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Evan Dara

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330:“Several kilos of transatlantic, boat-rate typescript arrived on my stoop without prior warning of contents, and I’ve been grateful ever since. Dara shows how a novel can be experimental, yet moral, rule breaking but emotional, and post-humanist while still remaining deeply human. This scrapbook builds in stretches until the whole police blotter cum family album lies open in aerial view. Monumental, unforgiving, cunning and heartfelt, it lets no one off the hook, least of all the reader.” 141:
Widely believed to be using a pseudonym, Dara has given no interviews and has issued no photographs, and has chosen to publish his novels through his own press, Aurora. His work has been almost totally unacknowledged by the commercial American literary community—Australian critic Emmett Stinson has
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In 2020, the critic Daniel Green published the first comprehensive look at Dara's novels, called "Giving Voice: On the Work of Evan Dara." Green writes that: "n the challenge they pose to the assumption that the conventional patterns define the novel as a form, Dara’s novels are arguably the most
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Dara's books have been the subject of numerous scholarly articles and theses, and have been taught in dozens of colleges and universities across the world, while being published in at least a half a dozen languages, including Spanish, Portuguese, and Russian—something virtually unknown amongst
228:. The play was only offered in eBook form (ePub, Mobi, and PDF), and the publisher had originally stipulated that readers should download it for free and only make a donation after they finish it (the copy is no longer available for download on Aurora Publishers' website). 299:
was a novel in dialogue and checked it out from The American Library in Paris: ‘Took the novel home, plunked it open, tapped it shut — didn’t want the influence’ (email January 19, 2014).”
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Four months after Dara’s first publication in Spanish, his work was included in a Madrid University course on the great American novel, where Dara's work was read alongside that of
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called Dara "the best-kept secret in all of contemporary American literature"—but he has received exceptional acclaim from underground and alternative sites.
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The mystery surrounding Dara combined with the fact that Powers very rarely provides blurbs led some to speculate that Powers might be the man behind the
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El Plural named it one of the most solid and imaginative novels of the year ("una de las novelas mås sólidas e imaginativas del año).
264:, Dara has never given an interview or commented on his books. However, he has responded on separate occasions about the influence of 116:
is an American novelist. He has published four novels and one play, which are concerned with subjects including social atomization,
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through Aurora Publishers, a venture he founded along with another partner. He followed this up with
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En tierras de ficciĂłn: Recorrido por la narrativa contemporanea, de Edgar Allan Poe a Evan Dara
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radically disruptive books in American fiction since, say, Gilbert Sorrentino in a work like
1279: 1023: 320: 274: 158: 1147: 1048: 760: 150: 1216: 728:"[Agenda Canina] Seminario de literatura estadounidensne en La Sombra - Canino" 442: 342: 324: 265: 261: 249: 245: 207: 174: 69: 1123: 1289: 178: 652: 459: 347: 213: 166: 121: 74: 401: 138:(London) called Dara "one of the most exciting American novelists writing today." 323:. The manuscript was originally brought to the publisher's attention by novelist 269: 256:, nothing is known about Dara's background or the reasons why he writes under a 170: 978: 870: 272:—in which he confirmed that he uses a pseudonym—Dara denied having read either 181:. The only other writer of Dara's generation to be included in this survey was 253: 291:"Asked about Gaddis’s possible influence, Dara told me that while working on 257: 799:"Blog about Evan Dara's two-act play Provisional Biography of Mose Eakins" 703:"En busca de la gran novela americana. Curso de literatura estadounidense" 536:
Satirizing modernism: Aesthetic autonomy, romanticism, and the avant-garde
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The American Novel Now: Reading Contemporary American Fiction Since 1980.
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was published by MĂĄlaga-based publisher PĂĄlido Fuego in 2015, entitled
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Burn, S.J. (2009) "Economies of the Self: Review of Evan Dara's
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on his style. In an indirect reply to a query from the critic
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Late Postmodernism: American Fiction at the Millennium.
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As opposed to other reclusive American writers such as
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On July 26, 2018, Dara released his first play, titled
605:"The Easy Chain by Evan Dara | Quarterly Conversation" 487:
Winner of 12th Annual FC2 National Fiction Competition
359:, in 2018. It was translated into Portuguese in 2020. 896:, Expanded Edition (NY: Bloomsbury, 2015), p. 213 n.9 217:, was published by Aurora in 2013. His fourth novel, 389:was also published by PĂĄlido Fuego in 2019, called 91: 60: 52: 44: 36: 28: 21: 773:"Evan Dara – Provisional Biography of Mose Eakins" 629:"inchoatia: Evan Dara, The Lost Scrapbook (1995)" 1024:"El cuaderno perdido – Evan Dara | PĂĄlido Fuego" 490:Estado Critico: Best Translation Award of 2015 8: 1217:"Editorial Menoscuarto | www.menoscuarto.es" 753:Grants & Awards 1995 September/October 557:"Suburbscapes of the disappeared – TheTLS" 18: 352:, which was published by Aurora in 2013. 847:"Giving Voice: On the Work of Evan Dara" 823:"Giving Voice: On the Work of Evan Dara" 581:"21 Books That Will Enrich Your Summer" 548: 201:National Fiction Competition judged by 221:was published by Aurora in June 2021. 396:In 2022, a Portuguese translation of 7: 1030:(in European Spanish). 16 March 2015 755:1998. Accessed September 22, 2006. 467:Provisional Biography of Mose Eakins 357:Provisional Biography of Mose Eakins 327:, who described how he received it: 226:Provisional Biography of Mose Eakins 80:Provisional Biography of Mose Eakins 1326:21st-century American male writers 1321:20th-century American male writers 1282:(Spanish publisher of Dara's work) 1148:"Premios EC 2015 | Estado CrĂ­tico" 1049:"Premios EC 2015 | Estado CrĂ­tico" 931:"Steve Russillo's Easy Chain page" 315:, or FC2, which was then based at 14: 1099:"'La cadena fĂĄcil', de Evan Dara" 734:(in European Spanish). 2016-02-18 709:(in European Spanish). 2016-02-10 531:. Palencia (España: Menoscuarto). 374:A Spanish translation of Dara's 1301:21st-century American novelists 1296:20th-century American novelists 653:"The Lost Scrapbook, Evan Dara" 366:, which was published in 2021. 355:Dara published his first play, 1124:"Title – Rightsdesk Worldwide" 955:"Is Richard Powers Evan Dara?" 677:Stinson, Emmett (2011-05-11). 288:followed up on this question: 260:. And unlike the pseudonymous 1: 1074:"La cadena fĂĄcil - Evan Dara" 679:"Book Review: The Easy Chain" 135:The Times Literary Supplement 1105:(in Spanish). 5 October 2019 797:Turner, Edwin (2018-10-06). 520:O'Donnell, Patrick (2010). 1342: 751:Poets & Writers, Inc. 188:In 1995, his first novel, 1270:Aurora Publishing website 1172:"Economies of the Self". 609:quarterlyconversation.com 385:A Spanish translation of 362:His most recent novel is 317:Illinois State University 311:was published in 1995 by 199:Illinois State University 120:, political dysfunction, 96: 1080:(in Spanish). 2019-08-25 759:January 8, 2006, at the 146:self-published authors. 1306:American male novelists 527:Saladrigas, R. (2017). 340:In 2008, Dara released 284:. In 2014, the critic 205:. Dara's second novel, 1275:The Evan Dara Affinity 1243:"Satirizing Modernism" 1215:Tigres, Tres Tristes. 851:The Reading Experience 827:The Reading Experience 777:The Evan Dara Affinity 538:. Bloomsbury Academic. 513:Green, Jeremy (2005). 313:Fiction Collective Two 194:, won the 12th Annual 1247:Bloomsbury Publishing 1154:(in European Spanish) 1055:(in European Spanish) 633:inchoatia.blogspot.nl 307:The first edition of 219:Permanent Earthquake, 1174:American Book Review 1152:www.criticoestado.es 1053:www.criticoestado.es 534:Stinson, E. (2017). 510:, 30(4), p. 18. 507:American Book Review 474:Permanent Earthquake 364:Permanent Earthquake 183:David Foster Wallace 85:Permanent Earthquake 1028:www.palidofuego.com 427:El Cuaderno Perdido 380:El Cuaderno Perdido 203:William T. Vollmann 163:F. Scott Fitzgerald 155:Nathaniel Hawthorne 1221:www.menoscuarto.es 1128:www.rightsdesk.com 979:"MIXED RECEPTIONS" 871:"MIXED RECEPTIONS" 707:Libreria La Sombra 419:The Lost Scrapbook 398:The Lost Scrapbook 376:The Lost Scrapbook 309:The Lost Scrapbook 293:The Lost Scrapbook 191:The Lost Scrapbook 65:The Lost Scrapbook 561:www.the-tls.co.uk 434:O caderno perdido 406:O caderno perdido 400:was published by 111: 110: 53:Literary movement 16:American novelist 1333: 1257: 1256: 1254: 1253: 1241:Bloomsbury.com. 1238: 1232: 1231: 1229: 1228: 1212: 1206: 1205: 1203: 1202: 1188: 1182: 1181: 1169: 1163: 1162: 1160: 1159: 1144: 1138: 1137: 1135: 1134: 1120: 1114: 1113: 1111: 1110: 1095: 1089: 1088: 1086: 1085: 1070: 1064: 1063: 1061: 1060: 1045: 1039: 1038: 1036: 1035: 1020: 1014: 1013: 1011: 1010: 999: 993: 992: 990: 989: 975: 969: 968: 966: 965: 951: 945: 944: 942: 941: 927: 921: 920: 918: 917: 911:www.blckdgrd.com 903: 897: 891: 885: 884: 882: 881: 867: 861: 860: 858: 857: 843: 837: 836: 834: 833: 819: 813: 812: 810: 809: 794: 788: 787: 785: 784: 769: 763: 749: 743: 742: 740: 739: 724: 718: 717: 715: 714: 699: 693: 692: 690: 689: 674: 668: 667: 665: 664: 649: 643: 642: 640: 639: 625: 619: 618: 616: 615: 601: 595: 594: 592: 591: 577: 571: 570: 568: 567: 553: 524:Wiley-Blackwell. 391:La cadena fĂĄcil. 321:Normal, Illinois 275:The Recognitions 159:William Faulkner 107: 104: 102: 100: 48:Literary Fiction 19: 1341: 1340: 1336: 1335: 1334: 1332: 1331: 1330: 1286: 1285: 1266: 1261: 1260: 1251: 1249: 1240: 1239: 1235: 1226: 1224: 1214: 1213: 1209: 1200: 1198: 1190: 1189: 1185: 1171: 1170: 1166: 1157: 1155: 1146: 1145: 1141: 1132: 1130: 1122: 1121: 1117: 1108: 1106: 1097: 1096: 1092: 1083: 1081: 1072: 1071: 1067: 1058: 1056: 1047: 1046: 1042: 1033: 1031: 1022: 1021: 1017: 1008: 1006: 1001: 1000: 996: 987: 985: 977: 976: 972: 963: 961: 953: 952: 948: 939: 937: 929: 928: 924: 915: 913: 905: 904: 900: 892: 888: 879: 877: 869: 868: 864: 855: 853: 845: 844: 840: 831: 829: 821: 820: 816: 807: 805: 796: 795: 791: 782: 780: 771: 770: 766: 761:Wayback Machine 750: 746: 737: 735: 726: 725: 721: 712: 710: 701: 700: 696: 687: 685: 676: 675: 671: 662: 660: 651: 650: 646: 637: 635: 627: 626: 622: 613: 611: 603: 602: 598: 589: 587: 579: 578: 574: 565: 563: 555: 554: 550: 545: 497: 495:Further reading 484: 451:La cadena fĂĄcil 414: 372: 305: 242: 151:Herman Melville 97: 83: 78: 73: 68: 24: 17: 12: 11: 5: 1339: 1337: 1329: 1328: 1323: 1318: 1316:Postmodernists 1313: 1308: 1303: 1298: 1288: 1287: 1284: 1283: 1277: 1272: 1265: 1264:External links 1262: 1259: 1258: 1233: 1207: 1183: 1164: 1139: 1115: 1090: 1065: 1040: 1015: 994: 970: 946: 935:russillosm.com 922: 898: 894:William Gaddis 886: 862: 838: 814: 789: 764: 744: 719: 694: 683:Known Unknowns 669: 644: 620: 596: 572: 547: 546: 544: 541: 540: 539: 532: 525: 518: 511: 502:The Easy Chain 496: 493: 492: 491: 488: 483: 480: 479: 478: 470: 464: 456: 455: 454: 443:The Easy Chain 439: 438: 437: 430: 413: 410: 387:The Easy Chain 371: 368: 343:The Easy Chain 325:Richard Powers 304: 301: 295:he heard that 266:William Gaddis 262:Elena Ferrante 250:Thomas Pynchon 241: 238: 208:The Easy Chain 175:Thomas Pynchon 109: 108: 94: 93: 89: 88: 70:The Easy Chain 62: 58: 57: 54: 50: 49: 46: 42: 41: 38: 34: 33: 30: 26: 25: 22: 15: 13: 10: 9: 6: 4: 3: 2: 1338: 1327: 1324: 1322: 1319: 1317: 1314: 1312: 1311:Living people 1309: 1307: 1304: 1302: 1299: 1297: 1294: 1293: 1291: 1281: 1278: 1276: 1273: 1271: 1268: 1267: 1263: 1248: 1244: 1237: 1234: 1222: 1218: 1211: 1208: 1197: 1196:www.wiley.com 1193: 1187: 1184: 1179: 1175: 1168: 1165: 1153: 1149: 1143: 1140: 1129: 1125: 1119: 1116: 1104: 1100: 1094: 1091: 1079: 1075: 1069: 1066: 1054: 1050: 1044: 1041: 1029: 1025: 1019: 1016: 1005: 998: 995: 984: 980: 974: 971: 960: 956: 950: 947: 936: 932: 926: 923: 912: 908: 902: 899: 895: 890: 887: 876: 872: 866: 863: 852: 848: 842: 839: 828: 824: 818: 815: 804: 800: 793: 790: 778: 774: 768: 765: 762: 758: 754: 748: 745: 733: 729: 723: 720: 708: 704: 698: 695: 684: 680: 673: 670: 658: 654: 648: 645: 634: 630: 624: 621: 610: 606: 600: 597: 586: 582: 576: 573: 562: 558: 552: 549: 542: 537: 533: 530: 526: 523: 519: 516: 512: 509: 508: 503: 499: 498: 494: 489: 486: 485: 481: 476: 475: 471: 468: 465: 462: 461: 457: 452: 449:Translation: 448: 447: 445: 444: 440: 435: 432:Translation: 431: 428: 425:Translation: 424: 423: 421: 420: 416: 415: 411: 409: 407: 403: 399: 394: 392: 388: 383: 381: 377: 369: 367: 365: 360: 358: 353: 351: 350: 345: 344: 338: 336: 331: 328: 326: 322: 318: 314: 310: 302: 300: 298: 294: 289: 287: 283: 282: 277: 276: 271: 267: 263: 259: 255: 251: 247: 246:J.D. 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Index

The Lost Scrapbook
The Easy Chain
Flee
Provisional Biography of Mose Eakins
Permanent Earthquake
aurora148.com/index.php
music
epistemology
ecology
time
The Times Literary Supplement
Herman Melville
Nathaniel Hawthorne
William Faulkner
F. Scott Fitzgerald
Jack Kerouac
Philip Roth
Thomas Pynchon
Toni Morrison
David Foster Wallace
The Lost Scrapbook
FC2
Illinois State University
William T. Vollmann
The Easy Chain
Flee
J.D. Salinger
Thomas Pynchon
Harper Lee
pseudonym

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