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was tiny. The entire space was probably about 225 square feet. It was a two-car garage that had been divided up before my parents got the place. The previous owners split it up and turned it into a one-car garage, and then the other half they made into a children’s bedroom and this sort of utility
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At the time of R.E.M.'s stint at the studio, "the set-up was really simple," Easter said in 1994. "I had almost nothing in the studio back then, except a tape machine and a console and two compressors and one delay device. We couldn't do any fancy stuff."
156:(1982), were recorded at the studio six months apart in 1981. The studio was established in what was initially Easter's parents' garage, at 4527 Old Belews Creek Road, and became an important part of the early
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room. The car area was where the band stood together, the children’s bedroom was the control room, and I think the bass and guitar amps were isolated in the little utility area next to the control room.
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570:"Producer Mitch Easter shares the inside story of R.E.M.’s early recording sessions: 'It was glorious. They rehearsed a lot just because they liked to play together'"
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Step It Up and Go: The Story of North
Carolina Popular Music, from Blind Boy Fuller and Doc Watson to Nina Simone and Superchunk
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An early advertisement, which listed Shady
Boulevard as a mailing address for the studio, itemized its recording technology:
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Due to the confined space of the interior, studio sessions often also took place in the home's driveway, under the
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510:"Fidelitorium is a studio dreamed up and executed very much in the vision of its owner, Mitch Easter"
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Buildings and structures in
Winston-Salem, North Carolina
354:"Mitch Easter: Producing R.E.M. and building his studio"
616:
A Spy in the House of Loud: New York Songs and
Stories
456:"The Pop Life: Studio Flourishes in a Carolina Garage"
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in July 1980, shortly after the break-up of his band
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16:Recording studio in Winston-Salem, North Carolina
285:Other artists who recorded at Drive-In include
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167:Easter explained the studio's layout in 2021:
711:"Sense Of Place North Carolina: Mitch Easter"
316:Easter closed Drive-In in 1994, and moved to
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342:. Sonic Options Network. 1988. p. 60.
27:
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484:"Mitch Easter's 40 Year Odyssey of Sound"
380:"Mitch Easter's 40 Year Odyssey of Sound"
565:
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536:The Complete Guide to the Music of R.E.M
329:
780:Recording studios in the United States
443:from the original on October 13, 2013.
775:1980 establishments in North Carolina
689:"Mitch Easter: Perfect Sound Forever"
586:Menconi, David (September 22, 2020).
7:
202:124 Shady Boulevard in Winston-Salem
482:Douglas, James (October 20, 2021).
378:Douglas, James (October 20, 2021).
51:at Drive-In Studio, September 1985.
404:Barker, David (October 15, 2007).
14:
613:Stamey, Chris (April 15, 2018).
592:. UNC Press Books. p. 155.
454:Palmer, Robert (March 2, 1983).
433:"Mitch Easter – Beyond and Back"
407:33 1/3 Greatest Hits, Volume 2
1:
687:Mills, Fred (June 14, 2007).
619:. University of Texas Press.
410:. Bloomsbury Publishing USA.
128:Winston-Salem, North Carolina
111:Winston-Salem, North Carolina
508:CLTure (February 10, 2022).
226:Prime Time M93 digital delay
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146:" (1981), and their first
431:Amar, Erin (March 2011).
220:- and two-track recorders
160:scene of North Carolina.
26:
102:Closed due to relocation
751:36.136778°N 80.174154°W
667:Pylon - Beep / Altitude
300:The Big Shot Chronicles
48:The Big Shot Chronicles
249:Electric and acoustic
203:
184:
756:36.136778; -80.174154
534:Hogan, Peter (1995).
201:
699:on October 22, 2013.
33:Shelley LaFreniere,
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229:Allison Gain Brain
23:
461:The New York Times
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142:'s debut single, "
641:"Drive-In Studio"
626:978-1-4773-1624-5
599:978-1-4696-5936-7
417:978-1-4411-3003-7
210:Quantum 20-input
144:Radio Free Europe
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719:. Retrieved
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318:Kernersville
315:
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305:The Connells
298:
291:Suzanne Vega
284:
205:
185:
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177:Rod Brakes,
170:
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153:Chronic Town
151:
132:Mitch Easter
119:
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107:Headquarters
85:Mitch Easter
57:Company type
46:
39:Scott Miller
35:Mitch Easter
18:
754: /
574:Music Radar
295:Game Theory
293:("Gypsy"),
179:Music Radar
43:Game Theory
769:Categories
742:80°10′27″W
739:36°08′12″N
358:tapeop.com
324:References
289:("Beep"),
258:four-track
158:indie rock
41:recording
721:March 21,
673:March 26,
650:March 22,
519:March 22,
493:March 26,
389:March 22,
363:March 22,
194:Equipment
126:in rural
76:July 1980
45:'s album
441:Archived
261:Cassette
231:limiters
175:—
136:The dB's
65:Industry
645:Discogs
467:May 17,
281:Artists
224:Lexicon
218:sixteen
216:3M M56
188:carport
91:Defunct
81:Founder
73:Founded
693:Magnet
623:
596:
546:
514:CLTure
414:
339:Option
303:) and
251:reverb
140:R.E.M.
122:was a
113:, U.S.
287:Pylon
267:Organ
264:Drums
240:Shure
68:Music
723:2023
675:2023
652:2023
621:ISBN
594:ISBN
544:ISBN
521:2023
495:2023
469:2019
412:ISBN
391:2023
365:2023
276:Toys
273:Amps
256:TEAC
246:mics
242:and
99:Fate
94:1994
37:and
715:NPR
313:).
236:AKG
771::
713:.
691:.
643:.
572:,
558:^
538:.
512:.
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356:.
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150:,
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307:(
297:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
