1088:
1082:
1076:
1145:
1117:
1259:(#), in that both have two intersecting sets of parallel double lines. While the number sign may have a pair of horizontal lines, the sharp sign has a pair of slanted lines that rise from left to right instead, to avoid obscuring the staff lines. The other set of parallel lines are vertical in the sharp sign, while the number sign (#) may have slanted lines instead. It is also etymologically independent from the number sign.
2340:
1186:
2330:
1208:
1452:
1266:
1055:
1047:
981:
970:
959:
948:
937:
926:
915:
904:
893:
1520:
1229:
1010:
Temporary accidentals apply to the note on which they are placed, and to subsequent similar notes in the same measure. In modern notation they do not apply to notes in other octaves or measure, but this was not always the convention. If a sharp is used as an accidental, it can be cancelled on a
1427:
320:
1174:
1133:
1195:
360:
1068:
1007:
1004:
sign, they apply to the note on which they are placed, and to all subsequent similar notes in the same measure and octave. the sharp symbol is placed to the left of the note head.
1597:
1773:
1676:
1661:
1672:
1241:
sign, they apply to the note on which they are placed, and to all subsequent similar notes in the same staff, measure and octave.
1657:
1613:
2239:
1766:
1623:
329:
tuning (the predominant system of tuning in
Western music), raising a note's pitch by a semitone results in a note that is
326:
1144:
1116:
2274:
2138:
369:
In a key signature, sharps or flats are placed to the right of the clef. The pitches indicated apply in every octave.
1087:
1081:
1075:
2364:
2343:
2234:
2209:
2000:
1759:
1693:
2244:
2194:
2083:
1990:
2333:
2204:
1720:
1438:
364:
The standard order in which sharps occur in a key signature is "F♯ C♯ G♯ D♯ A♯ E♯ B♯", with a maximum of 7.
2369:
1883:
744:
2315:
2179:
1878:
1644:
1185:
2010:
1808:
2249:
2229:
145:
31:
1901:
1710:
1238:
1098:
1001:
282:
266:
1591:
2295:
2043:
1619:
49:
1451:
1265:
1207:
1054:
1046:
980:
969:
958:
947:
936:
925:
914:
903:
892:
2254:
2058:
2033:
1985:
1858:
1782:
1702:
1510:
1095:
841:
major with five flats in this case). In rare cases, the sharp keys may be extended further,
823:
2148:
2143:
2028:
1995:
1911:
1640:
1434:
1395:
1391:
1379:
1022:
987:
215:
130:
2305:
2279:
2018:
1873:
346:
227:
2358:
2310:
2169:
2088:
1960:
1853:
1833:
1790:
1691:(Summer 1991). "Ben Johnston's extended just intonation – a guide for interpreters".
1688:
1586:
741:
726:
671:
655:
606:
590:
537:
490:
294:
278:
234:
2224:
2214:
2189:
2100:
2063:
1965:
1953:
1943:
1906:
1893:
1843:
1525:
1505:
1442:
1414:
1126:
1122:
1110:
1012:
290:
252:
244:
189:
1387:
1383:
285:
applied to a single note. The staff below has a key signature with three sharps (
2300:
2174:
2153:
2130:
2115:
1928:
1863:
1838:
1813:
1256:
115:
42:
2199:
2073:
1938:
1933:
1515:
1217:
835:
major with seven sharps) may be written as an enharmonically equivalent key (D
330:
2269:
2259:
2219:
2184:
2068:
1828:
1213:
17:
2120:
2105:
1948:
1923:
1271:
1221:
1060:
248:
163:
34:. For the use of the sharp sign in computational complexity theory, see
2095:
2078:
2053:
2038:
2023:
1980:
1823:
1601:. Vol. 19 (11th ed.). Cambridge University Press. p. 87.
1590:
1394:
sign is often omitted in modern notation. The similar principle of the
1285:
810:. Starting with no sharps or flats (C major), adding the first sharp (F
553:
506:
465:
455:
436:
426:
413:
403:
395:
286:
71:
1714:
35:
2110:
2048:
1975:
1803:
1798:
1563:
27:
Accidental raising the pitch of a note by one chromatic semitone (♯)
1751:
1706:
2264:
1970:
1868:
1848:
1234:
Strictly speaking, there are many other variants that can appear.
199:
1818:
303:). The sharp symbol placed on the note indicates that it is an A
1755:
1744:) ratio ... this raises a note approximately 70.6 cents.
345:
are considered to be equivalent. However, in the majority of
1141:), and may be marked with various symbols, often including
1658:
Max Reger: Clarinet Sonata No.2 (Complete Score), pp. 33.
1456:
symbol is not supported, or in specific text notation, a
1170:, raises a note by three quarter tones = 150 cents (
1390:) instead of the conventional sharp sign (♯), but the
992:. This principle applies similarly to the flat keys.
1441:
uses a sharp to indicate a note is raised 70.6
1212:) can sometimes be found. It raises a note by three
1101:, for example) other types of sharps may be used: A
2288:
2162:
2129:
2009:
1892:
1789:
1673:
Chopin: Études No. 9, Op.10 (C.F. Peters), pp. 429.
1462:
is sometimes written using two single sharp signs (
1073:Historically, a double sharp was sometimes written
175:
170:
101:
96:
69:
62:
57:
1011:subsequent similar note in the measure by using a
30:For the use of the sharp sign in mathematics, see
908:, requiring double sharps in the key signature:
261:symbol derives from a square form of the letter
41:"♯" redirects here. Not to be confused with the
1767:
333:to the adjacent named note. In this system, A
247:to which the symbol is applied is played one
8:
1546:
220:
208:
1378:to a single sharp could be notated using a
822:) indicates D major, and so on through the
2329:
1774:
1760:
1752:
48:For the Japanese electronics company, see
1677:International Music Score Library Project
1662:International Music Score Library Project
1641:"Extremes of conventional music notation"
1618:. Vol. V. Samuel Leigh. p. 47.
1398:sign notation can apply when canceling a
1276:it needs to be typographically distinct.
1643:(academic pers. page). Bloomington, IN:
1473:) or a lower-case letter x. Likewise, a
371:
1578:
1538:
1288:, assigned sharp signs are as follows:
816:) indicates G major, adding the next (C
255:, indicating a lowering of pitch. The
1262:Likewise, while the double-sharp sign
54:
7:
1413:can be also written when changing a
1121:) raises a note by approximately a
1059:and raises a note by two chromatic
267:History of notation of accidentals
25:
1363:MUSICAL SYMBOL QUARTER TONE SHARP
1270:resembles a bold-face lower-case
251:higher. The opposite of sharp is
2339:
2338:
2328:
1518:
1450:
1264:
1206:
1184:
1143:
1115:
1086:
1080:
1074:
1053:
1045:
979:
968:
957:
946:
935:
924:
913:
902:
891:
1545:For the etymology of the words
1:
1475:
1458:
1399:
1375:
1051:) is indicated by the symbol
327:twelve-tone equal temperament
277:The sharp symbol is used in
2139:History of music publishing
1402:or beyond. The combination
1321:MUSICAL SYMBOL DOUBLE SHARP
2386:
1448:In environments where the
1200:Although very uncommon, a
160:CJK UNIFIED IDEOGRAPH-4E95
47:
40:
29:
2344:Category:Musical notation
2324:
2210:Numbered musical notation
2001:Scientific pitch notation
1694:Perspectives of New Music
1374:Historically, lowering a
1349:MUSICAL SYMBOL SHARP DOWN
1237:When used as a temporary
1000:When used as a temporary
331:enharmonically equivalent
1991:Helmholtz pitch notation
1701:(2): 106–137, esp. 109.
1612:Ayrton, William (1827).
1592:"Musical Notation"
1418:
1369:Other notation and usage
1164:three-quarter-tone sharp
349:, this is not the case.
2334:List of musical symbols
2205:Nashville Number System
1598:Encyclopædia Britannica
1335:MUSICAL SYMBOL SHARP UP
740:The order of sharps in
269:for more information).
1884:Transposing instrument
1547:
221:
209:
1645:University of Indiana
1639:Byrd, Donald (2018).
1182:) and may be denoted
243:, indicates that the
146:EQUAL AND PARALLEL TO
996:Temporary accidental
829:Some keys (such as C
237:. The sharp symbol,
233:) – means higher in
2230:Percussion notation
985:. These are called
32:Musical isomorphism
1479:can be written as
1433:To allow extended
1257:number (hash) sign
1249:The sharp symbol (
2352:
2351:
2296:Mensural notation
1386:) or vice-versa (
738:
737:
196:
195:
50:Sharp Corporation
16:(Redirected from
2377:
2365:Musical notation
2342:
2341:
2332:
2331:
2195:Graphic notation
1859:Rehearsal letter
1783:Musical notation
1776:
1769:
1762:
1753:
1747:
1746:
1743:
1742:
1735:
1733:
1732:
1729:
1726:
1685:
1679:
1675:: Scores at the
1670:
1664:
1660:: Scores at the
1655:
1649:
1648:
1636:
1630:
1629:
1609:
1603:
1602:
1594:
1583:
1567:
1558:
1550:
1543:
1528:
1523:
1522:
1521:
1511:Electronic tuner
1494:
1493:
1489:
1488:
1484:
1483:
1472:
1471:
1467:
1466:
1455:
1454:
1412:
1411:
1407:
1406:
1382:and sharp sign (
1364:
1361:
1358:
1356:
1350:
1347:
1344:
1342:
1336:
1333:
1330:
1328:
1322:
1319:
1316:
1314:
1307:
1303:
1302:MUSIC SHARP SIGN
1300:
1297:
1295:
1269:
1268:
1255:) resembles the
1254:
1253:
1211:
1210:
1189:
1188:
1181:
1180:
1179:
1177:
1160:sharp-and-a-half
1157:
1156:
1153:
1148:
1147:
1140:
1139:
1138:
1136:
1120:
1119:
1096:microtonal music
1090:
1084:
1078:
1058:
1057:
1050:
1049:
1030:
1029:
1020:
1019:
984:
983:
973:
972:
962:
961:
951:
950:
940:
939:
929:
928:
918:
917:
907:
906:
896:
895:
885:
884:
876:
875:
867:
866:
858:
857:
849:
848:
840:
839:
834:
833:
824:circle of fifths
821:
820:
815:
814:
809:
808:
800:
799:
791:
790:
782:
781:
773:
772:
764:
763:
755:
754:
732:
731:
723:
722:
717:
716:
711:
710:
705:
704:
699:
698:
693:
692:
687:
686:
677:
676:
661:
660:
652:
651:
646:
645:
640:
639:
634:
633:
628:
627:
622:
621:
612:
611:
596:
595:
587:
586:
581:
580:
575:
574:
569:
568:
563:
562:
543:
542:
534:
533:
528:
527:
522:
521:
516:
515:
496:
495:
487:
486:
481:
480:
475:
474:
452:
451:
446:
445:
423:
422:
372:
344:
343:
338:
337:
314:
313:
308:
307:
300:
299:
260:
259:
242:
241:
232:
224:
212:
192:
187:
184:
182:
161:
158:
155:
153:
148:
143:
140:
138:
133:
128:
125:
123:
118:
113:
110:
108:
91:
87:
86:MUSIC SHARP SIGN
84:
81:
79:
55:
21:
2385:
2384:
2380:
2379:
2378:
2376:
2375:
2374:
2355:
2354:
2353:
2348:
2320:
2284:
2158:
2149:Music publisher
2144:Music engraving
2125:
2005:
1996:Letter notation
1888:
1785:
1780:
1750:
1740:
1739:
1730:
1727:
1724:
1723:
1721:
1687:
1686:
1682:
1671:
1667:
1656:
1652:
1638:
1637:
1633:
1626:
1611:
1610:
1606:
1585:
1584:
1580:
1576:
1571:
1570:
1556:
1544:
1540:
1535:
1524:
1519:
1517:
1502:
1491:
1490:
1486:
1485:
1481:
1480:
1469:
1468:
1464:
1463:
1449:
1435:just intonation
1428:
1409:
1408:
1404:
1403:
1371:
1362:
1359:
1354:
1353:
1348:
1345:
1340:
1339:
1334:
1331:
1326:
1325:
1320:
1317:
1312:
1311:
1305:
1301:
1298:
1293:
1292:
1282:
1263:
1251:
1250:
1247:
1230:
1205:
1196:
1183:
1175:
1173:
1172:
1171:
1154:
1151:
1150:
1142:
1134:
1132:
1131:
1130:
1114:
1094:Less often (in
1069:
1052:
1044:
1037:
1027:
1026:
1017:
1016:
1008:
998:
988:theoretical key
978:
967:
956:
945:
934:
923:
912:
901:
890:
882:
881:
873:
872:
864:
863:
855:
854:
846:
845:
837:
836:
831:
830:
818:
817:
812:
811:
806:
805:
797:
796:
788:
787:
779:
778:
770:
769:
761:
760:
752:
751:
729:
728:
720:
719:
714:
713:
708:
707:
702:
701:
696:
695:
690:
689:
684:
683:
674:
673:
658:
657:
649:
648:
643:
642:
637:
636:
631:
630:
625:
624:
619:
618:
609:
608:
593:
592:
584:
583:
578:
577:
572:
571:
566:
565:
560:
559:
540:
539:
531:
530:
525:
524:
519:
518:
513:
512:
493:
492:
484:
483:
478:
477:
472:
471:
449:
448:
443:
442:
420:
419:
367:
366:
365:
362:
361:
355:
341:
340:
335:
334:
321:
311:
310:
309:instead of an A
305:
304:
297:
296:
275:
257:
256:
239:
238:
230:
190:MUSIC FLAT SIGN
188:
185:
180:
179:
159:
156:
151:
150:
149:
144:
141:
136:
135:
134:
131:VIEWDATA SQUARE
129:
126:
121:
120:
119:
114:
111:
106:
105:
89:
85:
82:
77:
76:
65:
53:
46:
39:
28:
23:
22:
15:
12:
11:
5:
2383:
2381:
2373:
2372:
2367:
2357:
2356:
2350:
2349:
2347:
2346:
2336:
2325:
2322:
2321:
2319:
2318:
2313:
2308:
2303:
2298:
2292:
2290:
2286:
2285:
2283:
2282:
2277:
2272:
2267:
2262:
2257:
2252:
2247:
2242:
2237:
2232:
2227:
2222:
2217:
2212:
2207:
2202:
2197:
2192:
2187:
2182:
2177:
2172:
2166:
2164:
2160:
2159:
2157:
2156:
2151:
2146:
2141:
2135:
2133:
2127:
2126:
2124:
2123:
2118:
2113:
2108:
2103:
2098:
2093:
2092:
2091:
2086:
2081:
2076:
2071:
2066:
2056:
2051:
2046:
2041:
2036:
2031:
2026:
2021:
2015:
2013:
2007:
2006:
2004:
2003:
1998:
1993:
1988:
1983:
1978:
1973:
1968:
1963:
1958:
1957:
1956:
1951:
1946:
1936:
1931:
1926:
1921:
1920:
1919:
1914:
1909:
1898:
1896:
1890:
1889:
1887:
1886:
1881:
1876:
1874:Time signature
1871:
1866:
1861:
1856:
1851:
1846:
1841:
1836:
1831:
1826:
1821:
1816:
1811:
1806:
1801:
1795:
1793:
1787:
1786:
1781:
1779:
1778:
1771:
1764:
1756:
1749:
1748:
1738:is the sharp (
1707:10.2307/833435
1680:
1665:
1650:
1631:
1624:
1615:The Harmonicon
1604:
1589:, ed. (1911).
1587:Chisholm, Hugh
1577:
1575:
1572:
1569:
1568:
1537:
1536:
1534:
1531:
1530:
1529:
1514:
1513:
1508:
1501:
1498:
1497:
1496:
1446:
1445:(ratio 25:24).
1430:
1429:
1426:
1423:
1422:
1370:
1367:
1366:
1365:
1351:
1337:
1323:
1309:
1281:
1278:
1246:
1243:
1232:
1231:
1228:
1198:
1197:
1194:
1071:
1070:
1067:
1036:
1033:
1006:
997:
994:
736:
735:
724:
680:
669:
665:
664:
653:
615:
604:
600:
599:
588:
556:
551:
547:
546:
535:
509:
504:
500:
499:
488:
468:
463:
459:
458:
453:
439:
434:
430:
429:
424:
416:
411:
407:
406:
401:
398:
393:
389:
388:
385:
382:
379:
363:
359:
358:
357:
356:
354:
351:
347:tuning systems
323:
322:
319:
291:relative minor
279:key signatures
274:
271:
194:
193:
177:
173:
172:
168:
167:
103:
102:Different from
99:
98:
97:Different from
94:
93:
74:
67:
66:
63:
60:
59:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
2382:
2371:
2370:Pitch (music)
2368:
2366:
2363:
2362:
2360:
2345:
2337:
2335:
2327:
2326:
2323:
2317:
2316:Transcription
2314:
2312:
2311:Sight-reading
2309:
2307:
2306:Perfect pitch
2304:
2302:
2299:
2297:
2294:
2293:
2291:
2287:
2281:
2278:
2276:
2273:
2271:
2268:
2266:
2263:
2261:
2258:
2256:
2253:
2251:
2248:
2246:
2243:
2241:
2240:Ancient Greek
2238:
2236:
2233:
2231:
2228:
2226:
2223:
2221:
2218:
2216:
2213:
2211:
2208:
2206:
2203:
2201:
2198:
2196:
2193:
2191:
2188:
2186:
2183:
2181:
2180:Chord diagram
2178:
2176:
2173:
2171:
2170:Braille music
2168:
2167:
2165:
2163:Other systems
2161:
2155:
2152:
2150:
2147:
2145:
2142:
2140:
2137:
2136:
2134:
2132:
2128:
2122:
2119:
2117:
2114:
2112:
2109:
2107:
2104:
2102:
2099:
2097:
2094:
2090:
2087:
2085:
2082:
2080:
2077:
2075:
2072:
2070:
2067:
2065:
2062:
2061:
2060:
2057:
2055:
2052:
2050:
2047:
2045:
2042:
2040:
2037:
2035:
2032:
2030:
2027:
2025:
2022:
2020:
2017:
2016:
2014:
2012:
2008:
2002:
1999:
1997:
1994:
1992:
1989:
1987:
1984:
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1979:
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1925:
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1918:
1915:
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1900:
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1894:Musical notes
1891:
1885:
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1879:Transposition
1877:
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1867:
1865:
1862:
1860:
1857:
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1847:
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1840:
1837:
1835:
1834:Key signature
1832:
1830:
1827:
1825:
1822:
1820:
1817:
1815:
1812:
1810:
1807:
1805:
1802:
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1719:... the
1716:
1712:
1708:
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1700:
1696:
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1669:
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1562:
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1549:
1542:
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1527:
1516:
1512:
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1504:
1503:
1499:
1478:
1477:
1461:
1460:
1453:
1447:
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1440:
1436:
1432:
1431:
1425:
1424:
1420:
1416:
1401:
1397:
1393:
1389:
1385:
1381:
1377:
1373:
1372:
1368:
1352:
1338:
1324:
1310:
1291:
1290:
1289:
1287:
1279:
1277:
1275:
1274:
1267:
1260:
1258:
1244:
1242:
1240:
1235:
1227:
1226:
1225:
1223:
1219:
1215:
1209:
1203:
1193:
1192:
1191:
1187:
1178:
1169:
1165:
1161:
1146:
1137:
1128:
1124:
1118:
1112:
1108:
1104:
1100:
1097:
1092:
1089:
1083:
1077:
1066:
1065:
1064:
1062:
1056:
1048:
1042:
1034:
1032:
1024:
1014:
1005:
1003:
995:
993:
991:
989:
982:
977:
971:
966:
960:
955:
949:
944:
938:
933:
927:
922:
916:
911:
905:
900:
894:
889:
880:
871:
862:
853:
844:
827:
825:
804:
795:
786:
777:
768:
759:
750:
746:
743:
742:key signature
734:
725:
681:
679:
670:
667:
666:
663:
654:
616:
614:
605:
602:
601:
598:
589:
557:
555:
552:
549:
548:
545:
536:
510:
508:
505:
502:
501:
498:
489:
469:
467:
464:
461:
460:
457:
454:
440:
438:
435:
432:
431:
428:
425:
417:
415:
412:
409:
408:
405:
402:
399:
397:
394:
391:
390:
386:
383:
380:
378:
374:
373:
370:
353:Key signature
352:
350:
348:
332:
328:
318:
317:
316:
302:
292:
288:
284:
280:
272:
270:
268:
264:
254:
250:
246:
236:
229:
225:
223:
217:
213:
211:
205:
201:
191:
178:
174:
169:
165:
147:
132:
117:
104:
100:
95:
75:
73:
68:
64:Sharp (music)
61:
56:
51:
44:
37:
33:
19:
2215:Klavarskribo
2190:Figured bass
2064:Appoggiatura
2011:Articulation
1916:
1809:Abbreviation
1718:
1698:
1692:
1689:Fonville, J.
1683:
1668:
1653:
1634:
1614:
1607:
1596:
1581:
1560:
1552:
1541:
1526:Music portal
1506:Flat (music)
1476:triple sharp
1474:
1459:double sharp
1457:
1439:Ben Johnston
1400:triple sharp
1376:double sharp
1283:
1272:
1261:
1248:
1236:
1233:
1202:triple sharp
1201:
1199:
1167:
1163:
1159:
1149:, sometimes
1123:quarter tone
1111:quarter tone
1106:
1102:
1093:
1072:
1041:double sharp
1040:
1038:
1009:
999:
986:
975:
964:
953:
942:
931:
920:
909:
898:
887:
878:
869:
860:
851:
842:
828:
802:
793:
784:
775:
766:
757:
748:
739:
384:Sharp notes
376:
368:
324:
276:
262:
219:
207:
203:
197:
18:Double-sharp
2301:Music stand
2175:Chord chart
2154:Scorewriter
2131:Sheet music
1929:Dotted note
1864:Repeat sign
1839:Ledger line
1437:, composer
1306:♯
1168:sesquisharp
1158:instead. A
116:NUMBER SIGN
90:♯
43:number sign
2359:Categories
2275:Shakuhachi
2250:Ekphonetic
2235:Simplified
2200:Lead sheet
2074:Grace note
1939:Note value
1934:Grace note
1902:Accidental
1625:1276309457
1574:References
1239:accidental
1218:whole tone
1125:= 50
1103:half sharp
1002:accidental
990:signatures
387:Minor key
381:Major key
377:of sharps
283:accidental
2270:Swaralipi
2260:Kunkunshi
2220:Tablature
2185:Eye music
2069:Glissando
2044:Fingering
1829:Dal segno
1360:𝄲
1346:𝄱
1332:𝄰
1318:𝄪
1214:semitones
1107:demisharp
1061:semitones
281:or as an
2280:Znamenny
2121:Tonguing
2106:Staccato
2059:Ornament
2034:Dynamics
1986:Interval
1949:Notehead
1924:Cue note
1741:♯
1500:See also
1492:♯
1487:♯
1482:♯
1470:♯
1465:♯
1410:♯
1405:♮
1299:♯
1252:♯
1222:semitone
1220:and one
1099:notation
1035:Variants
1028:♮
1018:♭
883:♯
874:♯
865:♯
856:♯
847:♯
838:♭
832:♯
819:♯
813:♯
807:♯
798:♯
789:♯
780:♯
771:♯
762:♯
753:♯
745:notation
730:♯
721:♯
715:♯
709:♯
703:♯
697:♯
691:♯
685:♯
675:♯
659:♯
650:♯
644:♯
638:♯
632:♯
626:♯
620:♯
610:♯
594:♯
585:♯
579:♯
573:♯
567:♯
561:♯
541:♯
532:♯
526:♯
520:♯
514:♯
494:♯
485:♯
479:♯
473:♯
450:♯
444:♯
421:♯
342:♭
336:♯
312:♮
306:♯
298:♯
273:Examples
258:♯
249:semitone
240:♯
186:♭
176:See also
164:Jingtian
157:井
142:⋕
127:⌗
83:♯
70:In
2289:Related
2255:Gamelan
2245:Chinese
2225:Parsons
2096:Portato
2079:Mordent
2054:Marcato
2039:Fermata
2029:Damping
2024:Caesura
1981:Tremolo
1912:natural
1824:Da capo
1734:
1722:
1396:natural
1392:natural
1380:natural
1355:U+1D132
1341:U+1D131
1327:U+1D130
1313:U+1D12A
1286:Unicode
1280:Unicode
1216:or one
1023:natural
1021:) or a
554:B major
507:E major
466:A major
456:B minor
437:D major
427:E minor
414:G major
404:A minor
396:C major
375:Number
289:or its
287:A major
206:– eqv.
171:Related
72:Unicode
2111:Tenuto
2049:Legato
2019:Accent
1976:Tuplet
1715:833435
1713:
1622:
1564:diesis
1557:δίεσις
1555:, and
1553:diesis
1357:
1343:
1329:
1315:
1296:
1294:U+266F
231:δίεσις
226:(from
222:diesis
216:French
214:(from
183:
181:U+266D
154:
152:U+4E95
139:
137:U+22D5
124:
122:U+2317
112:#
109:
107:U+0023
80:
78:U+266F
2265:Neume
2089:Trill
2084:Slide
1971:Tacet
1961:Pitch
1917:sharp
1869:Tempo
1854:Scale
1849:Ossia
1791:Staff
1736:ratio
1711:JSTOR
1548:dièse
1533:Notes
1443:cents
1419:sharp
1417:to a
1245:Shape
1166:, or
1127:cents
1109:, or
1105:, or
733:minor
678:major
662:minor
613:major
597:minor
544:minor
497:minor
339:and B
301:minor
265:(see
235:pitch
228:Greek
218:) or
210:dièse
204:sharp
200:music
2101:Slur
1966:Rest
1954:stem
1944:beam
1907:flat
1844:Mode
1819:Clef
1620:ISBN
1415:flat
1176:Play
1135:Play
1013:flat
253:flat
245:note
45:(#).
2116:Tie
1814:Bar
1731:24
1703:doi
1561:see
1284:In
1224:.
1085:or
1031:).
747:is
718:, B
712:, E
706:, A
700:, D
694:, G
688:, C
647:, E
641:, A
635:, D
629:, G
623:, C
582:, A
576:, D
570:, G
564:, C
529:, D
523:, G
517:, C
482:, G
476:, C
447:, C
325:In
198:In
2361::
1804:15
1725:25
1717:.
1709:.
1699:29
1697:.
1595:.
1559:,
1551:,
1388:♯♮
1384:♮♯
1190:.
1162:,
1091:.
1079:,
1063:.
1039:A
974:,
963:,
952:,
941:,
930:,
919:,
897:→
886:→
877:→
868:→
859:→
850:→
826:.
801:,
792:,
783:,
774:,
765:,
756:,
668:7
603:6
550:5
503:4
462:3
433:2
410:1
400:–
392:0
315:.
293:,
202:,
36:♯P
1799:8
1775:e
1768:t
1761:v
1728:/
1705::
1647:.
1628:.
1566:.
1495:.
1421:.
1308:)
1304:(
1273:x
1204:(
1155:+
1152:+
1129:(
1113:(
1043:(
1025:(
1015:(
976:B
965:E
954:A
943:D
932:G
921:C
910:F
899:C
888:F
879:B
870:E
861:A
852:D
843:G
803:B
794:E
785:A
776:D
767:G
758:C
749:F
727:A
682:F
672:C
656:D
617:F
607:F
591:G
558:F
538:C
511:F
491:F
470:F
441:F
418:F
295:F
263:b
166:)
162:(
92:)
88:(
58:♯
52:.
38:.
20:)
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