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Fioritura
Festival in Vignola, where a jury which included Mazzacurati awarded Mancini with the third prize, consisting of a wheel of Grana Padano cheese. Back in his atelier in Villa Massimo, Romeo re-elaborated the sketches made in Comacchio, and transformed them into large oil compositions. Of this group of works, the artist kept two temperas,
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Castiglione del Lago also wanted a monument to their dead, and Romeo created a large composition in bronze bas-relief in which, on a barely sketched background of the city, there stands a turreted figure of Italy, that observes the scene of a mother bent over the body of her son, who has died for his
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In 1948, his sketch presented as part of the competition organized by the Sagra
Musicale Umbra, along with three other contenders, was chosen as the official poster for the music festival that year. In the same period, Mancini obtained a notable commission: a fresco to be painted using the technique
499:
The use of metallic materials, visits to foundries, the idea that the world is now irrevocably reduced to a giant
Meccano set, led Mancini to create a series of large paintings testing himself with a material that was new to him: acrylic. The smooth, cold surface created by this paint composes and
456:
was sent to
Alexandria in Egypt. The Venice Biennale had organized an exhibition of twelve artists in the city, and Mancini, on the recommendation of Valentino Martinelli, was invited to exhibit two sculptures and two paintings. At this time, the artist designed abstract works, clearly destined to
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Mancini, however, did not break off all contacts with Rome, organizing regular exhibitions in the capital. In the spring of 1958 he organized a personal exhibition at the
Galleria La Salita. In Umbria, where Mancini now resided, in 1959 he participated, resulting in significant recognition, in the
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In 1961, when he was asked to create a visualization of
Perugia for the great exhibition in Turin, “Italia '61”. The work modelled in ceramic with an operation of synthesis and abstraction, recalls, thanks to the precious material, the golden glow of ancient sun baked Etruscan stones and, through
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In 1957, Mancini became professor of sculpture at the local
Academy of Fine Arts, a position he would hold for more than twenty years. In 1973 Professor Mancini was also appointed director, which saw him undertake the revision of the nineteenth century statute of the Perugia Academy, creating new
239:
invited a group of ten young left-wing artists to the
Comacchio valleys, which at the time was one of the most deprived areas in the country. Romeo participated, together with Treccani, Turcato, Scarpitta, and the Neapolitan artist Ricci. The resulting works were exhibited during the Sagra della
331:
Returning then to
Perugia in the mid 1950s, Mancini again began to frequent the studio in Via Baldeschi that he had shared with his brother the conservator, before his time in Rome. He remained there preparing the sketches for the monuments to those who died in the war, and also returned to his
315:
In 1956, partially as a result of a smear campaign led by the German press against the artists of Villa
Massimo, along with their way of life, the government of that country was able to evict the Italians and reorganize the academy within the villa. Mancini was already no longer living there
878:
The jury was composed of G. C. Argan, F. Bellonzi, M. Penelope, B. Saetti, G. Breddo and F. Menzio. The first prize was jointly awarded to G. Zingaia and G. De Gregorio, while among the other winners of smaller prizes, apart from Mancini, were E. Brunori, V. Ciardo and P.
130:
Leonardi and Mancini both had an aversion to fascism and both later joined the partisans: Leonardi in Rome, and Mancini in Umbria, in the Colfiorito mountains, where he joined the Innamorati Brigade with Enzo Rossi. When the war ended, Mancini returned to Perugia.
423:
synthetic and sharp forms, suggests the idea of the urban development of the medieval city. The sculpture was prepared by Mancini for the stand designed by the architects representing Umbria, Astengo, Zanetti and Campus, at of the great Turin exhibition.
382:
The municipality of Pietralunga commissioned a plastic and dense bronze monument with figures to commemorate their dead (1948). Here the artist seems to have been heavily influenced by Mazzacurati, following the outline already established in 1942 with
412:
country. The sculpture, cast in Verona, was inaugurated with a solemn ceremony in November 1956, by which time Romeo was already officially and internationally recognized as a sculptor, presenting himself as such at the XXVIII edition of the
522:
1972 saw a major retrospective at the town hall in Perugia, which featured, as well as older works, a series of more recent sculptures. In 1976, again at the Palazzo dei Priori municipal building in Perugia, Mancini presented the great
847:
This work resulted in the exhibition at Lungara in Rome, which was transferred first to Perugia (Palazzo dei Priori), followed by Spoleto (Municipal Art Gallery) and then Canada. This exhibition was recorded the precious booklet
169:
After that, he travelled to Paris. Mancini left Perugia taking with him some photos of his recent works. While in France he immediately came into contact. with Édouard Pignon, heir to the tradition of Cézanne and Picasso.
182:
in Rome. Here, from 1948, a small group of left-wing Italian painters and sculptors had settled and arranged their own home-atelier in the building that had hosted the German Academy in Rome before the war.
118:
We talked down our professors passionately… and our friendship dates back to that. The years have passed… (and) Mancini has continued to fight against a narrow figurative culture, to criticise and to seek
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408:
The study and construction of this monument took Mancini at least two years of work. A group of studies for the various component parts was presented at the Brufani exhibition in Perugia of 1953.
178:
When he came back to Italy, Mancini decided to leave Perugia that not only Leoncillo, Rossi and Brunori, had also done. He chose to follow his group of friends and colleagues to
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232:
The jury appreciated Mancini's work, but were opposed by Togliatti, who was known to caution artists against supporting neo-cubist ideas from the pages of “Rinascita”.
201:
Peace Prize) contest organized by the “Rinascita” and “Vie Nuove” magazines. The panel was composed of the communist editors of the magazines that promoted the event,
267:
The 1950s were the central years of Romeo's activity, including abroad. In 1953 he participated in the International Youth Festival in Warsaw with his work the
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349:
Mancini supervised the scenery for The Firebird by Stravinsky at the Teatro Morlacchi in Perugia. The artist found inspiration for this work in the painting
343:
In 1961 Romeo presented himself to the public in Perugia with twenty-seven recent paintings, exhibited between March and April in the Palazzo dei Priori.
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courses and reorganizing, with the help of the conservator Pietro Scarpellini, the drawings and prints still preserved at the Pietro Vannucci Academy.
614:
Museum of Ceramic, Deruta (Perugia), sculpture in ceramic, 1963 and a plastic relief representing Perugia for "Italia '61 a Torino", 1961, ceramic.
717:
Perugia, SocietĂ del Mutuo Soccorso fra gli artisti e gli operai di Perugia, in Corso Garibaldi, Bas-relief dedicated to Guglielmo Miliocchi, 1987
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109:
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One hundred XVII-XIX Century Drawings At The Academy of Fine Arts in Perugia), by M.V. Cresti, F. F. Mancini, G. Sapori, Rome 1977.
1353:
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of the ancient masters, “on fresh plaster, using first a cartoon and then pouncing”, in Luisa Spagnoli's former headquarters.
519:“in the desert, factories, as places where they concentrate all social value, collectives of positivity and human duration”.
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Si torna all'arcadia! La “guerra fredda” per Villa Massimo e la sua consegna alla Repubblica federale di Germania nel 1956,
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Mancini had his first exhibition in Rome at Lo Zodiaco Gallery in 1950. He exhibited about twenty paintings at Lo Zodiaco.
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Cathedrals for the Conquest of Space) that predated his entire output from that point onward date back to this time.
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Game of Morra). These two fishermen are the predecessors of the two robots placed side by side that the artist calls
1038:
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Gallery of Modern and Contemporary Art, Republic of San Marino, Composizione without title, acrylic on canvas, 1976
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National Gallery of Umbria, Perugia, Composition of figures (without title), oil on plywood, between 1950 and 1960
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National Museum, Collezione Salce Complesso di San Gaetano, Treviso, Manifesto della Sagra Musicale Umbra, 1948,
540:
86:
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Many monuments were commissioned to Mancini in the late 1940s and early 1950s by the municipalities of Umbria.
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in acrylic to the public. This series culminated in 1984 with an exhibition at the Rocca Paolina in Perugia.
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236:
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G. Angeletti, Sono quasi pronte le imponenti opere per lo stand umbro alla mostra "Italia '61", aprile 1961
637:
Perugia, Via Cortonese (before it was in Piazza Partigiani), Sculpture dedicated to childhood, 1980, steel
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1956, in Passignano, Perugia, which consists of a colourful ceramic frieze, mounted in a grey stone frame.
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Passignano sul Trasimeno, Perugia, Monument to the Aviators fallen in the Trasimeno lake, 1967, steel
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C. Zappia, Romeo Mancini, 1989, Electa Editori Umbri Associati, translated into English by Liam Boyle
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Perugia, Corso Vannucci, ex Olivetti office, painting on wall not visible since it has been covered,
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Archivio della Sagra Musicale Umbra che riporta l'anno e la data dell'evento, il 10 agosto del 1958.
135:
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Palazzo della Corgna, which stands on the square in Castiglione del Lago, is however recognizable.
48:
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live in the open air, in the interplay of natural light and his figures of fishermen or workers.
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113:
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in the end always recalled the shape of the human body, or rather of two opposing human bodies.
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Dedicated to the Worker), executed for the fountain in Piazza d'Anni at S. Giuliana in Perugia.
346:
In 1963 Romero organized personal exhibitions in several U.S. states (Michigan, Indiana, Ohio).
1340:"Monumento ai Caduti civili di Castiglione del Lago guerra 1940-45 | Pietre della Memoria"
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Passignano, Perugia, Monument to the fallen of all wars, 1955–56, stone and polychrome ceramic
1177:
357:
202:
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Domenica si inaugura il monumento ai Caduti di Passignano opera dello scultore Romeo Mancini
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Presentation of the exhibition of the painter Romeo Mancini) Galleria Lo Zodiaco, Roma 1950.
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Castiglione del lago, Perugia, Monumento to the fallen of all wars, 1956, bronze and stone
413:
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During the early 1930s Mancini appeared to be seeking examples to follow in the nearby
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G. Angeletti, Successo della personale al Palazzo dei Priori, in "Il Messaggero", 1961
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Rome, Collection CGIL, Fisherman, (without title) 1951, oil on masonite, cm 70,4 x 50
197:
The Miner), that the following year the painter also sent to the “Premi per la Pace” (
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124:
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Aircraft), also in steel, to commemorate the dead in Passignano, on lake Trasimeno.
67:
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s.a., Inaugurato il monumento ai partigiani di Agello, in "L'UnitĂ ", 10 giugno 1958
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Passignano sul Trasimeno, Perugia, Sculpture Institute Dalmazio Birago, 1964-66 c.
309:
210:
17:
1266:"Museid italia - Cultura Italia: OAI%3Aculturaitalia.it%3Amuseiditalia-work_14562"
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In 1958 he realized the monument to the Partisan of Montebuono, Agello, Perugia.
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National Gallery of Umbria, Perugia, Sculpture dedicated to Aldo Capitini, 1982
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decomposes itself, creating a split, sections of mysterious mechanical objects.
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was the painting chosen by Mancini to participate in the VI Rome Quadriennale .
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139:
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Articolo di giornale s.a., Vivo successo ottenuto alla mostra di Mancini, 1953
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Pietralunga, Perugia, Monument to the fallen, 1948, travertino stone e bronze
617:
Fondation of Contemporary Ceramic Alviero Moretti, Deruta, Perugia, ceramics
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1326:"Monumento ai Caduti di Passignano sul Trasimeno | Pietre della Memoria"
1408:"Online Background Check - Criminal History Background Check | Radaris"
100:(Perugia, 28 May 1917 – 19 March 2003) was an Italian painter and sculptor.
57:
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1053:"Opere d'arte contemporanea / Arte / Camera dei deputati - Portale storico"
37:
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The Cathedrals of Romeo Mancini in Perugia), in “L'Unità ”, 21 March 1979.
308:, both created in 1956 and exhibited in Venice in a pavilion designed by
1457:"Monumento alla vita – Castiglione del Lago | Pietre della Memoria"
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Area of Santa Giuliana, Perugia, Fountain dedicated to the worker, 1962
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Mancini married in 1956 with Franca Ottalevi and moved back to Perugia.
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989:
A commitment to freedom and peace), exhibition catalogue, Perugia 1982.
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Agello, Perugia, Monumento ai Caduti Partigiani di Agello, 1958, steel
360:, where he presented two works on his usual theme of fishermen, called
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1280:"Rimettere al suo posto il monumento alle vittime dello squadrismo"
503:
Mancini built new bodies mounted with machine parts that he called
1479:"Ente Autonomo Giostra della Quintana di Foligno - Manifestazione"
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Cento Disegni dell'Accademia di Belle Arti di Perugia XVII-XIX sec
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In 1984 Mancini produced works such as the sculpture in memory of
108:
Before the outbreak of the Second World War, Mancini attended the
85:
1501:"CGIL - Raccolta d'arte - Gli artisti e le opere - Romeo Mancini"
829:
Catalogo generale della XXVIII Biennale di Venezia, Venezia, 1956
690:
Foligno, Palio per la Giostra della Quintana, cm 200 x 104, 1990
551:
Spain, Flix, Monument to the International Brigades, 1990, iron,
474:(Ai Democratici Umbri Vittime dello squadrismo fascista 1921-1922
1311:
1309:
1307:
1305:
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Ai Democratici Umbri Vittime dello squadrismo fascista 1921-1922
573:
Gallery of Modern and Contemporary Art, Republic of San Marino,
316:
permanently, due to the many commissions he received in Umbria.
838:
C. Zappia, Romeo Mancini, Electa/Editori Umbri associati, 1989.
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C. Zappia, Romeo Mancini, Electa/Editori Umbri Associati, 1989
998:
C. Zappia, Romeo Mancini, 1989, Electa Editori Umbri Associati
919:
C. Zappia. Romeo Mancini, Electa/Editori Umbri Associati, 1989
687:
Castiglione del Lago, Perugia, Monument to Life, 1989, bronze
661:
CittĂ della Pieve, Perugia, steel sculpture, 1967, destroyed.
31:
391:, which he would continue to repeat during the same period.
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649:
Montebuono, Perugia, Monument to the Partisan, 1958, stone
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In 1962 he realized the sculpture Dedicata al lavoratore (
292:
Here Mancini was presented with two ceramic high reliefs:
1120:"Galleria d'Arte Moderna e Contemporanea di San Marino"
667:
Pozzuolo, Perugia, School Gino Galeotti, (Cathedrals),
62:
52:
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C.Zappia, Romeo Mancini, Editori Umbri Associati, 1989
1170:"PALAZZO DELLA PENNA :: Card Perugia CittĂ Museo"
738:, Presentazione della mostra del Pittore Romeo Mancini
625:
Monument dedicated to the Victims of the fascist squad
597:
Museum of Modern Art of Perugia, Palazzo della Penna,
783:
Antifascismo e resistenza nella provincia di Perugia,
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Mugnano, Perugia, Monument to the work, 1986, bronze
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Bova Marina (Reggio Calabria), metal sculpture, 1965
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In 1968, Mancini created the first prototypes of the
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paintings of fishermen, some Cubist, some realistic.
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Umbertide, Perugia, steel sculpture, 1970, acciaio.
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Rome, House of Representative, Montecitorio Palace,
531:
Artworks in Museums, Public and Private institutions
142:
appear to have been his points of reference for the
90:
Romeo Mancini in his studio in Perugia during 1950s
511:Cathedrals), but these pieces of machinery, these
1245:"Mancini Romeo | Fondazione Alviero Moretti"
356:In 1966 Romeo was also invited to exhibit at the
480:Victims of the fascist squads), all in Perugia.
394:A reminder of Cubism emerges again in the large
1026:Mancini espone Le Cattedrali alla Rocca Paolina
441:Steel Sculpture) for CittĂ della Pieve and the
908:Le nostre regioni alla IX Quadriennale di Roma
275:Harpooner) which earned him the second prize.
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707:(Red wave) 1974, oil on canvas, cm 149 x 129
217:representing the partisans, and technicians,
8:
697:, (Miners) 1950, oil on canvas, cm 100 x 70
1523:"CGIL e l'arte | Le opere di Romeo Mancini"
371:Temples of the Workers of the Sea) and II.
1210:"Salce 1.0 - Soprintendenza SBSAE Venezia"
285:In November 1956 Romeo was invited at the
1444:Mugnano il piccolo borgo del muri dipinti
472:Young Man), and another dedicated to the
150:. Self-portrait) dated 1943, followed by
1595:official website dedicated to the artist
1009:Le Cattedrali di Romeo Mancini a Perugia
720:Perugia, Manifesto per UmbriaJazz, 1990
669:Cattedrali per la conquista dello spazio
604:Collections of the Townhall of Perugia,
490:Cattedrali per la conquista dello spazio
229:, Libero De Libero, and Mario Penelope.
972:, Electa/Editori Umbri Associati, 1989.
785:a cura di L. Cappuccelli, Perugia, 1975
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336:first edition of the "Premio Perugia" (
1368:"Istituto Comprensivo Dalmazio Birago"
869:, Electa/Editori Umbri Associati, 1989
583:Office of the Umbria Region, Perugia,
564:Columbus Museum of Art, Columbus Ohio,
396:Monumento ai Caduti di tutte le guerre
1569:"Umbria Jazz: la nascita di un'icona"
1354:"Monte Buono-Monumento al Partigiano"
1071:"El monument dels brigadistes a Flix"
287:XXVIII edition of the Venice Biennale
7:
796:Questo sarĂ il cartello della Sagra
1192:"Connection denied by Geolocation"
401:Monument to the Fallen of All Wars
110:Accademia di Belle Arti di Perugia
25:
807:Joachim Bluher e Angela Windholz
568:, ink and tempera on paper, 1964,
189:The exhibition also included the
1372:www.comprensivopassignano.gov.it
1224:"Museo Regionale della Ceramica"
452:In the same year, the sculpture
387:. the Slaughter of the Innocents
36:
983:Un impegno di libertĂ e di pace
910:, in "Paese Sera", gennaio 1966
811:Accademia tedesca di Roma, 2006
590:Office of Province of Perugia,
1085:"Romeo Mancini – Nočnà rybári"
385:la Strage degli innocenti (lit
1:
1420:C.Zappia. Romeo Mancini, 1989
1315:C.Zappia, Romeo Mancini, 1989
587:, oil on canvas, during '60s
433:In 1967 he created the great
215:National Liberation Committee
112:, where he met future artist
223:Ranuccio Bianchi Bandinelli
1635:
1284:www.latramontanaperugia.it
794:"Il Nuovo Corriere", s.a.
27:Italian artist (1917–2003)
1196:prehome.comune.perugia.it
703:Perugia, Unicredit Bank,
682:Elementi nell'artigianato
546:Due pescatori con lampare
541:Two fishermen with lights
1593:https://romeomancini.com
1174:www.perugiacittamuseo.it
1152:www.provincia.perugia.it
623:Rocca Paolina, Perugia,
248:Fishermen at Rest) and
693:Rome, Collection CGIL,
555:Slovak National Gallery
237:Italian Communist Party
213:, the President of the
51:, as no other articles
1103:Columbus Museum of Art
608:, oil on canvas, 1950
577:, oil on canvas, 1956
561:, oil on canvas 1965,
548:) oil on canvas, 1964
91:
695:Minatori del Bastardo
601:, oil on canvas 1952
594:, oil on canvas 1964
464:one dedicated to the
154:in such works as the
89:
1614:Artists from Perugia
162:The Red Waistcoat).
116:, who later wrote: "
435:Scultura in acciaio
365:lavoratore del mare
242:Pescatori in riposo
136:Giuseppe Capogrossi
134:The early works of
18:Draft:Romeo Mancini
1558:comuni-italiani.it
1446:umbriatakeaway.com
1378:on 9 January 2014.
1122:. 15 October 2014.
1041:. 4 February 2019.
680:Mugnano, Perugia,
219:Giulio Carlo Argan
114:Leoncillo Leonardi
92:
70:for suggestions.
60:to this page from
1533:on 10 March 2016.
1158:on 22 March 2009.
1105:. 12 August 2015.
250:Gioco della morra
203:Palmiro Togliatti
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1148:"Perugia - Home"
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340:Perugia Prize).
306:Fiocinatori n. 3
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1527:old.cgil.it
1505:www.cgil.it
1431:"Monumenti"
968:C. Zappia,
736:L. Leonardi
294:Fiocinatori
269:Fiocinatore
207:Luigi Longo
156:Gilet Rosso
140:Mario Mafai
1603:Categories
1394:moggioblog
865:C.Zappia,
724:References
705:Onda Rossa
592:Apocalypse
525:Cattedrali
517:Cattedrali
513:Cattedrali
505:Cattedrali
258:Cattedrali
104:Early life
66:; try the
53:link to it
1574:4 January
1463:4 January
1250:4 January
1229:4 January
981:Compare:
779:La Banda,
559:Fishermen
466:Fanciullo
375:Monuments
362:Tempi del
56:. Please
462:Capitini
454:Icone 67
280:Minatori
278:In 1951
191:Minatore
75:May 2017
1087:. 1965.
932:, 1957.
714:, 1950
712:Operaie
684:, 1987
351:Antibes
98:Mancini
1390:"Home"
1134:"Home"
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1039:"Home"
928:S.a.,
879:Raspi.
798:, 1948
209:, and
49:orphan
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1556:Image
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443:Aerei
399:(lit.
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1576:2024
1465:2024
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338:lit.
304:and
302:n. 2
298:lit.
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205:and
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138:and
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