1638:
31:
350:, and was friends with the writer. After Westlake's death, Iverson wrote an extensive essay reviewing almost all of Westlake's more than 100 books. He assisted editor Levi Stahl in assembling Westlake's posthumous collection
1585:
317:. The album contains mostly Iverson originals for trio, plus DeJohnette's "Blue" and Iverson's song "The More It Changes" for 44-person socially distanced choir.
2011:
257:
2006:
1928:
1665:
787:
1792:
2021:
1446:
1369:
1733:
486:
1232:
291:, on ECM. Iverson also served as an artistic director of the 2019 Jazz te Gast festival in the Netherlands, at which his orchestral piece
1152:
302:, featuring Ingrid Jensen, Dayna Stephens, Ben Street, Lewis Nash, and the Umbria Jazz Orchestra, was released on Sunnyside Records.
2031:
2026:
1036:
233:
1952:
811:
2001:
1912:
771:
1706:
1428:
550:
1515:
2016:
1257:
2036:
1206:
269:
213:
1658:
1334:
177:
1944:
1785:
803:
1880:
1432:
1424:
733:
152:(born February 11, 1973) is a pianist, composer, and critic best known for his work in the avant-garde jazz trio
506:
237:
1100:
1741:
1714:
602:
578:
1991:
1698:
1651:
590:
518:
201:
1309:
1888:
1778:
898:
747:
161:
1283:
1053:
1996:
1872:
1864:
1820:
1489:
725:
711:
395:
Some tracks trio, with
Johannes Weidenmueller (bass), Falk Willis (drums); some tracks quartet, with
173:
61:
1028:
1020:
30:
1000:
1936:
1157:
1105:
950:
862:
795:
347:
1603:
1968:
1442:
1365:
1359:
1153:"Review: American Composers Orchestra Brings Jazz to Classical, Effortlessly (Published 2018)"
1032:
690:
668:
634:
276:
with saxophonist Mark Turner on the ECM label; and toured Europe with the Billy Hart
Quartet.
106:
1463:
1179:
966:
878:
556:
524:
288:
193:
114:
110:
76:
1392:
870:
674:
534:
314:
310:
221:
1637:
1904:
763:
640:
327:
243:
In 2017, the Bad Plus announced that
Iverson was leaving the group, to be replaced by
1985:
1960:
1920:
1813:
1559:
1438:
1079:"Pianist Ethan Iverson joined New England Conservatory's jazz studio faculty in 2016"
996:
946:
779:
644:
566:
502:
470:
444:
418:
225:
185:
157:
1490:"Larry Grenadier / Ethan Iverson / Lee Konitz / Jorge Rossy: Costumes Are Mandatory"
1896:
1801:
1759:
894:
826:
755:
703:
498:
396:
325:
Iverson also writes about music and music-related topics and has been published by
153:
1684:
Years given are for the recording(s), not first release, unless stated otherwise.
1516:"Ethan Iverson: The Purity of the Turf Review – Like a Time-Travelling Monk Trio"
1310:"The Mind of Donald E. Westlake: The Letters, Books, and Films of a Crime Legend"
1847:
1834:
922:
914:
614:
608:
584:
538:
492:
464:
448:
438:
422:
412:
280:
252:
244:
217:
181:
118:
102:
1586:"Mark Turner and Ethan Iverson's Jazz? It Sounds Like Stravinsky and the Blues"
1464:"Reid Anderson / Ethan Iverson / Bill McHenry / Jeff Williams: Live at Small's"
1827:
918:
854:
652:
648:
618:
562:
530:
474:
339:
229:
209:
205:
189:
1533:
1078:
890:
306:
197:
1493:
1467:
1396:
992:
1629:
695:
Trios with Thomas Morgan/Kush Abadey and Simón
Willson/Vinnie Sperrazza
1633:
346:
An aficionado of crime writing, Iverson is an expert in the works of
1125:
1643:
72:
1774:
1770:
1647:
1335:"A Storyteller Who Got the Details Right (Donald E. Westlake)"
1180:"Ethan Iverson: At the Crossroads of Jazz and Classical Music"
333:
251:, for which Iverson composed the score (derived from parts of
176:. Before forming The Bad Plus, he was musical director of the
133:
1233:"Duke Ellington, Bill Evans, and One Night in New York City"
1624:
1560:"Mark Turner / Ethan Iverson: Temporary Kings (ECM 2583)"
1361:
The
Getaway Car: A Donald Westlake Nonfiction Miscellany
247:. Also in 2017, the Mark Morris Dance Group premiered
1207:"In the Same Breath: An Interview with Ethan Iverson"
1054:"Ethan Iverson | Biography & History | AllMusic"
1856:
1752:
1725:
1690:
1101:"The Bad Plus Greet the New Year With a New Lineup"
305:2022 saw the release of Iverson's first record for
128:
124:
98:
90:
82:
68:
45:
40:
21:
1258:"Stanley Crouch, Towering Jazz Critic, Dead At 74"
639:With the Umbria Jazz Orchestra plus quintet with
1604:"Ethan Iverson - Bud Powell in the 21st Century"
1786:
1659:
1358:Westlake, Donald E. (2014). Stahl, L. (ed.).
8:
1364:. University of Chicago Press. p. 213.
1284:"Modern Hollywood Discovers Its Jazz 'Soul'"
1419:
1417:
1415:
1413:
1027:. Ipswich, MA: H.W. Wilson. 2011. pp.
1793:
1779:
1771:
1666:
1652:
1644:
1636:
366:
18:
261:) and led the band during performances.
1012:
1120:
1118:
1116:
16:American pianist, composer, and critic
1584:Richards, Chris (September 5, 2018).
719:Authorized Bootleg: New York 12/16/01
541:(drums); some tracks trio, duo, solo
258:Sgt. Pepper's Lonely Hearts Club Band
188:. He has worked with artists such as
7:
2012:21st-century American male musicians
1434:The Penguin Guide to Jazz Recordings
936:Live at the Jamboree: Lazy Afternoon
1558:Grillo, Tyran (September 1, 2018).
1282:Iverson, Ethan (24 December 2020).
1151:Walls, Seth Colter (8 April 2018).
673:Trio, with Larry Grenadier (bass),
1514:Fordham, John (December 1, 2016).
14:
1333:Iverson, Ethan (September 2014).
767:(2008 Europe, 2009 North America)
1205:Grillo, Tyran (2 January 2021).
29:
1025:Current Biography Yearbook 2011
621:(bass), Eric McPherson (drums)
434:Deconstruction Zone (Standards)
279:In 2019, Iverson and trumpeter
264:In 2018, Iverson premiered his
2007:21st-century American pianists
630:Bud Powell in the 21st Century
569:(drums); one track solo piano
300:Bud Powell in the 21st Century
1:
408:Construction Zone (Originals)
309:, "Every Note is True", with
236:and is on the faculty of the
180:Dance Group and a student of
2022:Fresh Sounds Records artists
1393:"Ethan Iverson: School Work"
999:, with his wife, the writer
930:Live at the Jamboree: Guilty
270:American Composers Orchestra
232:. He currently studies with
741:Blunt Object: Live in Tokyo
2053:
1945:The Bad Plus Joshua Redman
1534:"Criss Cross Jazz 1391 CD"
1308:Stahl, Levi (2018-05-29).
1126:"Ethan Iverson's Bio Page"
1081:. New England Conservatory
804:The Bad Plus Joshua Redman
529:Most tracks quartet, with
1808:
1681:
298:In 2021, Iverson's album
28:
2032:Criss Cross Jazz artists
2027:HighNote Records artists
238:New England Conservatory
960:(EPSA Music, Argentina)
958:Y en el 2000 Tambien...
561:Most tracks trio, with
2002:American male pianists
1707:The Purity of the Turf
1699:Costumes Are Mandatory
887:With Buffalo Collision
686:Technically Acceptable
551:The Purity of the Turf
519:Costumes Are Mandatory
493:Fresh Sound New Talent
465:Fresh Sound New Talent
439:Fresh Sound New Talent
413:Fresh Sound New Talent
41:Background information
272:; released the album
214:Albert "Tootie" Heath
2017:The Bad Plus members
1889:Suspicious Activity?
1873:These Are the Vistas
974:Twelve Sacred Dances
748:Suspicious Activity?
726:These Are the Vistas
509:(drums); in concert
174:Menomonie, Wisconsin
172:Iverson was born in
62:Menomonie, Wisconsin
2037:ECM Records artists
1590:The Washington Post
938:(Fresh Sound, 2002)
932:(Fresh Sound, 2002)
283:released the album
1937:Inevitable Western
1929:The Rite of Spring
1538:crisscrossjazz.com
1158:The New York Times
1106:The New York Times
863:Billy Hart Quartet
836:(SmallsLive, 2010)
796:Inevitable Western
788:The Rite of Spring
664:Every Note Is True
460:The Minor Passions
399:(tenor sax) added
348:Donald E. Westlake
287:, recorded at the
1979:
1978:
1969:Activate Infinity
1768:
1767:
1608:Sunnyside Records
1448:978-0-141-03401-0
1371:978-0-226-12195-6
1109:. 3 January 2018.
991:Iverson lives in
848:(Sunnyside, 2015)
846:Philadelphia Beat
842:(Sunnyside, 2013)
699:
698:
266:Concerto to Scale
144:
143:
56:February 11, 1973
2044:
1795:
1788:
1781:
1772:
1753:Related articles
1668:
1661:
1654:
1645:
1640:
1612:
1611:
1600:
1594:
1593:
1581:
1575:
1574:
1572:
1570:
1555:
1549:
1548:
1546:
1544:
1530:
1524:
1523:
1511:
1505:
1504:
1502:
1500:
1485:
1479:
1478:
1476:
1474:
1462:Adler, David R.
1459:
1453:
1452:
1437:(9th ed.).
1421:
1408:
1407:
1405:
1403:
1388:
1382:
1381:
1379:
1378:
1355:
1349:
1348:
1346:
1345:
1330:
1324:
1323:
1321:
1320:
1305:
1299:
1298:
1296:
1294:
1279:
1273:
1272:
1270:
1268:
1254:
1248:
1247:
1245:
1243:
1231:Iverson, Ethan.
1228:
1222:
1221:
1219:
1217:
1202:
1196:
1195:
1193:
1191:
1186:. 5 October 2018
1176:
1170:
1169:
1167:
1165:
1148:
1142:
1141:
1139:
1137:
1130:Ethaniverson.com
1122:
1111:
1110:
1097:
1091:
1090:
1088:
1086:
1075:
1069:
1068:
1066:
1064:
1052:Adler, David R.
1049:
1043:
1042:
1017:
967:Patrick Zimmerli
879:One Is the Other
866:(HighNote, 2006)
367:
289:Village Vanguard
194:Kurt Rosenwinkel
140:
137:
135:
77:avant-garde jazz
59:
55:
53:
33:
19:
2052:
2051:
2047:
2046:
2045:
2043:
2042:
2041:
1982:
1981:
1980:
1975:
1852:
1804:
1799:
1769:
1764:
1748:
1742:Common Practice
1721:
1715:Temporary Kings
1686:
1677:
1672:
1632:discography at
1621:
1616:
1615:
1602:
1601:
1597:
1583:
1582:
1578:
1568:
1566:
1557:
1556:
1552:
1542:
1540:
1532:
1531:
1527:
1513:
1512:
1508:
1498:
1496:
1487:
1486:
1482:
1472:
1470:
1461:
1460:
1456:
1449:
1441:. p. 751.
1423:
1422:
1411:
1401:
1399:
1390:
1389:
1385:
1376:
1374:
1372:
1357:
1356:
1352:
1343:
1341:
1332:
1331:
1327:
1318:
1316:
1307:
1306:
1302:
1292:
1290:
1281:
1280:
1276:
1266:
1264:
1256:
1255:
1251:
1241:
1239:
1230:
1229:
1225:
1215:
1213:
1204:
1203:
1199:
1189:
1187:
1178:
1177:
1173:
1163:
1161:
1150:
1149:
1145:
1135:
1133:
1132:. 17 March 2016
1124:
1123:
1114:
1099:
1098:
1094:
1084:
1082:
1077:
1076:
1072:
1062:
1060:
1051:
1050:
1046:
1039:
1019:
1018:
1014:
1009:
989:
871:All Our Reasons
834:Live at Small's
822:
675:Jack DeJohnette
603:Common Practice
579:Temporary Kings
535:Larry Grenadier
365:
360:
352:The Getaway Car
323:
315:Jack DeJohnette
311:Larry Grenadier
285:Common Practice
274:Temporary Kings
234:John Bloomfield
222:Larry Grenadier
170:
147:
132:
60:
57:
51:
49:
36:
35:Iverson in 2009
24:
17:
12:
11:
5:
2050:
2048:
2040:
2039:
2034:
2029:
2024:
2019:
2014:
2009:
2004:
1999:
1994:
1984:
1983:
1977:
1976:
1974:
1973:
1965:
1957:
1949:
1941:
1933:
1925:
1917:
1909:
1905:For All I Care
1901:
1893:
1885:
1877:
1869:
1860:
1858:
1854:
1853:
1851:
1850:
1845:
1839:
1838:
1831:
1824:
1817:
1809:
1806:
1805:
1800:
1798:
1797:
1790:
1783:
1775:
1766:
1765:
1763:
1762:
1756:
1754:
1750:
1749:
1747:
1746:
1738:
1734:Live at Smalls
1729:
1727:
1723:
1722:
1720:
1719:
1711:
1703:
1694:
1692:
1688:
1687:
1682:
1679:
1678:
1673:
1671:
1670:
1663:
1656:
1648:
1642:
1641:
1627:
1620:
1619:External links
1617:
1614:
1613:
1595:
1576:
1564:ecmreviews.com
1550:
1525:
1506:
1480:
1454:
1447:
1409:
1391:Yanow, Scott.
1383:
1370:
1350:
1325:
1300:
1274:
1249:
1237:The New Yorker
1223:
1211:Ecmreviews.com
1197:
1171:
1143:
1112:
1092:
1070:
1044:
1037:
1011:
1010:
1008:
1005:
988:
985:
984:
983:
977:
962:
961:
943:With Avantango
940:
939:
933:
910:
909:
884:
883:
875:
867:
850:
849:
843:
840:Tootie's Tempo
837:
821:
818:
817:
816:
808:
800:
792:
784:
776:
768:
764:For All I Care
760:
752:
744:
738:
730:
722:
716:
697:
696:
693:
688:
683:
679:
678:
671:
666:
661:
657:
656:
641:Dayna Stephens
637:
632:
627:
623:
622:
613:Quartet, with
611:
606:
599:
595:
594:
587:
582:
575:
571:
570:
559:
554:
547:
543:
542:
527:
522:
515:
511:
510:
497:Quartet, with
495:
490:
487:Live at Smalls
483:
479:
478:
467:
462:
457:
453:
452:
441:
436:
431:
427:
426:
415:
410:
405:
401:
400:
393:
390:
385:
381:
380:
377:
374:
371:
370:Year recorded
364:
361:
359:
356:
328:The New Yorker
322:
319:
169:
166:
146:Musical artist
145:
142:
141:
130:
126:
125:
122:
121:
100:
96:
95:
92:
88:
87:
84:
80:
79:
70:
66:
65:
47:
43:
42:
38:
37:
34:
26:
25:
22:
15:
13:
10:
9:
6:
4:
3:
2:
2049:
2038:
2035:
2033:
2030:
2028:
2025:
2023:
2020:
2018:
2015:
2013:
2010:
2008:
2005:
2003:
2000:
1998:
1995:
1993:
1992:Living people
1990:
1989:
1987:
1971:
1970:
1966:
1963:
1962:
1961:Never Stop II
1958:
1955:
1954:
1950:
1947:
1946:
1942:
1939:
1938:
1934:
1931:
1930:
1926:
1923:
1922:
1921:Made Possible
1918:
1915:
1914:
1910:
1907:
1906:
1902:
1899:
1898:
1894:
1891:
1890:
1886:
1883:
1882:
1878:
1875:
1874:
1870:
1867:
1866:
1862:
1861:
1859:
1855:
1849:
1846:
1844:
1843:Ethan Iverson
1841:
1840:
1837:
1836:
1832:
1830:
1829:
1825:
1823:
1822:
1818:
1816:
1815:
1814:Reid Anderson
1811:
1810:
1807:
1803:
1796:
1791:
1789:
1784:
1782:
1777:
1776:
1773:
1761:
1758:
1757:
1755:
1751:
1744:
1743:
1739:
1736:
1735:
1731:
1730:
1728:
1724:
1717:
1716:
1712:
1709:
1708:
1704:
1701:
1700:
1696:
1695:
1693:
1691:Studio albums
1689:
1685:
1680:
1676:
1675:Ethan Iverson
1669:
1664:
1662:
1657:
1655:
1650:
1649:
1646:
1639:
1635:
1631:
1630:Ethan Iverson
1628:
1626:
1625:Official site
1623:
1622:
1618:
1609:
1605:
1599:
1596:
1591:
1587:
1580:
1577:
1565:
1561:
1554:
1551:
1539:
1535:
1529:
1526:
1521:
1517:
1510:
1507:
1495:
1491:
1488:Jurek, Thom.
1484:
1481:
1469:
1465:
1458:
1455:
1450:
1444:
1440:
1436:
1435:
1430:
1429:Morton, Brian
1426:
1425:Cook, Richard
1420:
1418:
1416:
1414:
1410:
1398:
1394:
1387:
1384:
1373:
1367:
1363:
1362:
1354:
1351:
1340:
1336:
1329:
1326:
1315:
1311:
1304:
1301:
1289:
1288:Thenation.com
1285:
1278:
1275:
1263:
1259:
1253:
1250:
1238:
1234:
1227:
1224:
1212:
1208:
1201:
1198:
1185:
1181:
1175:
1172:
1160:
1159:
1154:
1147:
1144:
1131:
1127:
1121:
1119:
1117:
1113:
1108:
1107:
1102:
1096:
1093:
1080:
1074:
1071:
1059:
1055:
1048:
1045:
1040:
1038:9780824211219
1034:
1030:
1026:
1022:
1016:
1013:
1006:
1004:
1002:
998:
994:
987:Personal life
986:
981:
978:
975:
972:
971:
970:
969:
968:
959:
956:
955:
954:
952:
948:
947:Thomas Chapin
944:
937:
934:
931:
928:
927:
926:
925:
924:
920:
916:
907:
904:
903:
902:
900:
896:
892:
888:
881:
880:
876:
873:
872:
868:
865:
864:
860:
859:
858:
857:
856:
847:
844:
841:
838:
835:
832:
831:
830:
829:
828:
819:
814:
813:
809:
806:
805:
801:
798:
797:
793:
790:
789:
785:
782:
781:
780:Made Possible
777:
774:
773:
769:
766:
765:
761:
758:
757:
753:
750:
749:
745:
742:
739:
736:
735:
731:
728:
727:
723:
720:
717:
714:
713:
709:
708:
707:
706:
705:
694:
692:
689:
687:
684:
681:
680:
676:
672:
670:
667:
665:
662:
659:
658:
654:
650:
646:
645:Ingrid Jensen
643:(tenor sax),
642:
638:
636:
633:
631:
628:
625:
624:
620:
616:
612:
610:
607:
605:
604:
600:
597:
596:
592:
588:
586:
583:
581:
580:
576:
573:
572:
568:
567:Nasheet Waits
564:
560:
558:
555:
553:
552:
548:
545:
544:
540:
536:
532:
528:
526:
523:
521:
520:
516:
513:
512:
508:
507:Jeff Williams
504:
503:Reid Anderson
501:(tenor sax),
500:
496:
494:
491:
489:
488:
484:
481:
480:
476:
472:
471:Reid Anderson
468:
466:
463:
461:
458:
455:
454:
450:
446:
445:Reid Anderson
442:
440:
437:
435:
432:
429:
428:
424:
420:
419:Reid Anderson
416:
414:
411:
409:
406:
403:
402:
398:
394:
391:
389:
386:
383:
382:
378:
375:
372:
369:
368:
362:
357:
355:
353:
349:
344:
342:
341:
336:
335:
330:
329:
320:
318:
316:
312:
308:
303:
301:
296:
294:
290:
286:
282:
277:
275:
271:
267:
262:
260:
259:
254:
250:
246:
241:
239:
235:
231:
227:
226:Charlie Haden
223:
219:
215:
211:
207:
203:
199:
195:
191:
187:
186:Sophia Rosoff
183:
179:
175:
167:
165:
163:
159:
158:Reid Anderson
156:with bassist
155:
151:
150:Ethan Iverson
139:
136:.ethaniverson
131:
127:
123:
120:
116:
112:
108:
104:
101:
97:
93:
89:
85:
81:
78:
74:
71:
67:
63:
58:(age 51)
48:
44:
39:
32:
27:
23:Ethan Iverson
20:
1967:
1959:
1951:
1943:
1935:
1927:
1919:
1911:
1903:
1895:
1887:
1879:
1871:
1865:The Bad Plus
1863:
1842:
1833:
1826:
1819:
1812:
1802:The Bad Plus
1760:The Bad Plus
1740:
1732:
1713:
1705:
1697:
1683:
1674:
1607:
1598:
1589:
1579:
1567:. Retrieved
1563:
1553:
1541:. Retrieved
1537:
1528:
1520:The Guardian
1519:
1509:
1497:. Retrieved
1483:
1471:. Retrieved
1457:
1433:
1400:. Retrieved
1386:
1375:. Retrieved
1360:
1353:
1342:. Retrieved
1338:
1328:
1317:. Retrieved
1313:
1303:
1291:. Retrieved
1287:
1277:
1265:. Retrieved
1261:
1252:
1240:. Retrieved
1236:
1226:
1214:. Retrieved
1210:
1200:
1188:. Retrieved
1184:Downbeat.com
1183:
1174:
1162:. Retrieved
1156:
1146:
1134:. Retrieved
1129:
1104:
1095:
1083:. Retrieved
1073:
1061:. Retrieved
1057:
1047:
1024:
1015:
1001:Sarah Deming
990:
979:
973:
964:
963:
957:
942:
941:
935:
929:
912:
911:
905:
895:Hank Roberts
886:
885:
877:
869:
861:
852:
851:
845:
839:
833:
827:Albert Heath
824:
823:
810:
802:
794:
786:
778:
770:
762:
754:
746:
740:
732:
724:
718:
712:The Bad Plus
710:
704:The Bad Plus
701:
700:
685:
663:
629:
601:
593:(tenor sax)
577:
549:
533:(alto sax),
517:
499:Bill McHenry
485:
459:
433:
407:
397:Dewey Redman
387:
351:
345:
338:
332:
326:
324:
304:
299:
297:
292:
284:
278:
273:
265:
263:
256:
248:
242:
171:
160:and drummer
154:The Bad Plus
149:
148:
1997:1973 births
1848:Orrin Evans
1835:Chris Speed
1726:Live albums
1339:Do the Math
1063:21 November
951:Pablo Aslan
923:Jorge Rossy
915:Chris Cheek
882:(ECM, 2014)
647:(trumpet),
617:(trumpet),
615:Tom Harrell
591:Mark Turner
557:Criss Cross
539:Jorge Rossy
469:Trio, with
449:Jorge Rossy
443:Trio, with
423:Jorge Rossy
417:Trio, with
388:School Work
358:Discography
295:premiered.
293:Solve for X
281:Tom Harrell
253:the Beatles
245:Orrin Evans
218:Paul Motian
202:Mark Turner
182:Fred Hersch
178:Mark Morris
115:Criss Cross
103:Fresh Sound
1986:Categories
1913:Never Stop
1828:Ben Monder
1821:David King
1569:January 3,
1543:January 3,
1499:January 3,
1473:January 3,
1402:January 3,
1377:2023-05-29
1344:2023-05-29
1319:2023-05-29
1314:CrimeReads
1021:"Bad Plus"
1007:References
980:Clockworks
919:Ben Street
899:David King
874:(ECM 2012)
855:Billy Hart
820:As sideman
772:Never Stop
653:Lewis Nash
649:Ben Street
619:Ben Street
589:Duo, with
563:Ron Carter
531:Lee Konitz
475:Billy Hart
340:The Nation
321:Other work
249:Pepperland
230:Ron Carter
210:Lee Konitz
206:Ben Street
190:Billy Hart
91:Instrument
83:Occupation
52:1973-02-11
1953:It's Hard
891:Tim Berne
812:It's Hard
691:Blue Note
669:Blue Note
635:Sunnyside
363:As leader
307:Blue Note
268:with the
198:Tim Berne
168:Biography
162:Dave King
107:Sunnyside
1494:AllMusic
1468:AllMusic
1431:(2008).
1397:AllMusic
1085:14 March
1058:AllMusic
997:New York
993:Brooklyn
677:(drums)
655:(drums)
651:(bass),
565:(bass),
537:(bass),
525:HighNote
505:(bass),
477:(drums)
473:(bass),
451:(drums)
447:(bass),
425:(drums)
421:(bass),
111:HighNote
86:Musician
1634:Discogs
1439:Penguin
1293:2 March
1267:2 March
1262:Npr.org
1242:2 March
1216:2 March
1190:2 March
1164:2 March
1136:2 March
889:(incl.
129:Website
1972:(2019)
1964:(2018)
1956:(2016)
1948:(2015)
1940:(2014)
1932:(2014)
1924:(2012)
1916:(2010)
1908:(2008)
1900:(2007)
1892:(2005)
1884:(2004)
1876:(2003)
1868:(2001)
1857:Albums
1745:(2017)
1737:(2000)
1718:(2017)
1710:(2016)
1702:(2012)
1445:
1368:
1035:
982:(2018)
976:(1998)
921:, and
908:(2008)
815:(2016)
807:(2015)
799:(2014)
791:(2014)
783:(2012)
775:(2010)
759:(2007)
751:(2005)
743:(1999)
737:(2004)
729:(2003)
721:(2002)
715:(2001)
379:Notes
376:Label
373:Title
337:, and
99:Labels
69:Genres
64:, U.S.
1029:30–33
965:With
913:With
853:With
825:With
702:With
682:2024
660:2021
626:2018
598:2017
574:2017
546:2016
514:2012
482:2000
456:1999
430:1998
404:1998
392:Mons
384:1993
94:Piano
1897:Prog
1881:Give
1571:2019
1545:2019
1501:2019
1475:2019
1443:ISBN
1404:2019
1366:ISBN
1295:2021
1269:2021
1244:2021
1218:2021
1192:2021
1166:2021
1138:2021
1087:2017
1065:2016
1033:ISBN
949:and
906:Duck
756:Prog
734:Give
313:and
228:and
184:and
138:.com
73:Jazz
46:Born
609:ECM
585:ECM
334:NPR
134:www
119:ECM
1988::
1606:.
1588:.
1562:.
1536:.
1518:.
1492:.
1466:.
1427:;
1412:^
1395:.
1337:.
1312:.
1286:.
1260:.
1235:.
1209:.
1182:.
1155:.
1128:.
1115:^
1103:.
1056:.
1031:.
1023:.
1003:.
995:,
953:)
917:,
901:)
897:,
893:,
354:.
343:.
331:,
255:'
240:.
224:,
220:,
216:,
212:,
208:,
204:,
200:,
196:,
192:,
164:.
117:,
113:,
109:,
105:,
75:,
54:)
1794:e
1787:t
1780:v
1667:e
1660:t
1653:v
1610:.
1592:.
1573:.
1547:.
1522:.
1503:.
1477:.
1451:.
1406:.
1380:.
1347:.
1322:.
1297:.
1271:.
1246:.
1220:.
1194:.
1168:.
1140:.
1089:.
1067:.
1041:.
945:(
50:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.