411:
635:
523:
486:
381:
538:
471:
755:
508:
583:
613:
695:
598:
650:
396:
426:
680:
710:
725:
553:
568:
665:
740:
770:
441:
33:
366:
278:
456:
485:
209:. Success eluded him for a number of years after he returned to Paris and he was forced to find occasional employment, usually with printers to support his growing family. Between 1880 and 1885 his brother Ernest (1858–1908), a ceramicist, arranged part-time work for him at the Sèvres porcelain factory. There he met
315:, which developed in the visual arts from the mid-1880s. The quality of poetic, dreamlike reverie that pervades his work particularly appealed to Symbolist critics such as Charles Morice and Jean Dolent; the latter described Carrière’s art as reality having the magic of dreams. Carrière also frequented the
410:
634:
216:
At the Salon of 1884 one of Carrière’s paintings received an honourable mention, and the influential art critic Roger Marx became a champion of his work. Thereafter, Carrière found friends in most of the important artists, critics, writers and collectors of his time. He was a founding member of the
522:
326:
Carrière’s strong belief in the essential brotherhood of Man led him to consider his family as a microcosm of mankind. Though most of his paintings are of family members or family relationships, his interest in the universal rather than the specific usually resulted in figures without much
380:
537:
470:
299:. He increasingly used a near monochrome brown palette with occasional touches of other colours and a painterly technique somewhat like that of Henner, and by the mid-1880s his work was characterized by a dense, misty brown atmosphere out of which the images emerged.
612:
265:, was present at his funeral, where Rodin spoke of his "arresting ideas, expressed urgently and with a new clarity, undimmed by his suffering". Carrière's last words, recorded by his children, were: "Aimez-vous avec frénésie." ("Love each other wildly.")
507:
582:
754:
395:
694:
204:
for the first time, but his work went unnoticed. The following year he ended his studies under
Cabanel, married Sophie Desmonceaux (with whom he would have seven children) and moved briefly to London where he saw and admired the works of
567:
597:
552:
425:
649:
679:
365:
268:
The Société Nationale des Beaux-Arts and the Salon d’Automne in 1906, as well as the Ecole
Nationale des Beaux-Arts and the Libre Esthétique in 1907, held major retrospective exhibitions of Carrière's work.
440:
319:
and was involved in
Symbolist theatre, bringing him into the mainstream of Symbolism. By employing a subdued palette, softening the focus and enveloping his figures in a thick, dark atmosphere, as in
709:
739:
724:
769:
664:
455:
1160:
305:(1885; Paris, Mus. d’Orsay) is an example of the theme of a mother and her child that Carrière often used and that has come to be regarded as typifying his work.
323:(c. 1889; Philadelphia, PA, Mus. A.), Carrière achieved a rarified sense of space, light and colour. His ethereal images have a quality of pervasive stillness.
1289:
1279:
1269:
132:
period. Carrière's paintings are best known for their near-monochrome brown palette and their ethereal, dreamlike quality. He was a close friend of
1249:
1244:
218:
1264:
1254:
1135:
327:
individuality presented in a formless environment. He also produced a number of portraits, with notable examples being that of the poet
1274:
1219:
1183:
1209:
494:(c. 1901), oil on prepared paper mounted on canvas, 32.7 x 41.3 cm., Museum of Art, Rhode Island School of Design, Providence
1066:
295:
Carrière had great admiration for many of the Old
Masters, but in his early work he was mainly influenced by his contemporary
172:, where he received his initial training in art at the Ecole Municipale de Dessin as part of his apprenticeship in commercial
1259:
41:
347:
226:
32:
815:
810:
176:. In 1868, while briefly employed as a lithographer, he visited Paris and was so inspired by the paintings of
141:
1103:
Eugéne Carrière: L'homme et sa pensée; l'artiste et son œuvre; essai de nomenclature des oeuvres principales
800:
189:
149:
1284:
1239:
1234:
1178:
284:'s color pallet of muted browns and reds is typical of Carrière's mid 1880s works. Eugène Carrière,
805:
296:
289:
193:
335:
1154:
858:
258:
1047:
989:
915:
222:
1199:
1084:
Eugéne Carrière, l'homme et l'artiste: Compositions et croquis de E. Carriére gravés par Mathie
1035:
977:
951:
903:
576:(date unknown), oil on canvas, 81 x 65,3 cm., Museo Nacional de Bellas Artes, Buenos Aires
225:(of which he was named honorary president). He played an influential role as an art teacher at
1131:
621:(1899-1900), oil on canvas, 55.56 × 46.36 cm., National Gallery of Art, Washington, D.C.
185:
177:
165:
161:
62:
1009:
1214:
1043:
985:
911:
825:
820:
316:
312:
309:
234:
230:
129:
125:
104:
277:
262:
206:
120:
197:
339:
229:
and also exhibited with the Libre Esthétique in
Brussels (in 1894, 1896 and 1899), the
1228:
1187:
1112:
1101:
795:
790:
328:
242:
210:
201:
145:
137:
133:
257:(1906). Carrière died from throat cancer in 1906. The cultural world of Paris, from
479:(1901), oil on canvas, 33.6 x 41 cm., Cleveland Museum of Art, Cleveland, Ohio
173:
94:
169:
877:
464:(1900). oil on canvas, 283.2 x 362.7 cm., Musée du Petit Palais, Paris
196:, during which he was taken prisoner. In 1872–3 he worked in the studio of
160:
The eighth of nine children of an insurance salesman, Carrière was born at
561:(1893), oil on canvas, 65 x 54.3 cm., The Hermitage, Saint Petersburg
331:(1890; Paris, Mus. d’Orsay) and the sculptor Louis-Henri Devillez (1887).
351:
90:
1067:
Louis-Henri
Devillez in his Studio, by Eugène Carrière, 1887, tumblr.com
862:
846:
374:(1876), oil on canvas, dimensions unknown, Musée des Beaux-Arts de Pau
389:(1887), oil on canvas, 99.5 x 87.6 cm., National Gallery, London
181:
531:(1890), oil on canvas, 149.8x 121.9 cm., Musée du Louvre, Paris
404:(c. 1890–95), oil on canvas 46.5 x 38.5 cm., collection unknown
1174:
591:(c. 1895), oil on canvas, Minneapolis Institute of Art, Minneapolis
276:
643:(1890), lithograph, 25.5 x 19.2 cm., Cleveland Museum of Art
1193:
449:(1899), oil on canvas, 94 x 120 cm., Pushkin Museum, Moscow
343:
748:(1898), lithograph, 22.9 x 17 cm., British Museum, London
688:(1896), lithograph, 52 x 40.6 cm., Cleveland Museum of Art
1220:
Eugène Carrière at Hill-Stead Museum, Farmington, Connecticut
733:(1897), lithograph, National Gallery of Art, Washington, D.C.
718:(1897), lithograph, National Gallery of Art, Washington, D.C.
703:(1897), lithograph, National Gallery of Art, Washington, D.C.
658:(1893), lithograph, National Gallery of Art, Washington, D.C.
546:(1891), oil on canvas, Yale University Art Gallery, New Haven
419:(1895), oil on canvas, 220 x 490 cm., Musée Rodin, Paris
184:
that he resolved to become an artist. His studies under
606:(1900–05), dimensions unknown, Thiel Gallery, Stockholm
434:(1897), oil on canvas, Strasbourg Museum of Modern Art
124:; 16 January 1849 – 27 March 1906) was a French
516:(1886), oil on canvas, cm., Art Institute of Chicago
1145:Agnès, Lauvinerie; Eduardo Leal de la Gala (2006).
100:
86:
70:
48:
23:
1093:L'oeuvre de E. Carrière (The Works of E. Carrière)
1184:Eugène Carrière: Symbols of Creations Exhibition
847:"Picasso and Tolstoy: On Life, Love and Death"
144:. He was also associated with such writers as
213:who became and remained a very close friend.
8:
952:"Richard Hollis on painter Eugène Carrière"
857:. University of North Carolina Press: 4–5.
763:(1901), litograph, Thiel Gallery, Stockholm
1159:: CS1 maint: location missing publisher (
673:(1896), lithograph, British Museum, London
20:
1126:(National Museum of Western Art) (2006).
1048:10.1093/gao/9781884446054.article.t014419
990:10.1093/gao/9781884446054.article.t014419
916:10.1093/gao/9781884446054.article.t014419
334:Several of his works can be found at the
779:(1898), Bibliothèque Nationale de France
308:Carrière occupies an important place in
1114:Eugéne Carrière, peintre et lithographe
937:Eugene Carriere: The Symbol of Creation
845:Rojas, Carlos; Marbán, Dorothy (1993).
837:
630:
503:
361:
233:(in 1896, 1899, 1905 and 1906) and the
1152:
1106:. Paris: Société du Mercure de France.
119:
7:
241:(1890), the celebrated portrait of
950:Hollis, Richard (26 August 2006).
14:
777:Literary, Artistic, Aocial Aurore
200:. In 1878 he participated in the
1290:19th-century French male artists
1280:Burials at Montparnasse Cemetery
1270:20th-century French male artists
768:
761:Mlle Marguerite Carrière Singing
753:
738:
723:
708:
693:
678:
663:
648:
633:
611:
596:
581:
566:
551:
536:
521:
506:
484:
469:
454:
439:
424:
409:
394:
379:
364:
219:Société Nationale des Beaux-Arts
31:
432:Virgin at the Foot of the Cross
136:and his work likely influenced
1128:Auguste Rodin; Eugène Carrière
237:in 1904, with works including
1:
1245:People from Seine-Saint-Denis
1194:Musée Virtuel Eugène Carrière
876:Anonymous (30 October 2018).
372:Priam at the Feet of Achilles
288:, c. 1880–85, oil on canvas.
1265:20th-century French painters
1255:19th-century French painters
1210:Paintings at Beauty and Ruin
447:Le Réveil, Her Mother's Kiss
402:Woman from Behind Undressing
1042:, Oxford University Press,
1034:Bantens, Robert J. (2003),
984:, Oxford University Press,
976:Bantens, Robert J. (2003),
910:, Oxford University Press,
902:Bantens, Robert J. (2003),
1306:
1250:Artists from Île-de-France
1215:Paintings at Artcyclopedia
1124:Kokuritsu Seiyo Bijutsukan
1082:Séailles, Gabriel (1901).
939:. New York: Kent Fine Art.
121:[øʒɛnanatɔlkaʁjɛʁ]
42:Metropolitan Museum of Art
40:(c. 1893), oil on canvas
1275:French Symbolist painters
1091:Geffroy, Gustave (1901).
417:The Theater of Belleville
348:National Museum of Serbia
261:to young artists such as
30:
1100:Morice, Charles (1906).
935:Bantens, Robert (1989).
559:Woman Leaning on a Table
544:Portrait of Paul Gauguin
192:were interrupted by the
882:Cleveland Museum of Art
604:Girl with Her Hair Down
113:Eugène Anatole Carrière
292:
227:Académie de La Palette
1130:. Paris: Flammarion.
811:Picasso's Blue Period
500:Portraits and figures
492:Landscape in the Orne
280:
117:French pronunciation:
1260:French male painters
1179:Museum of Modern Art
1147:Moi, Eugène Carrière
1111:Faure, Elie (1908).
255:Madame Menard-Dorian
249:(1892, Luxembourg),
245:(1891, Luxembourg),
190:Ecole des Beaux-Arts
168:) and brought up in
152:and Charles Morice.
1117:. Paris: H. Floury.
1095:. Paris: H. Piazza.
1010:"Little d'Artagnan"
806:Jean-Jacques Henner
641:Newborn in a Bonnet
627:Prints and graphics
297:Jean-Jacques Henner
290:Clark Art Institute
273:Style and influence
251:Christ on the Cross
194:Franco–Prussian War
1086:. Paris: Pelletan.
1036:"Carrière, Eugène"
978:"Carrière, Eugène"
904:"Carrière, Eugène"
878:"The Contemplator"
865:– via JSTOR.
701:Puvis de Chavannes
358:Selected paintings
346:in London and the
293:
259:Georges Clemenceau
1206:, August 26, 2006
1200:"Ghostly realist"
1198:Hollis, Richard.
1137:978-2-08-011626-0
1040:Oxford Art Online
982:Oxford Art Online
908:Oxford Art Online
801:Stéphane Mallarmé
514:Portrait of a Boy
286:Little d'Artagnan
282:Little d'Artagnan
186:Alexandre Cabanel
178:Peter Paul Rubens
166:Seine-Saint-Denis
162:Gournay-sur-Marne
150:Stéphane Mallarmé
110:
109:
63:Gournay-sur-Marne
1297:
1164:
1158:
1150:
1141:
1118:
1107:
1096:
1087:
1069:
1064:
1058:
1057:
1056:
1054:
1031:
1025:
1024:
1022:
1020:
1014:www.clarkart.edu
1006:
1000:
999:
998:
996:
973:
967:
966:
964:
962:
947:
941:
940:
932:
926:
925:
924:
922:
899:
893:
892:
890:
888:
873:
867:
866:
842:
772:
757:
742:
727:
712:
697:
682:
667:
652:
637:
615:
600:
585:
570:
555:
540:
525:
510:
488:
477:The Contemplator
473:
458:
443:
428:
413:
398:
383:
368:
235:Berlin Secession
231:Munich Secession
123:
118:
77:
58:
56:
35:
21:
1305:
1304:
1300:
1299:
1298:
1296:
1295:
1294:
1225:
1224:
1175:Eugène Carrière
1171:
1151:
1144:
1138:
1122:Musée d'Orsay;
1121:
1110:
1099:
1090:
1081:
1078:
1076:Further reading
1073:
1072:
1065:
1061:
1052:
1050:
1033:
1032:
1028:
1018:
1016:
1008:
1007:
1003:
994:
992:
975:
974:
970:
960:
958:
949:
948:
944:
934:
933:
929:
920:
918:
901:
900:
896:
886:
884:
875:
874:
870:
851:The Comparatist
844:
843:
839:
834:
816:Léonce Bénédite
787:
780:
773:
764:
758:
749:
743:
734:
728:
719:
713:
704:
698:
689:
683:
674:
671:Henri Rochefort
668:
659:
656:Alphonse Daudet
653:
644:
638:
622:
619:Arsène Carriere
616:
607:
601:
592:
586:
577:
571:
562:
556:
547:
541:
532:
526:
517:
511:
495:
489:
480:
474:
465:
459:
450:
444:
435:
429:
420:
414:
405:
399:
390:
384:
375:
369:
360:
275:
263:Francis Picabia
223:Salon d’Automne
158:
116:
82:
79:
75:
66:
60:
59:16 January 1849
54:
52:
44:
26:
25:Eugène Carrière
17:
12:
11:
5:
1303:
1301:
1293:
1292:
1287:
1282:
1277:
1272:
1267:
1262:
1257:
1252:
1247:
1242:
1237:
1227:
1226:
1223:
1222:
1217:
1212:
1207:
1196:
1191:
1181:
1170:
1169:External links
1167:
1166:
1165:
1142:
1136:
1119:
1108:
1097:
1088:
1077:
1074:
1071:
1070:
1059:
1026:
1001:
968:
942:
927:
894:
868:
836:
835:
833:
830:
829:
828:
823:
818:
813:
808:
803:
798:
793:
786:
783:
782:
781:
774:
767:
765:
759:
752:
750:
744:
737:
735:
729:
722:
720:
714:
707:
705:
699:
692:
690:
684:
677:
675:
669:
662:
660:
654:
647:
645:
639:
632:
624:
623:
617:
610:
608:
602:
595:
593:
587:
580:
578:
572:
565:
563:
557:
550:
548:
542:
535:
533:
527:
520:
518:
512:
505:
497:
496:
490:
483:
481:
475:
468:
466:
460:
453:
451:
445:
438:
436:
430:
423:
421:
415:
408:
406:
400:
393:
391:
385:
378:
376:
370:
363:
359:
356:
342:in Paris, the
303:The Sick Child
274:
271:
157:
154:
128:artist of the
108:
107:
102:
98:
97:
88:
87:Known for
84:
83:
80:
78:(aged 57)
72:
68:
67:
61:
50:
46:
45:
36:
28:
27:
24:
16:French painter
15:
13:
10:
9:
6:
4:
3:
2:
1302:
1291:
1288:
1286:
1285:Art educators
1283:
1281:
1278:
1276:
1273:
1271:
1268:
1266:
1263:
1261:
1258:
1256:
1253:
1251:
1248:
1246:
1243:
1241:
1238:
1236:
1233:
1232:
1230:
1221:
1218:
1216:
1213:
1211:
1208:
1205:
1201:
1197:
1195:
1192:
1189:
1188:Kent Fine Art
1185:
1182:
1180:
1176:
1173:
1172:
1168:
1162:
1156:
1148:
1143:
1139:
1133:
1129:
1125:
1120:
1116:
1115:
1109:
1105:
1104:
1098:
1094:
1089:
1085:
1080:
1079:
1075:
1068:
1063:
1060:
1049:
1045:
1041:
1037:
1030:
1027:
1015:
1011:
1005:
1002:
991:
987:
983:
979:
972:
969:
957:
953:
946:
943:
938:
931:
928:
917:
913:
909:
905:
898:
895:
883:
879:
872:
869:
864:
860:
856:
852:
848:
841:
838:
831:
827:
826:Fin de siècle
824:
822:
819:
817:
814:
812:
809:
807:
804:
802:
799:
797:
796:Paul Verlaine
794:
792:
791:Auguste Rodin
789:
788:
784:
778:
771:
766:
762:
756:
751:
747:
741:
736:
732:
726:
721:
717:
711:
706:
702:
696:
691:
687:
686:Paul Verlaine
681:
676:
672:
666:
661:
657:
651:
646:
642:
636:
631:
629:
628:
620:
614:
609:
605:
599:
594:
590:
584:
579:
575:
574:Woman Looking
569:
564:
560:
554:
549:
545:
539:
534:
530:
529:Paul Verlaine
524:
519:
515:
509:
504:
502:
501:
493:
487:
482:
478:
472:
467:
463:
457:
452:
448:
442:
437:
433:
427:
422:
418:
412:
407:
403:
397:
392:
388:
382:
377:
373:
367:
362:
357:
355:
353:
349:
345:
341:
337:
336:Musée d'Orsay
332:
330:
329:Paul Verlaine
324:
322:
318:
317:Café Voltaire
314:
311:
310:fin-de-siècle
306:
304:
300:
298:
291:
287:
283:
279:
272:
270:
266:
264:
260:
256:
252:
248:
244:
243:Paul Verlaine
240:
236:
232:
228:
224:
220:
214:
212:
211:Auguste Rodin
208:
207:J.M.W. Turner
203:
199:
195:
191:
187:
183:
179:
175:
171:
167:
163:
155:
153:
151:
147:
146:Paul Verlaine
143:
139:
138:Pablo Picasso
135:
134:Auguste Rodin
131:
130:fin-de-siècle
127:
122:
114:
106:
103:
99:
96:
92:
89:
85:
81:Paris, France
74:27 March 1906
73:
69:
64:
51:
47:
43:
39:
38:Self-portrait
34:
29:
22:
19:
1204:The Guardian
1203:
1146:
1127:
1123:
1113:
1102:
1092:
1083:
1062:
1051:, retrieved
1039:
1029:
1017:. Retrieved
1013:
1004:
993:, retrieved
981:
971:
959:. Retrieved
956:the Guardian
955:
945:
936:
930:
919:, retrieved
907:
897:
885:. Retrieved
881:
871:
854:
850:
840:
776:
760:
745:
730:
715:
700:
685:
670:
655:
640:
626:
625:
618:
603:
588:
573:
558:
543:
528:
513:
499:
498:
491:
476:
461:
446:
431:
416:
401:
387:Winding Wool
386:
371:
333:
325:
320:
307:
302:
301:
294:
285:
281:
267:
254:
253:(1897), and
250:
246:
238:
215:
198:Jules Chéret
159:
112:
111:
76:(1906-03-27)
37:
18:
1240:1906 deaths
1235:1849 births
1053:27 December
995:27 December
961:27 December
921:27 December
887:27 December
746:Jean Dolent
462:The Mothers
340:Musée Rodin
221:and of the
174:lithography
142:Blue Period
95:Lithography
1229:Categories
1190:, New York
832:References
170:Strasbourg
55:1849-01-16
1155:cite book
821:Symbolism
589:Two Women
321:Maternity
313:Symbolism
247:Maternity
156:Biography
126:Symbolist
105:Symbolism
1149:. Paris.
863:44364084
785:See also
775:Poster:
352:Belgrade
338:and the
101:Movement
91:Painting
65:, France
1177:at the
1019:15 June
188:at the
180:in the
1134:
861:
182:Louvre
859:JSTOR
731:Sleep
716:Rodin
239:Sleep
202:Salon
1161:link
1132:ISBN
1055:2021
1021:2023
997:2021
963:2021
923:2021
889:2021
344:Tate
71:Died
49:Born
1186:at
1044:doi
986:doi
912:doi
350:in
140:'s
1231::
1202:,
1157:}}
1153:{{
1038:,
1012:.
980:,
954:.
906:,
880:.
855:17
853:.
849:.
354:.
148:,
93:,
1163:)
1140:.
1046::
1023:.
988::
965:.
914::
891:.
164:(
115:(
57:)
53:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
