319:(2003) consists of two videos projected on two large screens showing a circus elephant named Minnie ponderously performing for an off-screen trainer in the empty, spacious, white-walled gallery room. In each projection the camera circles as the elephant walks around, lies down to play dead and gets up. The footage showing Minnie’s sequences of tricks is simultaneously presented in a front and a rear life-sized projection and on a monitor, with each one depicting the same event from a range of perspectives, including close-ups of the animal's eyes. Gordon also made a film about
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515:, New York. The Guggenheim collection also include Through a Looking Glass (1999) and Tattoo (for Reflection) by Gordon. Several photographs and video installations are in the Migros Museum for contemporary art in Zürich., in the Tate collection, National Galleries of Scotland, Musée D'art Moderne de la Ville de Paris as well as many other prestigious collections worldwide. Play Dead; Real Time (2003) is co-owned by MMK Frankfurt and Hirschhorn Museum and Sculpture Garden Collection. His colour photograph
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481:, Edinburgh. A survey of his textworks was shown at Tate Britain, London in 2010. Retrospective solo exhibitions were shown at Museum für Moderne Kunst, Frankfurt am Main in 2011 to 2012, Tel Aviv Museum of Art in 2013 and at the Australian Centre for Contemporary Art in Melbourne in 2014. Further solo exhibitions have been held at Museum Folkwang, Essen, Germany 2013, Musée D'art Moderne de la Ville de Paris, 2014. Gordon took part in the Biennale of Sydney 2014 and
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308:(1976), in which the main character addresses the camera; the screens are arranged so that the character seems to be addressing himself. At first, the 71-second loops are in sync, but they get progressively out and then progressively back with each repetition of the whole, hourlong program.
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Much of Gordon's work is seen as being about memory and uses repetition in various forms. He uses material from the public realm and also creates performance-based videos. His work often overturns traditional uses of video by playing with time elements and employing multiple monitors.
272:(1949) side by side, with the one on the right reversed so that the two sides mirror each other; by digital means, Gordon separated individual frames of the original film so that odd-numbered ones on one side alternate with even-numbered ones on the other.
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258:(1943) – two films about adolescent girls driven by external forces – are projected on either side of a single free-standing semi-transparent screen so they can be seen simultaneously. The video installation
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and assembled from footage shot by seventeen synchronised cameras placed around the stadium in real time over the course of a single match, premiered outside the competition of the 2006
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and the emotional responses it creates in the viewer. In one installation, this was placed at the top of a tall building, referencing one of the film's main plot points. In
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focusing on
Wainright's eye — blackened with make-up, weeping, and glaring back at the viewer, echoing melodramatic performances by stars of the silent screen.
360:(2002) featured publicity photographs of mid-century movie stars in which the sitters' eyes were replaced by expressionless black, white or mirrored surfaces.
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Gordon has also made photographs, often in series with relatively minor variations between each individual piece. His
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Gordon has often reused older film footage in his photographs and videos. One of his best-known art works is
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complex in
Edinburgh, being Gordon's first major solo exhibition in Scotland since he presented
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Douglas Gordon: self-portrait of you + me, after the factory, 31 October – 15 December 2007
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329:(2006), an idea first seen in a film by Hellmuth Costard, who, in 1970, made a film about
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which was curated by Klaus
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In 2008, Gordon was a member of the
Official Competition Jury at the
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left is right and right is wrong and left is wrong and right is right
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1272:"Professor Douglas Gordon CorrFRSE – The Royal Society of Edinburgh"
427:. His work was the subject of a 2001 retrospective organised by the
469:(MoMA) in New York showed a retrospective of Gordon's work, called
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The
Physical Impossibility of Death in the Mind of Someone Living
1151:"Collections en ligne | Musée d'Art Moderne de la Ville de Paris"
443:, Washington, D.C. In 2005, he put together an exhibition at the
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The feature-length film, which he co-directed with fellow artist
214:, 1996–7, colour photograph by Douglas Gordon, Private collection
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Review of "what you want me to say..." exhibition in
Barcelona
1304:(25th anniversary ed.). Köln: Taschen. pp. 120–123.
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from the article and its talk page, especially if potentially
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Douglas Gordon: Phantom, 11 December 2014 – 17 January 2015.
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Originally conceived as a site-specific video projection for
23:. For the pastoralist and politician in South Australia, see
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Gordon's first solo show was in 1986. In 1993, he exhibited
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Roswitha
Haftmann Prize Goes to Video Artist Douglas Gordon
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367:, creating the visuals for his tour which accompany Rufus'
179:(born 20 September 1966) is a Scottish artist. He won the
1098:"Migros Museum für Gegenwartskunst–Werke in der Sammlung"
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Grosenick, Uta; Riemschneider, Burkhard, eds. (2005).
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At MoMA, Douglas Gordon: The
Hourglass Contortionist
419:. In 1996, Gordon was one of the artists invited to
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before screenings at numerous international venues.
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Hirshhorn Museum and
Sculpture Garden | Smithsonian
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1006:Douglas Gordon: Fog, 4 November – 23 December 2004
395:as recipient of the Käthe Kollwitz Prize in 2019.
487:Arsenale Institute for Politics of Representation
391:. He was also a member of the jury that selected
778:Between Darkness and Light (After William Blake)
236:Between Darkness and Light (After William Blake)
1202:"Research on Contemporary Artists - haaedu.org"
519:(1996–7) is in the permanent collection of the
276:(1999) is a projection of Gordon's own film of
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485:17. In 2019, his works were exhibited at the
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708:2018: Elected a Corresponding Fellow of the
423:, and in 1997 he represented Britain at the
2431:Touch: Relational Art from the 1990s to Now
933:Hito Steyerl Wins 2019 Käthe Kollwitz Prize
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568:about living persons that is unsourced or
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1755:Everyone I Have Ever Slept With 1963–1995
1227:Turner Prize 1996 artists: Douglas Gordon
991:"New" Museum of Modern (Contemporary) Art
840:ART IN REVIEW; Douglas Gordon; Franz West
819:Douglas Gordon: 'Through a Looking Glass'
764:Museum Hosts '24 Hour Psycho' – Literally
639:Learn how and when to remove this message
415:, Berlin. The Berlin show was curated by
19:For the American whitewater kayaker, see
665:1998: Central Kunstpreis awarded by the
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509:Scottish National Gallery of Modern Art
479:Scottish National Gallery of Modern Art
429:Museum of Contemporary Art, Los Angeles
389:65th Venice International Film Festival
234:so that it lasts twenty four hours. In
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441:Hirshhorn Museum and Sculpture Garden
183:in 1996, the Premio 2000 at the 47th
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931:Alex Greenberger (25 October 2018),
687:London Award for Art and Performance
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369:All Days Are Nights: Songs for Lulu
262:(1999) presents two projections of
27:. For the Scottish politician, see
363:In 2010, Gordon collaborated with
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1047:"Zidane, a 21st century portrait"
1022:"Zidane: A 21st Century Portrait"
877:Zidane, un portrait du 21e siècle
504:Zidane, un portrait du 21e siècle
326:Zidane, un portrait du 21e siècle
1334:Gagosian Gallery: Douglas Gordon
1229:". Tate. Accesses 4 October 2017
972:. The Museum of Modern Art. 2006
731:, The Guardian, 5 November 2002.
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290:, thus drawing attention to the
453:Douglas Gordon Superhumanatural
191:in 1998. He lives and works in
142:Zidane: A 21st Century Portrait
52:Douglas Gordon photographed by
1383:Douglas Gordon at Dvir Gallery
1276:The Royal Society of Edinburgh
1026:National Galleries of Scotland
857:ARTIST ROOMS: Douglas Gordon:
457:National Galleries of Scotland
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2560:Scottish contemporary artists
879:(2006) Guggenheim Collection.
703:Ordre des Arts et des Lettres
682:2008: Roswitha Haftmann Prize
507:(2006) were purchased by the
1339:Yvon Lambert: Douglas Gordon
1261:, Dexigner, 20 January 2008.
1248:. Retrieved 31 January 2010.
1149:agence, GAYA – La nouvelle.
817:Ken Johnson (2 April 1999),
678:Solomon R. Guggenheim Museum
546:biography of a living person
513:Solomon R. Guggenheim Museum
2337:Dominique Gonzalez-Foerster
861:, 6 May – 29 September 2013
799:Ken Johnson (9 June 2006),
573:must be removed immediately
465:in 1993. Also in 2006, the
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970:"Douglas Gordon: Timeline"
710:Royal Society of Edinburgh
489:, Venice, during the show
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1239:'Hugo Boss Prize website'
431:, which travelled to the
421:Skulptur Projekte Münster
335:Football as Never Before.
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1937:Karsten Schubert Gallery
955:22 November 2011 at the
224:(1993) which slows down
107:Slade School of Fine Art
1993:Janet Wolfson de Botton
1917:Anthony d'Offay Gallery
1125:"Search results | Tate"
697:Academy of Arts, Berlin
449:The Vanity of Allegory.
439:, Mexico City; and the
296:Through a looking glass
2309:Henrik Plenge Jakobsen
1843:East Country Yard Show
1613:Jane and Louise Wilson
1458:Jake and Dinos Chapman
753:Guggenheim Collection.
667:Kölnischer Kunstverein
560:Please help by adding
521:Honolulu Museum of Art
255:The Song of Bernadette
215:
2565:Young British Artists
2332:Felix Gonzalez-Torres
1967:Victoria Miro Gallery
1419:Young British Artists
749:29 April 2011 at the
475:Kunstmuseum Wolfsburg
433:Vancouver Art Gallery
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154:Young British Artists
99:Glasgow School of Art
2570:Artists from Glasgow
2545:Turner Prize winners
1962:South London Gallery
1690:Gilbert & George
1639:Michael Craig-Martin
1244:15 June 2011 at the
859:Play Dead; Real Time
783:Museum of Modern Art
693:Käthe Kollwitz Prize
662:'s Premio 2000 award
566:Contentious material
501:Gallery versions of
467:Museum of Modern Art
351:Venice Film Festival
343:Cannes Film Festival
317:Play Dead; Real Time
2426:Theanyspacewhatever
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2104:Sir Nicholas Serota
2084:Andrew Graham-Dixon
1762:For the Love of God
993:by Rebecca Lane in
705:Grade de Commandeur
477:, Germany, and the
445:Deutsche Guggenheim
437:Museo Rufino Tamayo
353:in September 2010.
29:Lord Douglas Gordon
25:Douglas Peel Gordon
2470:Julia Peyton-Jones
2465:Hans-Ulrich Obrist
2373:Art & Language
2352:Rirkrit Tiravanija
2155:Julian Stallabrass
1675:Art & Language
1593:Sam Taylor-Johnson
1376:3 May 2011 at the
1344:Another Review of
844:The New York Times
823:The New York Times
805:The New York Times
544:This section of a
411:, Glasgow, and at
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2018:Pauline Karpidas
1932:Gagosian Gallery
1896:Norman Rosenthal
1748:Documents Series
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383:Other activities
365:Rufus Wainwright
339:Philippe Parreno
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74:(age 57)
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30:
26:
22:
2514:Turner Prize
2430:
2425:
2418:
2413:
2388:Martin Creed
2294:Jens Haaning
2288:
2284:Liam Gillick
2201:Turner Prize
2150:Brian Sewell
2079:Richard Cork
2048:Jack Wendler
2028:Jose Mugrabi
1901:Jon Thompson
1862:
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1680:Art in Ruins
1649:Jon Thompson
1548:Stephen Park
1533:Abigail Lane
1518:Damien Hirst
1507:
1503:Liam Gillick
1463:Adam Chodzko
1433:Fiona Banner
1350:Contemporary
1349:
1345:
1301:
1279:. Retrieved
1275:
1266:
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1234:
1221:
1209:. Retrieved
1205:
1196:
1184:. Retrieved
1180:
1171:
1159:. Retrieved
1155:mam.paris.fr
1154:
1144:
1132:. Retrieved
1128:
1118:
1106:. Retrieved
1101:
1092:
1080:. Retrieved
1076:
1067:
1055:. Retrieved
1050:
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1029:. Retrieved
1025:
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986:
974:. Retrieved
964:
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884:
876:
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864:Tate Britain
858:
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777:
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729:Monsters Inc
724:
654:Turner Prize
635:
629:October 2017
626:
616:
609:
602:
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583:
572:
555:verification
548:
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393:Hito Steyerl
386:
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368:
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357:
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346:
334:
324:
316:
315:in Chelsea,
310:
303:
295:
285:
284:'s score to
278:James Conlon
274:Feature Film
273:
267:
259:
253:
243:
235:
229:
219:
217:
211:
202:
181:Turner Prize
176:
175:
168:Turner Prize
140:
133:
129:Notable work
33:
2535:1966 births
2483:Eric Troncy
2474:Jérôme Sans
2342:Jorge Pardo
2259:Abel Azcona
2069:Louisa Buck
2003:Frank Cohen
1927:City Racing
1891:Gregor Muir
1741:Bullet Hole
1705:Andy Warhol
1644:Ian Jeffrey
1543:Sarah Lucas
1538:Chris Ofili
1483:Tracey Emin
1478:Tacita Dean
1448:Glenn Brown
1157:(in French)
1104:(in German)
922:, New York.
909:, New York.
785:, New York.
497:Collections
491:Hey Psycho!
399:Exhibitions
358:Blind Stars
331:George Best
305:Taxi Driver
280:conducting
248:(1973) and
195:, Germany.
87:Nationality
54:Oliver Mark
2529:Categories
2461:Maria Lind
2383:Franz West
2378:Dan Graham
2323:Honoré d'O
2269:Henry Bond
2089:Sarah Kent
1981:Collectors
1972:White Cube
1836:Brilliant!
1734:Break Down
1695:Jeff Koons
1668:Influences
1598:Gavin Turk
1568:Marc Quinn
1493:Nick Fudge
1438:Henry Bond
1211:25 January
1186:16 October
1161:16 October
1134:16 October
1108:16 October
1082:16 October
1057:16 October
1051:Guggenheim
1031:16 October
716:References
599:newspapers
435:, Canada;
371:album. In
292:film score
250:Henry King
81:, Scotland
68:1966-09-20
2414:Backstage
2196:Post-YBAs
2160:Stuckists
2145:David Lee
2118:Opponents
2062:Advocates
1998:Eli Broad
1910:Galleries
1864:Sensation
1573:Fiona Rae
1523:Gary Hume
1320:191239335
866:, London.
669:, Cologne
551:citations
483:Documenta
471:Timeline,
451:In 2006,
269:Whirlpool
121:Video art
95:Education
2492:See also
2440:Curators
2174:See also
1874:Curators
1719:Artworks
1622:Teachers
1374:Archived
1281:14 March
1242:Archived
953:Archived
747:Archived
577:libelous
511:and the
302:’s film
245:Exorcist
238:(1997),
228:'s film
166:(1998),
150:Movement
2420:Traffic
2252:Artists
1426:Artists
1364:in the
1302:Art Now
937:ARTnews
613:scholar
517:Monster
409:Tramway
373:Phantom
333:titled
287:Vertigo
212:Monster
103:Glasgow
90:British
79:Glasgow
2191:Momart
1850:Freeze
1776:My Bed
1318:
1308:
1123:Tate.
995:Fillip
976:8 June
780:(1997)
701:2012:
691:2012:
685:2011:
672:1998:
658:1997:
652:1996:
615:
608:
601:
594:
586:
527:Awards
231:Psycho
193:Berlin
170:(1996)
160:Awards
145:(2006)
138:(1993)
111:London
2407:Shows
1828:Shows
1811:Tense
1769:House
620:JSTOR
606:books
347:k.364
2125:BANK
1783:Myra
1316:OCLC
1306:ISBN
1283:2018
1213:2019
1188:2018
1163:2018
1136:2018
1129:Tate
1110:2018
1084:2018
1059:2018
1033:2018
978:2019
592:news
553:for
199:Work
62:Born
493:.
266:'s
252:'s
242:'s
2531::
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