84:
302:
like OpenAI, Google and Amazon expressed their opposition in the hearing to the bill as drafted, asserting that the language was too broadly written and could have unintended consequences. Other concerns around it being overly broad arose with concern that it could apply to cover bands, these concerns were addressed in the hearings with lawmakers mentioning that this was not the intention.
25:
340:
This legislation's success was hoped by its supporters to inspire similar actions in other states, contributing to a unified approach to copyright and privacy in the digital age. Such a national response would reinforce the importance of safeguarding artists' rights against unauthorized use of their
301:
The ELVIS Act saw industry opposition from the Motion
Picture Association, including testimony in the House Banking & Consumer Affairs Subcommittee, including remarks that the law risks "interference with our member’s ability to portray real people and events". TechNet, representing companies
333:
The ELVIS Act was reported as representing a development in the discourse surrounding AI, intellectual property, and personal rights. It was hoped by proponents to set a precedent for future legislative efforts both within and beyond
Tennessee, offering a model for how states and potentially the
317:
The legislation received widespread support from the music industry, signaling a significant step forward in the ongoing effort to balance innovation with the protection of individual rights and creative integrity. It was reported as underscoring
Tennessee's commitment to its musical heritage and
313:
By explicitly addressing AI impersonation, the ELVIS Act originated a legal approach to safeguarding personal rights, in the context of digital and technological advancements. It extends protections to an artist's voice and likeness, areas vulnerable to exploitation with the proliferation of AI
240:
acknowledged
Waddell's pivotal role during the March 4 House Floor Session on the bill. The act's development was a community-driven response, reflecting the collective initiative of the music industry to confront and address the challenges posed by rapid technological advancements. Tennessee
292:
The act gained momentum through discussions that bridged industry concerns with legislative action. This collaborative process led to a proposal that specifically targets the use of AI to create unauthorized reproductions of artists' voices and images.
334:
federal government could address similar challenges. As AI technology continues to evolve, the act represents a foundational framework for protecting the authenticity and rights of artists, ensuring contributions remain protected.
219:
and voice cloning. This legislation distinguishes itself by adding penalties for copying a performer's voice without permission, a measure that addresses the sophisticated ability of AI to mimic public figures, including artists.
215:. It was noted as the first enacted legislation in the United States of America specifically designed to protect musicians from the unauthorized use of their voices through artificial intelligence technologies and against
776:
241:
Governor Bill Lee endorsed it as a
Governor's Bill, and it was introduced in the Tennessee Legislature as House Bill 2091 by William Lamberth (R-44) and Senate Bill 2096 by Jack Johnson (R-27).
289:
These organizations, led by the
Recording Academy and the RIAA, played roles in drafting the legislation, advocating for passage, and rallying support among the industry and legislators.
614:
83:
305:
The bill passed the
Tennessee House and Senate with a unanimous, bi-partisan vote including 93 ayes and 0 Noes in the House, and 30 ayes and 0 noes in the Senate.
244:
The ELVIS Act is an amendment to a 1984 law that was the result of the Elvis
Presley estate litigation for controlling how his likeness could be used after death.
704:
407:
730:
204:
43:
35:
786:
466:
337:
The act prohibits usage of AI to clone the voice of an artist without consent and can be criminally enforced as a Class A misdemeanor.
170:
126:
61:
552:
671:
791:
771:
437:
581:
766:
94:
318:
showed the state as a leader in adapting copyright and privacy protections to the modern technological landscape.
203:, signed into law by Tennessee Governor Bill Lee on March 21, 2024, marked a significant milestone in the area of
322:
252:
The legislative journey of the ELVIS Act included a broad coalition of music industry stakeholders, including:
374:
645:
236:, who initially conceptualized a framework in 2023 that later evolved into the legislation. Representative
761:
521:
781:
615:"Elvis Act Signed Into Law in Tennessee to Protect Artists' Voice and Likeness from the Misuse of AI"
796:
522:"The ELVIS Act Has Officially Been Signed Into Law — First State-Level AI Legislation In the US"
237:
144:
321:
Artists including Chris Janson and Luke Bryan appeared at the signing ceremony hosted at
705:"TN Gov. Lee signs ELVIS Act into law in honky-tonk, protects musicians from AI abuses"
216:
159:
180:
755:
229:
233:
212:
408:"Tennessee Adopts ELVIS Act, Protecting Artists' Voices From AI Impersonation"
375:"Tennessee Adopts ELVIS Act, Protecting Artists' Voices From AI Impersonation"
105:
495:
467:"Elvis Act Signed Into Tennessee Law to Protect Musicians From AI Deepfakes"
114:
Act of 21 March 2023, Amends TCA Title 39, Chapter 14, Part 1 and Title 47.
208:
731:"Tennessee Governor Signs ELVIS Act To Protect Musicians From Deepfakes"
88:
Tennessee
Governor Bill Lee and Gebre Waddell at signing ceremony
672:"Tennessee hearing debates state's 'Elvis Act' AI legislation"
18:
211:
for artists in the era of artificial intelligence (AI) and
644:
House
Banking and Consumer Affairs Subcommittee (2024).
650:
House Banking and Consumer Affairs Subcommittee Hearing
275:
Nashville Songwriters Association International (NSAI)
228:
The inception of the ELVIS Act has been attributed to
77:
Ensuring Likeness Image and Voice Security (ELVIS) Act
777:
Existential risk from artificial general intelligence
325:
to support the new law and commemorate its passing.
698:
696:
694:
692:
176:
168:
158:
150:
140:
132:
122:
93:
76:
263:American Association of Independent Music (A2IM)
260:Recording Industry Association of America (RIAA)
16:Tennessee state law to regulate AI impersonation
608:
606:
604:
602:
489:
487:
460:
458:
432:
430:
428:
368:
366:
364:
362:
360:
358:
356:
354:
278:Nashville Music Publishers’ Association (NMPA)
201:Ensuring Likeness Voice and Image Security Act
646:"Banking & Consumer Affairs Subcommittee"
8:
639:
637:
635:
553:"House Floor Session - 44th Legislative Day"
401:
399:
397:
395:
82:
546:
544:
542:
62:Learn how and when to remove this message
350:
111:
73:
205:regulation of artificial intelligence
7:
314:technologies that occurred in 2023.
248:Lobbying from the recording industry
580:Tennessee General Assembly (2024).
284:Songwriters of North America (SONA)
171:Tennessee House of Representatives
127:Tennessee House of Representatives
34:tone or style may not reflect the
14:
44:guide to writing better articles
23:
1:
269:Black Music Action Coalition
813:
787:Regulation of technologies
729:Danielle Chelosky (2024).
586:Tennessee General Assembly
465:Charisma Madarang (2024).
95:Tennessee General Assembly
406:Kristin Robinson (2024).
373:Kristin Robinson (2024).
257:Recording Academy/GRAMMYs
185:
100:
81:
619:Music Business Worldwide
551:Tennessee House (2024).
613:Murray Stassen (2024).
341:voices and likenesses.
272:Music Artists Coalition
38:used on Knowledge (XXG)
670:Stuart Dredge (2024).
323:Robert's Western World
266:Artist Rights Alliance
42:See Knowledge (XXG)'s
703:Audrey Gibbs (2024).
792:Regulation of robots
772:2024 in American law
520:Ashley King (2024).
494:Alex Greene (2024).
224:Origin and advocacy
526:Digital Music News
379:The New York Times
207:and public sector
767:2024 in Tennessee
238:Justin J. Pearson
193:
192:
72:
71:
64:
36:encyclopedic tone
804:
746:
745:
743:
741:
726:
720:
719:
717:
715:
700:
687:
686:
684:
682:
667:
661:
660:
658:
656:
641:
630:
629:
627:
625:
610:
597:
596:
594:
592:
577:
571:
570:
568:
566:
557:
548:
537:
536:
534:
532:
517:
511:
510:
508:
506:
491:
482:
481:
479:
477:
462:
453:
452:
450:
448:
442:
434:
423:
422:
420:
418:
403:
390:
389:
387:
385:
370:
145:Tennessee Senate
86:
74:
67:
60:
56:
53:
47:
46:for suggestions.
27:
26:
19:
812:
811:
807:
806:
805:
803:
802:
801:
752:
751:
750:
749:
739:
737:
728:
727:
723:
713:
711:
702:
701:
690:
680:
678:
669:
668:
664:
654:
652:
643:
642:
633:
623:
621:
612:
611:
600:
590:
588:
579:
578:
574:
564:
562:
560:Tennessee House
555:
550:
549:
540:
530:
528:
519:
518:
514:
504:
502:
496:"The ELVIS Act"
493:
492:
485:
475:
473:
464:
463:
456:
446:
444:
440:
436:
435:
426:
416:
414:
405:
404:
393:
383:
381:
372:
371:
352:
347:
331:
329:Legal precedent
311:
299:
287:
250:
226:
217:audio deepfakes
169:First chamber:
118:
115:
110:
109:
89:
68:
57:
51:
48:
41:
32:This article's
28:
24:
17:
12:
11:
5:
810:
808:
800:
799:
794:
789:
784:
779:
774:
769:
764:
754:
753:
748:
747:
721:
709:The Tennessean
688:
662:
631:
598:
582:"Bill History"
572:
538:
512:
483:
454:
424:
391:
349:
348:
346:
343:
330:
327:
310:
307:
298:
295:
286:
285:
282:
279:
276:
273:
270:
267:
264:
261:
258:
254:
249:
246:
225:
222:
191:
190:
183:
182:
178:
174:
173:
166:
165:
162:
156:
155:
152:
148:
147:
142:
141:Passed by
138:
137:
134:
130:
129:
124:
123:Passed by
120:
119:
117:
116:
113:
103:
102:
101:
98:
97:
91:
90:
87:
79:
78:
70:
69:
31:
29:
22:
15:
13:
10:
9:
6:
4:
3:
2:
809:
798:
795:
793:
790:
788:
785:
783:
780:
778:
775:
773:
770:
768:
765:
763:
762:Tennessee law
760:
759:
757:
736:
735:Rolling Stone
732:
725:
722:
710:
706:
699:
697:
695:
693:
689:
677:
673:
666:
663:
651:
647:
640:
638:
636:
632:
620:
616:
609:
607:
605:
603:
599:
587:
583:
576:
573:
561:
554:
547:
545:
543:
539:
527:
523:
516:
513:
501:
500:Memphis Flyer
497:
490:
488:
484:
472:
471:Rolling Stone
468:
461:
459:
455:
439:
438:The ELVIS Act
433:
431:
429:
425:
413:
409:
402:
400:
398:
396:
392:
380:
376:
369:
367:
365:
363:
361:
359:
357:
355:
351:
344:
342:
338:
335:
328:
326:
324:
319:
315:
308:
306:
303:
296:
294:
290:
283:
280:
277:
274:
271:
268:
265:
262:
259:
256:
255:
253:
247:
245:
242:
239:
235:
232:, founder of
231:
230:Gebre Waddell
223:
221:
218:
214:
210:
206:
202:
198:
188:
184:
181:
179:
177:Bill citation
175:
172:
167:
163:
161:
157:
153:
149:
146:
143:
139:
135:
131:
128:
125:
121:
112:
108:
107:
99:
96:
92:
85:
80:
75:
66:
63:
55:
45:
39:
37:
30:
21:
20:
782:Computer law
738:. Retrieved
734:
724:
712:. Retrieved
708:
679:. Retrieved
675:
665:
653:. Retrieved
649:
622:. Retrieved
618:
589:. Retrieved
585:
575:
563:. Retrieved
559:
529:. Retrieved
525:
515:
503:. Retrieved
499:
474:. Retrieved
470:
445:. Retrieved
415:. Retrieved
411:
382:. Retrieved
378:
339:
336:
332:
320:
316:
312:
304:
300:
291:
288:
251:
243:
234:Sound Credit
227:
213:AI alignment
200:
196:
194:
186:
164:01 July 2024
154:7 March 2024
136:4 March 2024
104:
58:
49:
33:
756:Categories
345:References
297:Opposition
106:Long title
52:March 2024
797:Data laws
740:March 26,
714:March 26,
681:March 26,
676:Musically
655:March 26,
624:March 26,
591:March 26,
565:March 26,
531:March 26,
505:March 26,
476:March 26,
447:March 26,
417:March 26,
412:Billboard
384:March 26,
281:SAG-AFTRA
197:ELVIS Act
160:Effective
209:policies
189:In force
556:(video)
309:Passage
187:Status:
443:. 2024
151:Passed
133:Passed
441:(PDF)
742:2024
716:2024
683:2024
657:2024
626:2024
593:2024
567:2024
533:2024
507:2024
478:2024
449:2024
419:2024
386:2024
195:The
199:or
758::
733:.
707:.
691:^
674:.
648:.
634:^
617:.
601:^
584:.
558:.
541:^
524:.
498:.
486:^
469:.
457:^
427:^
410:.
394:^
377:.
353:^
744:.
718:.
685:.
659:.
628:.
595:.
569:.
535:.
509:.
480:.
451:.
421:.
388:.
65:)
59:(
54:)
50:(
40:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.