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Drama (Yes album)

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couldn't see in the world today. Maybe they're being shuffled around a bit, but it's not in any degree fantastic". He expressed a particular interest in illustrating a storm adorned sky, with "the light playing across the landscape, so there were some bits that jumped out and very stark and bright, and other bits that are very dark – black on dark grey". Dean summarised that "there was a lot going on" on the final cover, incorporating various elements and "stirred it up ... they came out in a way I guess that training and good luck worked together". In 2013, Dean spoke fondly of his design, ranking it as one of his favourite paintings.
499:, Yes' engineer and producer throughout the 1970s, but several issues resulted in his departure as the album was being made; Downes said Offord "left in strange circumstances. It was a fraught and manic time", but he remained credited as producer of the backing tracks. In 2021, Howe revealed that he fired Offord when three weeks of increasingly erratic behaviour by the engineer culminated with Howe being asked to come down to the studio café immediately, where Offord was frying a pigeon he had apparently caught in the street in a saucepan with the intent of eating it. 947:, wrote Downes is an "adequate" replacement for Wakeman but pointed out that Horn's voice does not work as well in certain sections, such as "Into the Lens". He picked out that track with "Machine Messiah" and "Tempus Fugit" as highlights, the latter containing what Yes "does best" with harmony singing, playing their instruments "rampantly", and making "vigorous rock and roll". On "Machine Messiah", the band "assembles every kind of artillery that it can unload" with its heavy metal opening and duel between guitar and vocoder which Konz compared to " 420: 399:
differences, described by Anderson as a "loss of respect for each other", led to Squire, Howe, White and Baker coming to sessions late, which discouraged Anderson and Wakeman, the latter at times refusing to leave his hotel room to rehearse. Conversely, Howe recalls Wakeman frequently throwing peanuts at White's drum kit during takes of a song he was getting tired of, which in addition to being very noisy and distracting through the other members' headphones took considerable effort to clean up.
456:, where Horn played "We Can Fly from Here", originally a Buggles song that was deemed too long for them to record, on the guitar and sang. Squire remarked that his voice was similar to Anderson's and invited both musicians to rehearse with the band. Squire convinced Howe and White to let the pair join the group, feeling they were suitable replacements. Downes thought the music the trio had arranged lacked direction, but Yes liked "We Can Fly from Here" and wished to develop and record it. 515:. Howe recorded his parts in two weeks, saying: "I had total freedom. I went away and recorded 90 percent of the guitars on my own in a London studio and went back and presented it to the band. At first, people said 'Your guitars sound too bright and treble-y.' I said 'No, shut up and use them'". Horn spoke about his efforts to get the album finished: "I got married and two hours later, I was back in the studio. for our honeymoon, we were going to spend two weeks in 552:". White called the song his "baby", putting together much of its structure and rhythm. Squire found some of its passages difficult to play on his bass and thought it was more suited for keyboards, but was encouraged by White to master his parts. Downes rates the track highly, citing its various sections and mood changes. When he was composing his keyboard parts for the song, Downes included an arpeggiated segment from the fifth movement of 622:" was originally completed by Horn and Downes before they joined the group, but Squire took a liking to it and wished to re-arrange it as a Yes track, which he completed with Downes. Squire later said that the track suffered a little due to the lack of time to complete the album. It features Downes using a vocoder, further highlighting the band's new sound. A version recorded by Horn and Downes only was later released on the Buggles album 1004:, Paul Collins rates the album three stars out of five, writing: "It rocks harder than other Yes albums" and a "harbinger of Yes and Asia albums to come" throughout the 1980s. He points out Squire's "emboldened" and "aggressive" bass playing with White's drums, and Howe's "more metallic" approach. Collins picks out "Machine Messiah" and "Tempus Fugit" as the album's best tracks within an album of promising material. 464:, the band's label, in New York City to announce the developments. His request for a $ 200,000 advance for the album was rejected outright by chief financial officer Sheldon Vogel, but Lane secured a deal worth twice as much after the label had accidentally transferred $ 400,000 to his account some months prior, and used the clerical error in his favour. Atlantic founder 866: 816: 778: 773: 894:, Yes "didn't take any chances alienating the faithful" fans with a new wave or punk direction and "news more like Yes than Yes". Carlton wrote the album is "full of their tried-and-true brew of orchestral, dramatic, art-rock extrapolations" and is just as "daring and fanciful" as their previous albums. Carlton picked "Tempus Fugit" as his favourite. In the 861: 856: 851: 846: 811: 806: 801: 796: 768: 763: 758: 537: 923:
three stars out of four. With the new line-up, "the results are quite pleasing" with the band displaying greater vitality and strength than their more recent albums, with "generally superb" material. The review picked "Machine Messiah", "Does It Really Happen?" and "Tempus Fugit" as highlight tracks.
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guitar, "in the background being very melancholy", with Squire playing a piano and Horn playing bass, something which Horn did not particularly wish to do, but Squire convinced him to perform. "I didn't quite know what to play on it ... one day we spent twelve hours playing and working the final bass
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Meanwhile, the Buggles were not informed of Anderson's departure and only found out about the situation when Yes encouraged them to take part in recording the song. Horn had doubts in becoming Yes's new singer considering Anderson's reputation among the fans, but agreed as he knew such an opportunity
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in a bar; in Wakeman's words: "Jon and I got really quite depressed and started crying on each other's shoulders and Jon said 'This is not the band that I love, this is not the band that I wanted to keep on going', 'I'm with you, Jon'". The sessions were ultimately called off after White cracked a
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wrote that Yes still retained their "patented group sound" despite Anderson and Wakeman's departure, with high tenor vocals, "rhapsodic" solos, and "brisk" tempo changes. He picked out Howe's guitar work as the band's "invaluable asset" but said the lyrics "are pretentious as always" which focuses
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with a concert tour of North America and the UK from August to December 1980. Horn and Downes had never performed live on such a large scale before, and learned the Yes repertoire with Downes playing 14 keyboards on stage. Horn faced issues with nervousness and with his voice, which increasingly
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picked out "Machine Messiah", "Tempus Fugit", and "Into the Lens" as stand out tracks. It noted the addition of Horn and Downes in the band "has not substantially altered the Yes sound, image or presentation. The high vocals, symphonic arrangements, and quasi-mystical lyrics are still there". It
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in 1974. When Dean was commissioned to work on the project, he knew of the album's title before working on it and adopted "an intuitive approach" to complete it. His previous work was known for its fantasy and mysticism, but this time he made a conscious effort not to do so with things "that you
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Padgham, who had previously worked on a session with the Buggles, accepted Horn's invitation to get involved with the album. He recalled the difficulty in working with Yes during this time as the sessions were "full of dramas" with "so much tension around." The music was put together in several
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to oversee its production. Anderson and Wakeman entered the sessions with enthusiasm and wrote more material together than they had before, but the rest of the band felt the songs were too light and folk-oriented and started writing more aggressive and direct arrangements. The growing internal
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in New York City, where the band were presented a commemorative award for selling out the venue 16 consecutive times since 1974. The UK leg, however, was not as well-received: many audience members expressed their anger with the lineup change by booing and jeering Horn and Downes.
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as their new manager. Since Lane was also responsible for Yes, and with both groups now working from the same office, Lane asked Horn and Downes, both fans of the band, to contribute a song for the trio to record. This led to Horn and Downes meeting Squire at his home in
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of North America and the UK, and were met with some negative reactions from British audiences over the line-up change. The group disbanded at its conclusion; Horn would collaborate with Yes as a producer, while Downes would rejoin the band as a full-time member in 2011.
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expression that translates as "time flies". According to Howe, its name was derived from Squire's habit of arriving late to places. He attributed its ascending and descending guitar lines, rapidly changing keys, to the influence of pioneering jazz guitarist
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on keyboards was recorded and then shelved until it was developed further when Horn and Downes joined, making amendments to the arrangement. Horn and Squire wrote new lyrics.It was also later released as "Everybody's Song" on the 2004 remaster of
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in a nightclub, rendering him unable to perform for about six weeks. Following a break over Christmas, the band reconvened in London for rehearsals in an attempt to salvage the situation. They failed, and Anderson and Wakeman left in March 1980.
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is "infinitely more accessible" than earlier Yes albums, "still highly demanding listening". In the same publication reviewer Steve Pond compared Dean's "kitschy, dramatic land-and-seascape" artwork on the album's sleeve to the music on it.
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strained as the tour progressed due to his efforts to match Anderson's high register. While marketing for the tour was mute on the lineup change, much of the North American leg was still a success; the tour included three sold-out shows at
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until Anderson's departure from the band in 2008. For their 2016 European tour, the album was performed in its entirety for the first time, in track order. Horn sang "Tempus Fugit" with the band on stage on their Oxford and London dates.
989:(1972) with "relatively simple" song structures, most with at least one good riff. Though he considered the lyrics are "the usual quasi-cosmic tripe", Cohick picked "Run Through the Light" as the album's best track which he compared to " 661:
Yes worked on further material during the recording sessions, but remained incomplete. This included "We Can Fly from Here" and "Go Through This", which were performed on the 1980 tour and later released on the live compilation album
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was recorded hurriedly with Horn and Downes, as a tour had already been booked before the change in personnel. The album marked a development in Yes' musical direction, combining the band's progressive signature with Horn and Downes'
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the most traditional Yes album in several years, proving to "anxious fans" about the line-up change that the new group can sound "just like the old model". He described Horn's vocals as at times "uncanny" to Anderson's. A review in
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felt the album was "not my idea of Yes" and did not represent what the band "truly is", but was open to rehearsing songs from the record during his later tenures in the group, though his suggestions were declined.
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was released to a mostly positive critical reception, with most welcoming the band's new sound. It peaked at No. 2 in the UK and No. 18 in the US, though it became their first album since 1971 not to reach
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said "Machine Messiah" is one of his favourite Yes tracks, while Downes has said it is the central track on the album, epitomising the coming together of his and Horn's style with Howe, Squire and White.
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reporter Robin Denselow wrote that the album's lyrics are tougher than Anderson's "distinctive ramblings on the mystic fringe", and named "Machine Messiah" and "Into the Lens" as tracks that made
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stands out in my estimation as a true classic Yes album. It speaks oceans about Yes music and the melodic adventures that we loved, a kind of accumulation of the previous decade, I'd say."
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pointed out the "fresh new spirit" of the group's playing, though commented that the Buggles' hit single "Video Killed the Radio Star" is more memorable than the album itself.
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The title "Man in a White Car" is also used, particularly on streaming services and in the lyrics sheet included on some of the original LP releases.
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called the single version "grandiose art-rock" and said that "Geoff Downes' elaborate keyboard ornaments and Trevor Horn's dynamic vocal dominate."
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Music critic Rick Johnson thought the group came up with a consistent album, summarising it as "fairly solid stuff". In a retrospective review for
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After the tour, Yes disbanded in early 1981. Horn began a career in producing (which led to him producing Yes' immediate successor in 1983,
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was remastered in 2004 with previously unreleased bonus tracks, and it was performed live in its entirety for the first time in 2016. The
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issued a remastered edition with several previously unreleased tracks, including some from the band's sessions from Paris in late 1979.
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was released in August 1980. It reached No. 2 in the UK and No. 18 in the US, the band's lowest charting studio release in the US since
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fashion with its "ponderous, droning riff" and keyboard lines from Downes that he compared to Wakeman. He compared the overall mood of
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flew to London to assess the situation and see if the new formation was commercially viable. He approved, thus giving the
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capabilities: "I tried to simulate an orchestra using these samples, but it was very early days of digital sampling. The
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and Steve came along, we had a good time actually." Horn and Howe completed the album's mixdown by themselves.
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was recorded in approximately three months at Townhouse with each band member credited for its production and
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is the only Yes studio album of new material to feature Horn on lead vocals; however, a re-recording of the
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Downes (far left) and Horn (far right) joined Yes after the departures of Jon Anderson and Rick Wakeman.
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Early version of "Run Through the Light", with an earlier draft of lyrics and unused keyboard parts.
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was very narrow, but that's what gave it all that characteristic 'crunch factor'. We then added the
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The album has been reissued several times; the first was in 1994 by Atlantic Records. In 2004,
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According to Horn, "Machine Messiah" was written in one day. Music reporter and critic
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in the late 1930s helped establish the electric guitar as a lead instrument.
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and Trevor's vocal to the mix". Horn's lyrics were about seeing pop figure
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Music Man: Ahmet Ertegun, Atlantic Records, and the Triumph of Rock'N'Roll
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Roger Dean and Geoff Downes in conversation, Roger Dean YouTube channel
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after attempts to record a new album in Paris and London had failed.
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Wakeman reworked some of his parts for the solo song "Maybe '80" on
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part". A different version of the song was recorded with Anderson.
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Squire, Howe, and White continued to rehearse as a three-piece in
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lineup would subsequently be featured on the 2018 re-recording of
45: 2451:"INTERVIEW WITH GEOFF DOWNES (YES, ASIA, THE BUGGLES), 21-NOV-11" 560:, a piece that he was familiar with from his youth. Cover artist 4645: 3164:(illustrated ed.). St Ives, N.S.W.: Australian Chart Book. 1490:
on "Into the Lens", Martin mandolin on "Run Through the Light",
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Credits are adapted from the 1980 and 1994 issues of the album.
568:"White Car" was recorded in one afternoon. Downes only played a 320: 4746: 3501: 19:"Machine Messiah" redirects here. For the Sepultura album, see 4742: 2752:(2004). "Yes". In Brackett, Nathan; Hoard, Christian (eds.). 1891:. Anderson did the same for the solo song "Some are Born" on 1584:(SARM East), Ashley Howe (Roundhouse), Pete Schwier (RAK) – 1083:
line-up reunited in the recording of Yes's twentieth album,
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were enjoying worldwide success with their 1979 hit single "
595:"Does It Really Happen?" originated from sessions prior to 674:(2011). A third track, "Crossfire", was later included on 1530:
Sandy Campbell, Jim Halley, Phil Straight – co-ordination
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as "Telephone Secrets" (also known as "Telephone Lies").
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Seven years later, in his memoirs, Howe recalled that "
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Yes Featuring Jon Anderson, Trevor Rabin, Rick Wakeman
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being Yes's best in years. In a review written in the
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described Howe's opening guitar riff as "unexpectedly
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London locations; Howe put down his guitar tracks at
2349:(Media notes). Atlantic Records. 1994. 7567-82685-2. 4905: 4873: 4827: 4802: 4680: 4659: 4563: 4517: 4415: 4264: 4106: 4039: 3965: 3835: 3817: 3645: 3277:
Oricon Album Chart Book: Complete Edition 1970–2005
1844:Reworked as "Go Through This" and performed on the 1290: 1279: 1213: 1205: 1148: 1140: 460:would not arise again. Lane went to the offices of 219: 170: 148: 136: 120: 97: 73: 65: 57: 44: 30: 3209:(in Dutch). Hung Medien. Retrieved 20 March 2024. 3064:"The 100 Greatest Prog Albums of All Time: 100-81" 3018: 2985: 2922: 2889: 2857: 2824: 2791: 2212: 2164: 1990: 323:, and their first to miss the top ten there since 3020:"New blood fails to make a dent in the Yes sound" 2924:"1980's pared-down art-rock is still pretentious" 2642: 2640: 2135: 2133: 3865:Something's Coming: The BBC Recordings 1969–1970 3062:Kilroy, Hannah May; August 2014, Jerry Ewing06. 2484:"Ask YES – Friday 5th April 2013 – Geoff Downes" 1299:"Into the Lens (I Am a Camera)" (Single version) 631:"Run Through the Light" features Howe playing a 592:, which was given to him by his record company. 495:as recording engineers. The sessions began with 2295:(Media notes). Atlantic Records. 1980. K 50736. 2100:"Ask YES – Friday 19th April 2013 – Alan White" 1790:Shipments figures based on certification alone. 1040: 931:mostly on a mixture of light and dark imagery. 3379:"British album certifications – Yes – Drama" 2575: 2573: 1826:also features Horn in the role of lead singer. 793: 402:Anderson and Wakeman left the studio to drink 291:on keyboards. This followed the departures of 4758: 4009:The Ultimate Yes: 35th Anniversary Collection 3513: 2395:"Ask YES – Friday 17th May 2013 – Steve Howe" 2341: 2339: 2337: 2287: 2285: 8: 4958:Albums with cover art by Roger Dean (artist) 3220:"Le Détail des Albums de chaque Artiste – Y" 2243: 1984: 1982: 1089:(2011). An alternate version of that album, 843: 755: 3080:: CS1 maint: numeric names: authors list ( 2785: 2783: 2686: 2684: 884:a distinctive album. Bill Carlton wrote in 511:and the rest was recorded at Townhouse and 4765: 4751: 4743: 3956:The Royal Affair Tour: Live from Las Vegas 3520: 3506: 3498: 2665:. Notes from the Edge #308. Archived from 1753: 1595: 730: 572:synthesiser on the recording, to test its 36: 27: 3921:Like It Is: Yes at the Bristol Hippodrome 3460:Wade, Dorothy; Picardie, Justine (1990). 692:, his first design for a Yes album since 271:is the tenth studio album by the English 3330:. Hung Medien. Retrieved 20 March 2024. 3318:. Hung Medien. Retrieved 20 March 2024. 3306:. Hung Medien. Retrieved 20 March 2024. 2859:"Yes: The band that punks say is a 'no'" 1313:"Run Through the Light" (Single version) 1273: 1199: 1134: 628:(1981), with the title "I Am a Camera". 3942:Topographic Drama – Live Across America 3935:Like It Is: Yes at the Mesa Arts Center 2856:Mendelssohn, John (28 September 1980). 2648:"Roger Dean Discusses the Drama Sleeve" 1920: 1804: 1786: 1536:David Clarke – inside cover photography 1441: 1327:"Have We Really Got to Go Through This" 1254: 1185: 1025:the 100th best progressive rock album. 431:. At the same time, bassist and singer 3872:House of Yes: Live from House of Blues 3073: 3049: 1848:tour. A live recording is included on 1435:Anderson, Howe, Squire, Wakeman, White 1421:Anderson, Howe, Squire, Wakeman, White 1407:Anderson, Howe, Squire, Wakeman, White 1095:(2018), features Horn on lead vocals. 4090:Progeny: Seven Shows from Seventy-Two 3130: 3118: 3106: 3017:Cohick, Cameron (12 September 1980). 2921:Kanzler, George (14 September 1980). 2693:. AllMusic. Retrieved 6 October 2013. 2538: 2449:Scheijen, Michel (18 December 2011). 2436: 2424: 2276: 2255: 2214:"Yes finds harmony with new recruits" 2198: 2124: 2026: 2024: 2022: 2020: 2018: 1927: 1514:on "Into the Lens" and "Tempus Fugit" 1442: 1255: 1186: 736: 283:. It was their only album to feature 7: 4896:We Can Fly From Here (Parts 1&2) 3928:Progeny: Highlights from Seventy-Two 3481:Close to the Edge – The Story of Yes 3424:Yesstories: "Yes" in Their Own Words 3146:. Interactive Guitar Magazine. 2016. 3094: 2790:Denselow, Robin (6 September 1980). 2631: 2305: 2166:"Yes makes change with latest album" 2070:"Interview: Alan White. Yes Drummer" 2055: 394:, Yes decided to work in Paris with 3316:"Norwegiancharts.com – Yes – Drama" 3260:"Offiziellecharts.de – Yes – Drama" 2955:"Pop: Yes: Drama, Atlantic SD16019" 1992:"Yes tries to clear up some maybes" 1945:Close to the Edge: The Story of Yes 1520:– drums, percussion, backing vocals 795: 688:The album's sleeve was designed by 2823:Carlton, Bill (5 September 1980). 2318:Dome, Malcolm (15 February 2020). 2163:Mehler, Mark (17 September 1980). 1863:Reworked by Squire and White with 287:on lead vocals and the first with 14: 4494:Yesspeak Live: The Director's Cut 3328:"Swedishcharts.com – Yes – Drama" 2755:The New Rolling Stone Album Guide 2211:McEnroe, Colin (29 August 1980). 1989:Lloyd, Jack (12 September 1980). 1494:on "Tempus Fugit", backing vocals 1355:"Tempus Fugit" (Tracking session) 845: 757: 519:... it ended up as three days in 360:In June 1979, the Yes line-up of 4480:Yes Acoustic: Guaranteed No Hiss 3995:Highlights: The Very Best of Yes 3279:(in Japanese). Roppongi, Tokyo: 2961:. 28 August 1980. Archived from 2661:Tiano, Mike (3 September 2008). 2551:Gallotta, Paul (February 1985). 1075:), while Howe and Downes formed 864: 859: 854: 849: 844: 814: 809: 804: 799: 794: 776: 771: 766: 761: 756: 279:, released on 22 August 1980 by 3914:In the Present – Live from Lyon 3340:"Official Albums Chart Top 100" 3162:Australian Chart Book 1970–1992 2984:Konz, Joe (28 September 1980). 1533:George Chambers – tape operator 1098:Yes did not revisit songs from 4973:Albums produced by Eddy Offord 4818:Adventures in Modern Recording 3443:Time and a Word: The Yes Story 3207:"Dutchcharts.nl – Yes – Drama" 2793:"Buggles just couldn't say no" 2663:"Conversation with Roger Dean" 2613:. 21 February 1981. p. 12 1369:"White Car" (Tracking session) 1280: 1206: 1141: 1007:Former (and later) Yes singer 900:, John Mendelssohn wrote that 625:Adventures in Modern Recording 407:bone in his right ankle while 1: 4699:Anderson Bruford Wakeman Howe 4631:Anderson Bruford Wakeman Howe 3689:Tales from Topographic Oceans 3383:British Phonographic Industry 3197:. Retrieved 6 February 2021. 3185:"Top RPM Albums: Issue 0254a" 2898:. 31 August 1980. p. 9-H 2580:Reed, Ryan (18 August 2015). 2365:"Steve Howe - Into the Storm" 1552:Magnetic Storm – cover design 838:The Rolling Stone Album Guide 2068:Price, Tim (7 August 2014). 1742: 1728: 1713: 1701: 1689: 1677: 1665: 1653: 1641: 1629: 1615: 509:Roundhouse Recording Studios 447:", and had recently secured 4836:Video Killed the Radio Star 4083:The Studio Albums 1969–1987 3368:. Retrieved 20 March 2024. 3346:. Retrieved 20 March 2024. 3266:. Retrieved 20 March 2024. 3226:(in French). Archived from 3195:Library and Archives Canada 2704:"Yes: Drama – album review" 1823:Fly From Here – Return Trip 1570:– producer (backing tracks) 1383:"Dancing Through the Light" 1092:Fly from Here – Return Trip 445:Video Killed the Radio Star 252:Released: January 1981 (US) 4989: 4452:Yes: Live – 1975 at Q.P.R. 4023:Yes, Friends and Relatives 3245:from the menu, then press 2987:"Cast change helped 'Yes'" 2566:– via Muzines.co.uk. 1476:on "Run Through the Light" 1079:. All five members of the 18: 4843:Living in the Plastic Age 4780: 4301:Five Per Cent for Nothing 4287:I've Seen All Good People 4097:The Steven Wilson Remixes 3535: 3464:. W. W. Norton & Co. 3304:"Charts.nz – Yes – Drama" 2896:The Philadelphia Inquirer 2553:"Bass Aces: Chris Squire" 1997:The Philadelphia Inquirer 1787: 1772: 1764: 1761: 1758: 1733: 1718: 1706: 1694: 1682: 1670: 1658: 1646: 1634: 1620: 1608: 1601: 1598: 1428: 1414: 1400: 1379: 1365: 1351: 1337: 1323: 1309: 1295: 1287: 1284: 1244: 1233: 1218: 1210: 1175: 1164: 1153: 1145: 967:, Cameron Cohick thought 916:The Philadelphia Inquirer 744: 741: 260: 230: 215: 178: 35: 3264:GfK Entertainment Charts 2244:Wade & Picardie 1990 1341:"Song No. 4 (Satellite)" 1179:"Does It Really Happen?" 1051:on the band's 1980 tour. 1036:Touring and post-release 554:Symphony for Organ No. 5 243:Released: September 1980 16:1980 studio album by Yes 4968:Atlantic Records albums 4882:I Love You (Miss Robot) 4308:Long Distance Runaround 4171:Owner of a Lonely Heart 3441:Popoff, Martin (2016). 3344:Official Charts Company 2031:"The Prog Rock Years". 1621:Canada Top Albums/CDs ( 1237:"Run Through the Light" 249:"Run Through the Light" 21:Machine Messiah (album) 4712:Symphonic Music of Yes 4535:Close to the Edge Tour 4055:In a Word: Yes (1969–) 2557:International Musician 1543:) – mastering engineer 1131:, except where noted. 1044: 991:The Battle of Evermore 677:In a Word: Yes (1969–) 541: 424: 4874:Other songs and demos 4576:Mabel Greer's Toyshop 4336:The Gates of Delirium 4294:South Side of the Sky 3893:Live at Montreux 2003 3479:Welch, Chris (2008). 3426:. St Martin's Press. 2992:The Indianapolis Star 2584:. UltimateClassicRock 2140:Horn, Trevor (2011). 1888:Rock 'n' Roll Prophet 1063:Madison Square Garden 944:The Indianapolis Star 539: 439:of the new wave band 422: 319:certification by the 4487:Classic Artists: Yes 4459:Live in Philadelphia 4315:Heart of the Sunrise 4273:Yours Is No Disgrace 4192:Love Will Find a Way 4157:Don't Kill the Whale 3445:. Soundcheck Books. 3356:"Yes Chart History ( 3281:Oricon Entertainment 3025:Fort Lauderdale News 2929:Tallahassee Democrat 2760:Simon & Schuster 2347:Drama (1994 Reissue) 1683:New Zealand Albums ( 1432:"Friend of a Friend" 964:Fort Lauderdale News 957:. He concluded with 927:Tallahassee Democrat 732:Professional ratings 4501:The Lost Broadcasts 4445:Greatest Video Hits 3858:9012Live: The Solos 3759:Keys to Ascension 2 3422:Morse, Tim (1996). 3121:, pp. 197–198. 2831:New York Daily News 2712:. 28 September 2020 2650:. SoundCloud. 2013. 2246:, pp. 232–234. 1755: 1609:Australian Albums ( 1586:recording engineers 1492:Fender Stratocaster 1344:Howe, Squire, White 1330:Howe, Squire, White 1276: 1202: 1137: 733: 558:Charles-Marie Widor 4811:The Age of Plastic 4525:The Yes Album Tour 4385:Shoot High Aim Low 3966:Compilation albums 3900:Songs from Tsongas 3886:Greatest Hits Live 3794:Heaven & Earth 3230:on 22 October 2014 2669:on 2 November 2008 2037:. 2 October 1998. 1754: 1695:Norwegian Albums ( 1661:Offizielle Top 100 1541:Strawberry Studios 1484:pedal steel guitar 1274: 1200: 1135: 924:George Kanzler in 887:The New York Times 731: 654:, whose work with 542: 425: 93:, London (guitars) 4953:Yes (band) albums 4940: 4939: 4740: 4739: 4466:Keys to Ascension 4406:Mirror to the Sky 4322:Close to the Edge 4248:Lightning Strikes 4150:Wonderous Stories 3808:Mirror to the Sky 3752:Keys to Ascension 3703:Going for the One 3682:Close to the Edge 3490:978-1-84772-132-7 3483:. Omnibus Press. 3471:978-0-393-02635-1 3452:978-0-993-21202-4 3433:978-0-312-14453-1 3407:. Omnibus Press. 3405:All My Yesterdays 2965:on 12 August 2019 2864:Los Angeles Times 2750:Cross, Charles R. 2634:, p. 141–42. 2171:Herald and Review 2034:Rock Family Trees 1796: 1795: 1791: 1747: 1746: 1709:Sverigetopplistan 1671:Japanese Albums ( 1611:Kent Music Report 1582:Julian Mendelsohn 1488:Fender Telecaster 1452: 1451: 1265: 1264: 1196: 1195: 1157:"Machine Messiah" 986:Close to the Edge 897:Los Angeles Times 873: 872: 652:Charlie Christian 598:Going for the One 513:Sarm East Studios 493:Julian Mendelsohn 472:for a new album. 429:Townhouse Studios 264: 263: 211: 210: 82:Sarm East Studios 4980: 4767: 4760: 4753: 4744: 4681:Related articles 4606:Jon and Vangelis 4508:Rock of the '70s 4343:Run with the Fox 4280:Starship Trooper 4062:The Word Is Live 3522: 3515: 3508: 3499: 3494: 3475: 3456: 3437: 3418: 3387: 3386: 3375: 3369: 3353: 3347: 3337: 3331: 3325: 3319: 3313: 3307: 3301: 3295: 3294: 3273: 3267: 3257: 3251: 3239: 3237: 3235: 3216: 3210: 3204: 3198: 3182: 3176: 3175: 3154: 3148: 3147: 3140: 3134: 3128: 3122: 3116: 3110: 3104: 3098: 3092: 3086: 3085: 3079: 3071: 3059: 3053: 3047: 3041: 3040: 3034: 3032: 3022: 3014: 3008: 3007: 3001: 2999: 2989: 2981: 2975: 2974: 2972: 2970: 2951: 2945: 2944: 2938: 2936: 2926: 2918: 2912: 2911: 2905: 2903: 2893: 2886: 2880: 2879: 2873: 2871: 2861: 2853: 2847: 2846: 2840: 2838: 2828: 2820: 2814: 2813: 2807: 2805: 2795: 2787: 2778: 2777: 2758:(4th ed.). 2746: 2740: 2739: 2728: 2722: 2721: 2719: 2717: 2700: 2694: 2688: 2679: 2678: 2676: 2674: 2658: 2652: 2651: 2644: 2635: 2629: 2623: 2622: 2620: 2618: 2608: 2600: 2594: 2593: 2591: 2589: 2577: 2568: 2567: 2565: 2563: 2548: 2542: 2536: 2525: 2524: 2522: 2520: 2506: 2500: 2499: 2497: 2495: 2480: 2474: 2469: 2463: 2462: 2460: 2458: 2446: 2440: 2434: 2428: 2422: 2411: 2410: 2408: 2406: 2391: 2385: 2384: 2382: 2380: 2371:. Archived from 2357: 2351: 2350: 2343: 2332: 2331: 2329: 2327: 2315: 2309: 2303: 2297: 2296: 2289: 2280: 2274: 2259: 2253: 2247: 2241: 2235: 2234: 2228: 2226: 2219:Hartford Courant 2216: 2208: 2202: 2196: 2187: 2186: 2180: 2178: 2168: 2160: 2154: 2153: 2137: 2128: 2122: 2116: 2115: 2113: 2111: 2096: 2090: 2089: 2087: 2085: 2080:on 4 August 2016 2076:. Archived from 2065: 2059: 2053: 2047: 2046: 2028: 2013: 2012: 2006: 2004: 1994: 1986: 1977: 1976: 1969: 1963: 1962: 1937: 1931: 1925: 1898: 1883: 1877: 1874: 1868: 1861: 1855: 1851:The Word is Live 1842: 1836: 1833: 1827: 1820:album, entitled 1809: 1789: 1773:United Kingdom ( 1756: 1707:Swedish Albums ( 1596: 1549:– cover painting 1445: 1389:, Howe, Squire, 1282: 1277: 1258: 1208: 1203: 1189: 1143: 1138: 1052: 951:" from the film 908:Pond considered 869: 868: 867: 863: 862: 858: 857: 853: 852: 848: 847: 819: 818: 817: 813: 812: 808: 807: 803: 802: 798: 797: 781: 780: 779: 775: 774: 770: 769: 765: 764: 760: 759: 734: 665:The Word Is Live 462:Atlantic Records 435:and keyboardist 396:Roy Thomas Baker 380:completed their 281:Atlantic Records 273:progressive rock 253: 250: 244: 241: 180: 179: 163:(backing tracks) 132: 131: 127: 107:Progressive rock 84:, London (album) 40: 28: 4988: 4987: 4983: 4982: 4981: 4979: 4978: 4977: 4943: 4942: 4941: 4936: 4901: 4869: 4823: 4798: 4776: 4771: 4741: 4736: 4732:Yes bubble logo 4676: 4655: 4559: 4513: 4411: 4329:Siberian Khatru 4260: 4213:Saving My Heart 4102: 4069:Essentially Yes 4035: 3961: 3831: 3813: 3661:Time and a Word 3641: 3531: 3526: 3491: 3478: 3472: 3459: 3453: 3440: 3434: 3421: 3415: 3399: 3391: 3390: 3377: 3376: 3372: 3354: 3350: 3338: 3334: 3326: 3322: 3314: 3310: 3302: 3298: 3291: 3275: 3274: 3270: 3258: 3254: 3233: 3231: 3218: 3217: 3213: 3205: 3201: 3183: 3179: 3172: 3156: 3155: 3151: 3142: 3141: 3137: 3129: 3125: 3117: 3113: 3105: 3101: 3093: 3089: 3072: 3061: 3060: 3056: 3048: 3044: 3030: 3028: 3016: 3015: 3011: 2997: 2995: 2983: 2982: 2978: 2968: 2966: 2953: 2952: 2948: 2934: 2932: 2920: 2919: 2915: 2901: 2899: 2888: 2887: 2883: 2869: 2867: 2855: 2854: 2850: 2836: 2834: 2822: 2821: 2817: 2803: 2801: 2789: 2788: 2781: 2774: 2748: 2747: 2743: 2730: 2729: 2725: 2715: 2713: 2702: 2701: 2697: 2689: 2682: 2672: 2670: 2660: 2659: 2655: 2646: 2645: 2638: 2630: 2626: 2616: 2614: 2606: 2602: 2601: 2597: 2587: 2585: 2579: 2578: 2571: 2561: 2559: 2550: 2549: 2545: 2537: 2528: 2518: 2516: 2508: 2507: 2503: 2493: 2491: 2482: 2481: 2477: 2470: 2466: 2456: 2454: 2448: 2447: 2443: 2435: 2431: 2423: 2414: 2404: 2402: 2393: 2392: 2388: 2378: 2376: 2375:on 23 July 2015 2359: 2358: 2354: 2345: 2344: 2335: 2325: 2323: 2317: 2316: 2312: 2304: 2300: 2291: 2290: 2283: 2275: 2262: 2254: 2250: 2242: 2238: 2224: 2222: 2210: 2209: 2205: 2197: 2190: 2176: 2174: 2162: 2161: 2157: 2139: 2138: 2131: 2123: 2119: 2109: 2107: 2098: 2097: 2093: 2083: 2081: 2067: 2066: 2062: 2054: 2050: 2030: 2029: 2016: 2002: 2000: 1988: 1987: 1980: 1971: 1970: 1966: 1959: 1951:. p. 294. 1939: 1938: 1934: 1926: 1922: 1907: 1902: 1901: 1884: 1880: 1875: 1871: 1862: 1858: 1843: 1839: 1834: 1830: 1810: 1806: 1801: 1766:Certified units 1752: 1659:German Albums ( 1647:French Albums ( 1603: 1594: 1472:– lead vocals, 1458: 1453: 1448:1:18:37 (78:37) 1443: 1271: 1269:2004 CD reissue 1266: 1256: 1197: 1187: 1109: 1054: 1046: 1038: 865: 860: 855: 850: 815: 810: 805: 800: 777: 772: 767: 762: 729: 705: 686: 616: 540:A Fairlight CMI 534: 529: 478: 413:Richard Branson 358: 308:sensibilities. 256: 251: 248: 247: 242: 235: 234: 206: 197: 188: 166: 129: 125: 124: 116: 85: 69:April–June 1980 53: 24: 17: 12: 11: 5: 4986: 4984: 4976: 4975: 4970: 4965: 4960: 4955: 4945: 4944: 4938: 4937: 4935: 4934: 4927: 4920: 4915: 4909: 4907: 4903: 4902: 4900: 4899: 4892: 4885: 4877: 4875: 4871: 4870: 4868: 4867: 4860: 4853: 4846: 4839: 4831: 4829: 4825: 4824: 4822: 4821: 4814: 4806: 4804: 4800: 4799: 4797: 4796: 4789: 4781: 4778: 4777: 4772: 4770: 4769: 4762: 4755: 4747: 4738: 4737: 4735: 4734: 4729: 4724: 4719: 4714: 4709: 4702: 4695: 4690: 4684: 4682: 4678: 4677: 4675: 4674: 4669: 4663: 4661: 4657: 4656: 4654: 4653: 4648: 4643: 4638: 4633: 4628: 4623: 4618: 4613: 4608: 4603: 4598: 4593: 4588: 4583: 4578: 4573: 4567: 4565: 4561: 4560: 4558: 4557: 4552: 4547: 4542: 4537: 4532: 4527: 4521: 4519: 4515: 4514: 4512: 4511: 4504: 4497: 4490: 4483: 4476: 4469: 4462: 4455: 4448: 4441: 4434: 4427: 4419: 4417: 4416:Video releases 4413: 4412: 4410: 4409: 4402: 4395: 4388: 4381: 4374: 4367: 4360: 4353: 4346: 4339: 4332: 4325: 4318: 4311: 4304: 4297: 4290: 4283: 4276: 4268: 4266: 4262: 4261: 4259: 4258: 4251: 4244: 4241:Open Your Eyes 4237: 4230: 4223: 4216: 4209: 4202: 4199:Rhythm of Love 4195: 4188: 4181: 4174: 4167: 4160: 4153: 4146: 4139: 4132: 4125: 4118: 4110: 4108: 4104: 4103: 4101: 4100: 4093: 4086: 4079: 4076:High Vibration 4072: 4065: 4058: 4051: 4043: 4041: 4037: 4036: 4034: 4033: 4026: 4019: 4012: 4005: 3998: 3991: 3984: 3977: 3969: 3967: 3963: 3962: 3960: 3959: 3952: 3945: 3938: 3931: 3924: 3917: 3910: 3903: 3896: 3889: 3882: 3879:Symphonic Live 3875: 3868: 3861: 3854: 3847: 3839: 3837: 3833: 3832: 3830: 3829: 3821: 3819: 3815: 3814: 3812: 3811: 3804: 3797: 3790: 3783: 3776: 3769: 3766:Open Your Eyes 3762: 3755: 3748: 3741: 3734: 3727: 3720: 3713: 3706: 3699: 3692: 3685: 3678: 3671: 3664: 3657: 3649: 3647: 3643: 3642: 3640: 3639: 3637:Oliver Wakeman 3634: 3629: 3627:Igor Khoroshev 3624: 3619: 3614: 3609: 3604: 3599: 3594: 3589: 3584: 3579: 3573: 3572: 3565: 3558: 3555:Billy Sherwood 3551: 3544: 3536: 3533: 3532: 3527: 3525: 3524: 3517: 3510: 3502: 3496: 3495: 3489: 3476: 3470: 3457: 3451: 3438: 3432: 3419: 3413: 3389: 3388: 3370: 3348: 3332: 3320: 3308: 3296: 3289: 3268: 3252: 3211: 3199: 3177: 3170: 3149: 3135: 3133:, p. 197. 3123: 3111: 3109:, p. 194. 3099: 3097:, p. 144. 3087: 3054: 3042: 3037:Newspapers.com 3009: 3004:Newspapers.com 2976: 2946: 2941:Newspapers.com 2913: 2908:Newspapers.com 2881: 2876:Newspapers.com 2848: 2843:Newspapers.com 2815: 2810:Newspapers.com 2779: 2772: 2741: 2723: 2695: 2680: 2653: 2636: 2624: 2604:"Single Picks" 2595: 2569: 2543: 2526: 2501: 2475: 2464: 2441: 2429: 2412: 2386: 2352: 2333: 2310: 2308:, p. 140. 2298: 2281: 2279:, p. 191. 2260: 2248: 2236: 2231:Newspapers.com 2203: 2201:, p. 190. 2188: 2183:Newspapers.com 2155: 2152:. FR CDVD 520. 2129: 2127:, p. 186. 2117: 2091: 2060: 2058:, p. 134. 2048: 2039:BBC Television 2014: 2009:Newspapers.com 1978: 1964: 1957: 1947:(2 ed.). 1932: 1930:, p. 118. 1919: 1918: 1906: 1903: 1900: 1899: 1878: 1869: 1856: 1837: 1828: 1803: 1802: 1800: 1797: 1794: 1793: 1785: 1784: 1781: 1778: 1770: 1769: 1763: 1760: 1751: 1750:Certifications 1748: 1745: 1744: 1741: 1731: 1730: 1727: 1716: 1715: 1712: 1704: 1703: 1700: 1692: 1691: 1688: 1680: 1679: 1676: 1668: 1667: 1664: 1656: 1655: 1652: 1644: 1643: 1640: 1635:Dutch Albums ( 1632: 1631: 1628: 1618: 1617: 1614: 1606: 1605: 1600: 1593: 1590: 1589: 1588: 1571: 1565: 1559: 1553: 1550: 1544: 1537: 1534: 1531: 1522: 1521: 1515: 1501: 1495: 1477: 1457: 1454: 1450: 1449: 1446: 1440: 1439: 1436: 1433: 1430: 1426: 1425: 1422: 1419: 1418:"In the Tower" 1416: 1412: 1411: 1408: 1405: 1402: 1398: 1397: 1394: 1384: 1381: 1377: 1376: 1373: 1370: 1367: 1363: 1362: 1359: 1356: 1353: 1349: 1348: 1345: 1342: 1339: 1335: 1334: 1331: 1328: 1325: 1321: 1320: 1317: 1314: 1311: 1307: 1306: 1303: 1300: 1297: 1293: 1292: 1289: 1286: 1283: 1272: 1270: 1267: 1263: 1262: 1259: 1253: 1252: 1249: 1248:"Tempus Fugit" 1246: 1242: 1241: 1238: 1235: 1231: 1230: 1227: 1220: 1216: 1215: 1212: 1209: 1198: 1194: 1193: 1190: 1184: 1183: 1180: 1177: 1173: 1172: 1169: 1166: 1162: 1161: 1158: 1155: 1151: 1150: 1147: 1144: 1133: 1108: 1105: 1039: 1037: 1034: 1021:readers voted 949:Dueling Banjos 871: 870: 841: 833: 832: 829: 821: 820: 791: 783: 782: 753: 747: 746: 743: 739: 738: 728: 725: 704: 701: 685: 682: 615: 612: 533: 530: 528: 525: 477: 474: 454:Virginia Water 409:roller skating 384:in support of 382:1978–1979 tour 357: 354: 262: 261: 258: 257: 255: 254: 245: 231: 228: 227: 217: 216: 213: 212: 209: 208: 199: 190: 176: 175: 168: 167: 165: 164: 158: 154: 152: 146: 145: 140: 134: 133: 122: 118: 117: 115: 114: 109: 103: 101: 95: 94: 75: 71: 70: 67: 63: 62: 61:22 August 1980 59: 55: 54: 49: 42: 41: 33: 32: 15: 13: 10: 9: 6: 4: 3: 2: 4985: 4974: 4971: 4969: 4966: 4964: 4961: 4959: 4956: 4954: 4951: 4950: 4948: 4933: 4932: 4931:Fly from Here 4928: 4926: 4925: 4921: 4919: 4918:Bruce Woolley 4916: 4914: 4911: 4910: 4908: 4904: 4897: 4893: 4890: 4886: 4883: 4879: 4878: 4876: 4872: 4865: 4864:I Am a Camera 4861: 4858: 4854: 4851: 4847: 4844: 4840: 4837: 4833: 4832: 4830: 4826: 4820: 4819: 4815: 4813: 4812: 4808: 4807: 4805: 4803:Studio albums 4801: 4795: 4794: 4790: 4788: 4787: 4783: 4782: 4779: 4775: 4768: 4763: 4761: 4756: 4754: 4749: 4748: 4745: 4733: 4730: 4728: 4725: 4723: 4720: 4718: 4715: 4713: 4710: 4708: 4707: 4703: 4701: 4700: 4696: 4694: 4691: 4689: 4686: 4685: 4683: 4679: 4673: 4670: 4668: 4665: 4664: 4662: 4658: 4652: 4649: 4647: 4644: 4642: 4639: 4637: 4634: 4632: 4629: 4627: 4624: 4622: 4619: 4617: 4614: 4612: 4609: 4607: 4604: 4602: 4599: 4597: 4594: 4592: 4589: 4587: 4584: 4582: 4579: 4577: 4574: 4572: 4569: 4568: 4566: 4564:Related bands 4562: 4556: 4553: 4551: 4548: 4546: 4543: 4541: 4538: 4536: 4533: 4531: 4528: 4526: 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Yes '97 2401:. Yes '97 2306:Howe 2021 2150:Frontiers 2106:. Yes '97 2056:Howe 2021 1910:Footnotes 1737:Billboard 1720:UK Albums 1604:position 1456:Personnel 1288:Writer(s) 1015:In 2014, 826:Pitchfork 727:Reception 578:bandwidth 476:Recording 335:1980 tour 78:Townhouse 4660:Managers 4473:Yesspeak 4438:Yesyears 4431:9012Live 4424:Yessongs 4364:Our Song 4178:Leave It 4048:Yesyears 4040:Box sets 3988:Yesstory 3851:Yesshows 3844:Yessongs 3403:(2021). 3283:. 2006. 3160:(1993). 3076:cite web 3031:16 April 2998:16 April 2935:16 April 2902:16 April 2870:16 April 2837:16 April 2804:16 April 2519:20 April 2514:nfte.org 2494:30 April 2488:Yesworld 2457:30 April 2405:30 April 2399:Yesworld 2379:30 April 2363:(2012). 2326:24 March 2322:. Louder 2225:16 April 2177:16 April 2104:Yesworld 2074:RockShot 2003:16 April 1943:(2003). 1697:VG-lista 1201:Side two 1136:Side one 1002:AllMusic 751:AllMusic 680:(2002). 633:Les Paul 614:Side two 590:Stingray 574:sampling 532:Side one 404:Calvados 352:(2011). 306:new wave 203:Yesshows 150:Producer 143:Atlantic 112:pop rock 66:Recorded 58:Released 48: by 4906:Related 4857:Elstree 4828:Singles 4626:Esquire 4571:The Syn 4371:Hold On 4350:Changes 4129:America 4107:Singles 3710:Tormato 3696:Relayer 3675:Fragile 3241:Select 2969:1 March 2716:21 July 2673:4 March 2588:4 March 2148:(DVD). 2043:BBC Two 1783:60,000 1780:Silver 1768:/sales 1759:Region 1512:vocoder 1393:, White 981:Fragile 703:Release 695:Relayer 608:Tormato 582:vocoder 392:Tormato 387:Tormato 221:Singles 207:(1980) 198:(1980) 189:(1978) 185:Tormato 4616:Cinema 4586:Badger 4357:Cinema 3487:  3468:  3449:  3430:  3411:  3287:  3234:9 June 3168:  2770:  1955:  1673:Oricon 1592:Charts 1372:  1358:  1316:  1302:  1291:Length 1214:Length 1149:Length 831:7.0/10 745:Rating 742:Source 491:, and 376:, and 225:Drama 121:Length 74:Studio 4924:Drama 4641:Circa 4581:Flash 4555:2020s 4518:Tours 4234:Walls 3738:Union 3724:90125 3717:Drama 3360:200)" 2607:(PDF) 2293:Drama 2110:1 May 2084:1 May 1973:"BPI" 1846:Drama 1812:Drama 1799:Notes 1285:Title 1261:18:33 1211:Title 1192:18:21 1160:10:25 1146:Title 1100:Drama 1081:Drama 1072:90125 1058:Drama 1030:Drama 1023:Drama 993:" by 977:Drama 969:Drama 959:Drama 921:Drama 919:gave 910:Drama 902:Drama 892:Drama 882:Drama 708:Drama 684:Cover 647:Latin 527:Songs 481:Drama 411:with 344:Drama 340:Drama 312:Drama 301:Drama 275:band 268:Drama 223:from 194:Drama 138:Label 99:Genre 31:Drama 4646:Yoso 4611:Asia 4143:Soon 3745:Talk 3485:ISBN 3466:ISBN 3447:ISBN 3428:ISBN 3409:ISBN 3285:ISBN 3236:2012 3166:ISBN 3082:link 3033:2018 3000:2018 2971:2016 2937:2018 2904:2018 2872:2018 2839:2018 2806:2018 2768:ISBN 2718:2024 2675:2016 2619:2023 2590:2016 2564:2020 2521:2024 2496:2016 2459:2016 2407:2016 2381:2016 2328:2021 2227:2018 2179:2018 2112:2016 2086:2016 2005:2018 1953:ISBN 1685:RMNZ 1649:SNEP 1602:Peak 1580:and 1486:and 1438:3:38 1424:2:54 1410:5:57 1396:3:16 1375:1:11 1361:5:39 1347:7:31 1333:3:43 1319:4:31 1305:3:47 1251:5:16 1240:4:42 1229:8:33 1182:6:33 1171:1:21 1127:and 1077:Asia 1018:Prog 983:and 507:and 321:RIAA 317:gold 295:and 89:and 80:and 4621:GTR 4601:XYZ 3654:Yes 3529:Yes 3243:Yes 3190:RPM 2764:895 1865:XYZ 1775:BPI 1743:18 1739:200 1734:US 1724:OCC 1714:19 1702:11 1690:44 1678:78 1666:50 1654:21 1642:18 1630:41 1624:RPM 1616:69 1464:Yes 1429:16. 1415:15. 1401:14. 1380:13. 1366:12. 1352:11. 1338:10. 1281:No. 1207:No. 1142:No. 979:to 556:by 505:RAK 329:. " 277:Yes 172:Yes 157:Yes 51:Yes 4949:: 3381:. 3362:. 3342:. 3247:OK 3222:. 3193:. 3187:. 3078:}} 3074:{{ 3066:. 3023:. 2990:. 2957:. 2927:. 2894:. 2862:. 2829:. 2796:. 2782:^ 2766:. 2734:. 2706:. 2683:^ 2639:^ 2609:. 2572:^ 2555:. 2529:^ 2512:. 2486:. 2415:^ 2397:. 2367:. 2336:^ 2284:^ 2263:^ 2217:. 2191:^ 2169:. 2132:^ 2102:. 2072:. 2041:. 2017:^ 1995:. 1981:^ 1777:) 1729:2 1726:) 1711:) 1699:) 1687:) 1675:) 1663:) 1651:) 1639:) 1627:) 1613:) 1510:, 1324:9. 1310:8. 1296:7. 1245:3. 1234:2. 1219:1. 1176:3. 1165:2. 1154:1. 1123:, 1119:, 1115:, 997:. 610:. 487:, 372:, 368:, 364:, 130:54 126:36 4898:" 4894:" 4891:" 4887:" 4884:" 4880:" 4866:" 4862:" 4859:" 4855:" 4852:" 4848:" 4845:" 4841:" 4838:" 4834:" 4766:e 4759:t 4752:v 4408:" 4404:" 4401:" 4397:" 4394:" 4390:" 4387:" 4383:" 4380:" 4376:" 4373:" 4369:" 4366:" 4362:" 4359:" 4355:" 4352:" 4348:" 4345:" 4341:" 4338:" 4334:" 4331:" 4327:" 4324:" 4320:" 4317:" 4313:" 4310:" 4306:" 4303:" 4299:" 4296:" 4292:" 4289:" 4285:" 4282:" 4278:" 4275:" 4271:" 4257:" 4253:" 4250:" 4246:" 4243:" 4239:" 4236:" 4232:" 4229:" 4225:" 4222:" 4218:" 4215:" 4211:" 4208:" 4204:" 4201:" 4197:" 4194:" 4190:" 4187:" 4183:" 4180:" 4176:" 4173:" 4169:" 4166:" 4162:" 4159:" 4155:" 4152:" 4148:" 4145:" 4141:" 4138:" 4134:" 4131:" 4127:" 4124:" 4120:" 4117:" 4113:" 3521:e 3514:t 3507:v 3493:. 3474:. 3455:. 3436:. 3417:. 3385:. 3293:. 3249:. 3238:. 3174:. 3084:) 3070:. 3039:. 3006:. 2973:. 2943:. 2910:. 2878:. 2845:. 2812:. 2776:. 2738:. 2720:. 2677:. 2621:. 2592:. 2523:. 2498:. 2461:. 2409:. 2383:. 2330:. 2233:. 2185:. 2114:. 2088:. 2045:. 2011:. 1975:. 1961:. 1897:. 1854:. 1722:( 1226:" 1222:" 1047:— 618:" 240:" 236:" 128:: 23:.

Index

Machine Messiah (album)

Studio album
Yes
Townhouse
Sarm East Studios
Roundhouse
RAK Studios
Genre
Progressive rock
pop rock
Label
Atlantic
Producer
Eddy Offord
Yes
Tormato
Yesshows
Singles
Into the Lens
progressive rock
Yes
Atlantic Records
Trevor Horn
Geoff Downes
Jon Anderson
Rick Wakeman
new wave
gold
RIAA

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