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Despite these successes, family obligations required him to seek employment as a teacher so, in 1890, he obtained an interim position as a professor of drawing and decorative arts at the
Escuela de Artes y Oficios. Over the next decade, he would hold several other interim or low-paying posts until,
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While there, he sent numerous works back to Spain (as required); mostly on
Biblical and Classical themes. He also visited Venice and Naples, doing paintings on lighter subjects. After four years, he received his qualifications and was awarded second place at the National Exhibition of 1884 for his
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with friars. This was in addition to more traditional
Classical scenes executed at private residences. In 1907, the Diputación of his home town engaged him to create religious murals at the orphan's home and provincial hospice. In 1911, as a result of that work, he was commissioned to paint
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In 1919 his son Ángel, who was a doctor, invited his parents to live with him in
Villaconejos. Oliva accepted and spent his last years painting small format genre canvases; mostly dealing with peasant life and the local wineries. His wife died in 1924 and he died in
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with artistic aspirations. He and his brother José were enrolled in the "Escuela
Municipal de Dibujo de Palencia". Around 1873, he went to Madrid to continue his studies at the "Escuela Superior de Pintura, Escultura y Grabado", a school associated with the
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150:" and a competition was held to fill it. He won the competition and was awarded a stipend to go to Rome. Shortly after, he married the daughter of an actor named Francisco Bueno and they went together in 1879.
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in 1903, he achieved a tenured professorship at the
Escuela de Artes e Industrias, followed by a similar position at the Escuela de Artes y Oficios in 1911.
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During this time, he received another commission for murals at the Círculo de Recreo de la
Victoria (a private club) in
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Upon returning to Madrid, he attempted to build a clientele, but things did not go well until late in 1885 when
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Escuela
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107:(12 February 1852 – March 1925) was a Spanish painter, primarily known for his murals.
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in 1876 and 1878 were disappointing. However, later in 1878, a place opened up at the "
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The Last
Moments of Cervantes; inscribing a copy of Don Quixote for the
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Detail from a mural in the dance hall at the Círculo de Recreo, showing
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241:. All but one of these were severely damaged by a fire in 1966.
324:(exhibition catalog), Caja de Ahorros y Monte de Piedad, 1985
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380:20th-century Spanish painters
365:19th-century Spanish painters
395:Spanish Orientalist painters
191:Order of Isabel the Catholic
320:Arturo Caballero Bastardo,
16:Spanish painter (1852–1925)
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249:the year after, aged 73.
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390:Spanish history painters
322:Eugenio Oliva 1852-1925
197:with allegories on the
130:Germán Hernández Amores
105:Eugenio Oliva y Rodrigo
45:Eugenio Oliva y Rodrigo
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375:Spanish male painters
342:at Wikimedia Commons
307:@ Biografías y Vidas.
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187:Immaculate Conception
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400:People from Palencia
185:on the theme of the
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305:Biographical notes
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183:Carlos III
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