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148:, England, as Annie Euphemia Forrest, the daughter of Arthur Forrest. She was married under the name Nina Euphemia Forrest in 1906. She claimed that she was born on a steamship bound for Bombay, but there is no independent verification of this, and her birth was registered in Lancashire. Her middle name was actually Euphemia, casting doubt on the claim that she got this name because
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Although John prized
Euphemia as a model, he did not take her seriously otherwise, regarding her behaviour as quite eccentric and her stories fanciful. On one occasion, according to Euphemia, her penchant for dressing like a man had unfortunate consequences, she and John were arrested as homosexuals
435:
Little is recorded about
Euphemia's later life. She was living at Stoke House in Stoke St Mary Bourne, Hampshire at least by 1939, and it was her address at the time of her death and recorded in the Probate Index, which shows her effects valued at nearly 37,000 pounds. In 1934, she married the
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John continued to follow
Euphemia's liaisons with interest, reporting to Henry in August that Euphemia had "made the acquaintance of a number of nations" and the following year to Dorelia that "Lobelia had 6 men in her room last night, representing the six European powers".
220:, along with many other young women. She was slim, pale, and fair-haired and apparently able to adopt any pose that might be asked of her. Her husky voice and slightly androgynous appearance meant that she could pass for a young man, which she sometimes did.
343:, and the two began an affair which was more intense for Innes than for Euphemia who never restricted her relationships to just one man. According to Euphemia, they travelled through southern France together. Innes was already suffering from the
248:
and she was required to undress in custody in order to prove she was a woman. She also claimed that she had a revolver and was prepared to shoot herself and her husband, and that she had caused the death of John's first wife
244:", a name he used quite openly with her husband. Dorelia became romantically interested in Henry, which John encouraged so that he could spend more time with Euphemia, though he denied any personal romantic interest in her.
363:. It was said that when the relationship was over, Innes buried a silver casket of love letters from Euphemia on the summit of Arenig, the mountain in some way representing the scale of Innes' unrequited love for her.
291:
The sculptor Jacob
Epstein created a number of busts of Euphemia in marble and bronze, the best known of which is the bronze bust in the Tate Gallery which the gallery dates to 1908, but which Epstein dated to 1911 in
263:, "That Lamb family sickens me", and referring to Euphemia as "the white haired whore". By the summer of 1907, Euphemia had effectively left Henry, although they did not divorce until 1928 when Henry wished to marry
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259:, whose relationships were usually homosexual, but he was repulsed by the complicated love life of the group, particularly John's encouragement of Dorelia's relationship with Henry, writing to
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by convincing him that
Euphemia was in love with him while Crowley pressed him into visiting a brothel, thus making him unfaithful to her. Crowley gave Euphemia the name "Dorothy" in his
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in 1905 in
Manchester, where he was at medical school. They left for London as soon as they could. Henry enrolled at the Chelsea School of Art that had recently been established by
307:
a garden figure of 53 inches (1,300 mm) for which
Euphemia was the model. A plaster model of the work was exhibited in 1911 and a bronze of the torso completed in 1912.
240:. Henry had been John's pupil in London, and Euphemia modelled for John. John was fascinated by Euphemia's appearance and her sexual behaviour, and he nicknamed her "
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164:, another bohemian, said of one of Jacob Epstein's busts of Euphemia, "I fancy I can hear, through the open mouth, her ugly voice".
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Henri Pierre Roché: An
Inventory of His Papers in the Carlton Lake Collection at the Harry Ransom Humanities Research Center.
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before the First World War, occupying a grey area between professional model and prostitute. Her contemporaries included
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painter Edward Grove, but they divorced in 1942 or 1943. Euphemia died on 26 January 1957 in hospital at
Winchester.
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129:
commented that
Euphemia had more of a sex life "than the rest of us put together". She was one of the lovers of the
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and described her as "incomparably beautiful ... capable of stimulating the greatest extravagances of passion".
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914:. Corrected edition. Edited by John Symonds & Kenneth Grant. London: Arkana, Penguin Books, pp. 574-576.
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that eventually killed him. In 1910 or 1911, with Augustus John, he established a small artistic commune at
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They married in May 1906 after she became pregnant, but she lost the baby due to a miscarriage.
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Aleister Crowley; in 1908 they conspired to humiliate Crowley's male lover and acolyte
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In March 1907, Euphemia and Henry Lamb went to Paris to stay with Augustus John and
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Among Euphemia's other lovers were the poet Francis Macnamara and the author
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106:; 1887 – 1957) was an English artists' model and the wife of painter
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Aleister Crowley: Magick, Rock and Roll, and the Wickedest Man in the World
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188:. Supposedly, Henry renamed Nina "Euphemia" because she reminded him of
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Henry Lamb called her Euphemia, by which name she was generally known.
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They had visited the previous year, too, before they were married.
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605:
England & Wales, Civil Registration Marriage Index, 1837-1915
413:, James Dickson Innes, oil on panel, 1911/12. Ex Augustus John.
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England & Wales, Civil Registration Birth Index, 1837-1915
359:, and Euphemia, who Innes painted against the background of
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cottage in north Wales. Visitors included John and Dorelia,
1015:
Texas Archival Resources Online. Retrieved 29 October 2014.
224:
commented to Henry Lamb, "she makes an irresistible boy".
1024:"England & Wales marriages 1837–2008 Transcription",
681:"England & Wales marriages 1837–2008 Transcription",
509:. New York & Abingdon: Routledge. pp. 311–312.
912:
The Confessions of Aleister Crowley: An autohagiography
627:
The Modern British Paintings, Drawings, and Sculpture,
255:
Battles with Henry forced Euphemia in the direction of
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Jacob Epstein's 1908 (or 1911) bust of Euphemia Lamb,
1028:. Retrieved 31 October 2014. (subscription required)
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Among the Bohemians: Experiments in Living 1900–1939
204:
Euphemia was one of the models who networked at the
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18:
842:, 2004. Online edition. Retrieved 29 October 2014.
948:. Oxford: Oxford University Press. p. 816.
118:and came to exemplify the sexual freedom of the
398:, James Dickson Innes, oil on panel, c. 1911.
8:
945:A Dictionary of Modern and Contemporary Art
890:. New York: Penguin Group USA. p. 84.
701:. (2014 reprint) London: Duckworth, p. 72.
584:. London: Watkins Publishing. p. 192.
315:In Paris, Euphemia became the lover of the
942:Chilvers, Ian; John Glaves-Smith. (2009).
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806:Hoole, John & Margaret Simons (2013)
663:Epstein: Artist Against the Establishment
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296:. Three studies of Euphemia are in the
874:. New York: Putnam, pp. 355–356.
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339:(1887–1914) at a cafe on the
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649:Tate. Retrieved 27 October 2014.
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746:. London: Pimlico. p. 69.
631:, Oldbourne Press, 1964, pg 164
152:perceived in her a likeness to
785:Sex Lives of the Great Artists
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717:Nicholson, Virginia. (2002).
685:. Retrieved 28 October 2014.
506:Dictionary of Artists' Models
1003:. Retrieved 30 October 2014.
974:. Retrieved 1 November 2014.
618:, Hogarth Press, 1978, pg 54
252:who had died in childbirth.
144:Forrest was born in 1887 in
67:1957 (aged 69–70)
740:Spalding, Frances. (1998).
665:. London: Flamingo, p. 74.
503:Berk Jiminez, Jill (2013).
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910:Crowley, Aleister. (1989)
857:N03187 EUPHEMIA LAMB 1908.
721:. London: Viking. p. 270.
661:Gardiner, Stephen. (1993)
787:. London: Prion, p. 175.
783:Cawthorne, Nigel. (2004)
383:, oil on canvas, c. 1910.
341:Boulevard du Montparnasse
92:, tempera on canvas, 1454
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1001:National Museum of Wales
578:Churton, Tobias (2011).
1071:English artists' models
996:Girl Standing by a Lake
868:Epstein, Jacob. (1940)
840:Oxford University Press
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411:Girl Standing by a Lake
396:The Girl in the Cottage
984:Holroyd, 1997, p. 354.
931:Holroyd, 1997, p. 352.
884:Lachman, Gary (2014).
871:Let There Be Sculpture
335:In 1910, Euphemia met
298:Leeds City Art Gallery
294:Let There Be Sculpture
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104:Annie Euphemia Forrest
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49:Annie Euphemia Forrest
1048:at Wikimedia Commons
699:Tiger Woman: My Story
305:Lady Ottoline Morrell
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1076:People from Ormskirk
452:Notes and references
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156:. She was raised in
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969:"Camden Town Group"
833:Lamb, Henry Taylor.
816:, pp. 67–68.
697:May, Betty. (1929)
381:James Dickson Innes
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331:James Dickson Innes
192:in the painting by
127:John Maynard Keynes
110:. She modelled for
425:Henri-Pierre Roché
377:Girl with a Guitar
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120:bohemian lifestyle
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325:Confessions
1055:Categories
1026:findmypast
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812:. London:
793:1853755443
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683:findmypast
671:000654598X
561:0099333015
548:. (1997).
431:Later life
357:Ian Strang
287:collection
285:John Quinn
206:Café Royal
174:Henry Lamb
168:Henry Lamb
150:Henry Lamb
140:Early life
108:Henry Lamb
317:occultist
210:Betty May
162:Viva King
158:Greenheys
131:occultist
440:See also
349:Nant Ddu
56:Ormskirk
33:Euphemia
767:Lot 52.
647:, 1908.
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242:Lobelia
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