736:"Upon completion of the album, I did the mixing and editing here in California and then sent the finished product to New York. It wasn't until the album was already released that I heard a pressing. Much to my horror, I found that, without consulting me, the whole album had been changed around--rejected masters and unapproved takes were used (not the ones which I had selected and edited), the wrong tunes were on the album, unauthorized splices were made which disturbed the musical flow of some of the compositions (beats were even missing from bars), whole sections were cut out, some of these being the high points of the album. Therefore the liner notes, which were done to the original album, do not agree with what is actually on the album, calling attention to solos and high spots which are not there. Also, the wrong personnel is listed on the jacket.
825:, was another live double-LP and was released in late 1971. The Exotic Rhythms of Don Ellis (May 2002), a dissertation submitted to The Peabody Institute of the Johns Hopkins University in partial fulfillment of the requirements for the degree of Doctor of Musical Arts. The album featured a composition called "Strawberry Soup" that has been the subject of several doctoral dissertations due to its metric intricacy, its simple theme and complex variations, and the sheer timbral spectrum that it covers.
448:. (Another tape of the same group is listed in the Don Ellis Collection as being recorded on Feb. 9th, but it may be a rehearsal tape.) The performance had a quality similar to those Ellis gave in Sweden: unusual artistic devices were employed, such as performers using cards to determine event orders, and musicians using their instruments to interpret a painter's work. Some uncommon musical elements were employed, such as the use of Arabian rhythms and scales, and foot shuffling.
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his studies of Indian music, Ellis began to write jazz-based music with the time signatures he had studied with Rao. These included not only 5/4, 7/8, and 9/4, but also more complex rhythmic cycles like 19/8 and 27/16. In the future, Ellis would use many more complex meters, as well as complex subdivisions of more standard meters. Many of these more complex cycles were inspired by Ellis's later interest in
Eastern European folk music, such as that of
468:. Greatly inspired by Rao, Ellis sought to implement odd meters in a Western improvised context and (with Rao) co-authored the 1965 article "An Introduction to Indian Music for the Jazz Musician". Ellis briefly formed the first version of his big band at this time but disbanded it when he received a Rockefeller Grant to work at
750:. The album contained the twenty-minute opus "Variations for Trumpet" that showcased Ellis's virtuosic trumpet playing. Also on the record was "Pussy Wiggle Stomp", the song that would succeed "Indian Lady" as the Orchestra's signature tune. Side two of the record contained two lengthy tunes from a concert at
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single. In June, the record company scrambled and asked Don to record an entire album of material, for the purpose of having an album to sell in case the single became a hit. Don had to do this before his band left to perform in
Montreux in about a week. In addition, the songs that were to be on this
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The Don Ellis
Orchestra was different from most other big bands in several ways; most obviously in its instrumentation (discussed below), but also in Ellis's incorporation of Indian musical elements into modern big-band writing. Drawing from his compositional and arranging experience, as well as from
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When I discovered what had happened, I was, naturally, disturbed and asked
Columbia to redo the album. They graciously consented and I was able to change the album back to its original form except that I left Mercy Maybe Mercy, which my producer particularly liked, in place of Zim, which I hope will
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All of these unusual elements combined to create a musical experience unlike anything the
Monterey audience had ever seen. The Orchestra received thunderous applause and a standing ovation at the conclusion of their first tune, titled "33 222 1 222" in accordance with its subdivision of 19. The band
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so that they could be heard over the brass and saxophones. These new timbres offered Ellis a wellspring of creative possibilities. As he explained, "People spend whole evenings listening to a brass quintet, a woodwind or string quartet, so I reasoned that having ALL of these in the context of a big
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Ellis's "Organic Band", which toured throughout spring and summer 1974, reduced the band's numbers from 21 or 22 to 15. The horn section was more than halved, the string quartet was removed, a vocal quartet was added, and no electronics (save for amplification) were used to alter the band's sound.
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the following year. The 1998 CD reissue includes several other tunes from the concert; the CD's notes also reveal that one number, "Concerto for
Trumpet", was actually recorded a month later at a "Pacific Jazz Festival" in Costa Mesa. (The Monterey performance of that tune was apparently not up to
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so as to better communicate with indigenous musicians. He led a live band around this time called the
Organic Band, which was a stripped-down version of the Orchestra that had no electronic instrumentation or modification (save for amplification). The band also featured a vocal quartet.
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After his heart attack, Ellis returned briefly to the electrophonic trumpet, and continued using synthesizers and electronic keyboards. The string quartet, a mainstay since 1971, remained alongside the brass. He also began playing two new instruments, the
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Around this time, Ellis's popularity among educators was also climbing; copies of his band's charts were being published and played by many high school and college big bands. Accordingly, Ellis taught many clinics and played with many school bands.
1267:. Ellis himself started using what he called the "electrophonic trumpet"; that is, a trumpet whose sound was amplified and often routed through various effects processors. The first appearance of this innovation is on "Open Beauty" from 1967's
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who was able to improvise fluently in time signatures that would initially be intimidating to most
American improvisers. He was an important asset to Ellis's band, and stayed with Ellis for five years. The Orchestra was recorded in late May at
958:, a condition which caused his heart to beat in odd rhythms. He was prescribed medication and went home to Los Angeles. Shortly thereafter, he started feeling strange again, and went to a local hospital where he was re-diagnosed with an
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The Sextet became somewhat well known around Los
Angeles, despite having no recordings commercially available. Perhaps the greatest exposure the group had was "Synthesis", a composition by Ellis in which the Sextet performed alongside
605:, Ralph Humphrey and Dennis Parker forming the rhythm section) played several gigs at Donte's in North Hollywood. But Ellis's side project, a workshop orchestra, had been working on different material for two years by this time.
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These pursuits were postponed when Ellis started having health problems, feeling "out of breath after up a single flight of stairs". He checked himself into a hospital in New York City where a doctor diagnosed him with
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early one morning in May 1975. Ellis later described being on the verge of death, as doctors struggled to save his life: "It sounds weird, I know, but it was a remarkably beautiful experience, maybe the ultimate high."
845:. Ellis accepted the project and wrote the music to be performed by his own Orchestra. Ellis later won a Grammy for this project ("Best Instrumental Arrangement"), and was asked to write the music to the film's sequel,
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in
Hollywood, where they began to gain a significant following. The group started making money by charging a small admission fee to the rehearsals, and began a letter-writing campaign to get the band a spot at the 1966
1217:. Inspired by his experiences with Latin bands, Ellis expanded his rhythm section to two drum sets, three double-basses, at least two auxiliary percussionists, piano, and organ. On the song "Turkish Bath" from
878:. The arrangements were generally tongue in cheek; often Ellis arranged them in different meters than the original, or arranged for the melody to be played in a humorous way. There is no singer on this album.
858:, was recorded in August 1972. The album featured "The Theme from 'The French Connection'", an abbreviated version of Ellis's movie score, and "Chain Reaction", a 13/8 tour de force by longtime contributor
617:, Ellis continued writing arrangements for and rehearsing what would grow into the Don Ellis Orchestra. This rehearsal/workshop band played every Monday night for almost a year, first at a venue called
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was recorded using a jazz quartet with full string orchestra backing. Due to the size of the group, this was probably never intended to be a replacement for the Don Ellis Orchestra as a touring group.
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The band's energetic live performances such as the one at Stanford caused its popularity among college crowds to increase. In June 1970, the Orchestra performed for three nights at Bill Graham's
2830:"Creator: Ellis, Don / Contributing Institution: UCLA, Ethnomusicology Archive / Harvested From (Editors Only): California Digital Library - Umbra Search Results Search African American History"
183:(July 25, 1934 – December 17, 1978) was an American jazz trumpeter, drummer, composer, and bandleader. He is best known for his extensive musical experimentation, particularly in the area of
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trumpet solo, an innovative combination of acoustic instruments and electronic technology. Ellis would continue to develop the "electrophonic trumpet" over the next five years (see below).
542:, which explored some of the concepts he had learned at UCLA. The Sextet is generally considered to be the first band of its kind in America. The Sextet centered on Ellis and his mentor
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from August 1968. The tracks are notable for their revelations of the Ellis band's contemporary live sound, which was far more raucous than either of their previous live recordings.
1168:, published in 1975, is a theoretical guide to using quarter tones. Both books are thorough, providing a great deal of historical and cultural background to their subjects.
795:. The resulting recording was made into a double LP and released by Columbia in late 1970. "Live at Fillmore" was a happy return to original material, and even included one
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In 1968, Ellis replaced his double bassists with a single electric bassist, at first Joe Julian, then Dennis Parker, and finally Dave McDaniel. He also hired guitarist
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1082:. After this, his doctor ordered him to refrain from touring and playing trumpet because it was too stressful on his heart. On December 17, 1978, after seeing a
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concert, Ellis suffered a fatal heart attack at his North Hollywood home where his parents were staying with him. His heart condition is believed to have been
314:, working in that sextet for two years. Under his own name, Ellis led several sessions with small groups between 1960 and 1962, which featured, among others,
211:, on July 25, 1934. His father was a Methodist minister and his mother a church organist. He attended West High School in Minneapolis, MN. After attending a
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also provides readers with etudes and exercises. Both books are hard to find, as they have presumably not been printed since their first editions.
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remarked, "I think in many ways Don was a teacher. One thing his music taught me was that I could play anything I absolutely had to." Sidemen like
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By 1976, Ellis was back in action, although these activities are little documented. On December 3, 1976, the Don Ellis Orchestra performed on a
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Most of Ellis's albums have been reissued on CD. Columbia Records, responsible for originally releasing seven of Ellis's albums, only reissued
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in exchange for a live recording of said performance. However, the record company asked Don first to record arrangements of two songs from
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The Don Ellis Library and Collection resides in the Ethnomusicology Archives at UCLA. Prior to that, (from 1981 to 2000) it was housed at
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Ellis's interest in expanding the possibilities within big band instrumentation is obvious on even his first Orchestra release, 1966's
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Back in New York, Ellis formed the Improvisational Workshop Orchestra, which gave its debut performance on February 10, 1963 at the
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1160:(1972) presents methods of practice and performance in unusual meters and features a companion play-along LP/cassette entitled
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went on to play tunes in 7, 9, and 27, as well as a couple in more standard meters. Portions of the concert were released on
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1141:(Ellis's biggest seller) in 1997; the rest have been leased to other companies for reissue. Today, thanks to labels like
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credited Ellis for preparing him for the idiosyncrasies of unconventional music in film soundtracks. Tenor saxophonist
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tour, Ellis added a string quartet to his band. The instruments were amplified using newly developed pick-ups made by
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jazz charts. The song "Indian Lady" became one of the band's most popular tunes. "Open Beauty" featured Ellis in an
282:. He was able to get some work, but mainly with dance bands and other local work. He toured briefly with bandleader
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sought to recruit the band for the label. The band was signed, and was in the studio in September 1967 to record
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353:. The performance took place at the First International Jazz Festival in Washington, D.C., and was broadcast on
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Throughout late 1968, the Orchestra returned to the studio several times to record songs for what would become
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In February 1968 the Don Ellis Orchestra was back in the studio to record a second album, which would become
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a collection of several pop songs (arranged by Ellis) and some Ellis originals. The album features vocalist
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The band's performance at Montreux was well received, and the subsequent album reached No. 48 on the
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897:, a collection of originals. Milcho Leviev contributed "Sladka Pitka", based on a Bulgarian folk song. A
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In November 1967, Ellis's first symphony, "Contrasts for Two Orchestras and Trumpet", was debuted by the
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711:, which was released the following year to wide acclaim, was nominated for a Grammy award, won the 1968
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In May 1971, Ellis added a string quartet to the Orchestra. He also hired Bulgarian piano virtuoso
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jazz charts. This was to be Ellis's last album as a leader, although he would appear on albums by
780:; it also includes "Bulgarian Bulge", a composition based on a Bulgarian folk tune in 33/16 time.
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company, which he received in September 1965. Its additional (fourth) valve enabled it to produce
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586:'s Neophonic Orchestra. The concert took place in February 1966 at the Los Angeles Music Center.
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1090:. He was 44. Ellis was buried in the Sheltering Hills section of Forest Lawn Memorial Park, in
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657:, in which many composers were experimenting with Western tonality and intervals, especially
503:'s "Journey Into Jazz" (1962). A later recording of Austin's piece, featuring Ellis, bassist
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to augment the brass section, and sometimes had the saxophonists double on instruments like
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have had successful careers as sidemen, session musicians or educators. Ellis was an ardent
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Ellis's last known public performance took place on April 21, 1978, at the Westside Room in
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271:. While in that band Ellis had his first opportunity to compose and arrange for a big band.
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630:. The campaign eventually succeeded, and the band was scheduled to perform that September.
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doubles on sitar. His horn sections were often fairly typical, although he later added a
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and a few others have gone on to prolific solo careers. Others like Ralph Humphrey and
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but largely wrote everything on his own. The album was thrown together and released as
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862:. Alongside these highlights are arrangements of several pop songs by artists such as
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What Is Hip? David Garibaldi: His Musical Life, His Influences, and His Contributions
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Ellis, Don and Harihar Rao. "An Introduction to Indian Music for the Jazz Musician".
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In 1967, Ellis began experimentation with electronics. His pianist started using the
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Regardless of what inspired Ellis's liberal interpretations of the popular material,
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In October 1962, Ellis traveled to Poland to take part in the 1962 Jazz Jamboree in
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Big Band concert, he first became interested in jazz. Other early inspirations were
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Years given are for the recording(s), not first release, unless stated otherwise.
187:. Later in his life he worked as a film composer, contributing a score to 1971's
2366:. Champaign-Urbana, IL: University of Illinois. pp. 108–109. Archived from
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Liturgical Jazz: The Lineage of the Subgenre in the Music of Edgar E. Summerlin
1153:, almost all of his albums have been reissued on CD and are readily available.
966:. Ellis was prescribed more drugs, but his condition worsened and he went into
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Following this successful breakthrough performance, the band performed at the
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album could not be duplicates of what would later appear on the live album.
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Ellis had a strong influence on those with whom he worked. Former sideman
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2581:. Harold Branch Publishing: Plainview, Long Island, New York, 1975, p. 17
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band should give us a fantastic variety of colors from which to draw."
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Rhythm: A New System of Rhythm Based on the Ancient Hindu Techniques.
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2514:. Diss. The Peabody Institute of the Johns Hopkins University, 2002.
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In early 1969, the Orchestra was back in Columbia Studios to record
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2778:"Don Ellis Collection, 2000.02 | UCLA Ethnomusicology Archive"
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Agostinelli, Anthony. "Don Ellis: A Man For Our Time" published in
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band in spring of 1959. He remained with Ferguson for nine months.
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Quarter Tones: a text with musical examples, exercises and etudes
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Quarter tones: A Text with Musical Examples, Exercises and Etudes
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the standards of Ellis and the album's producer, Richard Bock.)
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499:'s "Improvisations for Orchestra and Jazz Soloists" (1961) and
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Shortly thereafter, Ellis became involved in the New York City
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UNLV Theses, Dissertations, Professional Papers, and Capstones
962:. More tests were run and finally a third diagnosis was made:
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series. He performed with other jazz musicians alongside the
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661:, with whom Ellis is known to have met and discussed ideas.
1195:. Along with writings, instruments and other items, is his
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was presumably recorded in late 1973 and released in 1974.
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projects. A live performance from February 8, 1964, at the
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After two years, Don Ellis left the Army band and moved to
515:(directed by Bernstein) was released on an album entitled
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Around this time, Ellis was approached by film director
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Ellis also had a customized trumpet made for him by the
2855:"Don Ellis: The Hindustani Jazz Orchestra Live at UCLA"
803:", as well as another version of "Pussy Wiggle Stomp".
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Willard, Patricia. "This is the Don Ellis Interview".
2410:"Workshops, Workshop TV and Radio Concerts by the NDR"
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Ellis also wrote numerous articles and several books.
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tune off the album, "Whiplash", was later featured in
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407:, which was printed in the January 3rd, 1963 issue of
2701:"Don Ellis "live" at Basin Street West, May 25, 1971"
2674:"Don Ellis "live" at Basin Street West, May 29, 1970"
2649:"Don Ellis "live" at Basin Street West, May 26, 1971"
2624:"Don Ellis "live" at Basin Street West, May 29, 1970"
574:. At least one performance also featured saxophonist
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Ellis got some help from fellow composers/arrangers
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in March 1967, releasing segments of each on 1967's
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475:While in New York, Ellis was involved with several
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3015:by John Vizzusi at home.earthlink.net/~centralhsd
2752:"The Night Beat—Tears of Joy, Don Ellis Orchestra"
1279:on several occasions, which was built for him by
941:In 1974, Ellis became interested in the music of
589:On July 14 of that year, the Sextet performed at
413:magazine. In December, Ellis participated in the
345:On 3 June 1962, Ellis performed the jazz liturgy
2913:Heckman, Don. "Don Ellis: Most Alive and Well."
909:, which would also release Ellis's next album,
2498:. Ellis Music Enterprises: Hollywood, 1972, 6.
1290:who remained with the band for several years.
937:Mid-1970s: The Organic Band and heart problems
929:poem. The album is relaxed and introspective.
359:on 12 August, 1962. Ellis performed alongside
259:for duty. In the Army band, Ellis met pianist
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2527:. Doomsdaycreativeenterprises.com. 1966-07-14
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987:The Orchestra played Ellis's arrangement of "
885:was the Orchestra's last album for Columbia.
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517:Leonard Bernstein Conducts Music Of Our Time
799:cover, a highly experimental rendition of "
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538:Returning to the West Coast, Ellis formed
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2453:. NAJE Publications: Manhattan, KS, 1984.
1586:Contrasts for Two Orchestras and Trumpet
456:In 1964, Ellis began graduate studies in
227:in 1956 with a music composition degree.
1707:The Hammer Film Music Collection, Vol. 1
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1181:Dallas County Community College District
593:'s Fillmore Auditorium, opening for the
3210:Don Ellis Orchestra 'Live' at Monterey!
3159:The New Don Ellis Band Goes Underground
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2179:Maynard Ferguson Plays Jazz for Dancing
1671:The New Don Ellis Band Goes Underground
1508:Don Ellis Orchestra 'Live' at Monterey!
1489:The Hindustani Jazz Sextet Live at UCLA
819:in San Francisco. The resulting album,
760:The New Don Ellis Band Goes Underground
2286:(Harold Branch Publishing, Inc., 1975)
2095:Live in India (The Lost Tapes, Vol. 1)
621:and later relocating to a club called
464:where he studied with Indian musician
3191:Music from Other Galaxies and Planets
2963:Meronuck, Jeremy (December 1, 2015).
2338:. New York: Stein and Day, 1972, 214.
2292:(Objective Music Company, Inc., 1977)
1990:Music from Other Galaxies and Planets
1046:Music from Other Galaxies and Planets
7:
2953:liner notes, Columbia CG 30927, 1971
235:Ellis's first job was with the late
2609:Ellis, Don. "Chords and Discords".
599:Big Brother and the Holding Company
2929:"Session Transcript: Tom Oberheim"
2463:Don Ellis Collection: 7 Inch Reels
1873:Released with The New Rhythm Book
854:Ellis's final album for Columbia,
524:Los Angeles Philharmonic Orchestra
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3368:United States Army Band musicians
839:to compose the music to his film
554:, but also featured vibraphonist
425:, and in early 1963, traveled to
342:, was recorded in mid-July 1962.
893:In 1973, the Orchestra recorded
613:In addition to working with the
452:New Rhythms and the Third Stream
302:scene. He appeared on albums by
3373:20th-century American composers
3333:Experimental big band musicians
2894:"Don Ellis – Anything Happened"
2512:The Exotic Rhythms of Don Ellis
2280:(Ellis Music Enterprises, 1972)
245:Seventh Army Symphony Orchestra
3363:Progressive big band musicians
3006:Don Ellis Synopsis and Credits
1979:TV Omnibus, Vol. 1 (1962–1976)
1369:Unreleased (label bankruptcy)
1:
3293:American film score composers
3226:Pieces of Eight: Live at UCLA
2996:Don Ellis Collection, 2000.02
2301:(this is an incomplete list)
2213:George Russell Sextet in K.C.
1548:Pieces of Eight. Live at UCLA
1199:for best score for the movie
998:In 1977, Ellis was signed to
905:. The record was released by
789:Quicksilver Messenger Service
83:Los Angeles, California, U.S.
27:American musician (1934–1978)
2896:. Handofgord.com. 1975-05-11
2263:(Verve, 1967) – trumpet on "
1475:1962, Polskie Nagrania Muza
1028:", were to be released as a
983:television special entitled
787:auditorium, opening for the
127:Musician, composer, arranger
3283:20th-century jazz composers
2699:Ellis, Don (May 25, 1971).
2591:Don Ellis talking in Berlin
740:appear in a future album."
97:Hollywood, California, U.S.
3389:
3353:Musicians from Los Angeles
3250:Don Ellis Live at Montreux
2596:November 17, 2007, at the
2472:. Accessed Nov. 18th, 2007
2451:Jazz Research Papers: 1984
2316:David Garibaldi (musician)
2155:2007, Sights & Sounds
540:The Hindustani Jazz Sextet
534:The Hindustani Jazz Sextet
251:Ellis was transferred to
239:'s band, then directed by
3298:American jazz bandleaders
3077:
2265:Brown Shoes Don't Make It
1974:2010, Film Score Monthly
1951:2001, Film Score Monthly
1790:2001, Film Score Monthly
1596:Conducted by Zubin Mehta
1209:Orchestra instrumentation
985:Where Do We Go From Here?
39:
3328:Columbia Records artists
3313:Atlantic Records artists
3308:American jazz trumpeters
2931:. Red Bull Music Academy
2804:"Don Ellis Dissertation"
2357:Cordoba, Derick (2017).
2311:Ralph_Humphrey_(drummer)
1360:New Sounds for the '60s
1151:Mighty Quinn Productions
968:ventricular fibrillation
913:. The record, featuring
677:in October 1966, and at
294:The New York Avant-Garde
3303:American jazz composers
3288:20th-century trumpeters
3002:Ethnomusicology Archive
903:a film of the same name
489:Young People's Concerts
249:Soldiers' Show Company.
209:Los Angeles, California
3323:Candid Records artists
2653:Californiarevealed.org
2628:Californiarevealed.org
2468:March 9, 2012, at the
2131:The Lost Tapes, Vol. 3
2113:The Lost Tapes, Vol. 2
1275:. Ellis also used the
1022:Star Wars (Main Title)
1004:Montreux Jazz Festival
742:
628:Monterey Jazz Festival
615:Hindustani Jazz Sextet
56:Background information
3343:Modal jazz trumpeters
3234:Don Ellis at Fillmore
3022:Don Ellis Web Archive
2336:From Satchmo to Miles
1782:The French Connection
1718:Don Ellis at Fillmore
1202:The French Connection
1026:Princess Leia's Theme
842:The French Connection
830:The French Connection
734:
675:Pacific Jazz Festival
513:New York Philharmonic
493:New York Philharmonic
190:The French Connection
3338:Grammy Award winners
3318:Big band bandleaders
2525:"Don Ellis Sessions"
1943:French Connection II
1705:1 track released in
1477:2013, Polskie Radio
1265:electric harpsichord
1064:You Know Who You Are
960:atrial septal defect
848:French Connection II
683:Live in 3 2/3 4 Time
367:on tenor saxophone,
223:. He graduated from
181:Donald Johnson Ellis
66:Donald Johnson Ellis
3358:Post-bop trumpeters
3348:MPS Records artists
2917:, January 27, 1977.
2883:, January 31, 1974.
2861:. November 25, 2023
2613:, October 31, 1968.
2548:the new rhythm book
2496:The New Rhythm Book
2278:The New Rhythm Book
2221:The Stratus Seekers
2138:2021, Sleepy Night
2120:2018, Sleepy Night
2102:2010, Sleepy Night
2000:2006, Wounded Bird
1831:2005, Wounded Bird
1809:2024, Sleepy Night
1769:2005, Wounded Bird
1747:2023, Sleepy Night
1728:2005, Wounded Bird
1681:2006, Wounded Bird
1658:2007, Wounded Bird
1636:2022, Sleepy Night
1629:Live in Europe 1968
1556:2006, Wounded Bird
1536:1967, Pacific Jazz
1516:1967, Pacific Jazz
1496:2022, Sleepy Night
1452:1962, Pacific Jazz
1164:. His second book,
1158:The New Rhythm Book
989:Sweet Georgia Brown
872:Andrew Lloyd Webber
752:Stanford University
679:Shelly's Manne Hole
609:Don Ellis Orchestra
263:, and saxophonists
18:Don Ellis Orchestra
3127:Jazz Jamboree 1962
3024:at mattendahl.com
3011:2012-01-19 at the
2758:. October 17, 2021
2398:, January 3, 1963.
2334:Feather, Leonard.
1844:Kansas City Bomber
1467:Jazz Jamboree 1962
1454:2013, Fresh Sound
1088:cardiac arrhythmia
774:The Isley Brothers
693:Around this time,
619:Club Havana (club)
395:Europe and America
379:on bass trombone,
207:Ellis was born in
3260:
3259:
3221:(1966 & 1967)
3218:Live in 3⅔/4 Time
2808:Donellismusic.com
2730:Donellismusic.com
2407:Frohne, Michael.
2232:(Riverside, 1962)
2224:(Riverside, 1961)
2161:
2160:
1953:2016, La La Land
1792:2016, La La Land
1740:Basin Street 1970
1528:Live in 3⅔/4 Time
1293:In 1971, for the
1177:Eastfield College
817:Basin Street West
485:Leonard Bernstein
417:Jazz Workshop in
276:Greenwich Village
225:Boston University
175:
174:
91:December 17, 1978
16:(Redirected from
3380:
3064:
3057:
3050:
3041:
2983:
2982:
2979:10.34917/8220142
2960:
2954:
2947:
2941:
2940:
2938:
2936:
2924:
2918:
2911:
2905:
2904:
2902:
2901:
2890:
2884:
2877:
2871:
2870:
2868:
2866:
2851:
2845:
2844:
2842:
2840:
2826:
2820:
2819:
2817:
2815:
2800:
2794:
2793:
2791:
2789:
2774:
2768:
2767:
2765:
2763:
2748:
2742:
2741:
2739:
2737:
2722:
2716:
2715:
2713:
2711:
2696:
2690:
2689:
2687:
2685:
2670:
2664:
2663:
2661:
2659:
2645:
2639:
2638:
2636:
2634:
2620:
2614:
2607:
2601:
2600:to Ron Simmonds.
2588:
2582:
2575:
2569:
2566:
2560:
2557:
2551:
2545:
2536:
2535:
2533:
2532:
2521:
2515:
2508:
2499:
2492:
2486:
2479:
2473:
2460:
2454:
2447:
2434:
2431:
2425:
2424:
2422:
2421:
2416:on March 3, 2006
2412:. Archived from
2405:
2399:
2388:
2382:
2381:
2379:
2378:
2372:
2365:
2354:
2348:
2345:
2339:
2332:
2251:(Columbia, 1959)
2198:(Roulette, 1963)
2190:(Roulette, 1960)
2182:(Roulette, 1959)
2171:Maynard Ferguson
2053:Live at Montreux
1966:The Deadly Tower
1337:
1327:Maynard Ferguson
1221:(1967), bassist
1215:Live at Monterey
1000:Atlantic Records
981:Shirley MacLaine
945:, even studying
837:William Friedkin
695:Columbia Records
689:Columbia Records
685:(Pacific Jazz).
501:Gunther Schuller
356:Look Up and Live
338:. The last one,
300:avant-garde jazz
288:Maynard Ferguson
142:
94:
80:
78:
63:
46:Ellis in a 1968
44:
30:
21:
3388:
3387:
3383:
3382:
3381:
3379:
3378:
3377:
3263:
3262:
3261:
3256:
3197:
3143:Shock Treatment
3095:How Time Passes
3082:
3073:
3068:
3013:Wayback Machine
2992:
2987:
2986:
2962:
2961:
2957:
2948:
2944:
2934:
2932:
2927:Oberheim, Tom.
2926:
2925:
2921:
2912:
2908:
2899:
2897:
2892:
2891:
2887:
2878:
2874:
2864:
2862:
2859:Web.archive.org
2853:
2852:
2848:
2838:
2836:
2834:Umbrasearch.org
2828:
2827:
2823:
2813:
2811:
2810:. March 7, 2014
2802:
2801:
2797:
2787:
2785:
2784:. March 7, 2016
2782:Web.archive.org
2776:
2775:
2771:
2761:
2759:
2750:
2749:
2745:
2735:
2733:
2732:. March 7, 2014
2724:
2723:
2719:
2709:
2707:
2698:
2697:
2693:
2683:
2681:
2672:
2671:
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2657:
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2647:
2646:
2642:
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2630:
2622:
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2608:
2604:
2598:Wayback Machine
2589:
2585:
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2563:
2558:
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2546:
2539:
2530:
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2523:
2522:
2518:
2509:
2502:
2493:
2489:
2480:
2476:
2470:Wayback Machine
2461:
2457:
2448:
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2428:
2419:
2417:
2408:
2406:
2402:
2389:
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2370:
2363:
2356:
2355:
2351:
2346:
2342:
2333:
2329:
2324:
2299:
2274:
2260:Absolutely Free
2166:
2076:Natural Enemies
2061:1978, Atlantic
1998:1977, Atlantic
1829:1972, Columbia
1767:1971, Columbia
1726:1970, Columbia
1679:1969, Columbia
1656:1968, Columbia
1615:1968, Columbia
1607:Shock Treatment
1576:1967, Columbia
1431:1971, Prestige
1429:1961, New Jazz
1380:How Time Passes
1335:
1305:The 1974 album
1211:
1100:
1092:Hollywood Hills
977:
956:mitral stenosis
939:
891:
833:
729:Shock Treatment
691:
655:classical music
611:
536:
483:was filmed for
458:ethnomusicology
454:
397:
381:Barry Galbraith
365:J. R. Monterose
351:Edgar Summerlin
296:
286:and joined the
233:
221:Dizzy Gillespie
217:Louis Armstrong
205:
185:time signatures
178:
140:
96:
92:
82:
76:
74:
61:
51:
35:
28:
23:
22:
15:
12:
11:
5:
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3187:
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3123:
3115:
3107:
3103:Out of Nowhere
3099:
3090:
3088:
3084:
3083:
3078:
3075:
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3069:
3067:
3066:
3059:
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3003:
2991:
2990:External links
2988:
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2919:
2906:
2885:
2872:
2846:
2821:
2795:
2769:
2743:
2726:"Tears of Joy"
2717:
2691:
2680:. May 29, 1970
2678:Calisphere.org
2665:
2640:
2615:
2602:
2583:
2570:
2561:
2552:
2537:
2516:
2510:Fenlon, Sean.
2500:
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2306:Ed Shaughnessy
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2268:
2252:
2248:Mingus Dynasty
2243:Charles Mingus
2234:
2233:
2229:The Outer View
2225:
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2205:George Russell
2200:
2199:
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2148:Electric Heart
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2009:
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1931:2007, Intrada
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1410:
1407:
1404:
1401:Out of Nowhere
1397:
1393:
1392:
1390:
1387:
1384:
1375:
1371:
1370:
1367:
1364:
1361:
1358:
1354:
1353:
1350:
1347:
1344:
1341:
1334:
1331:
1277:ring modulator
1257:electric piano
1223:Ray Neapolitan
1210:
1207:
1099:
1096:
1094:, California.
1020:. The songs, "
976:
973:
964:cardiomyopathy
938:
935:
890:
887:
876:The Carpenters
832:
827:
690:
687:
610:
607:
570:, and pianist
568:Ray Neapolitan
564:Chuck Domanico
560:Steve Bohannon
535:
532:
505:Barre Phillips
481:Lincoln Center
453:
450:
441:art movement.
396:
393:
389:Charlie Persip
349:, composed by
332:Charlie Persip
312:George Russell
304:Charles Mingus
295:
292:
284:Charlie Barnet
232:
229:
204:
201:
177:Musical artist
176:
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147:
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143:
137:
136:
135:Trumpet, drums
133:
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125:
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103:
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95:(aged 44)
89:
85:
84:
72:
68:
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58:
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53:
52:
45:
37:
36:
33:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
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3311:
3309:
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3252:
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3164:
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3156:
3153:
3152:
3148:
3145:
3144:
3140:
3137:
3136:
3135:Electric Bath
3132:
3129:
3128:
3124:
3121:
3120:
3116:
3113:
3112:
3108:
3105:
3104:
3100:
3097:
3096:
3092:
3091:
3089:
3087:Studio albums
3085:
3081:
3076:
3072:
3065:
3060:
3058:
3053:
3051:
3046:
3045:
3042:
3036:
3032:
3029:
3027:
3023:
3020:
3018:
3014:
3010:
3007:
3004:
3001:
2997:
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2989:
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2976:
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2956:
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2946:
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2923:
2920:
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2895:
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2882:
2876:
2873:
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2856:
2850:
2847:
2835:
2831:
2825:
2822:
2809:
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2799:
2796:
2783:
2779:
2773:
2770:
2757:
2753:
2747:
2744:
2731:
2727:
2721:
2718:
2706:
2702:
2695:
2692:
2679:
2675:
2669:
2666:
2654:
2650:
2644:
2641:
2629:
2625:
2619:
2616:
2612:
2606:
2603:
2599:
2595:
2592:
2587:
2584:
2580:
2574:
2571:
2568:Feather, 220.
2565:
2562:
2556:
2553:
2549:
2544:
2542:
2538:
2526:
2520:
2517:
2513:
2507:
2505:
2501:
2497:
2491:
2488:
2485:, April 1965.
2484:
2483:Jazz magazine
2478:
2475:
2471:
2467:
2464:
2459:
2456:
2452:
2446:
2444:
2442:
2440:
2436:
2430:
2427:
2415:
2411:
2404:
2401:
2397:
2393:
2387:
2384:
2373:on 2018-02-26
2369:
2362:
2361:
2353:
2350:
2347:Feather, 215.
2344:
2341:
2337:
2331:
2328:
2321:
2317:
2314:
2312:
2309:
2307:
2304:
2303:
2302:
2297:Collaborators
2296:
2291:
2288:
2285:
2282:
2279:
2276:
2275:
2271:
2266:
2262:
2261:
2256:
2253:
2250:
2249:
2244:
2241:
2240:
2239:
2238:
2231:
2230:
2226:
2223:
2222:
2218:
2216:(Decca, 1961)
2215:
2214:
2210:
2209:
2208:
2207:
2206:
2197:
2196:
2192:
2189:
2188:
2187:Newport Suite
2184:
2181:
2180:
2176:
2175:
2174:
2173:
2172:
2163:
2157:
2154:
2151:
2149:
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2137:
2134:
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2129:
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2114:
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2101:
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2027:
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2017:
2015:
2014:
2010:
2007:
2006:
2003:
2001:
1997:
1994:
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1991:
1987:
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1983:
1980:
1976:
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1923:The Seven-Ups
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1171:
1170:Quarter Tones
1167:
1166:Quarter Tones
1163:
1159:
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1148:
1144:
1140:
1139:Electric Bath
1135:
1133:
1129:
1125:
1124:Milcho Leviev
1121:
1117:
1113:
1109:
1108:Jim Snodgrass
1105:
1097:
1095:
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1084:Jon Hendricks
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916:
915:Milcho Leviev
912:
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812:Milcho Leviev
808:
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785:Fillmore West
781:
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708:Electric Bath
704:
700:
697:producer and
696:
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652:
651:quarter tones
648:
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631:
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608:
606:
604:
603:Milcho Leviev
600:
596:
595:Grateful Dead
592:
587:
585:
579:
577:
576:Gabe Baltazar
573:
569:
565:
561:
557:
556:Emil Richards
553:
549:
546:, who played
545:
541:
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531:
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411:
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394:
392:
390:
387:on bass, and
386:
382:
378:
375:on trombone,
374:
373:Slide Hampton
370:
366:
362:
358:
357:
352:
348:
343:
341:
337:
336:Steve Swallow
333:
329:
325:
321:
317:
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280:New York City
277:
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196:The Seven-Ups
192:
191:
186:
182:
171:
167:
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159:
155:
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144:
138:
134:
132:Instrument(s)
130:
126:
124:Occupation(s)
122:
119:
115:
111:
107:
104:
100:
90:
86:
81:July 25, 1934
73:
69:
65:
59:
54:
50:advertisement
49:
43:
38:
31:
19:
3248:
3242:Tears of Joy
3240:
3232:
3224:
3216:
3208:
3189:
3181:
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3141:
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3093:
3079:
3070:
2970:
2965:
2958:
2951:Tears of Joy
2950:
2949:Ellis, Don.
2945:
2933:. Retrieved
2922:
2914:
2909:
2898:. Retrieved
2888:
2880:
2875:
2863:. Retrieved
2858:
2849:
2837:. Retrieved
2833:
2824:
2812:. Retrieved
2807:
2798:
2786:. Retrieved
2781:
2772:
2760:. Retrieved
2755:
2746:
2734:. Retrieved
2729:
2720:
2708:. Retrieved
2704:
2694:
2682:. Retrieved
2677:
2668:
2656:. Retrieved
2652:
2643:
2631:. Retrieved
2627:
2618:
2610:
2605:
2586:
2578:
2577:Ellis, Don.
2573:
2564:
2559:Feather, 219
2555:
2547:
2529:. Retrieved
2519:
2511:
2495:
2494:Ellis, Don.
2490:
2482:
2477:
2458:
2450:
2433:Feather, 218
2429:
2418:. Retrieved
2414:the original
2403:
2395:
2392:Warsaw Diary
2391:
2390:Ellis, Don.
2386:
2375:. Retrieved
2368:the original
2359:
2352:
2343:
2335:
2330:
2300:
2289:
2283:
2277:
2272:Bibliography
2258:
2246:
2236:
2235:
2227:
2219:
2211:
2202:
2201:
2193:
2185:
2177:
2168:
2167:
2152:Documentary
2147:
2130:
2112:
2094:
2074:
2062:
2051:
2031:
2011:
1999:
1988:
1978:
1977:Released in
1964:
1952:
1941:
1921:
1901:
1881:
1862:
1842:
1830:
1819:
1803:Walla Walla
1791:
1780:
1768:
1759:Tears of Joy
1757:
1739:
1727:
1716:
1706:
1692:
1680:
1669:
1657:
1646:
1628:
1616:
1605:
1595:
1566:
1546:
1526:
1506:
1488:
1476:
1465:
1453:
1442:
1430:
1419:
1399:
1377:
1315:
1311:
1306:
1304:
1299:Barcus-Berry
1295:Tears of Joy
1294:
1292:
1285:
1281:Tom Oberheim
1268:
1251:
1218:
1214:
1212:
1200:
1174:
1169:
1165:
1161:
1157:
1155:
1147:Wounded Bird
1138:
1136:
1120:Glenn Ferris
1116:John Klemmer
1104:Stu Blumberg
1101:
1080:Century City
1077:
1072:
1062:
1052:
1050:
1045:
1035:
1015:
997:
984:
978:
952:
940:
930:
910:
894:
892:
882:
880:
855:
853:
846:
840:
834:
829:
822:Tears of Joy
820:
809:
805:
793:Leon Russell
782:
768:on songs by
758:
756:
745:
743:
738:
735:
727:
725:
716:
712:
706:
703:John Hammond
692:
682:
672:
667:Pacific Jazz
663:
659:Harry Partch
644:
632:
612:
588:
580:
537:
521:
516:
497:Larry Austin
488:
477:Third Stream
474:
472:for a year.
470:SUNY Buffalo
455:
443:
408:
405:Warsaw Diary
404:
398:
363:on trumpet,
354:
346:
344:
339:
324:Gary Peacock
297:
273:
265:Eddie Harris
261:Cedar Walton
248:
241:Ray McKinley
237:Glenn Miller
234:
231:Early career
213:Tommy Dorsey
206:
194:
188:
180:
179:
166:Pacific Jazz
141:Years active
93:(1978-12-17)
3278:1978 deaths
3273:1934 births
3202:Live albums
2705:Archive.org
2255:Frank Zappa
2237:With others
2195:Maynard '64
2086:Unreleased
2081:Soundtrack
2063:2002, Koch
2043:Unreleased
2038:Soundtrack
2023:Unreleased
2018:Soundtrack
1971:Soundtrack
1948:Soundtrack
1928:Soundtrack
1863:New Rhythms
1854:Unreleased
1849:Soundtrack
1787:Soundtrack
1699:Soundtrack
1617:2001, Koch
1594:Unreleased
1333:Discography
1288:Jay Graydon
1231:French horn
1162:New Rhythms
1132:libertarian
1128:Fred Selden
1059:Nick Gilder
1012:Switzerland
975:Late career
923:John Guerin
907:MPS Records
889:MPS Records
864:Carole King
766:Patti Allen
591:Bill Graham
584:Stan Kenton
572:Dave Mackay
562:, bassists
544:Harihar Rao
528:Zubin Mehta
509:Joe Cocuzzo
466:Harihar Rao
383:on guitar,
369:Eric Dolphy
361:Lou Gluckin
308:Eric Dolphy
193:and 1973's
118:jazz fusion
114:avant-garde
3267:Categories
3167:Connection
2973:(Thesis).
2900:2013-08-07
2531:2013-08-07
2420:2007-11-12
2377:2018-02-25
2322:References
2164:As sideman
2033:The Ransom
1911:1973, MPS
1891:1973, MPS
1870:1972, EME
1821:Connection
1702:1998, GDI
1346:Recording
1179:, part of
993:Art Pepper
947:Portuguese
921:, drummer
917:, bassist
883:Connection
856:Connection
770:Laura Nyro
623:Bonesville
558:, drummer
511:, and the
507:, drummer
435:happenings
391:on drums.
385:Ron Carter
371:on flute,
328:Ron Carter
316:Jaki Byard
203:Early life
77:1934-07-25
62:Birth name
3111:New Ideas
3071:Don Ellis
3031:Don Ellis
2915:Down Beat
2611:Down Beat
2396:Down Beat
1421:New Ideas
1319:superbone
1205:in 1971.
1143:Koch Jazz
1112:Tom Scott
1069:Tommy Vig
1054:Billboard
1042:Curt Berg
1038:Tommy Vig
1017:Star Wars
919:Ray Brown
899:Hank Levy
860:Hank Levy
851:in 1975.
778:Sly Stone
717:Billboard
713:Down Beat
446:Five Spot
427:Stockholm
377:Dick Lieb
320:Paul Bley
269:Don Menza
253:Frankfurt
145:1956–1978
34:Don Ellis
3009:Archived
2881:DownBeat
2865:July 25,
2839:July 25,
2814:July 25,
2788:July 25,
2762:July 25,
2756:Kuvo.org
2736:July 25,
2710:July 25,
2684:July 25,
2658:July 25,
2633:July 25,
2594:Archived
2466:Archived
1323:firebird
1321:and the
1273:echoplex
1261:clavinet
1243:clarinet
1189:Mesquite
1008:Montreux
801:Hey Jude
721:echoplex
640:Bulgaria
519:(1965).
410:DownBeat
347:Evensong
247:and the
162:Atlantic
110:big band
48:DownBeat
3175:Soaring
3119:Essence
3026:fanpage
3017:fanpage
2935:Aug 10,
2135:Studio
2117:Studio
1995:Studio
1908:Studio
1888:Studio
1883:Soaring
1867:Studio
1826:Studio
1676:Studio
1653:Studio
1612:Studio
1573:Studio
1472:Studio
1449:Studio
1444:Essence
1426:Studio
1406:Studio
1386:Studio
1366:Enrica
1363:Studio
1247:saxello
1024:" and "
895:Soaring
797:Beatles
699:A&R
423:Germany
419:Hamburg
340:Essence
257:Germany
3253:(1977)
3245:(1971)
3237:(1970)
3229:(1967)
3213:(1966)
3194:(1977)
3186:(1973)
3178:(1973)
3170:(1972)
3162:(1969)
3154:(1968)
3151:Autumn
3146:(1968)
3138:(1967)
3130:(1962)
3122:(1962)
3114:(1961)
3106:(1961)
3098:(1960)
1648:Autumn
1352:Notes
1349:Label
1343:Album
1263:, and
1197:Grammy
1098:Legacy
1067:) and
1030:45 rpm
943:Brazil
874:, and
776:, and
747:Autumn
647:Holton
636:Greece
526:under
439:Fluxus
431:Sweden
401:Warsaw
334:, and
310:, and
158:Candid
150:Labels
102:Genres
3183:Haiku
2371:(PDF)
2364:(PDF)
2203:With
2169:With
2127:1978
2109:1978
2099:Live
2091:1978
2071:1978
2058:Live
2048:1977
2028:1977
2008:1977
1985:1977
1961:1975
1938:1975
1918:1973
1903:Haiku
1898:1973
1878:1973
1859:1972
1839:1972
1816:1972
1806:Live
1800:1972
1777:1971
1764:Live
1754:1971
1744:Live
1736:1970
1723:Live
1713:1970
1689:1969
1666:1969
1643:1968
1633:Live
1625:1968
1602:1968
1589:Live
1583:1967
1563:1967
1553:Live
1543:1967
1533:Live
1523:1967
1513:Live
1503:1966
1493:Live
1485:1966
1462:1962
1439:1962
1416:1961
1396:1961
1374:1960
1357:1960
1340:Year
1307:Haiku
1235:flute
1193:Texas
1185:DCCCD
931:Haiku
927:haiku
911:Haiku
552:tabla
548:sitar
3035:IMDb
3000:UCLA
2937:2011
2867:2024
2841:2024
2816:2024
2790:2024
2764:2024
2738:2024
2712:2024
2686:2024
2660:2024
2635:2024
2550:, 7.
2013:Ruby
1245:and
1239:oboe
1229:and
1227:tuba
1149:and
1073:1978
1040:and
791:and
701:man
638:and
597:and
566:and
550:and
462:UCLA
267:and
219:and
106:Jazz
88:Died
71:Born
3033:at
2998:at
2975:doi
1382:...
1378:...
1187:in
1075:).
1006:in
868:Yes
495:on
487:'s
460:at
415:NDR
278:in
170:MPS
154:CBS
3269::
2969:.
2857:.
2832:.
2806:.
2780:.
2754:.
2728:.
2703:.
2676:.
2651:.
2626:.
2540:^
2503:^
2438:^
2394:.
2257:,
2245:,
1329:.
1283:.
1259:,
1249:.
1241:,
1237:,
1191:,
1183:,
1145:,
1122:,
1118:,
1114:,
1010:,
870:,
866:,
772:,
642:.
530:.
429:,
421:,
330:,
326:,
322:,
318:,
306:,
255:,
199:.
168:,
164:,
160:,
156:,
116:,
112:,
108:,
3063:e
3056:t
3049:v
2981:.
2977::
2939:.
2903:.
2869:.
2843:.
2818:.
2792:.
2766:.
2740:.
2714:.
2688:.
2662:.
2637:.
2534:.
2423:.
2380:.
2267:"
1071:(
1061:(
762:,
79:)
75:(
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
