Knowledge (XXG)

Every Picture Tells a Story (event)

Source πŸ“

156:) and DJs who together formed the local underground techno movement. Some of the TVU Warehouse performances were screened live-to-air. M.U.D.'s Woodman organised the May 2000 event, "Everyone comes in, they live here for a week, they all draw banners... They all work together, they all connect, they are in one mindframe. That's what started this party." Woodman, as Deja Voodoo, is a mixed-media artist; an exhibition of his artwork was held in June 2013. M.U.D. also put on other events such as the Pleazure and Strange parties, each had their own themes, dΓ©cor, installation art, video graphics and vibe with music performed by dozens of Australian and international live acts and DJs. 252:(aka Little Nobody), described the venue: "Global Village was one of the most important semi-institutions in Melbourne in the mid '90s especially. The crew behind Global Village, namely M.U.D., were very supportive of the more cutting edge live acts, for example Voiteck, Zen Paradox, Soulenoid, Guyver III, Sense and TR-Storm – who were then known as Void – and it gave these guys the opportunity to play before large and often more-into-it or dare I say 'enlightened' audiences. It also gave audiences the opportunity to see these guys because at more mainstream parties or clubs more mainstream music was played." 255:"The first thing I noticed upon arrival was the queue. Immense," wrote Lindy Tan in a review of Every Picture Tells a Story: Equinox in March 1998 for Tranzfusion website. She continued, "It's true that Every Picture parties always seem to attract quite a younger crowd, but – as per usual – there was stunning decor, a great venue, and great local acts." Also at Tranzfusion, Natural 1, wrote "M.U.D. is an institution within Melbourne's dance community, establishing the first specifically designed rave venue, Global Village, which was home to more than 60 events over a 4-year period." 215:
and with hundreds of guests beginning to queue, the local police were called by the owner's to assist in shutting the event down. However, due to its popularity and the size of the crowd, and the fact that no problems had ever arisen at previous events, the police allowed the party to go ahead fearing a riot may take place if they intervened. Woodman described Global Village as "artistic hub of like-minded people that came to dance, laugh, and express themselves in a safe, inspirational environment that was unique to the 90's."
179:, Ultra Sonic. The visual aesthetic for Every Picture Tells a Story events made a cultural impact in Melbourne. Christine Siokou described the local rave party scene of 1998 to 1999, she noted that Every Picture Tells a Story "parties aim for an all-ages crowd" and that their "capacity crowds" show that "the thousands of young people attending raves associate, to varying degrees, with a raver identity". 214:
Over sixty events were held, and the final, Shut-Down, party was held on 22 February 1997. The afternoon of the party, the building's owners attempted to stop it taking place by locking the organisers out and putting security guards in place. M.U.D. moved the sound system into the outside courtyard
128:
parties as all-night electronic dance music festivals, Every Picture Tells a Story. In the 1980s they had attended warehouse parties in the United Kingdom, which were run by local crews before they ran their own parties in London's East End with Joe Wieczorek of Club Labyrinth. The Johns created a
210:
Global Village was the first of its kind in Australia, and possibly the world - a local council approved venue that allowed for total freedom to create any style of event without noise restrictions or hours of operation. It hosted a range of events, from a Melbourne Fashion Festival show, art
206:
Cotton Mill, the huge warehouse space was lying unused and was discovered by Woodman in 1993; he recognised its potential as an arts and events space. Global Village was first used as a rave venue on New Year's Eve 1993-1994 when it hosted the seventh Every Picture Tells a Story party.
129:
similar collective, Melbourne Underground Development (M.U.D.), with Phil Woodman (aka Phil Voodoo, Deja Voodoo), and local DJs (Will E Tell, Richie Rich, HMC) who each performed for several hours. Paul Fleckney, in his book
111:
parties. In 1993 they formed the Melbourne Underground Development (M.U.D.) crew with Phil Woodman (aka Phil Voodoo, Deja Voodoo). From 1993 to 1997 the parties were held at the Global Village in suburban,
136:
Aside from live electronic musicians and DJs, the festivals featured computer animation, performance artists and visual art. From 1993, the parties were held at the Global Village warehouse complex in
354: 658: 804: 506: 317: 231:
online documentary in 2002. "Where else do you get to play with a ready-made crowd and a huge sound system and lasers at your disposal?" In the same documentary, fellow artist
235:
agreed: "These events were so big, eight to nine thousand people. This was too big for one or two artists to handle; it needed 20 artists to make the thing come together."
842: 1043: 540: 190:. The event was due on 16 to 18 April 2010, but was cancelled due to council restrictions. A warehouse day-night event took place instead on 17 April 2010 at the 1028: 673: 940: 737: 1038: 1048: 835: 489: 416: 605: 745: 267:
compilation albums by various artists including Melbourne-based producers: Voiteck, Zen Paradox, Soulenoid, Guyver III, Sense, Slieker,
224: 935: 930: 851: 288: 429: 186:
in February 2009, community spirit needed to be lifted and a space was offered to M.U.D. to stage a special 3-day gathering in the
828: 473: 812:, Siokou, Christine (July 2010), a doctoral thesis detailing the Melbourne rave scene, including Every Picture Tells a Story. 550: 1033: 575: 116:. Some 21 such parties were held until the year 2000. A one-off Every Picture Tells a Story event was held in April 2010. 809: 202:
Global Village was a warehouse complex in an industrial area of Footscray, named by Richard John of M.U.D. Once the
107:
festivals held at different venues in Melbourne. In 1991 Heidi John and Richard John started a series of warehouse,
133:(2015), praised how "During the 90s, the Johns keep the underground flame burning with jungle and breakbeat DJs." 1002: 362: 1007: 702: 183: 182:
In 2010 Every Picture Tells a Story returned for a one-off performance, Frequency Shift. After the devastating
160: 49: 172: 104: 37: 749: 976: 860: 815: 366: 153: 810:"'This is not a rave': An ethnography of changes in the Melbourne rave/dance party scene, 1996-2006" 635: 545: 203: 191: 137: 113: 53: 446: 435: 613: 677: 961: 485: 425: 879: 159:
The final Every Picture Tells a Story party (number 21) was held on 4 November 2000 at
141: 458: 268: 992: 324: 272: 149: 1022: 874: 249: 176: 514: 328: 904: 583: 187: 168: 899: 232: 164: 392: 997: 894: 48:
Global Village, TVU Warehouse, West Gate Sports Complex, Bertie St Warehouse,
971: 966: 481: 223:"Artists came out of the woodwork," visual artist, Garry Shepherd, told the 145: 820: 909: 889: 244: 140:, and later also at TVU Warehouse Footscray, West Gates Sports Complex 956: 271:, Little Nobody (aka Andrez Bergen), Son of Zev, TR-Storm, Kandyman, 576:"Interview recommends Every Picture tells a story - Frequency Shift" 79:
Heidi John, Richard John, Melbourne Underground Development (M.U.D.)
507:"Reviews: EPTAS: Altered States @ Festival Hall, Melb (04/11/00)" 914: 884: 276: 125: 108: 824: 275:, Sugar, Lumukanda, Natural 1, The DEA, PB909, Ollie Bobbitt, 789: 774: 163:. Appearing at festivals were international acts, including 391:
Fleckney, Paul (2015). "Chapter Four: Raving, I'm Raving".
263:
M.U.D. also operated a record label, which released three
152:. Each festival used a collective of artists (such as the 124:
In 1991 Heidi John and Richard John organised a set of
211:
exhibitions (such as Mind a Maze) and dance parties.
985: 949: 923: 867: 582:. Interview Productions. April 2010. Archived from 83: 75: 67: 59: 44: 33: 25: 20: 148:, New South Wales), and the Bertie St Warehouse, 732: 730: 728: 726: 724: 836: 612:. Atomic Media. 20 March 2001. Archived from 8: 541:"Melbourne's underground club scene - Clubs" 570: 568: 843: 829: 821: 674:Australian Clearinghouse for Youth Studies 386: 384: 348: 346: 312: 310: 308: 306: 304: 238:Melbourne journalist and former editor of 941:List of electronic dance music festivals 534: 532: 1044:Electronic music festivals in Australia 805:Profile of co-founder Phil Voodoo @ ABC 676:(Sheila Allison): 11–18. Archived from 300: 703:"Every Picture Tells a Story Festival" 454: 444: 17: 539:Hatton, Kristian (26 February 2013). 120:Every Picture and other M.U.D. events 7: 771:Every Picture Tells a Story: Equinox 549:. Time Out Group Ltd. Archived from 1029:Music festivals established in 1993 746:Australian Broadcasting Corporation 480:. Routledge Advances in Sociology. 474:"Liberation and the rave imaginary" 936:List of industrial music festivals 931:List of electronic music festivals 289:List of electronic music festivals 14: 786:Melbourne Underground Development 657:Siokou, Christine (March 2002). 513:. Sound Alliance. Archived from 709:. Jonatan Heyman. 17 April 2010 636:"Zen Paradox Live Performances" 318:"Behind the Scenes with M.U.D." 355:"Technotopia - Commerce House" 63:Melbourne, Victoria, Australia 1: 1039:Electronic dance music venues 327:. 31 May 2000. Archived from 1049:Music festivals in Melbourne 816:M.U.D. discography @ Discogs 638:. Solitary Sound (Steve Law) 424:. FreeNRG (Graham St John). 418:Introduction – Techo Inferno 748:(ABC). 2001. Archived from 265:Every Picture Tells a Story 103:were a series of all-night 101:Every Picture Tells a Story 21:Every Picture Tells a Story 1065: 505:Pinke (13 November 2000). 858: 478:Rave Culture and Religion 363:State Library of Victoria 606:"Agent Mad: Jayse Knipe" 472:St John, Graham (2004). 415:St John, Graham (2001). 242:(dance music insert) in 161:Festival Hall, Melbourne 852:Electronic music events 666:Youth Studies Australia 87:17 April 2010 184:bush fires in Victoria 105:electronic dance music 977:Second Summer of Love 861:Live electronic music 1034:Culture of Melbourne 154:Mutoid Waste Company 192:Melbourne Docklands 740:Sounds Like Techno 659:"Seeking the Vibe" 546:Time Out Melbourne 441:on 9 October 2014. 229:Sounds Like Techno 1016: 1015: 491:978-1-13437-972-9 369:on 17 August 2007 353:Shepherd, Garry. 98: 97: 1056: 1003:hip hop festival 880:Acid house party 845: 838: 831: 822: 792: 783: 777: 776:, 21 March 1998. 768: 762: 761: 759: 757: 734: 719: 718: 716: 714: 699: 693: 692: 690: 688: 682: 663: 654: 648: 647: 645: 643: 632: 626: 625: 623: 621: 616:on 22 March 2015 602: 596: 595: 593: 591: 572: 563: 562: 560: 558: 536: 527: 526: 524: 522: 502: 496: 495: 469: 463: 462: 456: 452: 450: 442: 440: 434:. Archived from 423: 412: 406: 405: 403: 401: 388: 379: 378: 376: 374: 365:. Archived from 350: 341: 340: 338: 336: 314: 94: 92: 38:Electronic dance 18: 1064: 1063: 1059: 1058: 1057: 1055: 1054: 1053: 1019: 1018: 1017: 1012: 1008:reggae festival 981: 945: 924:Lists of events 919: 868:Types of events 863: 854: 849: 801: 796: 795: 784: 780: 769: 765: 755: 753: 736: 735: 722: 712: 710: 701: 700: 696: 686: 684: 680: 661: 656: 655: 651: 641: 639: 634: 633: 629: 619: 617: 604: 603: 599: 589: 587: 574: 573: 566: 556: 554: 538: 537: 530: 520: 518: 517:on 16 June 2003 504: 503: 499: 492: 471: 470: 466: 453: 443: 438: 432: 421: 414: 413: 409: 399: 397: 390: 389: 382: 372: 370: 352: 351: 344: 334: 332: 331:on 16 June 2003 321:inthemix.com.au 316: 315: 302: 297: 285: 261: 221: 200: 122: 90: 88: 71:1993–2000, 2010 12: 11: 5: 1062: 1060: 1052: 1051: 1046: 1041: 1036: 1031: 1021: 1020: 1014: 1013: 1011: 1010: 1005: 1000: 995: 993:Music festival 989: 987: 986:Related events 983: 982: 980: 979: 974: 969: 964: 959: 953: 951: 947: 946: 944: 943: 938: 933: 927: 925: 921: 920: 918: 917: 912: 907: 902: 897: 892: 887: 882: 877: 871: 869: 865: 864: 859: 856: 855: 850: 848: 847: 840: 833: 825: 819: 818: 813: 807: 800: 799:External links 797: 794: 793: 778: 763: 752:on 9 June 2007 720: 694: 683:on 7 July 2014 649: 627: 597: 586:on 10 May 2015 564: 553:on 18 May 2015 528: 497: 490: 484:. p. 25. 464: 430: 407: 394:Techno Shuffle 380: 342: 325:Sound Alliance 299: 298: 296: 293: 292: 291: 284: 281: 273:Davide Carbone 260: 257: 220: 217: 199: 198:Global Village 196: 150:Port Melbourne 131:Techno Shuffle 121: 118: 96: 95: 85: 81: 80: 77: 73: 72: 69: 65: 64: 61: 57: 56: 46: 42: 41: 35: 31: 30: 27: 23: 22: 13: 10: 9: 6: 4: 3: 2: 1061: 1050: 1047: 1045: 1042: 1040: 1037: 1035: 1032: 1030: 1027: 1026: 1024: 1009: 1006: 1004: 1001: 999: 996: 994: 991: 990: 988: 984: 978: 975: 973: 970: 968: 965: 963: 960: 958: 955: 954: 952: 948: 942: 939: 937: 934: 932: 929: 928: 926: 922: 916: 913: 911: 908: 906: 903: 901: 898: 896: 893: 891: 888: 886: 883: 881: 878: 876: 875:Circuit party 873: 872: 870: 866: 862: 857: 853: 846: 841: 839: 834: 832: 827: 826: 823: 817: 814: 811: 808: 806: 803: 802: 798: 790: 788:, Natural 1. 787: 782: 779: 775: 773:, Lindy Tan. 772: 767: 764: 751: 747: 743: 741: 733: 731: 729: 727: 725: 721: 708: 704: 698: 695: 679: 675: 671: 667: 660: 653: 650: 637: 631: 628: 615: 611: 607: 601: 598: 585: 581: 577: 571: 569: 565: 552: 548: 547: 542: 535: 533: 529: 516: 512: 508: 501: 498: 493: 487: 483: 479: 475: 468: 465: 460: 448: 437: 433: 431:1-74064-090-X 427: 420: 419: 411: 408: 396: 395: 387: 385: 381: 368: 364: 360: 356: 349: 347: 343: 330: 326: 322: 319: 313: 311: 309: 307: 305: 301: 294: 290: 287: 286: 282: 280: 278: 274: 270: 266: 258: 256: 253: 251: 250:Andrez Bergen 247: 246: 241: 236: 234: 230: 226: 218: 216: 212: 208: 205: 197: 195: 193: 189: 185: 180: 178: 177:Stacey Pullen 174: 170: 166: 162: 157: 155: 151: 147: 144:, Epicentre ( 143: 139: 134: 132: 127: 119: 117: 115: 110: 106: 102: 86: 82: 78: 74: 70: 66: 62: 58: 55: 51: 50:Festival Hall 47: 43: 39: 36: 32: 28: 24: 19: 16: 962:Sound system 905:Technoparade 785: 781: 770: 766: 754:. Retrieved 750:the original 739: 711:. Retrieved 707:Heyevent.com 706: 697: 685:. Retrieved 678:the original 669: 665: 652: 640:. Retrieved 630: 618:. Retrieved 614:the original 609: 600: 588:. Retrieved 584:the original 579: 555:. Retrieved 551:the original 544: 519:. Retrieved 515:the original 510: 500: 477: 467: 436:the original 417: 410: 398:. Retrieved 393: 371:. Retrieved 367:the original 358: 333:. Retrieved 329:the original 320: 279:and Kilroy. 264: 262: 259:Record label 254: 243: 239: 237: 228: 222: 213: 209: 201: 188:Yarra Valley 181: 169:Claude Young 158: 135: 130: 123: 100: 99: 68:Years active 15: 900:Squat party 455:|work= 359:CybaFaeries 233:Robin Cooke 173:Derrick May 165:Luke Slater 84:Most recent 60:Location(s) 1023:Categories 998:demo party 972:Club drugs 895:Free party 361:. Vicnet. 295:References 269:Honeysmack 248:magazine, 194:, shed 4. 91:2010-04-17 967:Freetekno 610:The Loupe 580:Interview 482:Routledge 457:ignored ( 447:cite book 219:Responses 204:Docklands 146:Byron Bay 138:Footscray 114:Footscray 54:Docklands 40:festivals 910:Teknival 890:Algorave 511:InTheMix 283:See also 950:Culture 791:, 2000. 756:17 June 245:Inpress 89: ( 76:Founder 29:Defunct 957:Deejay 713:11 May 687:11 May 642:11 May 620:11 May 590:11 May 557:11 May 521:11 May 488:  428:  400:11 May 373:11 May 335:11 May 142:Altona 26:Status 681:(PDF) 672:(1). 662:(PDF) 439:(PDF) 422:(PDF) 240:Zebra 45:Venue 34:Genre 915:Doof 885:Rave 758:2007 715:2015 689:2015 644:2015 622:2015 592:2015 559:2015 523:2015 486:ISBN 459:help 426:ISBN 402:2015 375:2015 337:2015 277:Drek 126:rave 109:rave 227:'s 225:ABC 1025:: 744:. 723:^ 705:. 670:21 668:. 664:. 608:. 578:. 567:^ 543:. 531:^ 509:. 476:. 451:: 449:}} 445:{{ 383:^ 357:. 345:^ 323:. 303:^ 175:, 171:, 167:, 52:, 844:e 837:t 830:v 760:. 742:" 738:" 717:. 691:. 646:. 624:. 594:. 561:. 525:. 494:. 461:) 404:. 377:. 339:. 93:)

Index

Electronic dance
Festival Hall
Docklands
electronic dance music
rave
Footscray
rave
Footscray
Altona
Byron Bay
Port Melbourne
Mutoid Waste Company
Festival Hall, Melbourne
Luke Slater
Claude Young
Derrick May
Stacey Pullen
bush fires in Victoria
Yarra Valley
Melbourne Docklands
Docklands
ABC
Robin Cooke
Inpress
Andrez Bergen
Honeysmack
Davide Carbone
Drek
List of electronic music festivals

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

↑