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65:. Indeed, during her lifetime she was often identified as either a mezzo-soprano or a contralto by music critics without much consistency. While she had an excellent vocal technique and an exceptionally beautiful tone quality, her gifts as an actress and interpreter were only mediocre.
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productions during the early 1900s, she spent most of her remaining career performing at the Teatro
Nacional de São Carlos. After retiring from the stage, she remained in Lisbon where she taught singing for many years.
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A concise biographical dictionary of singers: from the beginning of recorded sound to the present. Translated from German, expanded and annotated by Harry Earl Jones
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on 23 November. She remained a member of the company until the end of the 1899–1900 season. One of her most successful roles at the Met was Léonor in
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in 1896. She left the Met in 1900 just before she married her husband. Although she returned to the Met briefly in 1902 and appeared in a few
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repertoire, enabled her to sing roles normally associated with
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in 1883. That same year she sang the role of Kaled in
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244:In 1894 Mantelli joined the roster of the
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53:that, while focusing mostly within the
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30:(1860- 3 March 1926) was an Italian
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16:Italian opera singer 1860-1926
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91:Teatro Nacional de São Carlos
37:who had a prolific career in
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370:Italian operatic contraltos
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400:Milan Conservatory alumni
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299:: "Eugenia Mantelli",
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73:Mantelli was born in
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230:La forza del destino
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297:J.B. Steane
261:La favorite
218:La favorita
189:José Oxilia
51:vocal range
359:Categories
281:References
274:vaudeville
209:Montevideo
59:contraltos
180:Don Carlo
131:Argentina
129:, Italy,
69:Biography
333:(1969).
308:Archived
75:Florence
63:sopranos
157:at the
127:Germany
123:Treviso
117:at the
83:singing
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171:Naples
135:Brazil
133:, and
95:Lisbon
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39:Europe
35:singer
183:with
154:Norma
139:tenor
137:with
32:opera
339:ISBN
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