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would be merely dazzling good fun. But what gives this play its unexpected weight and subversive punch is its author's ability to fold the traumas of his own time into vintage comedy without sacrificing the integrity of either his troubling content or his effervescent theatrical form . . . For anyone
150:. Stephen and Phoebe find they share a mutual attraction, while Peter, unprepared to discuss his recent diagnosis, is trying to discourage Drew's amorous advances. Representing the lower class are Ellen and May, whose presence forces everyone to reexamine their lives and reevaluate their priorities.
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the playwright tackles bigger, more ambitious themes. He mixes his materialistic and upwardly mobile characters with such up-to-the-minute social concerns as the homeless and AIDS. It makes for an intriguing theatrical confrontation as his complaisant people face some unpleasant aspects of their
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investment counselor Phoebe Kidde and her television producer brother Peter, who has just revealed he has AIDS to her. When boisterous homeless woman May Logan enters the restaurant and creates a scene, the four diners and their frazzled waitress Ellen find themselves thrown together, and they
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who has been waiting for a play that tells what it is like to be more or less middle-class, more or less young and more or less well-intentioned in a frightening city at this moment in this time zone,
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noted that the play "was ensconsed on
Broadway... after successful engagements at the Seattle Repertory and Manhattan Theatre Club." The play had six sold-out weeks off-Broadway.
235:, where it began previews on December 19, 1988 and officially opened on January 5, 1989. It closed on March 25 after 92 performances. Both Baker and Frechette won the
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said the playwright "captures the romantic sophistication of the most sublime comedies ever made in this country: those produced by
Hollywood from the middle of the
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In the first act, very successful but disenchanted architect
Stephen Wheeler is lunching with his best friend from their days at
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marks the arrival of a major playwrighting talent who has been percolating on the theater scene for several years....With
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Tony Award for Best
Performance by a Featured Actor in a Play
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was the first of
Greenberg's plays to run on Broadway. The
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Drama Desk Award for
Outstanding Featured Actor in a Play
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are spending the weekend at
Stephen's summer house in
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gay artist Drew Paley, in a trendy restaurant on the
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In the second act, six months have elapsed, and the
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398:Klein, Alvin. "Forging a Glib Style, With Flair",
352:society as well as their own social conventions."
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227:A critical success, the production transferred to
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139:eventually strike up an unlikely alliance.
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186:as Ellen, and Marjorie Nelson as May.
389:lortel.org, accessed December 16, 2016
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303:, the heiress who adopts a tramp in
134:. Seated at the adjoining table are
454:apnewsarchive.com, October 27, 1988
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469:Eastern Standard
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90:. Set in 1987, it focuses on
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534:Plays set in New York City
494:Plays by Richard Greenberg
474:Internet Broadway Database
243:and was nominated for the
193:presented the play at the
279:until the waning days of
162:in May 1988. Directed by
160:Seattle Repertory Theatre
44:Seattle Repertory Theatre
16:Play by Richard Greenberg
339:, in his review for the
239:, and Frechette won the
529:Long Island in fiction
191:Manhattan Theatre Club
333:at long last is it."
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524:Manhattan in fiction
198:New York City Center
166:, the cast included
519:Fiction set in 1987
504:HIV/AIDS in theatre
499:LGBTQ-related plays
450:Kuchwara, Michael.
441:, October 28, 1998
425:, February 13, 1989
237:Theatre World Award
233:John Golden Theatre
509:Off-Broadway plays
400:The New York Times
322:screwball comedies
317:Sullivan's Travels
268:The New York Times
261:Critical reception
349:Eastern Standard,
293:Katharine Hepburn
265:In his review in
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120:Dartmouth College
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337:Michael Kuchwara
331:Eastern Standard
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251:Eastern Standard
180:Michael Cerveris
176:Valerie Mahaffey
83:Eastern Standard
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108:homelessness
100:stock market
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312:Joel McCrea
299:. And like
297:Henry Fonda
289:Park Avenue
212:as Phoebe,
202:Dylan Baker
178:as Phoebe,
154:Productions
136:Wall Street
124:avant-garde
489:1988 plays
483:Categories
356:References
277:Depression
273:Frank Rich
222:Anne Meara
216:as Peter,
182:as Peter,
106:scandals,
22:Written by
436:" Review"
408:0362-4331
208:as Drew,
174:as Drew,
172:Tom Hulce
132:Manhattan
122:, rising
70:Manhattan
229:Broadway
224:as May.
35:May 1988
472:at the
231:at the
92:yuppies
66:Setting
53:English
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144:sextet
98:, the
61:Comedy
58:Genre
404:ISSN
295:and
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102:and
96:AIDS
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