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Extraordinary Machine

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508: 763:, "She re-recorded a bunch of stuff, but whatever, that's her business. I remain a fan and think she's great, and she shouldn't have to meet too much resistance"; meanwhile, Elizondo insisted Brion was "cool on all fronts" about the proposed re-recording. However, Brion struck out at the bootleg version of the album: "It's wrong...I don't like those versions. It's stuff that doesn't reflect what we recorded, for the most part". In late 2005 MTV News reported that Brion and Apple may collaborate again to complete the original recording sessions for 745:, Elizondo acknowledged that it was "a little disheartening" to be working with the knowledge that Brion's version was available to the public, but applauded Apple's "amazing core of fans" for their efforts to have the album released: "The way they interpreted it was, the label isn't putting out her record, so we're going to do it for her. That's very admirable". However, he defended Apple's decision to press on until the album reached the finished state that she had envisioned. On the day of the announcement, the label placed "O' Sailor" for 297:, it was expected to be released in 2003 but was delayed several times by the record label without explanation, leading to speculation that a dispute had arisen over its commercial appeal. The controversy surrounding the album and leaked recordings of the Jon Brion sessions were the subject of substantial press attention, as well as a highly publicized fan-led campaign to see the album officially released. In collaboration with producers 405:; the four used the building as a temporary residence from early 2003, and Chamberlain said the experience of recording there was "completely amazing". With the album half complete in April 2003, Brion, Apple and Biller worked at Cello Studios, and a new release date of July 22 was announced. Brion and Apple then travelled to England later that month, to record strings and orchestration for the songs at 756:(the entire album was made available for streaming on September 27), and streamed both "O' Sailor" and "Parting Gift" on Apple's official website. Additionally, exclusive video material was put up weekly in the run-up to the album's release and most of which was later included on the DVD side of the album DualDisc, along with recordings of five of Apple's live performances at Largo. 527:. In it Brion is reported to have said that the album had been shelved since its completion in May 2003 due to the label not hearing any obvious singles. A representative for Epic Records stated that the album was to be released in February 2005, and that Apple had decided to re-record some of the songs. Brion later clarified the status of the album in an interview with 1033: 995: 933: 1028: 1023: 1018: 1013: 990: 985: 980: 975: 928: 923: 918: 913: 883: 878: 873: 868: 863: 845: 840: 835: 830: 825: 1136: 575:" and "Used to Love Him" were circulating on the internet. Harms said of the situation: "this is pretty special ... with an established like Fiona, to have that happen is pretty crazy, so to stumble upon a full-length copy of the record was incredible"; he also noted the positive response from listeners the songs had received. 413:. The album was completed from Brion's perspective by May 2003, at which point the release was pushed back to September 30. But by Fall 2003 Apple and Brion were back in the recording studio adding finishing touches to the album, thus forcing back the release date to February 2004 (this was later changed to "early 2004"). 1120:(which placed the leaked version of the album at number 46 on their "Top 50 Albums of 2005" list) wrote, "The shame of it all is that Apple, after six years of silence, could've made a more definitive, progressive statement rather than something familiar and similar—and we've got the bootlegs to prove it". 1184:
chart with 94,000 copies sold in its first week of release, making it Apple's first top ten album; however, it fell out of the top ten in its second week with a sales decline of almost 50 percent. The video for "O' Sailor" began to receive television airplay in November, and the following January the
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in January 2006 for shipments of 500,000 copies, it was nominated for the New Pantheon award, which honors "left of center" albums that shipped less than 500,000 copies in the U.S. between July 2004 and October 2005. Apple went on a three-week U.S. tour from November 22 to December 11 to promote the
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In late June 2004 the song "Extraordinary"—which had since been retitled as the title track—was leaked onto the internet. Soon after, a "rough mix" of "Better Version of Me" also leaked, with the following inscription listed as a comment in the properties of the MP3 file: "It has some good bits, but
348:. "The first couple of years , I didn't have anything left in me to write about ... I just figured if the songs came to me, they came to me, and if not, 'Oh, well, it's been fun'", she said. During her hiatus, Apple contemplated retiring from her recording career. In spring 2002 Apple and 422:
revealed the title of another song on the album, "Oh Well", with Brion stating that he cried the first time he heard Apple play it. Brion worked solidly on "Oh Well" for over a week, and would later refer to it as the album's "problem child". The November 13, 2003 issue of
726:", was also included on the album; it is a solo vocal piece with piano that was recorded on the first take. Elizondo said he felt that most of the tracks sound "radically different", and that even though he listened to Brion's version, "Everything was done from scratch". 735:
in September 2005, Apple explained her decision: "I gathered scraps for songs, and I ended up writing the rest on the way, a totally new approach for me... I didn't have enough time to live with the songs before recording them, so I really didn't know what I wanted".
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would have been a fine counterbalance to a pop moment full of monolithic, self-righteous sincerity." Ed Bumgardner concurred, saying the album was "certainly a work of daring and sophistication, as wildly imaginative as it is entertaining", while Will Dukes said
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suggested that Epic Records was not impressed with fan interest in the bootleg, and that Apple never considered the album finished; but by the time of the leak, she and Elizondo had been at work for some time (since April 2004). In an interview with
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I still think we never have topped the second version. Ideally, we would combine some of this with that, but obviously we can't. Sigh. Ask the others what they think—I know she was partial to both of them, particularly the second". Josh Korr of the
1185:"Not About Love" video made its Internet premiere; early the next month, "Get Him Back" was released to radio stations. None of the singles attracted substantial airplay or digital downloads, and consequently they did not appear on the U.S. 554:
said: "It's our understanding that Fiona is still in the midst of recording her next album, and we at Epic Records join music lovers everywhere in eagerly anticipating her next release". On February 26, 2005 radio DJ
374:. He reportedly "begged" Apple to make another album after being forced to watch hours of footage of Rajskub while working on the film: "I need work that can save me". Apple agreed, and Brion went to Apple's label, 3612: 2634: 3626: 715:
and Questlove, and then instrumental flourishes. Once the song frameworks had been completed, Apple returned to the studio and recorded final performances. The album cover is a photograph of an
590:" and "Window" had leaked online; those were followed by better quality album cuts of "Oh Well" and "Red, Red, Red". Soon after, CD-quality versions of all the tracks were released through the 389:, where she played for Brion the first five songs she had written for the album. She debuted the song "A New Version of Me" (later renamed "Better", and then "Better Version of Me") live at 550:
Shortly thereafter, Fiona Apple fans organized a week-long mail campaign to flood Sony with support for Apple and for the release of the album. In response to the campaign, Epic president
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reported that the album was "definitely eclectic" and quoted Apple admitting that the album was "all over the place". The slow-paced track "Extraordinary" was referred to as "a
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later contacted webmasters of sites hosting the files and asked them to be taken down, while the BitTorrent files subsequently vanished from the TorrentBox website.
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Despite rumors that the album had caused a rift between Brion and Apple, they performed together at Largo the Friday evening before Epic's announcement. Brion told
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tracks, but one reporter had described him as "a curious departure from Brion" because of his more well-known production work with popular hip hop artists such as
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During mid-August 2005 and ahead of the album's release in October, both "O' Sailor" and "Parting Gift" were made available as a bundle download at the online
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Of the eleven tracks previously leaked, two remained unchanged: "Extraordinary Machine" and "Waltz"; but nine were completely rearranged. One new song, "
393:—where Brion has a regular Friday-night gig, often joined by musical friends—in August. By late 2002 Apple, Brion, engineer Tom Biller and percussionist 3310: 4013: 3506: 2696: 2045: 1208: 622: 305:, Apple re-recorded the album over 2004 and 2005, and it was eventually released more than three years after the original recording sessions began. 4023: 3650: 507: 3371: 3233: 2036: 378:, with strict stipulations (including no deadline), to which the label eventually agreed. A tentative November 2002 release date was then set. 719:
bud, taken by Apple in her front yard; in a 2006 interview, she said, "...it just seemed like a really cool image to have on an album cover."
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Little by little, small details about the songs were revealed through newspaper and magazine articles. An August 2003 article on Jon Brion in
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magazine confirmed the title of the album and a new song, "Red, Red, Red", which Apple said was inspired by a book about optical illusions.
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flaunts a quirky, cold-world cohesiveness that's as inviting as it is alienating." According to the file-sharing tracking website
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was to be officially released on October 4, 2005, extensively reworked by co-producers Elizondo and Kehew. Elizondo had played
551: 3166: 672:, all of which was later confirmed as true. (Questlove also said he played drums on the album, and in the March 2005 issue of 2749: 2410: 3408: 2434: 2241: 2655: 4008: 2803: 704: 512: 3190: 4003: 3857: 2071: 3586: 3436: 2838: 2604: 2558: 472: 2400: 3721: 3054: 2921: 2396: 583:, in its May 2005 issue, included "Used to Love Him" on their list of "20 Songs You Should Download This Month". 2527: 2263: 1935: 3348: 547:
asked Apple herself about when the album would be released, she replied: "You'll probably know before I do".
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tour. Apple also appeared on her own headlining summer tour from April 10, 2006 to October 29, 2006, with
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reported in its June 24, 2005 issue that Apple was preparing work on a "second third" album with producer
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tracks had been shelved indefinitely. A July 2005 online chat, little noticed at the time, occurred with
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and release it officially in the near future. Apple said "I really think it would be cool to compare ."
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After months of silence, Epic released a statement regarding the album's future on August 15, 2005:
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received the best reviews of Apple's career, and was placed as the number one album of the year at
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After months of no official news, an article about Jon Brion appeared in an October 2004 issue of
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wrote, "With a playfulness and penchant for odd sounds and instruments that channel the spirit of
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home, reworking each song; track by track they built from Apple's piano and vocals, added live
385:" at a Brion concert in February, Apple started studio work on the album the following June at 3533: 3128: 1200: 1186: 1054: 645: 568: 390: 357: 3087: 2935: 2580: 2321: 3924: 3871: 3786: 3592: 3119: 2679: 1989: 1885: 1775: 1633: 1165: 712: 398: 394: 366: 340: 168: 531:
in January 2005: he said that Epic had desired material in the vein of Apple's debut album
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stated "it's kinda been done", and noted Apple reined in the penchant to overwrite; and
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in the United States on October 4, 2005 and in Europe on October 3, 2005. Produced by
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Music Store. While "O' Sailor" was released separately at other digital music stores,
28: 3992: 3960: 3779: 3685: 3123: 3059: 2899: 2829:"Fiona Apple Haunts Ocean Liner In New Clip; May Release Alternate Version Of New LP" 2788: 2293: 2236: 2202: 2170: 2161: 1962: 1958: 1755: 1714: 1178: 1004: 665: 653: 560: 533: 516: 490: 430: 425: 318: 298: 140: 3149: 1108:
described it as "a rudderless piece of work" and "a bitterly disappointing listen",
3899: 3878: 3638: 3170: 3038: 2966: 2153: 1998: 1791: 1471: 1328: 1276: 1125: 966: 904: 723: 618: 572: 556: 467: 375: 356:, met for their weekly lunch meeting. Brion's five-year relationship with comedian 335: 290: 260: 234: 123: 116: 3885: 3570: 1508: 1291: 587: 221: 2444: 3739: 2600: 1952: 1946: 1805: 1797: 1767: 1703: 1240: 1223: 1156: 684: 641: 637: 485: 477: 302: 286: 155: 144: 82: 41: 3938: 3695: 3478: 3234:"New releases from Fiona Apple and Franz Ferdinand make albums chart's top 10" 3153: 2885: 2864: 2157: 1900: 1875: 1863: 1859: 1855: 1847: 1204: 1174: 794: 716: 571:
copy of the album, and before long, poor quality copies of "Not About Love", "
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By early March 2005 radio recordings of "Waltz", "Please, Please, Please", "
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https://www.discogs.com/release/1203801-Fiona-Apple-Extraordinary-Machine
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Fans in support of Fiona Apple demonstrating outside the headquarters of
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https://www.discogs.com/release/626619-Fiona-Apple-Extraordinary-Machine
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album, and from January 25 to March 5, 2006 she supported British band
750: 696: 692: 501: 442: 90: 703:. He and Kehew worked at the Phantom Studio located behind Elizondo's 2468:"Whatever Happened To Fiona Apple? Online Campaign Tries To Find Out" 2002: 1787: 1152: 753: 700: 410: 1218: 664:. He said the album was "not cancelled", was in co-production with 3311:"Fiona Apple Banked on Buzz to Build Anticipation for New Release" 2081:, also shelved over commercial concerns and notoriously bootlegged 1907: 1749: 1134: 506: 36: 1199:
As of June 2012 the album has sold 1 million copies according to
322:, and in 2020 was ranked at number 444 on the magazine's list of 3167:"Fiona Apple – Extraordinary Machine – Review – Stylus Magazine" 1833: 1800: – co-producer (tracks 2–11); guitar (tracks 4, 8, 10–11); 708: 676:, he had said he may collaborate with Apple on her next album.) 617:
in March, 46,759 people were sharing the leaked tracks on major
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magazine. Some publications regarded the album less favorably;
441:", while the much more energetic "Better" was described as "an 3706: 2990: 942: 1733: 648:, further fueling speculation amongst fans that the leaked 3666: 3529:"Bilal's New A Love Surreal Was Inspired By Salvador Dali" 2225: 2223: 2221: 285:
is the third studio album by American singer-songwriter
3339:"Death Cab, M.I.A., Fiona Among New Pantheon Finalists" 2742:"Must List 2005: Fiona Apple's "Extraordinary Machine"" 2549:"Fiona Apple's Extraordinary Songs Leaked On The Radio" 1968:
Patrick Warren – orchestral arrangement (track 12)
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was ranked number one on year-end top albums lists of
541:, "it's just not the obvious easy sell to them". When 1159:
promotion for "Parting Gift" began later that month.
2174:. No. 1094/1095. pp. 47–56. Archived from 1621:"River, Stay Away from My Door" (Live at Club Largo) 445:-like deluge of beats". In February 2004 an item in 3948: 3916: 3835: 3817: 3771: 3467:. Mt. Martha, VIC, Australia: Moonlight Publishing. 2322:"noise: backstage pass: Suddenly Girl, Interrupted" 1590: 1582: 1435: 1427: 1255: 1247: 203: 154: 134: 115: 99: 81: 63: 48: 35: 21: 2861:"Reviews for Extraordinary Machine by Fiona Apple" 2804:"Fiona Apple's back, with 'Extraordinary Machine'" 500:called the songs "tantalizing, brazenly eccentric 2827:Perez, Rodrigo; Norris, John (November 4, 2005). 2589:. May 2005. p. 44 – via freefiona.com. 2537:. February 26, 2005. Retrieved September 4, 2005. 2748:. No. 826–827. June 24, 2005. p. 101. 2632:"Fiona Apple on the shelf because she's ... odd" 2381:: CS1 maint: bot: original URL status unknown ( 1899:Portasound (track 3); 360 Systems (tracks 3–4); 3409:"Coldplay Drafts Apple, Ashcroft For 2006 Tour" 2363:. Archived from the original on January 3, 2006 567:began playing previously unheard tracks from a 3370:Kaufman, Gil; Norris, John (October 5, 2005). 2645:. March 31, 2005. Retrieved September 1, 2005. 822: 401:, which was built in 1923 by silent film star 360:had abruptly ended during the shooting of the 316:was named the 49th best album of the 2000s by 3722: 2778:. July 12, 2005. Retrieved September 1, 2005. 2731:. March 3, 2005. Retrieved September 1, 2005. 2707:. April 5, 2005. Retrieved September 1, 2005. 2277:. July 22, 2002. Retrieved September 1, 2005. 8: 3304: 3302: 3003: 3001: 2683:. April 19, 2005. Retrieved August 31, 2005. 2664:. April 4, 2005. Retrieved February 5, 2007. 2605:"DIRECTIONS: BOOTLEG REVIEW; The Lost Apple" 1610:"Extraordinary Machine" (Live at Club Largo) 1010: 972: 910: 860: 3222:. February 8, 2006. Retrieved June 1, 2006. 3729: 3715: 3707: 2934:. No. 843. p. 72. Archived from 2718:"Fiona Apple Extraordinary Machine Tracks" 2443:. No. 788. p. 73. Archived from 2097: 2095: 2024: 1216:on the first half of their North American 774: 504:... With Apple, the weirder, the better". 27: 18: 3507:Recording Industry Association of America 3150:"The 30 Best-Reviewed Albums of the Year" 2581:"20 Songs You Should Download This Month" 1669:"Parting Gift" (Live at the Jazz Factory) 1230:as her supporting acts for the 35 shows. 1177:. It debuted at number seven on the U.S. 344:(1999) in 2000, Fiona Apple relocated to 3437:"Fiona Taps Rice, Garza For Summer Trek" 3216:"48th Annual Grammy Awards Winners List" 3124:"Consumer Guide: Extraordinary Machines" 2528:"Seattle radio playing new Fiona tracks" 1688: 1576: 1421: 1244: 3527:Lindsey, Craig D. (February 25, 2013). 2091: 1658:"You Belong to Me" (Live at Club Largo) 1407: 1203:in United States. Prior to receiving a 598:. They received a positive review from 476:, Apple's first songs since 1999 make 3337:Montgomery, James (January 11, 2006). 3067:from the original on September 1, 2006 3036:"Fiona Apple: Extraordinary Machine". 2988:"Fiona Apple: Extraordinary Machine". 2374: 1826:arrangement (track 1); bass (track 12) 1647:"Fast as You Can" (Live at Club Largo) 352:, her longtime friend and producer on 3309:Horowitz, Steven J. (June 15, 2012). 2198:"The 500 Greatest Albums of All Time" 2107:"Extraordinary Machine – Fiona Apple" 1882:(tracks 5 and 9); keyboards (track 9) 1854:(track 3); Farfisa (tracks 3 and 4); 1408: 803: 780: 310:Grammy Award for Best Pop Vocal Album 7: 3407:Cohen, Jonathan (November 9, 2005). 3010:"Fiona Apple: Extraordinary Machine" 2962:"Fiona Apple, Extraordinary Machine" 2890:"Fiona Apple: Extraordinary Machine" 2501:"Sony cuts Apple's fans to the core" 2499:Vivinetto, Gina (February 7, 2005). 1818: – producer (tracks 1 and 12); 537:(1996), but that when confronted by 381:After performing the then-untitled " 16:2005 studio album by Fiona Apple 2466:Perez, Rodrigo (January 26, 2005). 2433:Willman, Chris (October 15, 2004). 1316:"Tymps (The Sick in the Head Song)" 824: 324:the 500 greatest albums of all time 3465:Australia's Music Charts 1988-2010 3435:Cohen, Jonathan (April 19, 2006). 3265:Harris, Chris (October 19, 2005). 3232:Harris, Chris (October 12, 2005). 3053:Walters, Barry (October 6, 2005). 2752:from the original on 21 April 2009 2287:Baltin, Steve (October 17, 2003). 2230:Scaggs, Austin (August 30, 2005). 2156:; Hermes, Will; Hoard, Christian; 1995:Jim Keltner – drums (track 5) 1903:(tracks 4–5); keyboards (track 10) 14: 3086:Beaujon, Andrew (November 2005). 3063:. No. 984. pp. 147–48. 2413:from the original on 6 March 2010 1888: – drums (track 3–5, 7–10); 1082:magazine; within the top five in 1012: 974: 912: 862: 4014:Albums produced by Mike Elizondo 3689:(3.5/5) May, 2005 (p. 79) 3576:Reviews of the bootleg release: 3008:Mitchum, Rob (October 4, 2005). 2547:Perez, Rodrigo (March 1, 2005). 2409:. No. 802. pp. 83–84. 2353:Korr, Josh (February 16, 2005). 1980:Fiona Apple – vocals; piano 1892:(track 4); programming (track 7) 1031: 1026: 1021: 1016: 1011: 993: 988: 983: 978: 973: 931: 926: 921: 916: 911: 881: 876: 871: 866: 861: 843: 838: 833: 828: 823: 488:and other pretenders sound like 308:The album was nominated for the 3571:Press release from Epic Records 2656:"Fiona Apple: "Not About Love"" 1858:and clavinet (tracks 3 and 5); 338:in support of her second album 4024:Albums produced by Brian Kehew 2401:"The Corrections: Fiona Apple" 2166:"50 Best Albums of the Decade" 2008:Steven Rhodes – assistant 1942: – keyboards (tracks 7–8) 1583: 1428: 1248: 397:were at work in a wing of the 72:April 2004 – August 2005 1: 3206:. Retrieved February 5, 2007. 2289:"Fiona Apple Ripe for Return" 1925:arrangements (tracks 4 and 7) 4019:Albums produced by Jon Brion 2694:"I just totally got served!" 1707: 1094:; and in the top ten in the 513:Sony BMG Music Entertainment 69:June 2002 – August 2005 3649:(positive) April 14, 2005 3608:(positive) March 31, 2005 3479:"Fiona Apple Chart History" 2729:Nadja Dee's Lavender Garden 2423:Posted on January 17, 2005. 1124:was nominated for the 2006 4040: 3661:(positive) April 14, 2005 3267:"Alicia Keys Scores Third 2802:Lanham, Tom (2006-06-23). 2320:Spitz, Mark (March 2004). 1986:Tom Biller – engineer 1830:Ahmir "Questlove" Thompson 1712: 1701: 1544:"Waltz (Better Than Fine)" 1401:"Waltz (Better than Fine)" 1239:All tracks are written by 266:Released: February 6, 2006 3748: 3637:(positive) April 3, 2005 3625:(7.8/10) October 5, 2005 3585:(positive) April 3, 2005 3156:. Retrieved June 1, 2005. 3042:(234): 126. January 2006. 2898:(42): 129. Archived from 2043: 2035: 2032: 2029: 1992: – percussion; drums 1983:Jon Brion – producer 1665: 1654: 1643: 1628: 1617: 1606: 1595: 1587: 1562: 1551: 1540: 1529: 1518: 1503: 1492: 1481: 1466: 1455: 1440: 1432: 1397: 1382: 1371: 1360: 1349: 1338: 1323: 1312: 1301: 1286: 1271: 1260: 1252: 811: 808: 788: 785: 330:Background and production 274: 240:Released: August 16, 2005 227:Released: August 16, 2005 214: 199: 162: 74:(Elizondo/Kehew sessions) 52:October 4, 2005 26: 2675:"The Fiona Apple Fiasco" 2103:Erlewine, Stephen Thomas 2021:Certifications and sales 1955: – drums (track 12) 1936:Roger Joseph Manning Jr. 1870:(tracks 4–5); marimba, 1599:"Not About Love (video)" 1578:Deluxe edition bonus DVD 1066:The official version of 660:on a website devoted to 629:Re-recording and release 455:Delays and leaked tracks 370:(2002), which Brion was 3677:(mixed) March 23, 2005 3658:The Harvard Independent 3372:"Fiona Apple Announces 3191:"Top 50 Albums of 2005" 3055:"Extraordinary Machine" 2994:: 34. January 14, 2006. 2232:"Fiona Talks "Machine"" 1928:George Thatcher – 1555:"Extraordinary Machine" 1264:"Extraordinary Machine" 771:Reception and promotion 3808:Fetch the Bolt Cutters 3753:Awards and nominations 2772:"better version of me" 2355:"Some hits—and misses" 1839:Keefus Ciancia – 1766:(tracks 2, 8, 10–11); 1636:" (Live at Club Largo) 1566:"Please Please Please" 1485:"Better Version of Me" 1364:"Please Please Please" 1305:"Better Version of Me" 1148: 520: 253:Released: January 2006 209:Extraordinary Machine 3794:Extraordinary Machine 3560:Extraordinary Machine 2164:(December 25, 2009). 1866:(tracks 3, 5 and 9); 1161:Extraordinary Machine 1138: 1122:Extraordinary Machine 1068:Extraordinary Machine 765:Extraordinary Machine 681:Extraordinary Machine 611:Extraordinary Machine 606:Extraordinary Machine 510: 314:Extraordinary Machine 282:Extraordinary Machine 178:Extraordinary Machine 22:Extraordinary Machine 3956:The Idler Wheel Tour 3634:Akron Beacon Journal 3463:Ryan, Gavin (2011). 3287:on February 13, 2006 3246:on December 20, 2005 3122:(January 10, 2006). 2931:Entertainment Weekly 2746:Entertainment Weekly 2506:St. Petersburg Times 2440:Entertainment Weekly 2406:Entertainment Weekly 2399:(January 21, 2005). 2206:. September 22, 2020 1945:Brad Warnaar – 1917:John Daversa – 1906:Glenn Berger – 1774:, fuzz clavinet and 1770:(tracks 3–5, 7, 9); 1139:Apple performing in 1130:Best Pop Vocal Album 1072:Entertainment Weekly 893:Entertainment Weekly 776:Professional ratings 634:Entertainment Weekly 525:Entertainment Weekly 519:on January 28, 2005. 497:Entertainment Weekly 362:Paul Thomas Anderson 4009:Epic Records albums 3971:Watkins Family Hour 3667:permanent dead link 2960:(January 6, 2006). 2938:on January 18, 2017 2924:(October 3, 2005). 2776:From Blown Speakers 2480:on February 7, 2005 2026: 1895:Jebin Bruni – 1852:Arp string ensemble 1752:(tracks 2–8, 11–12) 1744:Fiona Apple – 1579: 1424: 1143:while on tour with 777: 387:Ocean Way Recording 334:After completing a 4004:Fiona Apple albums 3907:Every Single Night 3818:Compilation albums 3801:The Idler Wheel... 3631:Malcolm X. Abram, 3615:2005-09-14 at the 3582:The New York Times 3567:(list of releases) 3388:on October 1, 2007 3196:2007-02-26 at the 2723:2008-10-12 at the 2699:2007-04-27 at the 2637:2005-09-14 at the 2610:The New York Times 2533:2005-09-01 at the 2269:2005-09-24 at the 2025: 1862:(tracks 3 and 8); 1739:Commercial release 1577: 1522:"Used to Love Him" 1422: 1205:gold certification 1194:Modern Rock Tracks 1173:and number ten at 1149: 1076:The New York Times 775: 728:The New York Times 601:The New York Times 521: 419:The New York Times 407:Abbey Road Studios 312:in 2006. In 2009, 187:The Idler Wheel... 3986: 3985: 3643:Robert Wilonsky, 3573:—August 15, 2005. 3534:The Village Voice 3351:on April 16, 2006 3129:The Village Voice 3120:Christgau, Robert 2888:(November 2005). 2841:on April 13, 2006 2692:Lucero, Andres. 2630:Bumgardner, Ed. 2603:(April 3, 2005). 2435:"Artists' Choice" 2178:on March 30, 2010 2058: 2057: 2017: 2016: 1975:Bootleg recording 1836:(tracks 2 and 11) 1726: 1725: 1704:ARIA Albums Chart 1676: 1675: 1573: 1572: 1418: 1417: 1201:Nielsen SoundScan 1169:, number four at 1096:Los Angeles Times 1084:The Village Voice 1064: 1063: 1055:The Village Voice 711:with the help of 668:, and would be a 646:The Moog Cookbook 358:Mary Lynn Rajskub 278: 277: 195: 194: 75: 4031: 3826:iTunes Originals 3787:When the Pawn... 3743: 3742: 3731: 3724: 3717: 3708: 3668: 3591:Sal Cinquemani, 3546: 3545: 3543: 3541: 3524: 3518: 3517: 3515: 3513: 3499: 3493: 3492: 3490: 3489: 3475: 3469: 3468: 3460: 3454: 3453: 3451: 3449: 3432: 3426: 3425: 3423: 3421: 3404: 3398: 3397: 3395: 3393: 3384:. Archived from 3367: 3361: 3360: 3358: 3356: 3347:. Archived from 3334: 3328: 3327: 3325: 3323: 3306: 3297: 3296: 3294: 3292: 3283:. Archived from 3262: 3256: 3255: 3253: 3251: 3242:. Archived from 3229: 3223: 3213: 3207: 3188: 3182: 3181: 3179: 3178: 3169:. Archived from 3163: 3157: 3147: 3141: 3140: 3138: 3136: 3116: 3110: 3109: 3107: 3105: 3083: 3077: 3076: 3074: 3072: 3050: 3044: 3043: 3033: 3027: 3026: 3024: 3022: 3005: 2996: 2995: 2985: 2979: 2978: 2976: 2974: 2958:Petridis, Alexis 2954: 2948: 2947: 2945: 2943: 2918: 2912: 2911: 2909: 2907: 2882: 2876: 2875: 2873: 2871: 2857: 2851: 2850: 2848: 2846: 2837:. Archived from 2824: 2818: 2817: 2815: 2814: 2799: 2793: 2785: 2779: 2768: 2762: 2761: 2759: 2757: 2738: 2732: 2714: 2708: 2690: 2684: 2673:Edlund, Martin. 2671: 2665: 2652: 2646: 2628: 2622: 2621: 2619: 2617: 2597: 2591: 2590: 2577: 2571: 2570: 2568: 2566: 2561:on March 5, 2005 2557:. Archived from 2544: 2538: 2524: 2518: 2517: 2515: 2513: 2496: 2490: 2489: 2487: 2485: 2476:. Archived from 2463: 2457: 2456: 2454: 2452: 2447:on 25 April 2009 2430: 2424: 2422: 2420: 2418: 2393: 2387: 2386: 2380: 2372: 2370: 2368: 2350: 2344: 2343: 2341: 2339: 2317: 2311: 2310: 2308: 2306: 2297:. Archived from 2284: 2278: 2260: 2254: 2253: 2251: 2249: 2240:. Archived from 2227: 2216: 2215: 2213: 2211: 2194: 2188: 2187: 2185: 2183: 2150: 2144: 2139: 2133: 2128: 2122: 2121: 2119: 2117: 2099: 2027: 1990:Matt Chamberlain 1932:(tracks 4 and 7) 1914:(tracks 4 and 7) 1886:Abe Laboriel Jr. 1776:drum programming 1734: 1689: 1585: 1580: 1430: 1425: 1411: 1250: 1245: 1147:in January 2006. 1036: 1035: 1034: 1030: 1029: 1025: 1024: 1020: 1019: 1015: 1014: 998: 997: 996: 992: 991: 987: 986: 982: 981: 977: 976: 936: 935: 934: 930: 929: 925: 924: 920: 919: 915: 914: 886: 885: 884: 880: 879: 875: 874: 870: 869: 865: 864: 848: 847: 846: 842: 841: 837: 836: 832: 831: 827: 826: 781:Aggregate scores 778: 713:Abe Laboriel Jr. 705:Westlake Village 494:rejects", while 433:-esque blend of 399:Paramour Mansion 395:Matt Chamberlain 367:Punch-Drunk Love 341:When the Pawn... 267: 264: 254: 251: 241: 238: 228: 225: 169:When the Pawn... 164: 163: 111: 110: 106: 73: 59: 57: 31: 19: 4039: 4038: 4034: 4033: 4032: 4030: 4029: 4028: 3989: 3988: 3987: 3982: 3966:Brandon Maggart 3944: 3912: 3865:Fast as You Can 3831: 3813: 3767: 3744: 3738: 3737: 3735: 3646:Dallas Observer 3623:Pitchfork Media 3617:Wayback Machine 3604:Ed Bumgardner, 3555: 3550: 3549: 3539: 3537: 3526: 3525: 3521: 3511: 3509: 3501: 3500: 3496: 3487: 3485: 3477: 3476: 3472: 3462: 3461: 3457: 3447: 3445: 3434: 3433: 3429: 3419: 3417: 3406: 3405: 3401: 3391: 3389: 3369: 3368: 3364: 3354: 3352: 3336: 3335: 3331: 3321: 3319: 3308: 3307: 3300: 3290: 3288: 3264: 3263: 3259: 3249: 3247: 3231: 3230: 3226: 3214: 3210: 3198:Wayback Machine 3189: 3185: 3176: 3174: 3165: 3164: 3160: 3148: 3144: 3134: 3132: 3118: 3117: 3113: 3103: 3101: 3088:"One Bad Apple" 3085: 3084: 3080: 3070: 3068: 3052: 3051: 3047: 3035: 3034: 3030: 3020: 3018: 3007: 3006: 2999: 2987: 2986: 2982: 2972: 2970: 2956: 2955: 2951: 2941: 2939: 2920: 2919: 2915: 2905: 2903: 2902:on June 7, 2007 2884: 2883: 2879: 2869: 2867: 2859: 2858: 2854: 2844: 2842: 2826: 2825: 2821: 2812: 2810: 2801: 2800: 2796: 2786: 2782: 2769: 2765: 2755: 2753: 2740: 2739: 2735: 2725:Wayback Machine 2716:Tanaka, Nadja. 2715: 2711: 2701:Wayback Machine 2691: 2687: 2672: 2668: 2653: 2649: 2639:Wayback Machine 2629: 2625: 2615: 2613: 2599: 2598: 2594: 2579: 2578: 2574: 2564: 2562: 2546: 2545: 2541: 2535:Wayback Machine 2525: 2521: 2511: 2509: 2498: 2497: 2493: 2483: 2481: 2465: 2464: 2460: 2450: 2448: 2432: 2431: 2427: 2416: 2414: 2395: 2394: 2390: 2373: 2366: 2364: 2360:Tampa Bay Times 2352: 2351: 2347: 2337: 2335: 2319: 2318: 2314: 2304: 2302: 2286: 2285: 2281: 2271:Wayback Machine 2261: 2257: 2247: 2245: 2229: 2228: 2219: 2209: 2207: 2196: 2195: 2191: 2181: 2179: 2152: 2151: 2147: 2140: 2136: 2129: 2125: 2115: 2113: 2101: 2100: 2093: 2088: 2063: 2044:United States ( 2037:Certified units 2023: 2018: 1977: 1846:Zac Rae – 1762:(tracks 2–11); 1741: 1731: 1696: 1687: 1682: 1677: 1574: 1423:Bootleg release 1419: 1409: 1236: 1192:or Billboard's 1032: 1027: 1022: 1017: 994: 989: 984: 979: 932: 927: 922: 917: 882: 877: 872: 867: 844: 839: 834: 829: 773: 631: 463:Tampa Bay Times 457: 332: 270: 265: 258: 257: 252: 245: 244: 239: 232: 231: 226: 219: 218: 190: 181: 172: 108: 104: 103: 95: 55: 53: 44: 17: 12: 11: 5: 4037: 4035: 4027: 4026: 4021: 4016: 4011: 4006: 4001: 3991: 3990: 3984: 3983: 3981: 3980: 3977:Apple of Sodom 3973: 3968: 3963: 3958: 3952: 3950: 3946: 3945: 3943: 3942: 3935: 3928: 3920: 3918: 3914: 3913: 3911: 3910: 3903: 3896: 3893:Not About Love 3889: 3882: 3875: 3868: 3861: 3854: 3851:Sleep to Dream 3847: 3839: 3837: 3833: 3832: 3830: 3829: 3821: 3819: 3815: 3814: 3812: 3811: 3804: 3797: 3790: 3783: 3775: 3773: 3769: 3768: 3766: 3765: 3760: 3755: 3749: 3746: 3745: 3736: 3734: 3733: 3726: 3719: 3711: 3705: 3704: 3703: 3702: 3693: 3681: 3672: 3653: 3641: 3629: 3619: 3602: 3589: 3574: 3568: 3554: 3553:External links 3551: 3548: 3547: 3519: 3494: 3470: 3455: 3427: 3399: 3362: 3329: 3298: 3257: 3224: 3208: 3183: 3158: 3142: 3111: 3078: 3045: 3028: 2997: 2980: 2949: 2913: 2877: 2852: 2819: 2808:East Bay Times 2794: 2780: 2763: 2733: 2709: 2685: 2666: 2647: 2623: 2592: 2572: 2539: 2519: 2491: 2458: 2425: 2388: 2345: 2312: 2279: 2275:FionaApple.org 2255: 2244:on May 9, 2006 2217: 2189: 2162:Sheffield, Rob 2145: 2134: 2123: 2090: 2089: 2087: 2084: 2083: 2082: 2077:– an album by 2069: 2067:Cult following 2062: 2059: 2056: 2055: 2052: 2049: 2041: 2040: 2034: 2031: 2022: 2019: 2015: 2014: 2010: 2009: 2006: 1996: 1993: 1987: 1984: 1981: 1976: 1973: 1971: 1970: 1969: 1966: 1956: 1950: 1943: 1933: 1926: 1915: 1904: 1893: 1883: 1844: 1837: 1827: 1813: 1795: 1753: 1740: 1737: 1732: 1730: 1727: 1724: 1723: 1720: 1710: 1709: 1706: 1699: 1698: 1693: 1686: 1683: 1681: 1678: 1674: 1673: 1670: 1667: 1663: 1662: 1659: 1656: 1652: 1651: 1648: 1645: 1641: 1640: 1637: 1630: 1626: 1625: 1622: 1619: 1615: 1614: 1611: 1608: 1604: 1603: 1600: 1597: 1593: 1592: 1589: 1586: 1575: 1571: 1570: 1567: 1564: 1560: 1559: 1556: 1553: 1549: 1548: 1545: 1542: 1538: 1537: 1534: 1531: 1527: 1526: 1523: 1520: 1516: 1515: 1512: 1505: 1501: 1500: 1497: 1494: 1490: 1489: 1486: 1483: 1479: 1478: 1475: 1468: 1464: 1463: 1460: 1457: 1453: 1452: 1449: 1446:Not About Love 1442: 1438: 1437: 1434: 1431: 1420: 1416: 1415: 1412: 1406: 1405: 1402: 1399: 1395: 1394: 1391: 1388:Not About Love 1384: 1380: 1379: 1376: 1373: 1369: 1368: 1365: 1362: 1358: 1357: 1354: 1351: 1347: 1346: 1343: 1340: 1336: 1335: 1332: 1325: 1321: 1320: 1317: 1314: 1310: 1309: 1306: 1303: 1299: 1298: 1295: 1288: 1284: 1283: 1280: 1273: 1269: 1268: 1265: 1262: 1258: 1257: 1254: 1251: 1237: 1235: 1232: 1062: 1061: 1058: 1050: 1049: 1046: 1038: 1037: 1008: 1000: 999: 970: 962: 961: 958: 950: 949: 946: 938: 937: 908: 900: 899: 896: 888: 887: 858: 850: 849: 820: 814: 813: 810: 806: 805: 801: 800: 797: 791: 790: 787: 783: 782: 772: 769: 739:Speaking with 630: 627: 621:networks. The 456: 453: 403:Antonio Moreno 383:Not About Love 331: 328: 289:, released by 276: 275: 272: 271: 269: 268: 255: 248:Not About Love 242: 229: 215: 212: 211: 201: 200: 197: 196: 193: 192: 183: 174: 160: 159: 152: 151: 138: 132: 131: 130: 129: 126: 119: 113: 112: 101: 97: 96: 94: 93: 87: 85: 79: 78: 77: 76: 70: 65: 61: 60: 50: 46: 45: 40: 33: 32: 24: 23: 15: 13: 10: 9: 6: 4: 3: 2: 4036: 4025: 4022: 4020: 4017: 4015: 4012: 4010: 4007: 4005: 4002: 4000: 3997: 3996: 3994: 3978: 3974: 3972: 3969: 3967: 3964: 3962: 3961:Maude Maggart 3959: 3957: 3954: 3953: 3951: 3947: 3940: 3936: 3933: 3929: 3926: 3922: 3921: 3919: 3915: 3908: 3904: 3901: 3897: 3894: 3890: 3887: 3883: 3880: 3876: 3873: 3869: 3866: 3862: 3859: 3855: 3852: 3848: 3845: 3841: 3840: 3838: 3834: 3828: 3827: 3823: 3822: 3820: 3816: 3810: 3809: 3805: 3803: 3802: 3798: 3796: 3795: 3791: 3789: 3788: 3784: 3782: 3781: 3777: 3776: 3774: 3772:Studio albums 3770: 3764: 3761: 3759: 3756: 3754: 3751: 3750: 3747: 3741: 3732: 3727: 3725: 3720: 3718: 3713: 3712: 3709: 3701: 3697: 3694: 3692: 3688: 3687: 3686:Rolling Stone 3683:Brian Hiatt, 3682: 3680: 3676: 3673: 3670: 3669: 3663: 3660: 3659: 3654: 3652: 3648: 3647: 3642: 3640: 3636: 3635: 3630: 3628: 3624: 3621:Rob Mitchum, 3620: 3618: 3614: 3611: 3607: 3603: 3601: 3597: 3595: 3590: 3588: 3584: 3583: 3579:Jon Pareles, 3578: 3577: 3575: 3572: 3569: 3566: 3562: 3561: 3557: 3556: 3552: 3536: 3535: 3530: 3523: 3520: 3508: 3504: 3498: 3495: 3484: 3480: 3474: 3471: 3466: 3459: 3456: 3444: 3443: 3438: 3431: 3428: 3416: 3415: 3410: 3403: 3400: 3387: 3383: 3382: 3377: 3375: 3374:Extraordinary 3366: 3363: 3350: 3346: 3345: 3340: 3333: 3330: 3318: 3317: 3312: 3305: 3303: 3299: 3286: 3282: 3281: 3276: 3274: 3270: 3261: 3258: 3245: 3241: 3240: 3235: 3228: 3225: 3221: 3217: 3212: 3209: 3205: 3204: 3199: 3195: 3192: 3187: 3184: 3173:on 2006-03-29 3172: 3168: 3162: 3159: 3155: 3151: 3146: 3143: 3131: 3130: 3125: 3121: 3115: 3112: 3099: 3095: 3094: 3089: 3082: 3079: 3066: 3062: 3061: 3060:Rolling Stone 3056: 3049: 3046: 3041: 3040: 3032: 3029: 3017: 3016: 3011: 3004: 3002: 2998: 2993: 2992: 2984: 2981: 2969: 2968: 2963: 2959: 2953: 2950: 2937: 2933: 2932: 2927: 2923: 2922:Browne, David 2917: 2914: 2901: 2897: 2896: 2891: 2887: 2881: 2878: 2866: 2862: 2856: 2853: 2840: 2836: 2835: 2830: 2823: 2820: 2809: 2805: 2798: 2795: 2792:. March 2005. 2791: 2790: 2789:Rolling Stone 2784: 2781: 2777: 2773: 2767: 2764: 2751: 2747: 2743: 2737: 2734: 2730: 2726: 2722: 2719: 2713: 2710: 2706: 2702: 2698: 2695: 2689: 2686: 2682: 2681: 2676: 2670: 2667: 2663: 2662: 2657: 2654:Dukes, Will. 2651: 2648: 2644: 2640: 2636: 2633: 2627: 2624: 2612: 2611: 2606: 2602: 2596: 2593: 2588: 2587: 2582: 2576: 2573: 2560: 2556: 2555: 2550: 2543: 2540: 2536: 2532: 2529: 2523: 2520: 2508: 2507: 2502: 2495: 2492: 2479: 2475: 2474: 2469: 2462: 2459: 2446: 2442: 2441: 2436: 2429: 2426: 2412: 2408: 2407: 2402: 2398: 2397:Browne, David 2392: 2389: 2384: 2378: 2362: 2361: 2356: 2349: 2346: 2333: 2329: 2328: 2323: 2316: 2313: 2301:on 2009-01-14 2300: 2296: 2295: 2294:Rolling Stone 2290: 2283: 2280: 2276: 2272: 2268: 2265: 2259: 2256: 2243: 2239: 2238: 2237:Rolling Stone 2233: 2226: 2224: 2222: 2218: 2210:September 24, 2205: 2204: 2203:Rolling Stone 2199: 2193: 2190: 2177: 2173: 2172: 2171:Rolling Stone 2167: 2163: 2159: 2155: 2154:Fricke, David 2149: 2146: 2143: 2138: 2135: 2132: 2127: 2124: 2116:September 19, 2112: 2108: 2104: 2098: 2096: 2092: 2085: 2080: 2076: 2075:(Bilal album) 2074: 2073:Love for Sale 2070: 2068: 2065: 2064: 2060: 2053: 2050: 2047: 2042: 2038: 2033:Certification 2028: 2020: 2013: 2007: 2004: 2000: 1997: 1994: 1991: 1988: 1985: 1982: 1979: 1978: 1974: 1972: 1967: 1964: 1960: 1959:Benmont Tench 1957: 1954: 1951: 1948: 1944: 1941: 1937: 1934: 1931: 1927: 1924: 1920: 1916: 1913: 1909: 1905: 1902: 1898: 1894: 1891: 1887: 1884: 1881: 1877: 1873: 1869: 1865: 1861: 1857: 1853: 1849: 1845: 1842: 1838: 1835: 1831: 1828: 1825: 1821: 1817: 1814: 1811: 1807: 1803: 1799: 1796: 1793: 1789: 1785: 1781: 1777: 1773: 1769: 1765: 1761: 1757: 1756:Mike Elizondo 1754: 1751: 1747: 1743: 1742: 1738: 1736: 1735: 1728: 1721: 1719: 1717: 1711: 1705: 1700: 1694: 1692:Chart (2005) 1691: 1690: 1684: 1679: 1671: 1668: 1664: 1660: 1657: 1653: 1649: 1646: 1642: 1638: 1635: 1631: 1627: 1623: 1620: 1616: 1612: 1609: 1605: 1601: 1598: 1594: 1581: 1568: 1565: 1561: 1557: 1554: 1550: 1546: 1543: 1539: 1535: 1532: 1528: 1524: 1521: 1517: 1513: 1510: 1506: 1502: 1498: 1495: 1491: 1487: 1484: 1480: 1476: 1473: 1469: 1465: 1461: 1459:"Red Red Red" 1458: 1454: 1450: 1447: 1443: 1439: 1426: 1413: 1410:Total length: 1403: 1400: 1396: 1392: 1389: 1385: 1381: 1377: 1375:"Red Red Red" 1374: 1370: 1366: 1363: 1359: 1355: 1352: 1348: 1344: 1341: 1337: 1333: 1330: 1326: 1322: 1318: 1315: 1311: 1307: 1304: 1300: 1296: 1293: 1289: 1285: 1281: 1278: 1274: 1270: 1266: 1263: 1259: 1246: 1243: 1242: 1234:Track listing 1233: 1231: 1229: 1225: 1221: 1220: 1215: 1210: 1206: 1202: 1197: 1195: 1191: 1189: 1183: 1181: 1176: 1172: 1171:Rolling Stone 1168: 1167: 1162: 1158: 1154: 1146: 1142: 1137: 1133: 1131: 1127: 1123: 1119: 1118: 1113: 1112: 1107: 1106: 1101: 1097: 1093: 1092:Rolling Stone 1090:magazine and 1089: 1085: 1081: 1077: 1073: 1069: 1059: 1057: 1056: 1052: 1051: 1047: 1045: 1044: 1040: 1039: 1009: 1007: 1006: 1005:Rolling Stone 1002: 1001: 971: 969: 968: 964: 963: 959: 957: 956: 952: 951: 947: 945: 944: 940: 939: 909: 907: 906: 902: 901: 897: 895: 894: 890: 889: 859: 857: 856: 852: 851: 821: 819: 816: 815: 807: 804:Review scores 802: 798: 796: 793: 792: 784: 779: 770: 768: 766: 762: 757: 755: 752: 748: 744: 743: 737: 734: 733:Rolling Stone 729: 725: 720: 718: 714: 710: 706: 702: 698: 694: 690: 689:When the Pawn 686: 682: 677: 675: 674:Rolling Stone 671: 667: 666:Mike Elizondo 663: 659: 655: 651: 647: 643: 639: 635: 628: 626: 624: 620: 616: 612: 607: 603: 602: 597: 593: 589: 584: 582: 581: 576: 574: 570: 566: 562: 561:107.7 The End 558: 553: 552:Steve Barnett 548: 546: 545: 540: 536: 535: 530: 526: 518: 517:New York City 514: 509: 505: 503: 499: 498: 493: 492: 491:American Idol 487: 483: 479: 475: 474: 469: 465: 464: 454: 452: 450: 449: 444: 440: 436: 432: 431:Tin Pan Alley 428: 427: 426:Rolling Stone 421: 420: 414: 412: 408: 404: 400: 396: 392: 388: 384: 379: 377: 373: 369: 368: 363: 359: 355: 354:When the Pawn 351: 347: 343: 342: 337: 329: 327: 325: 321: 320: 319:Rolling Stone 315: 311: 306: 304: 300: 299:Mike Elizondo 296: 292: 288: 284: 283: 273: 262: 256: 249: 243: 236: 230: 223: 217: 216: 213: 210: 206: 202: 198: 189: 188: 184: 180: 179: 175: 171: 170: 166: 165: 161: 157: 153: 150: 146: 142: 141:Mike Elizondo 139: 137: 133: 127: 125: 122: 121: 120: 118: 114: 102: 98: 92: 89: 88: 86: 84: 80: 71: 68: 67: 66: 62: 51: 47: 43: 38: 34: 30: 25: 20: 3900:Get Him Back 3879:Parting Gift 3824: 3806: 3799: 3793: 3792: 3785: 3778: 3684: 3664: 3656: 3644: 3632: 3605: 3593: 3580: 3558: 3538:. 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Index


Studio album
Fiona Apple
Genre
Art pop
Label
Epic
Producer
Mike Elizondo
Brian Kehew
Jon Brion
Fiona Apple
When the Pawn...
The Idler Wheel...
Singles
O' Sailor
Parting Gift
Not About Love
Get Him Back
Fiona Apple
Epic Records
Jon Brion
Mike Elizondo
Brian Kehew
Grammy Award for Best Pop Vocal Album
Rolling Stone
the 500 greatest albums of all time
concert tour
When the Pawn...
Los Angeles

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