't Look Up' Because Climate Crisis Is Not Years Away, "It's Right Now" – Contenders Film: The Nominees"
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hit
Britell's house causing the roof to break in, explaining his experience on the score composition, saying:
1789:"'Don't Look Up' Composer Nicholas Britell On Creating A Big Band "High Anxiety" Sound In Adam McKay Satire"
2167:"Ariana Grande, Beyonce & More Vie for Hollywood Music in Media Awards: Complete Film Nominations List"
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wonderful on their own, he was also able to transform them beautifully into music to match the scenes."
317:. The musical score received critical acclaim and led him receiving several nominations, including the
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1705:"How Composer Nicholas Britell Brought Jazz to 'Don't Look Up' with an Unexpected Experimental Vibe"
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1637:"Bon Iver and Nicholas Britell's 'Don't Look Up' Song Is a Wicked Anthem for the End of the World"
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He also wrote tunes for various commercials, hold music, ringtones within the film, and
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1820:"Nicholas Britell on His Music for 'Don't Look Up': Is It a Best Score Contender?"
1763:"How Nicholas Britell mixes reverence with absurdity in the 'Don't Look Up' score"
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2204:
Wins at 2021 Hollywood Music in Media Awards: Full List of Film Music
Winners"
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1580:"'Don't Look Up's' Musicians on Writing a Song About Impending Doom and Love"
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2310:"International Film Music Critics Association Awards Nominations Announced"
2381:"The 2021 St. Louis Gateway Film Critics Association (StLFCA) Nominations"
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Outstanding
Original Song for a Comedy or Musical Visual Media Production
1730:"Nicholas Britell on the art & challenge of each new scoring project"
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1554:"How Ariana Grande, Kid Cudi Wrote a Love Song for the End of the World"
2412:"The 2021 St. Louis Gateway Film Critics Association (StLFCA) Winners"
1609:"Hear Ariana Grande and Kid Cudi's new collaboration, 'Just Look Up'"
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Britell said that each of his project was a tonal experiment and
2241:
takes a bite out of
Houston Film Critics Society's nominations"
1845:"Hear Ariana Grande and Kid Cudi Join Forces on 'Just Look Up'"
2105:"The 2021 Georgia Film Critics Association (GFCA) Nominations"
1665:"The Maestro Behind the Music of Adam McKay and Barry Jenkins"
1613:
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2136:"The 2021 Georgia Film Critics Association (GFCA) Winners"
2353:
Among
Society of Composers and Lyricists Awards Winners"
1891:"Don't Look Up – Nicholas Britell – Soundtrack World"
1402:
International Film Music
Critics Association Awards
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271:in his fourth collaboration with McKay, following
1486:St. Louis Gateway Film Critics Association Awards
216:Don't Look Up (Soundtrack from the Netflix Film)
2278:named best film of 2021 by Houston film critics"
894:"Thanksgiving" (Overture To Logic And Knowledge)
321:, his third Academy Award nomination, following
250:Don't Look Up (Soundtrack from the Netflix Film)
24:Don't Look Up (Soundtrack from the Netflix Film)
2036:"Critics Choice Awards Film Nominations Led By
979:"Don't Look Up" (Main Title Suite; Bonus Track)
1998:Ritman, Alex; Szalai, Georg (March 13, 2022).
1436:Outstanding Original Score for a Studio Film
18:2021 soundtrack album by Nicholas Britell
8:
1429:Society of Composers & Lyricists Awards
267:. The film's original score is composed by
1787:D'Alessandro, Anthony (December 1, 2021).
1070:
29:
20:
441:
346:telescope sequence where Kate Dibiasky (
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1222:Georgia Film Critics Association Awards
1038:
379:The theme surrounding Peter Isherwell (
2422:from the original on December 20, 2021
2391:from the original on December 12, 2021
2290:from the original on February 20, 2022
2216:from the original on November 19, 2021
2056:from the original on December 19, 2021
962:"Logic Waltz In B Major" (Bonus Track)
2339:Verhoeven, Beatrice (March 8, 2022).
2320:from the original on February 3, 2022
2179:from the original on November 9, 2021
2146:from the original on January 15, 2022
2077:"Critics Choice Awards: Winners List"
1979:from the original on February 3, 2022
1938:from the original on February 9, 2022
1818:Burlingame, Jon (December 10, 2021).
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1811:
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1410:Best Original Score for a Comedy Film
1277:Best Original Score in a Feature Film
1265:
1154:
1039:
319:Academy Award for Best Original Score
7:
2253:from the original on January 3, 2022
2115:from the original on January 8, 2022
2075:Nordyke, Kimberly (March 13, 2022).
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1578:Burlingame, Jon (January 27, 2022).
1297:Best Original Song in a Feature Film
2034:Hammond, Pete (December 13, 2021).
1912:Hipes, Patrick (February 8, 2022).
1703:Desowitz, Bill (January 28, 2022).
1635:Blistein, Jon (December 10, 2021).
1355:Houston Film Critics Society Awards
945:"Don't Look Up" (End Credits Suite)
2410:Neglia, Matt (December 19, 2021).
2379:Neglia, Matt (December 12, 2021).
2272:Darling, Cary (January 19, 2022).
1865:"DON'T LOOK UP – Nicholas Britell"
1761:Greiving, Tim (January 27, 2022).
1089:
605:"Don't Look Up" (Main Title Theme)
313:, was released on December 10, by
14:
2235:Darling, Cary (January 3, 2022).
2198:Grein, Paul (November 17, 2021).
2134:Neglia, Matt (January 14, 2022).
1607:Skinner, Tom (December 3, 2021).
1552:Pond, Steve (December 10, 2021).
426:was included in the end credits.
2165:Grein, Paul (November 4, 2021).
2103:Neglia, Matt (January 7, 2022).
1957:Grater, Tom (February 3, 2022).
1526:Blyth, Antonia (March 5, 2022).
1267:Hollywood Music in Media Awards
690:"It's A Strange Glorious World"
656:"My Boyfriend Broke Up With Me"
622:"BASH Corporate Ident" ("Liif")
2463:Experimental music soundtracks
996:"Ode To Science" (Bonus Track)
860:"Twenty-Four Drones Is Enough"
445:
385:President of the United States
1:
2498:Nicholas Britell soundtracks
2493:Republic Records soundtracks
2458:2020s film soundtrack albums
1332:Song – Onscreen Performance
1156:Critics' Choice Movie Awards
1126:British Academy Film Awards
877:"It All Comes Down To This"
2514:
2004:Wins Best Film, Director,
1734:composer.spitfireaudio.com
435:All tracks are written by
422:and performed by his band
330:If Beale Street Could Talk
234:Released: December 3, 2021
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639:"Hyperobject Approaches"
439:, except where indicated
775:"Arrival At The Hangar"
724:"The BASH Presentation"
141:Maisie Music Publishing
2488:Electronic soundtracks
2453:2021 soundtrack albums
2358:The Hollywood Reporter
2209:The Hollywood Reporter
2082:The Hollywood Reporter
2013:The Hollywood Reporter
826:"The Prayer For Stuff"
758:"FEMA-BASH Commercial"
414:on-camera, along with
406:" a song performed by
377:
96:traditional orchestral
373:
2316:. February 3, 2022.
2239:The Power of the Dog
1965:The Power Of The Dog
1959:"BAFTA Film Awards:
1926:Among Big Surprises"
1916:The Power Of The Dog
1914:"Oscar Nominations:
2473:Ambient soundtracks
1871:. December 31, 2021
1853:. December 3, 2021.
1364:Best Original Song
1229:Best Original Song
1136:Best Original Music
1107:Best Original Score
809:"The Comet Appears"
2049:Deadline Hollywood
1972:Deadline Hollywood
1931:Deadline Hollywood
1893:. January 11, 2022
1406:February 17, 2022
792:"There Is A Comet"
295:promotional single
287:television series
2416:Next Best Picture
2385:Next Best Picture
2283:Houston Chronicle
2246:Houston Chronicle
2140:Next Best Picture
2109:Next Best Picture
2008:Dominates Crafts"
1967:Lead Nominations"
1767:Los Angeles Times
1510:
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1491:December 19, 2021
1272:November 17, 2021
1226:January 14, 2022
1077:Date of ceremony
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843:"The BASH Launch"
352:Leonardo DiCaprio
348:Jennifer Lawrence
257:to the 2021 film
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1384:Nicholas Britell
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1360:January 19, 2022
1318:Nicholas Britell
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1249:Nicholas Britell
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1060:Soundtrack World
1042:
741:"Kate Goes Home"
447:
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437:Nicholas Britell
315:Republic Records
269:Nicholas Britell
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156:Nicholas Britell
144:Republic Records
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1671:. March 1, 2022
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1869:MOVIE MUSIC UK
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430:Track listing
429:
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420:Justin Vernon
417:
416:Taura Stinson
413:
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408:Ariana Grande
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270:
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260:Don't Look Up
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2426:February 11,
2424:. Retrieved
2415:
2405:
2395:February 11,
2393:. Retrieved
2384:
2374:
2362:. Retrieved
2356:
2350:
2346:
2342:
2334:
2324:February 10,
2322:. Retrieved
2313:
2304:
2294:February 10,
2292:. Retrieved
2281:
2275:
2267:
2257:February 10,
2255:. Retrieved
2244:
2238:
2230:
2220:February 10,
2218:. Retrieved
2207:
2201:
2193:
2183:February 10,
2181:. Retrieved
2170:
2160:
2150:February 10,
2148:. Retrieved
2139:
2129:
2119:February 10,
2117:. Retrieved
2108:
2098:
2086:. Retrieved
2080:
2070:
2060:February 10,
2058:. Retrieved
2047:
2041:
2037:
2029:
2017:. Retrieved
2011:
2005:
2001:
1993:
1983:February 10,
1981:. Retrieved
1970:
1964:
1960:
1952:
1942:February 10,
1940:. Retrieved
1929:
1924:Drive My Car
1923:
1919:
1915:
1907:
1895:. Retrieved
1885:
1873:. Retrieved
1868:
1859:
1848:
1839:
1827:. Retrieved
1823:
1796:. Retrieved
1792:
1782:
1770:. Retrieved
1766:
1737:. Retrieved
1733:
1724:
1712:. Retrieved
1708:
1673:. Retrieved
1668:
1644:. Retrieved
1640:
1630:
1620:December 14,
1618:. Retrieved
1612:
1587:. Retrieved
1583:
1573:
1561:. Retrieved
1557:
1547:
1535:. Retrieved
1531:
1521:
1457:Just Look Up
1370:Just Look Up
1344:Just Look Up
1304:Just Look Up
1235:Just Look Up
1173:Just Look Up
1059:
1056:
707:"The Launch"
673:"The Arrest"
588:"C-5 Galaxy"
469:Just Look Up
434:
404:Just Look Up
397:
389:Meryl Streep
381:Mark Rylance
378:
374:
365:
360:World War II
356:
342:
340:
328:
322:
299:Just Look Up
289:
278:
273:
263:directed by
258:
249:
248:
247:
229:Just Look Up
215:
196:
188:
187:
178:
106:experimental
15:
2314:Kinetophone
1897:January 10,
1875:January 10,
1829:January 10,
1798:January 10,
1772:January 10,
1739:January 10,
1714:January 10,
1675:January 10,
1669:Vanity Fair
1646:January 10,
1589:January 10,
1563:January 14,
1537:January 10,
1495:Best Score
537:"Ephemeris"
520:"Discovery"
400:theme music
337:Development
327:(2016) and
2447:Categories
1922:Top List;
1513:References
1503:Nominated
1444:Nominated
1421:Nominated
1393:Nominated
1349:Nominated
1327:Nominated
1258:Nominated
1216:Nominated
1205:Best Score
1196:Nominated
1147:Nominated
1118:Nominated
911:"The End?"
571:"The Call"
358:"being in
290:Succession
265:Adam McKay
255:soundtrack
169:chronology
91:electronic
2172:Billboard
2088:March 14,
2019:March 13,
1709:IndieWire
1166:Best Song
1080:Category
1067:Accolades
1053:Reception
554:"On Hold"
456:Artist(s)
453:Writer(s)
324:Moonlight
2420:Archived
2389:Archived
2364:March 9,
2318:Archived
2288:Archived
2251:Archived
2214:Archived
2177:Archived
2144:Archived
2113:Archived
2054:Archived
1977:Archived
1936:Archived
1793:Deadline
1532:Deadline
1467:Kid Cudi
1380:Kid Cudi
1340:Kid Cudi
1314:Kid Cudi
1245:Kid Cudi
1183:Kid Cudi
1031:Bon Iver
505:Kid Cudi
424:Bon Iver
412:Kid Cudi
393:Tim Fain
333:(2018).
311:Bon Iver
307:Kid Cudi
277:(2015),
151:Producer
111:ambience
101:acoustic
59:Recorded
51:Released
41: by
2343:Encanto
2038:Belfast
1824:Variety
1584:Variety
1558:TheWrap
1086:Result
1019:Britell
477:Britell
253:is the
212:Singles
202:(2022)
193:(2021)
184:(2021)
1963:&
1473:, and
1386:, and
1342:(for "
1320:, and
1251:, and
1189:, and
1074:Award
1002:
999:
985:
982:
968:
965:
951:
948:
934:
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526:
523:
459:Length
198:Carmen
120:Length
1045:56:54
450:Title
214:from
137:Label
68:Genre
2428:2022
2397:2022
2366:2022
2349:and
2326:2022
2296:2022
2259:2022
2222:2022
2185:2022
2152:2022
2121:2022
2090:2022
2062:2022
2040:And
2021:2022
2006:Dune
1985:2022
1961:Dune
1944:2022
1920:Dune
1899:2023
1877:2023
1831:2023
1800:2023
1774:2023
1741:2023
1716:2023
1677:2023
1648:2023
1622:2021
1591:2023
1565:2022
1539:2023
1480:Won
1338:and
1288:Won
1090:Ref.
1035:4:02
1005:3:29
988:4:08
971:1:43
954:2:29
937:1:26
920:2:18
903:4:40
886:0:42
869:0:54
852:0:43
835:0:50
818:2:55
801:1:17
784:0:58
767:0:58
750:0:59
733:2:07
716:3:59
699:2:34
682:1:04
665:0:32
648:0:46
631:0:40
614:0:51
597:1:04
580:2:32
563:0:27
546:1:05
529:1:21
512:3:21
410:and
305:and
280:Vice
86:rock
76:Jazz
62:2021
1614:NME
1346:")
1010:31.
993:30.
976:29.
959:28.
942:27.
925:26.
908:25.
891:24.
874:23.
857:22.
840:21.
823:20.
806:19.
789:18.
772:17.
755:16.
738:15.
721:14.
704:13.
687:12.
670:11.
653:10.
446:No.
285:HBO
81:pop
2449::
2418:.
2414:.
2387:.
2383:.
2355:.
2345:,
2312:.
2286:.
2280:.
2249:.
2243:.
2212:.
2206:.
2175:.
2169:.
2142:.
2138:.
2111:.
2107:.
2079:.
2052:.
2046:.
2010:.
1975:.
1969:.
1934:.
1928:.
1918:,
1867:.
1847:.
1822:.
1808:^
1791:.
1765:.
1749:^
1732:.
1707:.
1685:^
1667:.
1656:^
1639:.
1611:.
1599:^
1582:.
1556:.
1530:.
1477:)
1469:,
1465:,
1390:)
1382:,
1378:,
1324:)
1316:,
1312:,
1255:)
1247:,
1243:,
1193:)
1185:,
1181:,
636:9.
619:8.
602:7.
585:6.
568:5.
551:4.
534:3.
517:2.
464:1.
129:54
125:56
2430:.
2399:.
2368:.
2341:"
2328:.
2298:.
2274:"
2261:.
2237:"
2224:.
2200:"
2187:.
2154:.
2123:.
2092:.
2064:.
2044:"
2023:.
1987:.
1946:.
1901:.
1879:.
1833:.
1802:.
1776:.
1743:.
1718:.
1679:.
1650:.
1624:.
1593:.
1567:.
1541:.
1461:(
1459:"
1455:"
1374:(
1372:"
1368:"
1308:(
1306:"
1302:"
1239:(
1237:"
1233:"
1177:(
1175:"
1171:"
471:"
467:"
297:"
231:"
227:"
127::
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