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East Anglian School of Painting and Drawing

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Benton End was run on very idiosyncratic lines without any formal teaching. Rather, it was an environment in which artists could explore their potential. It was based upon the 'free rein' approach of French academies which both artists had enjoyed while living in Paris in the 1920s. Instruction was
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Lett was the 'father' of the community, in charge of its daily administration and as an enthusiastic cook produced two meals a day. Morris carried on painting and became an internationally renowned plantsman. The school's peak time was in the 1940s and 1950s, when Benton End was a "powerhouse of art
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had himself driven round its smoking ruins gloating at the destruction of what he saw as a dangerously radical tendency. Undeterred, Morris told the students to draw the burnt-out wreck and arranged emergency facilities in a local pub. Towards the end of 1939 Lett and Cedric discovered
55:. In addition to the proprietors, there was a third teacher Ian Brinkworth a secretary, model and one student when it opened. By December 1937 there were 60 students and the school held its first exhibition. The school was described in a prospectus as 84:
in Suffolk. This allowed the artists to live and run their school and also accommodate their students in one place. Previously Morris and Lett-Haines had lived at Pound Farm in Suffolk, and students were dispersed about in lodgings.
253: 216: 189: 168: 292: 95:"robust and coarse, and exquisite and tentative all at once. Rough and ready and fine mannered. Also faintly dangerous." 239:
Benton End Remembered, Cedric Morris, Arthur Lett-Haines and the East Anglian School of Painting and Drawing
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kept to a minimum, the atmosphere being more that of a family of artists striving for a common cause.
241:, compiled and edited by Gwynneth Reynolds and Diana Grace, with a foreword by Richard Morphet (2002) 47:
The school was founded by Morris and Lett-Haines on 12 April 1937 in an old house in the centre of
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artists and made an important contribution to art teaching in the east of England for forty years.
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In July 1939, the Dedham building was destroyed by fire. The traditionalist local artist
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Colchester and Ipswich Museum Service Joint Committee Item 11 JMS/07/07 29 October 2007
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approach that was then current in French academies. It had a great influence on many
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in East Anglia in 1937. It was run on very idiosyncratic lines based upon the
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was among the earliest students joining at the age of seventeen in 1939.
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Cedric Morris and Lett Haines: Teaching, Art and Life
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and literature, good food and lively conversation".
57:"an oasis of decency for artists outside the system" 23:was an art learning environment established by 247:, by B. Tufnell, N. Thornton, H. Waters (2003) 8: 21:East Anglian School of Painting and Drawing 137: 7: 14: 112:, students of the school include 1: 206:The Spectator, , Nov 9, 2002 16:Former art school in England 149:The Spectator, Nov 9, 2002 309: 293:Art schools in England 184:The Tate Gallery 1984 163:The Tate Gallery 1984 118:Bettina Shaw-Lawrence 235:(1984. Tate Gallery) 265: /  269:52.0373°N 0.9585°E 204:Creative outsiders 147:Creative outsiders 29:Arthur Lett-Haines 231:Richard Morphet, 116:, David Kentish, 300: 280: 279: 277: 276: 275: 270: 266: 263: 262: 261: 258: 219: 214: 208: 202:Andrew Lambirth 199: 193: 180:Richard Morphet 178: 172: 159:Richard Morphet 157: 151: 145:Andrew Lambirth 142: 93:described it as 308: 307: 303: 302: 301: 299: 298: 297: 283: 282: 274:52.0373; 0.9585 273: 271: 267: 264: 259: 256: 254: 252: 251: 228: 226:Further reading 223: 222: 215: 211: 200: 196: 179: 175: 158: 154: 143: 139: 134: 108:In addition to 106: 73:Alfred Munnings 69: 45: 17: 12: 11: 5: 306: 304: 296: 295: 285: 284: 249: 248: 242: 236: 227: 224: 221: 220: 209: 194: 173: 152: 136: 135: 133: 130: 126:Joan Warburton 114:Maggi Hambling 105: 102: 68: 65: 44: 41: 15: 13: 10: 9: 6: 4: 3: 2: 305: 294: 291: 290: 288: 281: 278: 246: 243: 240: 237: 234: 233:Cedric Morris 230: 229: 225: 218: 213: 210: 207: 205: 198: 195: 191: 190:0-946590-06-0 187: 183: 182:Cedric Morris 177: 174: 170: 169:0-946590-06-0 166: 162: 161:Cedric Morris 156: 153: 150: 148: 141: 138: 131: 129: 127: 123: 119: 115: 111: 103: 101: 97: 96: 92: 91:Ronald Blythe 86: 83: 79: 74: 66: 64: 62: 58: 54: 50: 42: 40: 38: 34: 30: 26: 25:Cedric Morris 22: 250: 244: 238: 232: 212: 203: 197: 181: 176: 160: 155: 146: 140: 122:Lucy Harwood 110:Lucian Freud 107: 98: 94: 87: 70: 61:Lucian Freud 56: 46: 32: 20: 18: 272: / 33:"free rein" 257:52°02′14″N 132:References 78:Benton End 67:Benton End 43:Foundation 260:0°57′31″E 287:Category 104:Students 82:Hadleigh 192:pp59-60 171:pp55-58 37:Suffolk 188:  167:  49:Dedham 53:Essex 186:ISBN 165:ISBN 27:and 19:The 289:: 124:, 120:, 51:,

Index

Cedric Morris
Arthur Lett-Haines
Suffolk
Dedham
Essex
Lucian Freud
Alfred Munnings
Benton End
Hadleigh
Ronald Blythe
Lucian Freud
Maggi Hambling
Bettina Shaw-Lawrence
Lucy Harwood
Joan Warburton
Andrew Lambirth Creative outsiders The Spectator, Nov 9, 2002
ISBN
0-946590-06-0
ISBN
0-946590-06-0
Andrew Lambirth Creative outsiders The Spectator, , Nov 9, 2002
Colchester and Ipswich Museum Service Joint Committee Item 11 JMS/07/07 29 October 2007
52°02′14″N 0°57′31″E / 52.0373°N 0.9585°E / 52.0373; 0.9585
Category
Art schools in England

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