Knowledge (XXG)

Dredd (soundtrack)

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245:(1971). From a music point of view, he wanted to create a futuristic sound set in over 100 years, hence he ruled out on the use of traditional orchestra and also tried on experimenting with band music, but as it felt "too safe and overtly-produced" he went on an electronic vibe using synth music from the 1980s and present day sound modules, where were screwed up, and put down through distorted and pedalled sound effects to create a "timeless score which couldn’t be placed in any particular era. So it’s ended up being a cross between a modern dance track and evocative soundscapes". 248:
For scenes conveying the effect of the Slo-Mo narcotic, he composed and recorded new tracks with real instruments and slowed them down by 0.17% using timestretch softwares to match the visuals, so that one second of the score written could last over 10 minutes. He then used the realtime score over
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announced the release of the vinyl edition of the film's soundtrack on the film's 10th anniversary and released on November 11. The soundtrack packaged in double-disc 180 gram vinyl, consists of an artwork by Judge Luke Preece, with initial copies pressed in slo-mo and Dredd wax present in a gold
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was, Morgan’s score still is a rather special compromise between tension building clichés of film music and modern, edgy electronica. It’s a brisk ride that manages to perfectly encapsulate the mood, the grit, and the escalating danger and even for those who haven’t yet seen the movie will be a
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resulting in a futuristic sound that set over 100 years, and experimented sounds that created by slowing down newly written music over one-thousandth of a percent matching the slow motion years. Metropolis Movie Music released the soundtrack in the United Kingdom on 10 September 2012 and in the
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sent him the link to that song which slowed down 800 times which became "this stunning trippy choral music". Morgan then recreated the effect based on the modified track, which was used in the finished film. The film used Bieber's music as a
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Leonard-Morgan was familiar with the Dredd character, despite not being a fan of comics, as he was an "iconic character who sees things in black-and-white" and not a traditional superhero in Hollywood, but a "dangerous and edgy" mix of
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foil slipcase. The album consisted of the film's original score along with additional tracks, mostly remixes and alternate versions covered in piano performed by
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the top it, which gives a weird, but "truly beatuful and ethereal" sound taking the viewers to a completely different world. An unofficially altered version of
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wrote "While it isn’t as engaging in separation from its visual manifestation as
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wrote Leonard-Morgan's musical interludes are "wonderfully washed out".
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On October 17, 2022, Atlantic Screen Music, in collaboration with
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called it as a "throbbing bass-driven score". Ben Child of
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Geoff Berkshire of 8: 615:"Mama's Requiem" (Paul Leonard-Morgan Remix) 716:Drums – Ben Martin, Tony Doogan (recording) 29: 20: 18:2012 film score by Paul Leonard-Morgan 820: 818: 710:Composer, producer – Paul Leonard-Morgan 595: 274: 747: 687: 531: 859:Alexander, Chris (18 September 2012). 766:from the original on 20 September 2012 637:"Anderson's Theme" (John Tejada Remix) 803:from the original on 2 September 2012 756:"Paul Leonard-Morgan Scoring 'Dredd'" 734:Musical assistance – Dianne Stevenson 707:Bass – Ross Hamilton, Aaron Steinberg 688: 532: 7: 861:"Dredd 3D might make you a Belieber" 713:Score co-ordinator – Caroline Gorman 670:"Order in the Chaos" (Piano Version) 648:"She's a Pass" (P.T. Adamczyk Remix) 224:United States on 25 September 2012. 836:. 4 September 2012. Archived from 785:Reynolds, Simon (31 August 2012). 14: 1092:. 18 October 2022. Archived from 1062:. 17 October 2022. Archived from 925:Berkshire, Geoff (12 July 2012). 659:"Mama's Requiem" (Piano Version) 188:Dredd (Original Film Soundtrack) 956:Child, Ben (3 September 2012). 894:Yücel, Ilker (5 October 2012). 737:Product manager – Luke Armitage 1132:Experimental music soundtracks 719:Music editor – Yann McCullough 681:"She's a Pass" (Piano Version) 599: 278: 1: 626:"She's a Pass" (Mogwai Remix) 481:"Judge, Jury And Executioner" 203:from a screenplay written by 1153: 197:2012 film of the same name 677: 666: 655: 644: 633: 622: 611: 603: 521: 510: 499: 488: 477: 466: 459:"Taking Over Peach Trees" 455: 444: 433: 422: 411: 400: 389: 378: 367: 356: 345: 334: 323: 312: 301: 290: 282: 147: 28: 725:Guitar – Aaron Steinberg 731:Mixing – Rupert Coulson 728:Mastering – Mazen Murad 525:"Apocalyptic Wasteland" 215:, which consisted both 1137:Electronic soundtracks 1127:Industrial soundtracks 1122:2012 soundtrack albums 1002:. 2022. Archived from 207:. The album consisted 123:Metropolis Movie Music 56:25 September 2012 (US) 54:10 September 2012 (UK) 760:FilmMusicReporter.com 722:Engineer – Tom Bailey 470:"It's All A Deep End" 264:temporary placeholder 840:on 14 September 2012 492:"Any Last Requests?" 437:"Order In The Chaos" 1066:on 16 November 2022 1036:on 21 December 2022 869:Metro International 762:. 24 January 2012. 327:"The Rise Of Ma-Ma" 213:Paul Leonard-Morgan 172:The Numbers Station 141:Paul Leonard-Morgan 134:Paul Leonard-Morgan 44:Paul Leonard-Morgan 1006:on 19 October 2022 797:Hearst Corporation 338:"Anderson's Theme" 976:on 6 January 2018 875:on 5 October 2012 698: 697: 542: 541: 514:"Ma-Ma's Requiem" 393:"Undefined Space" 221:post-modern music 184: 183: 180: 179: 1144: 1106: 1105: 1103: 1101: 1096:on 9 August 2023 1082: 1076: 1075: 1073: 1071: 1052: 1046: 1045: 1043: 1041: 1032:. Archived from 1022: 1016: 1015: 1013: 1011: 992: 986: 985: 983: 981: 972:. Archived from 953: 947: 946: 944: 942: 933:. 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Archived from 856: 850: 849: 847: 845: 822: 813: 812: 810: 808: 782: 776: 775: 773: 771: 752: 691: 601: 596: 535: 503:"You Look Ready" 280: 275: 257:instrumentalist 209:industrial music 149: 148: 113: 112: 108: 33: 21: 1152: 1151: 1147: 1146: 1145: 1143: 1142: 1141: 1112: 1111: 1110: 1109: 1099: 1097: 1084: 1083: 1079: 1069: 1067: 1054: 1053: 1049: 1039: 1037: 1024: 1023: 1019: 1009: 1007: 994: 993: 989: 979: 977: 955: 954: 950: 940: 938: 924: 923: 919: 909: 907: 893: 892: 888: 878: 876: 858: 857: 853: 843: 841: 824: 823: 816: 806: 804: 784: 783: 779: 769: 767: 754: 753: 749: 744: 704: 699: 689: 577: 550:Ilker Yücel of 548: 543: 533: 415:"Judgment Time" 305:"Mega City One" 272: 230: 175: 166: 157: 110: 106: 105: 97: 55: 46: 19: 12: 11: 5: 1150: 1148: 1140: 1139: 1134: 1129: 1124: 1114: 1113: 1108: 1107: 1077: 1047: 1017: 987: 948: 937:on 16 May 2013 917: 900:ReGen Magazine 886: 851: 814: 777: 746: 745: 743: 740: 739: 738: 735: 732: 729: 726: 723: 720: 717: 714: 711: 708: 703: 700: 696: 695: 692: 686: 685: 682: 679: 675: 674: 671: 668: 664: 663: 660: 657: 653: 652: 649: 646: 642: 641: 638: 635: 631: 630: 627: 624: 620: 619: 616: 613: 609: 608: 605: 602: 594: 576: 573: 552:ReGen Magazine 547: 544: 540: 539: 536: 530: 529: 526: 523: 519: 518: 515: 512: 508: 507: 504: 501: 497: 496: 493: 490: 486: 485: 482: 479: 475: 474: 471: 468: 464: 463: 460: 457: 453: 452: 449: 446: 442: 441: 438: 435: 431: 430: 427: 424: 420: 419: 416: 413: 409: 408: 405: 402: 398: 397: 394: 391: 387: 386: 383: 380: 376: 375: 372: 369: 365: 364: 361: 358: 354: 353: 350: 347: 343: 342: 339: 336: 332: 331: 328: 325: 321: 320: 317: 314: 310: 309: 306: 303: 299: 298: 295: 294:"She's A Pass" 292: 288: 287: 284: 281: 273: 271: 268: 229: 226: 182: 181: 178: 177: 168: 159: 145: 144: 137: 136: 131: 125: 124: 121: 115: 114: 103: 99: 98: 96: 95: 90: 85: 80: 74: 72: 66: 65: 62: 58: 57: 52: 48: 47: 42: 35: 34: 26: 25: 17: 13: 10: 9: 6: 4: 3: 2: 1149: 1138: 1135: 1133: 1130: 1128: 1125: 1123: 1120: 1119: 1117: 1095: 1091: 1087: 1081: 1078: 1065: 1061: 1057: 1051: 1048: 1035: 1031: 1027: 1021: 1018: 1005: 1001: 997: 991: 988: 975: 971: 967: 963: 959: 952: 949: 936: 932: 928: 921: 918: 906:on 1 May 2014 905: 901: 897: 890: 887: 874: 870: 866: 862: 855: 852: 839: 835: 831: 827: 821: 819: 815: 802: 798: 794: 793: 788: 781: 778: 765: 761: 757: 751: 748: 741: 736: 733: 730: 727: 724: 721: 718: 715: 712: 709: 706: 705: 701: 693: 690:Total length: 683: 680: 676: 672: 669: 665: 661: 658: 654: 650: 647: 643: 639: 636: 632: 628: 625: 621: 617: 614: 610: 597: 593: 591: 587: 582: 575:Vinyl edition 574: 572: 570: 569: 564: 563: 557: 553: 545: 537: 534:Total length: 527: 524: 520: 516: 513: 509: 505: 502: 498: 494: 491: 487: 483: 480: 476: 472: 469: 465: 461: 458: 454: 450: 447: 443: 439: 436: 432: 428: 425: 421: 417: 414: 410: 406: 403: 399: 395: 392: 388: 384: 381: 377: 373: 371:"Kay Escapes" 370: 366: 362: 359: 355: 351: 348: 344: 340: 337: 333: 329: 326: 322: 318: 315: 311: 307: 304: 300: 296: 293: 289: 276: 270:Track listing 269: 267: 265: 260: 256: 252: 251:Justin Bieber 246: 244: 243: 238: 237: 227: 225: 222: 218: 214: 210: 206: 202: 198: 194: 190: 189: 174: 173: 169: 165: 164: 160: 156: 155: 151: 150: 146: 142: 138: 135: 132: 130: 126: 122: 120: 116: 104: 100: 94: 91: 89: 86: 84: 81: 79: 76: 75: 73: 71: 67: 63: 59: 53: 49: 45: 40: 36: 32: 27: 22: 16: 1098:. 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Retrieved 759: 750: 578: 568:The Guardian 566: 560: 556:Tron: Legacy 555: 551: 549: 426:"Hiding Out" 404:"Bad Judges" 259:Geoff Barrow 247: 240: 234: 231: 211:composed by 205:Alex Garland 199:directed by 187: 186: 185: 170: 162: 161: 152: 83:experimental 15: 879:25 December 844:4 September 807:1 September 792:Digital Spy 770:5 September 590:John Tejada 382:"Mini-Guns" 242:Dirty Harry 239:(1987) and 228:Development 201:Pete Travis 93:post-modern 1116:Categories 742:References 360:"Cornered" 349:"Lockdown" 316:"The Plan" 255:Portishead 217:electronic 193:soundtrack 143:chronology 88:electronic 78:Industrial 39:Film score 970:0261-3077 546:Reception 154:Limitless 1100:9 August 1070:9 August 1040:9 August 1010:9 August 980:9 August 941:9 August 910:9 August 801:Archived 764:Archived 448:"Slo-Mo" 129:Producer 61:Recorded 51:Released 41: by 1090:Far Out 931:Variety 927:"Dredd" 702:Credits 562:Variety 236:RoboCop 195:to the 191:is the 176:(2012) 167:(2012) 158:(2011) 1000:Empire 968:  607:Length 586:Mogwai 286:Length 102:Length 1060:/Film 1030:Mondo 834:Vocus 830:PRWeb 694:88:00 604:Title 581:Mondo 538:51:26 283:Title 163:Dredd 119:Label 70:Genre 24:Dredd 1102:2023 1072:2023 1042:2023 1012:2023 982:2023 966:ISSN 943:2023 912:2023 881:2012 846:2012 809:2012 772:2012 684:4:50 673:4:38 662:4:48 651:4:47 640:5:47 629:4:42 618:6:55 528:2:24 517:3:37 506:1:38 495:3:25 484:2:18 473:2:20 462:1:27 451:1:27 440:1:16 429:2:23 418:1:52 407:2:03 396:1:17 385:2:02 374:3:17 363:2:17 352:2:46 341:2:36 330:1:55 319:2:37 308:3:13 297:3:16 219:and 64:2012 678:29. 667:28. 656:27. 645:26. 634:25. 623:24. 612:23. 600:No. 522:22. 511:21. 500:20. 489:19. 478:18. 467:17. 456:16. 445:15. 434:14. 423:13. 412:12. 401:11. 390:10. 279:No. 1118:: 1088:. 1058:. 1028:. 998:. 964:. 960:. 929:. 898:. 867:. 863:. 832:. 828:. 817:^ 799:. 795:. 789:. 758:. 588:, 379:9. 368:8. 357:7. 346:6. 335:5. 324:4. 313:3. 302:2. 291:1. 111:26 107:51 1104:. 1074:. 1044:. 1014:. 984:. 945:. 914:. 883:. 848:. 811:. 774:. 109::

Index


Film score
Paul Leonard-Morgan
Genre
Industrial
experimental
electronic
post-modern
Label
Producer
Paul Leonard-Morgan
Paul Leonard-Morgan
Limitless
The Numbers Station
soundtrack
2012 film of the same name
Pete Travis
Alex Garland
industrial music
Paul Leonard-Morgan
electronic
post-modern music
RoboCop
Dirty Harry
Justin Bieber
Portishead
Geoff Barrow
temporary placeholder
Variety
The Guardian

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