89:. In his memoirs, Kenneth Clark, the originator of the committee, recalled 'discovering' in Dickey 'the perfect secretary to the committee', noting 'he had begun life as a serious painter knew all the ins and outs, and was devoted and resourceful beyond measure.' He was a full member of the committee from 1942 to 1945. During this period he established a close relationship with
70:, a publication that, arguably, was a significant influence on both the uptake of modernist theory in English educational establishments and the development of industrial design as a practice in Britain. Dickey was also a significant voice in official deliberations that led to the formation of the
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Dickey was a founder member of the
Society of Wood Engravers in 1920, and exhibited with them from 1920 to 1924. He was at his most active in the early 1920s and virtually all his engravings date from this period.
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England. Board of
Education, Industry and Art Education on the Continent. Board of Education educational pamphlets, no. 102, industry series no. 14 (London: HMSO, 1934).
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on 1 July 1894, the son of Edward O'Rorke Dickey. He later married Eunice
Emmeline Howard; they had one son, Daniel. He was educated at Wellington College and
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Dickey's lasting legacy, rather than his wood engravings and oils, is his distinguished contribution to arts administration and art education.
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from 1926 to 1931. From 1931 to 1957 he was staff inspector of art in the
Technical Education Branch of the
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and Mr. Dickey are among the engravers who rely very much upon the effective use of white lines and spaces
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and then became professor of fine art and director of King Edward VII School of Art, Armstrong
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who was active at the beginning of the twentieth century. He was a founder member of the
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Kenneth Clark, The Other Half: a Self-portrait (London: John Murray, 1977), p. 23.
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356:"Paintings of the Sabine Mountains and other subjects by E. M. O'R. Dickey"
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There are a number of examples of his oil paintings in public collections.
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Dickey (his full name was Edward
Montgomery O'Rorke Dickey) was born in
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Joanna
Selborne, ‘The Society of Wood Engravers: the early years’ in
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War Paint: Art, War, State and
Identity in Britain, 1939 to 1945
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and an enthusiast for the new style of wood engravings.
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in 1920. He had several one-man exhibitions, at the
314:(A selling exhibition at Wolseley Fine Arts, 2000).
139:, wrote about him in his introduction to the book:
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312:The Wood Engraving Revival in Britain 1900-1930
337:Dickey's listing in the London Group's records
154:, published by Balston at Duckworth in 1923.
85:and, from 1939 to 1942, was secretary of the
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411:6 artworks by or after E. M. O'R. Dickey
123:In 1922 he contributed a wood engraving to
68:Industry and Art Education on the Continent
19:(1 July 1894 – 12 August 1977) was a
381:Artworks by or after E. M. O'R. Dickey
261:(New Haven, Yale University Press, 2007),
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115:His wood engravings and oil paintings
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441:Alumni of Trinity College, Cambridge
282:(Upper Denby, Fleece Press, 2002),
219:(1988), published by Combined Arts.
396:Examples of Dickey's oil paintings
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87:War Artists' Advisory Committee
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325:Contemporary English Woodcuts
125:Contemporary English Woodcuts
192:An overview of Dickey's work
72:Council of Industrial Design
43:. He studied painting under
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327:(London, Duckworth, 1922).
41:Trinity College, Cambridge
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25:Society of Wood Engravers
169:. He was elected to the
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466:20th-century engravers
456:British wood engravers
64:Ministry of Education
54:He was art master at
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451:British illustrators
446:Artists from Belfast
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167:New English Art Club
150:by the Irish writer
362:on 11 February 2012
175:Leicester Galleries
96:He was appointed a
342:2012-04-28 at the
323:Campbell Dodgson,
229:Dickey's genealogy
183:Beaux Arts Gallery
310:Joanna Selborne,
181:in 1924, and the
60:Durham University
17:E. M. O'R. Dickey
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436:1977 deaths
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142:Mr. Hagreen
425:Categories
200:References
109:Colchester
185:in 1935.
129:Duckworth
100:in 1952.
74:in 1944.
31:Biography
366:23 April
340:Archived
165:and the
105:Minories
148:Workers
47:at the
37:Belfast
415:Art UK
385:Art UK
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368:2012
284:ISBN
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159:oils
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