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Bergey's science fiction covers, sometimes described as "Bim, BEM, Bum," usually featured a woman being menaced by a Bug-Eyed
Monster, alien, or robot, with an heroic male astronaut coming to her assistance. The bikini-tops he painted often resembled coppery metal, giving rise to the phrase "the girl
288:. His art graced the covers of dozens of novels and helped to sell millions of volumes. His paperback cover illustrations were as diverse as his work for the pulps. In addition to his work on the 1948 Popular Library edition of
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Bergey, Joshua David (2019). " Art is Not a Mirror: When the Male Gaze
Determines the Defining Narrative of American Pulp Fiction Art." National Conference of the Popular Culture Association: Washington,
135:, and he married in 1935. In the late 1940s, he also started to sell cover illustrations to the rapidly expanding paperback book industry. Bergey died suddenly and unexpectedly on September 30, 1952 in
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Throughout the 1930s, Bergey worked freelance for a number of publishing houses. His eye-catching paintings were predominantly featured as covers on a wide array of pulp magazines, including romance (
280:, whose work is often confused with Bergey's. While continuing to paint pulp covers until his death, Bergey sold illustrations to at least four leading paperback publishing houses, including
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416:
Bergey, Joshua David (2014). "Doubling in Murder: American Pulp Art and the Visual Legacy of Earle K. Bergey." Maine
College of Art, Department of Illustration: Portland, ME.
220:. Bergey's fine art training and salient gift for depicting anatomy made him a go-to artist across a diversity of genres that required scenes with dramatic movement, from
52:. One of the most prolific pulp fiction artists of the 20th century, Bergey is recognized for creating, at the height of his career in 1948, the iconic cover of
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with examples of Bergey's futuristic pulp covers. The artist's illustrations of scantily-clad women surviving in outer space served as an inspiration for
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Marking the start of Bergey's highly influential run as an
American paperback illustrator, this bombshell painting made the mass paperback cover of
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to his signature Bergey Girls that appeared on risque pulps throughout the
Depression and in science fiction scenarios from World War II.
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During the 1940s, Bergey continued to paint covers for romance, sports, and detective pulp magazines, and he began working on a number of
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with family at his side. Cause of death according to his death certificate was acute coronary thrombosis due to coronary artery disease.
29:, signed by Earle K. Bergey. A landmark image from the early stages of Bergey's career, this is the only cover the artist produced for a
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Scott, Alison M (1997). "They Came from the
Newsstand." Primary Sources and Original Works. 4:1-2: 39–46. doi: 10.1300/J269v04n01_04.
159:) as well as detective, adventure, aviation, and Westerns. Bergey also illustrated mainstream publications during this time, such as
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in the brass bra," used in reference to this sort of art. Visionaries in TV and film have been influenced by Bergey's work.
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In 1948, Bergey made the transition to the rapidly expanding paperback book industry along with skilled pulp artists like
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is a Bergey classic. Many of his paperbacks are now cult classics, some featuring hidden self-portraits.
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from 1921 to 1926. He initially went to work in the art departments of
Philadelphia newspapers including
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Infinite Worlds: The
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Star Trek FAQ: Everything Left to Know About the First
Voyages of the Starship Enterprise.
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40:(August 26, 1901 – September 30, 1952) was an American artist and illustrator who painted
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Super
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The Great American Paperback: An Illustrated Tribute to Legends of the Book
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Pulp Art: Original Cover Paintings for the Great American Pulp Magazines
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Earle K. Bergey artwork can be viewed at American Art Archives web site
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Syndicated Comic Strips and Artists, 1924-1995: The Complete Index.
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Official site for the artist Earle K. Bergey - coming soon
298:, Bergey painted cover art for well-known authors from
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537:Internet Speculative Fiction Database
367:Internet Speculative Fiction Database
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514:Cambria, CA: Comics Access, 1995.
466:. Portland, OR: Collectors Press.
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342:Princess Leia's metal bikini
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133:Bucks County, Pennsylvania
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484:The Great American Pin-up
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381:Applause: Milwaukee, WI.
309:The Spirit of the Border
295:Gentlemen Prefer Blondes
217:Fantastic Story Magazine
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602:Pulp fiction artists
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432:0670872520
353:References
300:Émile Zola
290:Anita Loos
272:Paperbacks
234:Jim Thorpe
230:Lou Gehrig
171:H. J. Ward
75:Anita Loos
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304:Zane Grey
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
