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time, furniture was solely meant to be functional. However, the
Memphis Group sought to prove otherwise with their highly decorative pieces. They poked fun at everyday pieces and turned them into works of art. Many criticized and said it was just a trend that wouldn't last. Their unconventional ideas were controversial but have now become widely recognized and appreciated. The work continues to be influential throughout the world and can be seen in the Art Institute of Chicago, the Design Museum in London, The Museum of Modern Art in New York and many others.
458:, UFO, Zzigurat, 9999...) the handmade style appeared suddenly as the new game for experimentation, a lot of these new groups playing in this new/old path to renew creation. In October 1980, Sottsass was confronted with two proposals, one from Renzo Brugola, a dear old friend and carpenter, telling him his will "to make something together like in the good old times," and the other one from Mario and Brunella Godani, owners of the Design Gallery Milano, who asked him to create "new furniture" for their gallery.
465:" played during the group's inaugural meeting. The group was active from 1981 to 1988. The Memphis group was created in a reaction against the status quo. Sottsass centered the group's thinking around "radical, funny, and outrageous"—essentially, disregarding what was considered in "good taste" at that time. Art deco, the color palette of Pop Art and Kitsch theme from the 1950s inspired their work. Colorful laminate and terrazzo were commonly found in their work and incorporated in floors, tables and lamps.
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presented within a context of consumer product, as conceptual statements. Covered in bold and colorful, simulated custom laminates, they were precursors to
Memphis, a movement which came more than a decade later. Around this time, Sottsass said: "I didn't want to do any more consumerist products, because it was clear that the consumerist attitude was quite dangerous." As a result, his work from the late 1960s to the 1970s was defined by experimental collaborations with younger designers such as
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As the
Memphis movement in the 1980s attracted attention worldwide for its energy and flamboyance, Ettore Sottsass began assembling a major design consultancy, which he named Sottsass Associati. Sottsass Associati was established in 1980 and gave the possibility to build architecture on a substantial
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Sottsass also designed his own print. This was a squiggles print also known as
Bacterio print. For the print, Sottsass used inspiration from the surface texture and form of a Buddhist temple in Madurai, India, he then abstracted this detail into the squiggles he named Bacterio. This pattern was then
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When
Roberto Olivetti succeeded as head of the company, he named Sottsass artistic director and gave him a high salary, but Sottsass refused. Instead he created the Studio Olivetti independent of Olivetti and became instantly the most creative international centre of design associating research with
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After his time in the military, Sottsass opened his own architecture and design firm in Milan, Italy. Here he started designing furniture and experimented with different color, patterns and shapes. His work was often associated with pop culture with his brightly colored whimsical objects. His pieces
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The
Memphis Group was a postmodern, collaborative, architecture and design group founded by Sottsass in Milan Italy. The group focused heavily on furniture design with an emphasis on unconventional types. The designers became well known for their bright and bold pieces with clashing colors. At the
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Sottsass
Associati, primarily an architectural practice, also designed elaborate stores and showrooms for Esprit, identities for Alessi, exhibitions, interiors, consumer electronics in Japan, and furniture of all kinds. The studio was based on the cultural guidance of Ettore Sottsass and the work
347:) was awarded the Compasso d'Oro in 1970. At Olivetti, he also designed office equipment, typewriters, and furniture. There Sottsass made his name as a designer who, through colour, form and styling, managed to bring office equipment into the realm of popular culture. His first typewriters, the
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While continuing to design for
Olivetti in the 1960s, Sottsass developed a range of objects which were expressions of his personal experiences traveling in the United States and India. These objects included large altar-like ceramic sculptures and his "Superboxes", radical sculptural gestures
204:(Innsbruck, Austria 14 September 1917 – Milan, Italy 31 December 2007) was a 20th-century Italian architect, noted for also designing furniture, jewellery, glass, lighting, home and office wares, as well as numerous buildings and interiors — often defined by bold colours.
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led by Benito
Mussolini and his Republican Fascist Party, to fight in the mountains alongside Hitler's army (Sottsass tells his adventures as a Lieutenant of the Monterosa Division in his autobiography "Scritto di Notte" published by Adelphi).
255:, he set up his own architectural and industrial design studio, where he began to create work in a variety of different media: ceramic, painting, sculpture, furniture, photography, jewelry, architecture and interior design.
220:, where his father, also named Ettore Sottsass, was an architect. The elder Sottsass belonged to the modernist architecture group Movimento Italiano per l'Architectura Razionale (MIAR), which was led by
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Sottsass created a vast body of work: furniture, jewelry, ceramics, glass, silver work, lighting, office machine design and buildings. He inspired generations of architects and designers. In 2006 the
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After returning home, Ettore
Sottsass worked as an architect with his father, often on new modernist versions of buildings that were destroyed during the war. In 1947, living in
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creation and industrial strategy. His concern that his creativity would have been stifled by corporate work is documented in his 1973 essay "When I was a Very Small Boy".
278:, resigning due to the movement's perceived aggression and its lack of professionalism. In 1956, Sottsass traveled to New York City and began working in the office of
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in London in 2007. In 2009, the Marres Centre for Contemporary Culture in Maastricht presented a re-construction of a Sottsass' exhibition
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1496:"We Were Exuberant and Still Had Hope. Ettore Sottsass: works from Stockholm, 1969 – Marres Maastricht – Centre For Contemporary Culture"
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2028:"How Can You Make an English Manor Filled With Old Masters Feel Contemporary? At Chatsworth House, the Answer Is Cutting-Edge Design"
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Collection, as well as many drawings. Design objects and drawings by Sottsass are also in the permanent collections of the
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conducted by its many young associates, who quite often left to open their own studios. Sottsass Associati is now based in
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scale as well as to design for large international industries. Besides Ettore Sottsass, the other founding members were
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Also in 1956, Sottsass was commissioned by the American entrepreneur Irving Richards on an exhibition of his ceramics.
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1444:"Designer who helped to make office equipment fashionable and challenged the standard notion of tasteful interiors"
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After the invasion of Italy by the Anglo-Americans, Sottsass enlisted in the Monterosa Division, a division of the
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Ettore Sottsass: auch der Turm von Babel war aus gabrannter Erde (and tower of Babel was also made of terracotta)
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522:, and Mike Ryan would also join the firm. In 1985, Sottsass left the Memphis Group to focus on the Associati.
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held the first major museum survey exhibition of his work in the United States. A retrospective exhibition,
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1622:"How Ettore Sottsass reinvented the office space (while working on laughing gas and LSD dispensers)"
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282:. He and Pivano traveled widely while working for Nelson, and returned to Italy after a few months.
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typewriter in 1969 — considered today a milestone in 20th century design and featured in the
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Ettore Sottsass founded the Memphis Group in Milan on 11 December 1980, after the Bob Dylan song "
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2002:"Chatsworth House design exhibition explores contemporary design themes in an eclectic setting"
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921:. He collaborated with well-known figures in the architecture and design field, including
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274:, a writer, journalist, translator and critic. From 1954 to 1957 he was a member of the
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1548:"The most comprehensive archives of architecture and design content – Icon Magazine"
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Ettore Sottsass: Catalogo ragionato dell'archivio 1922–1978 CSAC/Università di Parma
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in Stockholm in 1969. In 2017, on the occasion of Sottsass' 100th birthday, the
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The studio works with former members of Memphis as well as with the architect
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Ettore Sottsass: Movili e Qualche Arredamento (Furniture and A Few Interiors)
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Sottsass and Fernanda Pivano divorced in 1970, and in 1976 Sottsass married
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Ettore Sottsass: Designer of the world, Château de Montsoreau-Museum of Co
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and continue to sustain the work, philosophy, and culture of the studio.
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STORIES OF HOUSES: Ernest Mourmans' House in Belgium, by Ettore Sottsass
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In the early 1970s he designed the modular office equipment collection
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1843:"'A Sculpture You Can Live In': $ 15M Woodside Home of IDEO Founder"
1682:"A Serious Case of PoMo… | Cooper Hewitt, Smithsonian Design Museum"
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One of his works—Telefono Enorme, designed with David M. Kelley for
727:– cutlery set designed with assistance of Alberto Gozzi in 1987 for
1176:, catalogue for exhibition at Triennale Design Museum, Electa, 2016
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Chair (1987) Courtesy Musée National d'Art Moderne-Centre Pompidou
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Information and pictures about the designer Ettore Sottsass Junior
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2080:, television interview with Charlie Rose, 29 November 2004, video.
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Luca Massimo Barbero, Pasquale Gagliardi, Marino Barovier, etc.,
1148:, Los Angeles County Museum of Art/Merrell, London/New York, 2006
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electronic calculator, Olivetti. Won Compasso d'Oro award in 1970
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in 1959. His design for the MC 19 electric adding machine (with
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in Turin and graduated in 1939 with a degree in architecture.
18:
324:, to design electronic devices and develop the first Italian
1387:"The Elea 9003 by Ettore Sottsass is still in working order"
889:. As an architect, he designed the Mayer-Schwarz Gallery on
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used on their furniture designs in as veneers and textiles.
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1945:"The Sir Misha Black Medal | Misha Black Awards"
958:'Miljö för en ny planet' (Landscape for a new planet)
1971:"Mirror Mirror: Reflections on Design at Chatsworth"
1711:. New York: Rizzoli International Publications, Inc.
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museum in New York City presented the retrospective
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Sottsass design collection and other Memphis design
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The Metropolitan Museum of Art, i.e. The Met Museum
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collection, Alessi, 1989 and it sold for 60.000.000
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Stuck Inside of Mobile with the Memphis Blues Again
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2086:, published by Hans Höger in domusWeb, Milan 2005.
1598:. Artandculture.com. 26 March 2009. Archived from
1038:Mirror Mirror: Reflections on Design at Chatsworth
420:in London granted Sottsass an honorary doctorate.
2118:Hans Höger on Ettore Sottsass: Existential Design
1062:Ettore Sottsass Jun.: Designer, Artist, Architect
1036:In 2023, his work was included in the exhibition
857:As an industrial designer, his clients included
1361:"Ettore Sottsass Jr – Centro Studi Polotronova"
901:, designer of Apple's first computer mouse, in
816:Van Impe house, Sint-Lievens-Houtem, 1996 with
276:International Movement for an Imaginist Bauhaus
38:for grammar, style, cohesion, tone, or spelling
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1887:"Concerned More About People Than the Planes"
1498:. Marres.org. 10 January 2010. Archived from
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1204:, Institute of Contemporary Art, Miami, 2020
8:
2077:A conversation with designer Ettore Sottsass
1524:. studio-international.co.uk. Archived from
1468:. Victoria and Albert Museum. 14 March 1969.
1331:"Take Care: Ettore Sottsass and Jesse Wine"
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1642:"When I Was a Very Small Boy: Observatory"
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1264:"Ettore Sottsass, Designer, Is Dead at 90"
771:Wolf house, Ridgway (Colorado), 1985 with
243:were often made out of glass and ceramic.
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1947:. mishablackawards.org.uk. Archived from
795:Museum of Contemporary Art, Ravenne, 1992
731:. Won XVIth Compasso d'Oro award in 1991.
227:The younger Sottsass was educated at the
62:Learn how and when to remove this message
1231:Ettore Sottsass and the poetry of things
1144:Ronald T. Labaco and Dennis P. Doordan,
1000:Cooper Hewitt, Smithsonian Design Museum
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365:Cooper Hewitt, Smithsonian Design Museum
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1146:Ettore Sottsass: Architect and Designer
789:Bischofberger house, Zurich, 1989 with
302:Back in Italy in 1957, Sottsass joined
2701:Polytechnic University of Turin alumni
2230:(head of various divisions, 1956–1990)
1723:"Ettore Sottsass Jr. / Superbox, 1966"
1419:Associazione Archivio Storico Olivetti
1202:Ettore Sottsass and the Social Factory
696:collection, the Gallery Mourmans, 1996
2103:The Life and Times of Ettore Sottsass
1480:Ettore Sottsass: A Critical Biography
1262:Pogrebin, Robin J. (1 January 2008).
1141:, Editions HYX, Orléans, France, 2006
1074:Francois Barre, Andrea Branzi, etc.,
1069:Ettore Sottsass: A Critical Biography
7:
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1800:The Dream Factory: Alessi since 1921
1576:. Guykeulemans.com. 14 November 2009
1522:"Home Content, Studio International"
1409:
1407:
1116:M. Carboni e B. Radice (edited by),
1109:M. Carboni e B. Radice (edited by),
1104:Ettore Sottsass: Esercizi di Viaggio
807:Golf and club resort, Zhaoqing, 1994
742:Notable achievements in architecture
541:. It works for major companies like
2084:Ettore Sottsass. Existential Design
1644:. Design Observer. 31 December 2007
391:, culminating in the foundation of
2661:Italian people of Austrian descent
2218:(founder and president, 1908–1938)
2026:Madlener, Adrian (17 March 2023).
1174:Ettore Sottsass: There is a Planet
1083:Ettore Sottsass: tutta la ceramica
915:W. Keith and Janet Kellogg Gallery
842:W. Keith and Janet Kellogg Gallery
780:Olabuenaga house, Maui, 1989 with
666:, clock on display, seventh event
14:
2108:Jennifer Kabat on Ettore Sottsass
1920:"Ettore Sottsass: Design Radical"
1885:Muschamp, Herbert (6 July 1997).
1596:"Ettore Sottsass @ Art + Culture"
1113:, Neri Pozza Editore, Milan, 2002
1078:, Centre G. Pompidou, Paris, 1994
1057:, Arnoldo Mondadori Editore, 1985
950:Ettore Sottsass: Work in Progress
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1064:, Wasmuth, TĂĽbingen/Berlin, 1993
1008:Los Angeles County Museum of Art
970:Ettore Sottsass: Design Radical.
946:Los Angeles County Museum of Art
865:, the Italian furniture company
831:Kelley Residence, Woodside, 2000
409:, an art critic and journalist.
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23:
2671:Compasso d'Oro Award recipients
2090:Emeco Nine-0 by Ettore Sottsass
2000:Bertoli, Rosa (17 March 2023).
1841:Zap, Claudine (28 April 2017).
825:Bird House, Lanaken, 1998 with
804:Motoryacht Amazon Express, 1994
765:Building, Marina di Massa, 1985
316:In 1956, Sottsass was hired by
1707:Sottsass, Ettore, ed. (1988).
1415:"I 16 Compassi d'Oro Olivetti"
762:Esprit showroom, Hamburg, 1985
569:Notable achievements in design
266:at their home in Milan in 1969
1:
2157:at the design agency TAGWERC
1550:. iconeye.com. Archived from
810:Malpensa Airport, Milan, 1994
759:Esprit showroom, Zurich, 1985
446:With the rise of new groups (
332:for which he was awarded the
16:Italian architect (1917–2007)
2676:Royal Designers for Industry
2651:Italian industrial designers
1482:. London, Thames and Hudson.
1367:(in Italian). 1 January 1970
1197:, Skira/Rizzoli, Milan, 2017
1134:, SkirĂ Editore, Milan, 2005
1120:, SkirĂ Editore, Milan, 2002
1025:In 1999, he was awarded the
1020:Museum of Fine Arts, Houston
1012:Musée National d'Art Moderne
834:Roppongi Island, Tokyo, 2004
768:Alessi showroom, Milan, 1985
2656:Italian furniture designers
1777:catalogo.living.corriere.it
1097:Ettore Sottsass e Associati
1071:, Thames & Hudson, 1993
822:Alitalia waiting room, 1997
395:at the turn of the decade.
387:, and association with the
320:as a design consultant for
236:Repubblica Sociale Italiana
2717:
2574:Olivetti-Underwood Factory
1195:Ettore Sottsass: The Glass
1162:, Phaidon, New York, 2014
1016:Philadelphia Museum of Art
984:Metropolitan Museum of Art
960:, which took place in the
837:Sport house, Nanjing, 2004
813:Nanon house, Lanaken, 1995
777:Zibibbo bar, Fukuoka, 1989
756:showroom, DĂĽsseldorf, 1985
658:Miss don't you like caviar
600:typewriter, Olivetti, 1969
578:Miss don't you like caviar
497:Bus stop in Hanover (2001)
427:
373:Victoria and Albert Museum
216:, Austria, and grew up in
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1090:Ettore Sottsass: Ceramics
895:Beverly Hills, California
801:Green house, London, 1993
630:fruit bowl, Memphis, 1982
606:cabinet, Poltronova, 1966
270:In 1949 Sottsass married
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2150:Cooper Hewitt Collection
2145:Design Museum Collection
1802:. Könemann. p. 29.
1798:Alessi, Alberto (1998).
1727:FRAC Centre-Val de Loire
1478:Radice, Barbara (1993).
1365:Centro Studi Polotronova
1137:M. Carboni (edited by),
1130:M. Carboni (edited by),
1123:M. Carboni (edited by),
1111:Ettore Sottsass: Scritti
1102:M. Carboni (edited by),
1095:M. Carboni (edited by),
1085:, Allemandi, Turin, 1996
798:Ghella house, Roma, 1993
618:mirror, Poltronova, 1970
590:mainframe computer. Won
2129:1 December 2017 at the
2120:, DomusWeb, April 2005.
1319:. MIT Press. p. 5.
1188:Sottsass: 1000 Ceramics
1092:, Chronicle Books, 1996
905:. The interiors of the
786:Cei house, Empoli, 1989
642:bookcase, Memphis, 1981
636:bookcase, Memphis, 1981
187:Mayer-Schwarz Gallery,
2224:(president, 1938–1960)
2124:Olivetti official site
1824:"The Kelley Residence"
1229:Sudjic, Deyan (2015).
1183:, Silvana, Milan, 2017
1127:, Electa, Naples, 2004
1099:, Rizzoli, Milan, 1999
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668:The Hour of Architects
648:cabinet, Memphis, 1981
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2646:Architects from Turin
1668:design-technology.org
1317:The Situationist City
1190:, AdArte s.r.l., 2017
1106:, Aragno, Turin, 2001
1088:Bruno Bischofberger,
1031:College of Medallists
1029:and was added to the
1027:Sir Misha Black award
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229:Politecnico di Torino
212:Sottsass was born in
166:Sir Misha Black Medal
2681:Olivetti typewriters
2327:Pier Giorgio Perotto
2066:ntemporary Art, 2017
1686:www.cooperhewitt.org
1132:Sottsass 700 disegni
1125:Sottsass: fotografie
1004:the Stedelijk Museum
903:Woodside, California
418:Royal College of Art
361:Museum of Modern Art
262:Ettore Sottsass and
2592:(acquired Olivetti)
1951:on 29 December 2016
1709:Sottsass Associates
1446:. Timesonline.co.uk
1179:Francesca Zanella,
992:Vitra Design Museum
871:Knoll International
840:Entry Gates of the
624:lamp, Memphis, 1981
506:, Marco Marabelli,
385:Archizoom Associati
2277:Carlo De Benedetti
2056:Sottsass Associati
1975:www.chatsworth.org
1891:The New York Times
1861:"Collezione Musei"
1574:"superunfoldedbox"
1268:The New York Times
952:, was held at the
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664:Apollodoro Gallery
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477:Sottsass Associati
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326:mainframe computer
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179:Sottsass Associati
42:You can assist by
2691:Product designers
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2317:Costantino Nivola
2282:Michele De Lucchi
1865:samha207.unipr.it
1752:ADI Design Museum
1688:. 29 January 2020
1664:"Ettore Sottsass"
1602:on 20 August 2012
1233:. Phaidon Press.
917:at the campus of
844:at the campus of
827:Johanna Grawunder
818:Johanna Grawunder
791:Johanna Grawunder
782:Johanna Grawunder
773:Johanna Grawunder
694:Memories of China
539:Johanna Grawunder
516:Johanna Grawunder
442:table lamp (1983)
298:typewriter (1969)
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108:14 September 1917
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2617:Commons category
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2367:Massimo Vignelli
2332:Giovanni Pintori
2322:Marcello Nizzoli
2292:Ignazio Gardella
2267:Natale Capellaro
2222:Adriano Olivetti
2216:Camillo Olivetti
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2140:, 2 January 2008
2095:Design Biography
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1735:
1733:
1719:
1713:
1712:
1704:
1698:
1697:
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1693:
1678:
1672:
1671:
1660:
1654:
1653:
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1649:
1638:
1632:
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1618:
1612:
1611:
1609:
1607:
1592:
1586:
1585:
1583:
1581:
1570:
1564:
1563:
1561:
1559:
1544:
1538:
1537:
1535:
1533:
1528:on 9 August 2012
1518:
1512:
1511:
1509:
1507:
1502:on 15 April 2013
1492:
1483:
1476:
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1397:
1383:
1377:
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1374:
1372:
1357:
1351:
1350:
1348:
1346:
1337:. Archived from
1327:
1321:
1320:
1309:
1303:
1302:. 2 January 2008
1293:
1287:
1286:
1284:
1282:
1259:
1253:
1252:
1226:
1186:Fulvio Ferrari,
1172:Barbara Radice,
1158:Philippe Thomé,
1139:Sottsass '60/'70
1081:Fulvio Ferrari,
1067:Barbara Radice,
1042:Chatsworth House
978:—is part of the
940:Enorme Telephone
907:Malpensa Airport
684:Paolo Portoghesi
518:, Marco Susani,
389:Radical movement
346:
318:Adriano Olivetti
312:
129:
126:31 December 2007
107:
105:
92:Sottsass in 1969
90:
76:
67:
60:
56:
53:
47:
27:
26:
19:
2716:
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2707:
2706:
2705:
2666:Olivetti people
2626:
2625:
2624:
2619:
2605:
2578:
2569:500 Park Avenue
2557:
2528:
2505:
2482:
2421:
2415:
2389:
2385:
2376:
2347:Ettore Sottsass
2252:Getulio Alviani
2239:
2233:
2197:
2192:
2158:
2131:Wayback Machine
2052:
2047:
2046:
2036:
2034:
2025:
2024:
2020:
2010:
2008:
1999:
1998:
1994:
1984:
1982:
1981:on 3 March 2023
1969:
1968:
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1954:
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1943:
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1745:
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1705:
1701:
1691:
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1594:
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1554:on 28 July 2011
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1391:www.domusweb.it
1385:
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1359:
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1354:
1344:
1342:
1341:on 2 April 2019
1329:
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1306:
1296:Ettore Sottsass
1294:
1290:
1280:
1278:
1261:
1260:
1256:
1241:
1228:
1227:
1223:
1218:
1160:Ettore Sottsass
1155:, Wienand, 2011
1076:Ettore Sottsass
1053:Guia Sambonet,
1050:
996:Brooklyn Museum
990:in London, the
919:Cal Poly Pomona
899:David M. Kelley
855:
846:Cal Poly Pomona
744:
686:, paintings by
571:
563:Esprit Holdings
479:
432:
426:
371:as well as the
340:
306:
272:Fernanda Pivano
264:Fernanda Pivano
249:
222:Giuseppe Pagano
210:
202:Ettore Sottsass
137:
131:
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116:Austria-Hungary
109:
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80:Ettore Sottsass
68:
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2362:Lella Vignelli
2359:
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2354:
2349:
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2342:Piero Scaruffi
2339:
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2050:External links
2048:
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2018:
1992:
1962:
1936:
1911:
1877:
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1833:
1828:Dwell Magazine
1815:
1808:
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1773:"Nuovo Milano"
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1421:. 7 March 2022
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489:cutlery (1989)
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407:Barbara Radice
338:Hans von Klier
334:Compasso d'Oro
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2262:Mario Bellini
2260:
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2255:
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2245:
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2240:and engineers
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2006:wallpaper.com
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1308:
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723:
721:for the CIRVA
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695:
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689:
688:Paolo Salvati
685:
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680:Arata Isozaki
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614:
611:
608:
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602:
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594:award in 1959
593:
589:
588:
587:Olivetti ELEA
584:
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430:Memphis Group
424:Memphis Group
423:
421:
419:
416:In 1968, the
414:
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369:Design Museum
366:
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189:Beverly Hills
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45:
39:
37:
32:This article
30:
21:
20:
2583:Acquisitions
2523:Divisumma 18
2372:Marco Zanuso
2346:
2337:Carlo Scarpa
2312:Bruno Munari
2302:James Irvine
2159:(in English)
2137:
2136:Obituary in
2076:
2035:. Retrieved
2031:
2021:
2009:. Retrieved
2005:
1995:
1983:. Retrieved
1979:the original
1974:
1965:
1953:. Retrieved
1949:the original
1939:
1927:. Retrieved
1923:
1914:
1902:. Retrieved
1890:
1880:
1868:. Retrieved
1864:
1855:
1846:
1836:
1827:
1818:
1799:
1793:
1781:. Retrieved
1779:(in Italian)
1776:
1767:
1755:. Retrieved
1751:
1742:
1730:. Retrieved
1726:
1717:
1708:
1702:
1690:. Retrieved
1685:
1676:
1667:
1658:
1646:. Retrieved
1636:
1625:
1616:
1604:. Retrieved
1600:the original
1590:
1578:. Retrieved
1568:
1556:. Retrieved
1552:the original
1542:
1530:. Retrieved
1526:the original
1516:
1504:. Retrieved
1500:the original
1479:
1474:
1460:
1448:. Retrieved
1423:. Retrieved
1418:
1394:. Retrieved
1390:
1381:
1369:. Retrieved
1364:
1355:
1343:. Retrieved
1339:the original
1334:
1325:
1316:
1307:
1299:
1291:
1279:. Retrieved
1267:
1257:
1230:
1224:
1201:
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1131:
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1117:
1110:
1103:
1096:
1089:
1082:
1075:
1068:
1061:
1060:Hans Höger,
1054:
1048:Publications
1037:
1035:
1024:
973:
969:
957:
949:
943:
927:James Irvine
856:
734:
725:Nuovo Milano
724:
718:
709:
699:
693:
690:, Rome, 1987
667:
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633:
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621:
616:Ultrafragola
615:
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597:
585:
577:
536:
524:
520:James Irvine
512:Marco Zanini
500:
487:Nuovo Milano
486:
471:
467:
460:
448:Global tools
445:
439:
415:
411:
404:
400:Synthesis 45
399:
397:
377:
352:
348:
315:
301:
293:
284:
269:
250:
247:Early career
241:
233:
226:
211:
201:
200:
191:, California
128:(2007-12-31)
73:
58:
49:
36:copy editing
34:may require
33:
2686:Typewriters
2641:2007 deaths
2636:1917 births
2538:Typewriters
2510:Calculators
2412:(1957–1964)
2410:Elea series
2297:Franca Helg
2257:Gae Aulenti
2228:Franco Tatò
2032:Artnet News
1929:24 November
1904:24 November
1870:5 September
1847:Realtor.com
1466:"Valentine"
931:Matteo Thun
891:Rodeo Drive
853:Other works
750:store, 1980
719:Glass works
710:Glass works
676:Hans Hollei
660:chair, 1987
654:phone, 1986
508:Matteo Thun
456:Superstudio
381:Superstudio
367:, London's
341: [
307: [
142:Nationality
2630:Categories
2546:Lettera 22
2403:Mainframes
2307:Louis Kahn
2209:Executives
2202:Key people
1783:18 October
1748:"SUMMA 19"
1216:References
1018:, and the
1014:in Paris,
966:Met Breuer
923:Aldo Cibic
867:Poltronova
646:Casablanca
504:Aldo Cibic
304:Poltronova
208:Early life
150:Occupation
104:1917-09-14
44:editing it
2562:Locations
2552:Valentine
2422:computers
2395:Computers
2238:Designers
2138:The Times
1899:0362-4331
1692:8 October
1276:0362-4331
1249:905521915
887:Brionvega
598:Valentine
514:. Later,
452:Archizoom
438:Artemide
357:Valentine
353:Praxis 48
330:Elea 9003
295:Valentine
292:Olivetti
214:Innsbruck
184:Buildings
153:Architect
112:Innsbruck
52:July 2024
2696:Lighting
2601:Omnidata
2500:Quaderno
2477:Envision
2420:Personal
2195:Olivetti
2127:Archived
2037:19 March
2011:17 March
1985:13 March
1955:29 April
1732:18 March
1558:29 April
1532:29 April
1315:(1999).
1118:Metafore
859:Fiorucci
748:Fiorucci
700:Mandarin
628:Murmansk
610:SUMMA 19
604:Superbox
440:Pausania
351:and the
322:Olivetti
176:Practice
2487:Laptops
1757:26 June
1648:13 June
1606:13 June
1580:13 June
1506:13 June
1450:13 June
1425:21 July
1396:14 July
1335:ARTUNER
702:chair,
670:, with
640:Malabar
634:Carlton
555:Zanotta
551:Siemens
547:Philips
485:Alessi
393:Memphis
349:Tekne 3
145:Italian
136:, Italy
2554:(1969)
2548:(1949)
2525:(1972)
2519:(1965)
2502:(1992)
2496:(1983)
2479:(1995)
2473:(1986)
2467:(1986)
2461:(1985)
2455:(1983)
2449:(1982)
2443:(1975)
2437:(1975)
2431:(1975)
1897:
1806:
1371:3 July
1345:3 July
1281:3 July
1274:
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1237:
1208:
1166:
998:, the
994:, the
986:, the
976:Brondi
885:, and
883:Brondi
879:Alessi
863:Esprit
848:, 1995
754:Esprit
735:Twergi
729:Alessi
714:Venini
706:, 1986
652:Enorme
622:Tahiti
528:London
328:, the
158:Awards
2441:P6066
2435:P6060
2429:P6040
2098:Emeco
911:Milan
909:, in
704:Knoll
543:Apple
532:Milan
345:]
311:]
253:Milan
218:Turin
134:Milan
2039:2023
2013:2023
1987:2023
1957:2014
1931:2017
1906:2017
1895:ISSN
1872:2022
1804:ISBN
1785:2020
1759:2024
1734:2020
1694:2022
1650:2013
1608:2013
1582:2013
1560:2014
1534:2014
1508:2013
1452:2013
1427:2024
1398:2024
1373:2017
1347:2017
1283:2017
1272:ISSN
1245:OCLC
1235:ISBN
1206:ISBN
1164:ISBN
980:MOMA
712:for
559:Fiat
530:and
510:and
383:and
375:.
123:Died
98:Born
2494:M10
2471:M19
2465:M28
2453:M24
2447:M20
1040:at
893:in
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