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is almost the most indicative of
Kuindzhi's creative method. Color gives the image an enchanted immobility, extraordinary peace - as if unearthly. Kuindzhi's decorativism manifested itself here nakedly. To accentuate the effect of bright illumination and exhausted freezing of the airy atmosphere, the
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Alien to "playfulness", he thickens and generalizes tones, intensifies the "luminosity" of his works, using coloristic and technological innovations in the name of "connecting" the viewer to the real life of light. Such aspirations of
Kuindzhi were very clearly embodied in the painting
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houses are illuminated not by the moon but by the rays of the setting sun, which is emphasized by the use of shades of bright
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illuminated by a southern sunset. The composition of the painting is reminiscent of
Kuindzhi's earlier painting
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Art historian
Vladimir Petrov wrote in his article dedicated to the 150th anniversary of the birth of
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239:Государственный Русский музей — Живопись, XVIII — начало XX века (каталог)
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81 cm × 163 cm (32 in × 64 in)
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241:(in Russian). Leningrad: Аврора, Искусство. 1980. p. 156.
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In an article on the work of Arkhip
Kuindzhi, art historian
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285:"О творчестве Архипа Ивановича Куинджи"
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254:"Статья к 150-летию Куинджи (часть 3)"
295:from the original on 24 November 2023
264:from the original on 7 September 2023
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182:(1878, partially rewritten in 1901,
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330:Collection of the Russian Museum
16:1878 painting by Arkhip Kuindzhi
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199:Evening in the Ukraine
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180:Evening in the Ukraine
128:Evening in the Ukraine
99:59°56′19″N 30°19′56″E
252:Петров, Владимир.
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22:Evening in Ukraine
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118:(inv. Zh-4190).
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283:Манин, Виталий.
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94:Coordinates
314:Categories
299:15 January
268:15 January
226:References
74:Dimensions
289:kuinje.ru
258:kuinje.ru
147:farmhouse
54:Catalogue
293:Archived
262:Archived
211:See also
204:Shishkin
82:Location
68:Luminism
63:Movement
194:noted:
165:Reviews
159:crimson
155:mazanka
132:Evening
122:History
221:(1876)
140:Forest
57:Ж-4190
36:Artist
301:2024
270:2024
49:1878
46:Year
184:GRM
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