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60:. She completed the translation of Shakespeare's works, which her father had begun with Schlegel and Baudissin, and worked also on
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is particularly noted and has frequently been republished alone. Her translation of one of the play's best-known speeches follows:
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Samuel L. Macey, "The
Introduction of Shakespeare into Germany in the Second Half of the Eighteenth Century,"
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Notably
Frankfurt: Ullstein, 1964; and with illustrations by Josef Hegenbarth, Leipzig: Reclam, 1971.
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and Amalie
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Quoted as reproduced in the gutenberg.org version at
32:(March 1799 – 21 February 1841) was a German
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125:Den Pfad zum staubigen Tod. Aus, kleines Licht!
131:Sein StĂĽndchen auf der BĂĽhn und dann nicht mehr
102:The way to dusty death. Out, out, brief candle!
119:Kriecht so mit kleinem Schritt von Tag zu Tag,
162:, Vol. 5, No. 2. (Winter, 1971–1972), p. 268.
129:Ein armer Komödiant, der spreizt und knirscht
106:That struts and frets his hour upon the stage
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117:Morgen, und morgen, und dann wieder morgen,
104:Life's but a walking shadow, a poor player
96:Creeps in this petty pace from day to day,
135:Von einem Blödling, voller Klang und Wut,
133:Vernommen wird; ein Märchen ists, erzählt
100:And all our yesterdays have lighted fools
127:Leben ist nur ein wandelnd Schattenbild,
121:Zur letzten Silb auf unserm Lebensblatt;
110:Told by an idiot, full of sound and fury
245:People from the Province of Brandenburg
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108:And then is heard no more. It is a tale
98:To the last syllable of recorded time;
123:Und alle unsre Gestern fĂĽhrten Narren
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255:Scholars from the Kingdom of Prussia
92:Tomorrow, and tomorrow, and tomorrow
250:Translators of William Shakespeare
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206:Works by or about Dorothea Tieck
58:Wolf Heinrich Graf von Baudissin
16:German translator of Shakespeare
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137:Das nichts bedeutet.
52:literary circle, including
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160:Eighteenth-Century Studies
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112:Signifying nothing.
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