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110:. The long brass bar is both hollow and open at both ends. The red boxes increase geometrically in size from right to left, with the fifth box being sixteen times the length of the first. Conversely, the voids between the boxes decrease geometrically, the leftmost space being one quarter the size of the rightmost. The actual fabrication was performed by the Bernstein Brothers firm.
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116:, made in 1969, was fabricated from extruded aluminum and polished aluminum. A mathematical sequence of 1, 1, 2, 3, 5, 8, 13, 21 is represented in a series of polished aluminum blocks. The work is held by the
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are a series of wall sculptures created between 1964 and the 1970s. Each work is similar in form, with Judd's choice of material varying depending on the date of production.
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88:. The original version of the work was painted with a Harley-Davidson motorcycle paint whose color was called "Hi-Fi Purple". The work was restored in 1976 and 2005.
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126:, made in 1970, sets five blocks of blue-purple anodized aluminum against a long clear anodized square rod. It is held in the collection of the
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136:, made in 1973, is a copper wall sculpture that added 1.5 inches to the width of each protrusion from left to right. It is held by the
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in Venice, Italy. In it, the width of the chartreuse blocks present a reverse
Fibonacci sequence when viewed from left to right.
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based each work on a simple mathematical sequence such as the
Fibonacci Sequence. He typically called the works
371:
Godfrey, Mark (2003). "Moralia Minima, review of
Minimalism: Art and Polemics in the Sixties by James Meyer".
216:"Go See – London: Donald Judd's 'Progressions 1960s and 1970s' at Simon Lee Gallery through January 29th 2010"
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261:"No Preservatives: Preservation, Perfection, and Patina: Eleanor Nagy Discusses Preserving Judd's Art"
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170:. The work, made of clear anodized and green anodized aluminum, follows a dual Fibonacci sequence.
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or serial progression rather than the more classical relational method of composition.
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is a clear and green anodized aluminum version of the progression sculptures.
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is a 1965 work made of painted and galvanized aluminum, held by the
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347:"Donald Judd (American, 1928 - 1994) Untitled (Progression) 1970"
31:
Donald Judd, Untitled (1967), collection of
Indianapolis Museum
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Flam, Jack D.; Beudert, Monique; Wells, Jennifer (1995).
433:
Indianapolis Museum of Art: Highlights of the
Collection
414:"The Re-Restoration of Donald Judd's 'Untitled, 1965'"
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Untitled by Donald Judd, in the Tate
Liverpool Museum
50:to the title. Judd, along with fellow artists,
16:Sculpture series by Donald Judd, American Artist
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288:Imagine Math 3: Between Culture and Mathematics
457:"Untitled, Donald Judd (American, 1928-1994)"
58:, was interested in the minimalist notion of
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571:Sculptures in the Indianapolis Museum of Art
435:. Indianapolis: Indianapolis Museum of Art.
431:Lee, Ellen Wardwell; Robinson, Anne (2005).
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98:, was created in 1967. It consists of a
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36:Donald Judd's progression sculptures
166:, produced in 1978, is held by the
412:Gottschaller, Pia (January 2007).
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501:"'Untitled', Donald Judd, 1973"
351:The Nelson Atkins Museum of Art
156:, made in 1976 and held by the
576:Sculptures by American artists
259:McCoy, Richard (29 Jun 2011).
191:The PaineWebber Art Collection
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330:"Donald Judd : Untitled"
285:Emmer, Michele (2015-03-04).
463:. Indianapolis Museum of Art
46:, sometimes adding the word
148:Peggy Guggenheim Collection
128:Nelson-Atkins Museum of Art
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168:National Gallery of Canada
106:boxes in Judd's signature
102:bar over a series of five
96:Indianapolis Museum of Art
523:www.guggenheim-venice.it
483:"Untitled (Progression)"
399:"Untitled (Progression)"
418:Modern Paints Uncovered
229:Elger, Dietmar (2000).
158:Nasher Sculpture Center
124:Untitled (Progression)
76:Saint Louis Art Museum
72:Untitled (Progression)
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232:Donald Judd, Colorist
86:Whitney Museum of Art
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581:Minimalist artists
373:Oxford Art Journal
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467:22 February
356:22 February
138:Tate Museum
108:cadmium red
56:Mel Bochner
48:progression
561:Minimalism
555:Categories
537:"Untitled"
442:0936260777
379:(1): 169.
313:"Artspace"
175:References
52:Dan Flavin
270:2 October
140:, London.
60:seriality
164:Untitled
154:Untitled
144:Untitled
134:Untitled
114:Untitled
92:Untitled
82:Untitled
44:Untitled
385:3600454
315:. 1992.
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265:Art:21
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381:JSTOR
104:steel
100:brass
66:Works
505:Tate
469:2020
437:ISBN
358:2020
293:ISBN
272:2012
237:ISBN
196:ISBN
54:and
40:Judd
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
