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Eagle-Lion Films

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1708: 163:(PRC) studio, established an Eagle-Lion Films production subsidiary, while Rank's American business dropped the name. PRC, with its existing distribution exchanges, handled releases in the U.S. When PRC shut down in 1948, its distribution exchanges were assumed by Eagle-Lion Films. In 1950, Pathé merged Eagle-Lion with an independent reissues distributor, Film Classics, to create 251:
resigned as head of production to become an independent producer for the company and Arthur Krim became studio chief. Eagle-Lion would help finance the films and offer facilities, although producers would find their own money too. Along with Foy, other independent producers who worked for Eagle-Lion
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The company recorded a loss of $ 2.2 million in 1947. Krim later attributed this to them paying too much money for stars who were scarcely good enough to prevent insufficient box-office returns. This encouraged Eagle-Lion to change its mode of production, using more independent producers as a source
312:. Two others broke even and two others showed losses. If the company had completely financed these films it would have made $ 1.2 million but as it was it made $ 200,000. However, because of its unsuccessful first year, the company still owed money and closed its studio in November 1948. 40: 1747: 343:. In April of that year, UA took over distribution of Eagle-Lion's current releases; Eagle-Lion terminated the releasing pact with Rank and ceased distributing movies. Their studios were sold. In 1954, the film lot was purchased by the 234:
The initial arrangement was that Rank and Eagle-Lion would each produce five films a year. Costs were initially kept to less than $ 500,000 per film. Their first year of films were financed with $ 8 million in loans from the
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Assistant director Reggie Callow felt that the studio would have survived longer had they kept producing low-budget films rather than attempting to compete with the major studios by making higher-budgeted films.
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created an American distribution company with the name to handle his British films. The following year, under a reciprocal distribution arrangement with Rank, the U.S. company
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The company suffered increasing financial difficulties throughout 1949. Krim resigned in May and the company ceased production at the end of the year. Eagle-Lion merged with
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Eagle-Lion released a series of British films, most of which were unsuccessful at the American box office. There were some exceptions, such as
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By 1947–48, the studio had completed 14 productions. By the spring of 1949, ten were in release, five of which earned a substantial profit –
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Pathé Industries' Eagle-Lion Films subsidiary was founded in December 1945. From 1946 to 1949, Eagle-Lion was led by
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which earned rentals of $ 5 million as well as being their only release which was nominated for the
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for production of its syndicated television programs. It has long since been demolished.
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was the name of two distinct, though related, companies. In 1944, UK film magnate
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Shoot the Rehearsal!: Behind the Scenes With Assistant Director Reggie Callow
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Defunct film and television production companies of the United States
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a year later. Rank also released films in the United Kingdom through
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United Artists: The Company That Changed the Film Industry
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The latter was acquired by and merged into 8: 375:I Thought We Were Making Movies, Not History 339:In 1951, Krim was offered the leadership of 32: 1798:Mass media companies disestablished in 1950 1788:Entertainment companies established in 1946 1773:Entertainment companies based in California 1077: 510: 496: 488: 443:p.63 Callow, Ridgeway & Behlmer, Rudy 38: 31: 377:Univ of Wisconsin Press, 27 February 2008 1833:British companies disestablished in 1950 1793:Mass media companies established in 1946 27:British-American film production company 1763:Film distributors of the United Kingdom 366: 332:in 1950 to become Eagle-Lion Classics. 1778:American companies established in 1946 1768:Film distributors of the United States 1286:Associated British Picture Corporation 1783:British companies established in 1946 7: 1818:1950 disestablishments in California 1655:History of British film certificates 1519:British Board of Film Classification 1554:National Film and Television School 1539:British Society of Cinematographers 390:University of Wisconsin Press, 1987 25: 1828:Defunct companies based in London 1813:1946 establishments in California 1808:1950 disestablishments in England 1559:National Science and Media Museum 1446:Woolf & Freedman Film Service 467:"Profiles of First-Place Winners" 1707: 1706: 231:also worked on its productions. 159:, which already owned the small 1621:British Independent Film Awards 273:Producers Releasing Corporation 173:Eagle-Lion Distributors Limited 161:Producers Releasing Corporation 1803:1946 establishments in England 1549:Cinema Exhibitors' Association 1431:Tigon British Film Productions 1306:British National Films Company 1250:Warner Bros. Studios Leavesden 473:. 12 February 1955. p. 10 323:Academy Award for Best Picture 1: 1743:Defunct American film studios 424:. 6 January 1960. p. 34. 1638:Cinematograph Films Act 1927 519:Cinema of the United Kingdom 447:Scarecrow Press, 1 June 2010 418:"All Time Domestic Champs". 267:Eagle-Lion had acquired the 1616:British Academy Film Awards 1346:G. B. Samuelson Productions 1301:British Instructional Films 191:films, it produced its own 80:; 74 years ago 62:; 78 years ago 1849: 1544:Children's Film Foundation 1183:Mister Smith Entertainment 354: 1702: 1478:Documentary Film Movement 1441:Woodfall Film Productions 1361:General Film Distributors 37: 1371:Hemdale Film Corporation 1220:Recorded Picture Company 357:List of Eagle-Lion films 1564:Northern Ireland Screen 1498:Gainsborough melodramas 1148:Hammer Film Productions 277:Grand National Pictures 243:personally guaranteed. 199:the former head of the 18:Eagle-Lion Distributors 1733:Eagle-Lion Films films 1524:British Film Institute 1316:Clarendon Film Company 1311:Butcher's Film Service 1225:Scott Free Productions 126:(with some exceptions) 1689:National Theatre Live 1473:British horror cinema 1406:The Rank Organisation 1351:Gainsborough Pictures 1296:British and Dominions 1113:Double Negative (VFX) 373:p.87 Mirisch, Walter 223:. Directors included 1738:British film studios 1672:London Film Festival 1529:BFI National Archive 1493:Kitchen sink realism 1098:Big Talk Productions 1069:Production companies 309:The Noose Hangs High 1401:Merton Park Studios 1396:MGM-British Studios 1386:London Film Company 1366:Halas and Batchelor 1331:Denham Film Studios 1265:Working Title Films 165:Eagle-Lion Classics 115:Metro-Goldwyn-Mayer 98:Eagle-Lion Classics 34: 1381:Ideal Film Company 1281:Amicus Productions 1213:Shepperton Studios 1168:Jellyfish Pictures 1103:British Lion Films 1088:Aardman Animations 386:p. 21 Balio, Tino 303:He Walked By Night 227:. Cinematographer 103:Paramount Pictures 60:December 1945 1720: 1719: 1660:Home Video Charts 1454: 1453: 1376:Hepworth Pictures 1260:Wimbledon Studios 1178:Longcross Studios 1133:Film4 Productions 189:David O. 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Krim 180: 177: 169:United Artists 153:J. Arthur Rank 144: 143: 141:Arthur B. Krim 137:J. 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Index

Eagle-Lion Distributors

Film studio
Paramount Pictures
Melange Pictures
Metro-Goldwyn-Mayer
United Artists
J. Arthur Rank
Arthur B. Krim
J. Arthur Rank
Pathé Industries
Producers Releasing Corporation
United Artists
Arthur B. Krim
David O. Selznick
B-movies
Bryan Foy
B-picture
Warner Bros.
Aubrey Schenck
Jack Schwarz
Walter Wanger
George Pal
Anthony Mann
John Alton
Bank of America
Robert R. Young
Bryan Foy
Edward Small
Walter Wanger

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