Knowledge (XXG)

Eclogue 4

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389: 562:. Nisbet outlined reasons why certain sections, most notably the seemingly Isaian section in and around line 22, are best explained through the Easterners' method of interpretation. Other sections, however, such as lines 26–36—which Nisbet argued were written in a style akin to Greco-Roman prophecies (and whose wording suggests "the ideals of Virgil's own society")—should be viewed through the Westerners' lens. Ultimately, Nisbet concluded that Virgil was not interested in Jewish eschatology "for its own sake"; however, he probably appropriated elements from Jewish prophecy via Eastern oracles, and adapted them towards Western (which is to say, Roman) modes of thought. 380: 362:
soldiers will be obviated, and the competitive drive that—in the past—had fueled war will now fuel "harmless competition for rustic prizes." In lines 60–63 Virgil addresses the child directly, urging him to smile at his mother, who has endured a long pregnancy. The final lines have proven throughout the ages to be a "fascinating problem", and there is no clear consensus as to what exactly they mean. Nisbet claims that the final line ("neither a god is worthy of his table, nor a goddess of his bed") is most likely a reference to a story about Hercules, who dined with Jupiter and took
525:
of mystical and religious ideas in the poem, "joining Sibylline formulae to age-old beliefs about divine kings, taking hints from many doctrines of original sin … with astrological speculations of recent date, and coloring the whole with the theanthropic, or Messianic, expectations." Due to this synthesis of ideas, Rose points out that it is possible that Virgil used the Hebrew Scriptures for part of the poem's inspiration. Cyrus H. Gordon later noted that the
325:'s leadership, but line 11 refers to his consulship at the time of the poem's writing, whereas lines 13–14 seem to reference a time when Pollio will "still be alive and prominent in the State when the child is well-grown" and when the Golden Age will have arrived. Lines 15–17 reveal that the child will become divine and eventually rule over the world. Lines 18–45 provide coverage of the boy's growth. At first, the child, in the cradle, will be allowed to enjoy 20: 457:, a deity from whom Mark Antony claimed descent; this word, therefore, was used by Clausen as evidence that the poem was talking about a child of Antonian (and therefore, Herculean) descent. Interpreting the poem in this manner, however, has largely started to fall out of favor with modern scholars because, according to Bruce Arnold, "such interpretations usually rely either on broad considerations of genre or an analysis of small bits". 501: 2517: 2505: 2225: 2206: 2493: 524:
3.791-3, which reads: "The lion, devourer of flesh, will eat husks in the stall like an ox, and tiny children will lead them in chains." Rose proposed that, because Virgil was highly educated and had "a great taste for philosophic and quasi-philosophic studies", it is possible that he combined dozens
432:
For many years, a popular method in interpreting the poem was to see it as a cypher: many scholars attempted to deduce who exactly the child and his parents were. Some have proposed that the boy was supposed to be one of the sons of Pollio. A politician and patron of Virgil, Pollio was the father of
345:
will occur. Given time, the need for sailing will dissipate. Then, the ground will grow more fertile: grapes will grow from brambles, oak trees will produce honey, corn will emerge from the ground by itself, poisonous plants and animals will disappear, and useful animals will be improved. Only when
361:
will be the judge. Virgil's reference to Linus in this section symbolizes "the symbiosis of Hesiodic song culture and erudite, 'bookish' poetics of the so-called Alexandrian poets", resulting in a "uniquely Virgilian pastoral aesthetic." Once the Golden Age will have arrived, the need for arms and
75:. Some commentators shy away from imagining the child as a specific person. Edwin Floyd, for example, argued that the child could be seen metaphorically as Virgil's poetry. Another possibility, argued by Francis Cairns, is that the child is the expected offspring of Virgil's patron 329:, or little gifts. Importantly, the boy will grow skilled in reading, learning of the deeds of both heroes and his father. At this point in his life, the Golden Age will not have arrived in full; there will still be both sailing and walled towns, and thus, still war. 725:, generally the so called "gamma acrostic" where the same word or phrase can be read across and down. Scholars looking for acrostics in Eclogue 4 have found two, or possibly three, acrostics. In 2017 Leah Kronenberg found a double-letter acrostic in the syllables 583:
on the way to her marital chamber. However, the addition of the aforementioned lines changes the sense of the poem, making it pastoral. Thus, Clausen claims that Virgil himself added these new lines to tweak the poem and make it suitable for inclusion in the
66:
The work predicts the birth of a boy, a supposed savior, who—once he is of age—will become divine and eventually rule over the world. The exact meaning of the poem is still debated. Earlier interpretations argued that the child was the hoped-for offspring of
492:
is what Virgil wrote—proposed that line 62 refers to a boy whose parents will smile, only "after due consideration", meaning that the child must earn its parents' smiles. Floyd goes on to argue that it makes sense for the parents to either be Virgil or the
318:) referenced in line 6; they are merely expressing the same general idea using two different cosmological outlooks. The former is adhering to a newer, non-Hesiodic model, whereas the latter is referring to the older, Hesiodic version. 804:
was originally ten in number. The number ten occurs again in this eclogue in the "ten months" of the mother's gestation (line 61) and it is implied in the beginning of the prophecy in the words "the last (i.e. tenth) age of
2460: 114:
believed in this interpretation of the eclogue. Modern scholars by and large shy away from this interpretation, although Floyd does note that the poem contains elements of religious and mythological themes, and
904: 871:
in lines 50 and 52; thus is can be read as 'behold the stars'. The discoverer of this acrostic, Jerzy Danielewicz, points out that it is also possible to read the word AS TER (
2408: 1695: 1653: 388: 182:
6, is not so much concerned with pastoral themes, as it is with cosmological concepts, and lines 1–3 defend this change of pace. In line 4, the speaker references the
460:
The poem has also been interpreted in more metaphorical ways. Some modern scholars believe that the poem celebrates the Treaty of Brundisium, which gave rise to the
692:
implied by Quintilian 9.3.8)." He instead contends that the baby not laughing at his parents is a hint to the reader that "the infant is out of the ordinary."
680:, for instance, writes, "It is clear from the structure and sense of the passage that the baby is doing the laughing and not the parents (that is to say, the 349:
Lines 53–57 feature the image of a singing poet, which is reminiscent of how the eclogue began. The poet himself will compete in a rustic environment against
497:, individuals whose smiles must be earned; the Muses are critical of those whom they inspire, whereas Virgil—as a meticulous artist—was critical of himself. 154:(from the Greek word for "selections") are a group of ten poems roughly modeled on the bucolic hexameters ("pastoral poetry") of the Hellenistic poet 820:
The second acrostic, found in 2019, is also a double-letter one using a transliterated Greek word: AS TER AS (lines 50–52), forming the Greek word
423:
was one of the first to publish an interpretation of the poem, arguing that the entire work is a political allegory referring to the rule of the
558:, whereas the "Westerners" (furthered by the work of Günther Jachmann) argue that the work was influenced largely by concepts familiar to the 520:, which states that, "The calf and the young lion will grow up together and a little child will lead them", as well as a passage from the 322: 2543: 550:
Nisbet pointed out that the poem can be analyzed according to two different schools of thought: the "Easterners" (promoted notably by
2214: 2187: 1961: 1938: 1915: 1847: 1744: 1670: 288:("Your Apollo now is ruling"). John Miller cautions, however, that this mention of Apollo—while the god's first "saecular [ 94:. Medieval scholars thus claimed that Virgil had predicted Christ prior to his birth, and therefore must have been a pre-Christian 1384:
with the accusative usually means 'to laugh at' or 'deride' rather than 'smile at'. Scafoglio (2013), pp. 80–81, however, defends
667:, it seems certain from the point he is making about singular pronouns referring to plural antecedents that his text actually had 2278: 895:, has long been observed in lines 47–52, but it is disputed by scholars whether it is intentional or an "embarrassing accident". 705:
smile'. It is generally argued that the latter makes much better sense, not only from the context, but especially in view of the
476:
to refer to shepherds, individuals who are closely associated with the art of poetry. Furthermore, he points out that the verb
2179: 1984: 1736: 797: 438: 429:, although Miller points out that this is unlikely since the poem was written in 40 BC, prior to Octavian becoming Augustus. 379: 2233: 676:
Some commentators, such as Floyd (1997), have defended the manuscript reading. However, most scholars disagree with Floyd.
2520: 2104: 1953: 1003: 2558: 2476: 2113: 1767: 701:) means 'begin, little boy, to recognise your mother by her smile' or 'begin, little boy, to recognise your mother by 1301: 445:. Other scholars, however, felt that the child was more likely intended to be the male offspring of Mark Antony and 150:) in 42 BC and it is thought that the collection was published around 39–38 BC, although this is controversial. The 1930: 1872: 1306: 1007: 1597:
The word means "defiled with excrement", and is famously used by Catullus 31.6 and 20. See Grishin, A. A. (2009),
306:
were associated with the god, and that the former did not, at the time, enjoy "a monopoly on Apolline symbolism."
2548: 2422: 468:
mentioned throughout the poem is not an actual child, but rather Virgilian poetry itself. He noted that the word
420: 2496: 2242: 2508: 2145: 1462:'hear me!' contained in the initial letters of the first six pentameter lines. See Kronenberg, L. (2018). 2015: 2006: 1863: 1686: 1644: 1057: 950: 277: 99: 1830:
Fowler, Don (1996). "Virgil (Publius Vergilius Maro)". In Hornblower, Simon; Spawforth, Antony (eds.).
162:
can be dated to around 41 to 40 BC, during a time "when the clouds of civil war seemed to be lifting".
2516: 2553: 2271: 1907: 1880: 1771: 260: 190:, or "great order of the ages". The following lines (ll. 5–10) reference a myriad grouping of ideas: 76: 60: 1437:"Was Vergil reading the Bible? Original sin and an astonishing acrostic in the Orpheus and Eurydice" 2444: 2392: 2382: 2364: 1814: 544: 464:
of Octavian, Mark Antony, and Marcus Aemilius Lepidus. Floyd, on the other hand, proposed that the
446: 406: 72: 2417: 2125: 2060: 2027: 1787: 954: 810: 786: 461: 330: 221: 211: 504:
Some scholars claim that the poem was influenced by oracles, which were in turn inspired by the
366:
as his wife, although he noted it could also be a reference to a general Roman nursery saying.
2387: 2183: 1957: 1934: 1911: 1843: 1740: 1666: 559: 555: 540: 512:
Line 22, which mentions that "the cattle will not fear huge lions", has been compared to both
354: 216: 178:. The first few lines have been referred to as the "apology" of the poem; the work, much like 19: 2064: 2040: 575:
Clausen argued that the poem, were one to remove lines 1–3 and 58–9, would read much like an
2468: 2427: 2117: 2052: 2019: 1988: 1818: 1779: 1051: 792:
The number ten was associated with the Sibyl. There were said to be ten sibyls, and, before
554:) argue that the eclogue had to have been influenced by religions of the East, most notably 363: 334: 248: 500: 397:
Some scholars believe that the child prophesied in the poem was the hoped-for offspring of
2264: 2250: 1453: 958: 801: 107: 294:] appearance" in Latin literature—should not be read unequivocally as a reference of 1775: 1570:(Ec. 9.47) often signal the presence of an acrostic: Danielewicz (2019), p. 362, note 5. 647:). One strong argument for making this change is that Virgil here seems to be imitating 2172: 1992: 1805: 1497:"The Sibylline books ... seem to have copied an Etruscan theory of a succession of ten 962: 938: 918: 910: 513: 505: 111: 2537: 2452: 2162: 2129: 2085: 2031: 1791: 1642:
Arnold, Bruce (Winter 1994). "The Literary Experience of Vergil's Fourth 'Eclogue'".
806: 551: 484:
4, is itself associated with "poetic performances" in other Virgilian poems, like in
264: 183: 103: 23: 1503:, or periods of 110 years, the tenth of which was under the rule of Apollo (line 10 757:'this glory of the age will enter with you (Pollio) as consul'). It is thought that 909:
By the thirteenth and fourteenth centuries AD, Virgil had gained a reputation as a
677: 576: 517: 307: 120: 116: 91: 56: 2056: 1832: 933:. Eventually, some Christians sought to reconcile Virgil's works, especially the 751:. The same word can be read horizontally both backwards and forwards in line 11 ( 1436: 785:, a phrase which is in fact used in connection with the Sibylline prophecies by 398: 303: 195: 83: 68: 314:) mentioned in line 10 should not be seen as contradicting the rule of Saturn ( 2343: 2229: 2224: 2210: 2205: 2158: 2023: 1822: 1754:
Ebbeler, Jennifer (2010). "Linus as a Figure for Pastoral Poetics in Vergil's
658: 342: 155: 87: 2339: 2335: 2331: 2327: 2323: 2315: 2311: 2307: 930: 358: 338: 202:, or the "Great Year" that begins a great "golden" age; the Italian idea of 1718:
Clay, Jenny Strauss (2009). "Vergil 'Eclogue' 4.28: Where's the Miracle?".
937:, with the supposed Christianity present in them. For instance, during the 1783: 2350: 2302: 914: 722: 706: 648: 454: 442: 425: 295: 281: 142: 1703: 1463: 1050: 921:
and consequently during their lifetime had no opportunity to recognize
350: 225: 119:
concluded that it is likely that Virgil was indirectly inspired by the
95: 1680:
Bourne, Ella (April 1916). "The Messianic Prophecy in Vergil's Fourth
886:) three times in the acrostic, downwards, upwards, and right to left. 596:
A major textual problem is in line 62, where all the manuscripts read
214:; and finally "eastern messianic" views similar to those found in the 2461:
Francesca da Rimini and Paolo Malatesta Appraised by Dante and Virgil
2357: 2287: 1839: 1530: 926: 814: 770: 736: 718: 531: 273: 191: 124: 52: 186:, claiming it as a source for his unfolding prophecy concerning the 2121: 661:
9.3.8 quotes the line, even though the manuscripts there also have
651:
61.219, where a baby is encouraged to smile sweetly at its father (
140:
The biographical tradition asserts that Virgil began the hexameter
922: 793: 580: 536: 499: 494: 207: 175: 18: 267:, the birth of a savior child, and the dawning of the Golden Age. 817:(god of prophecy) are both placed in the 10th line of the poem. 2260: 841:, also meaning 'stars', hidden in line 51, as well as the word 290: 1540: 1534: 1524: 1518: 872: 856:
in the same line. The acrostic begins and ends with the word
836: 821: 764: 758: 730: 1881:"The tenth of age of Apollo and a new acrostic in Eclogue 4" 1549:, at the beginning of lines 11–12, just as Virgil does here. 1859:
Poetry and Prophecy: The Beginnings of a Literary Tradition
1599:
Acrostics in Virgil’s Poetry: The Problem of Authentication
949:
was actually Jesus Christ. Many noted individuals, such as
1363:
For a full discussion of the problem see Scafoglio (2013).
276:, a deity who would be elevated to a special place in the 220:, a collection of supposed oracular utterances written in 2256: 2000:
Rose, H. J. (1924). "Some Neglected Points in the Fourth
835:; the acrostic is confirmed by a horizontal AS TRA (i.e. 721:, Sibylline oracles were traditionally accompanied by an 346:
the need for agriculture ends will the Golden Age begin.
929:
lives, so that it seemed objectionable to consider them
729:
which begin lines 9, 10, and 11, forming the Greek word
437:. The former died while in infancy, whereas the latter, 263:; this section illustrates the poem's references to the 2453:
Dante, led by Virgil, Consoles the Souls of the Envious
1464:"Tibullus the Elegiac Vates: Acrostics in Tibullus 2.5" 488:
3.58. Finally, Floyd—who subscribes to the theory that
449:. Wendell Clausen, for instance, posited that the word 1220: 1218: 2139:
Virgil's Prophecy on the Saviour's Birth: the Fourth
2041:"Since the Child Smiles: A Note on Virg. Ecl. 4.62–3" 2079:
Steenkamp, Johan (2011). "The Structure of Vergil's
997: 995: 905:
Christian interpretations of Virgil's Fourth Eclogue
228:
who uttered divine revelations in a frenzied state.
2436: 2401: 2375: 2294: 612:). Most editors, however, have changed the text to 237:Now returns the Maid, returns the reign of Saturn: 233:"Now is come the last age of the Cumaean prophecy: 55:. The poem is dated to 40 BC by its mention of the 2171: 1831: 1696:Classical Association of the Middle West and South 1654:Classical Association of the Middle West and South 686:of Virgil's manuscripts is impossible against the 239:Now from high heaven a new generation comes down. 1250: 1248: 965:believed in this interpretation of the eclogue. 2174:The Virtuous Pagan in Middle English Literature 231: 1977:Bulletin of the Institute of Classical Studies 1079: 1077: 419:Grammarian and ancient Virgilian commentator, 272:Line 10 concludes with a reference to the god 2272: 251:, be gracious; now thine own Apollo reigns." 8: 1509:) and eminently happy." Page (1898), p. 123. 1456:has also been found to contain an acrostic: 1372:The reason for making the further change to 1190: 1188: 1112: 1110: 245:And the golden to arise over all the world, 243:In whom the iron race shall begin to cease, 2232:has original text related to this article: 2213:has original text related to this article: 1565: 1559: 1504: 1498: 1457: 1452:The pseudo-Sibylline prophecy in poem 5 of 1430: 1385: 1379: 1373: 1035: 1033: 890: 857: 842: 754:TEque Adeo DECus hoc Aevi TE consule inibit 752: 696: 687: 681: 668: 662: 652: 632: 613: 597: 333:noted that the poem implies that the whole 26:'s pencil black and white landscape study, 2279: 2265: 2257: 1971:Nisbet, R. G. M. (1978). "Virgil's Fourth 1407: 1405: 1124: 1122: 1100: 1098: 889:Another apparent acrostic, the Latin word 698:incipe, parve puer, risu cognoscere matrem 642:those who have not smiled for their parent 626:those who have not smiled at their parents 1663:Michelangelo's Nose: A Myth and Its Maker 235:The great cycle of periods is born anew. 210:'s idea that there is a periodic rule of 2093:. Classical Association of South Africa. 337:will have to be replayed; a new band of 1529:(masculine) both mean 'star' in Greek. 973: 695:A related question is whether line 60 ( 579:, or a poem written specifically for a 433:two boys around the time of the Fourth 2504: 2098:Stuart, Duane Reed (1921). "On Vergil 1601:, MA thesis, Cambridge, MA, pp. 25–26. 809:song has come" (line 4). The names of 170:The 63-line poem (the shortest of the 7: 2492: 1799:Floyd, Edwin (Fall 1997). "Vergil's 607:for whom the parents have not smiled 51:, is a Latin poem by the Roman poet 28:Eclogue IV: Thy Very Cradle Quickens 472:is elsewhere used by Virgil in the 2137:Virgil (1918). Carus, Paul (ed.). 1993:10.1111/j.2041-5370.1978.tb00385.x 1435:2.112. See: Hejduk, J. D. (2018). 941:and beyond, many assumed that the 657:). Another argument is that where 547:, as well as Greek, antecedents". 321:Both lines 11 and 13–14 reference 14: 241:Yet do thou at that boy's birth, 79:, to whom the poem is dedicated. 2515: 2503: 2491: 2223: 2204: 387: 378: 341:will travel the seas, and a new 310:argued that the rule of Apollo ( 174:) begins with an address to the 86:, the poem was reinterpreted by 2153:Virgil (1984). Lee, Guy (ed.). 1950:Virgil, A Poet in Augustan Rome 1834:The Oxford Classical Dictionary 1726:. The Vergilian Society: 13–16. 1712:The Cambridge Classical Journal 480:, which is used three times in 259:4 (ll. 4–11), as translated by 2180:American Philosophical Society 1985:Institute of Classical Studies 1975:: Easterners and Westerners". 1927:Apollo, Augusts, and the Poets 1891:Mackail, John William (2003). 1737:Johns Hopkins University Press 1049:Healy, Patrick Joseph (1912). 899:Later Christian interpretation 439:Gaius Asinius Gallus Saloninus 98:. Notable individuals such as 1: 2409:Christian interpretations of 2065:10.5184/classicalj.109.1.0073 2057:10.5184/classicalj.109.1.0073 2039:Scafoglio, Giampiero (2013). 1954:University of Cambridge Press 453:in line 17 is a reference to 299: 1714:, Vol. 54 (2008), pp. 49–79. 813:(goddess of childbirth) and 2114:University of Chicago Press 1768:Texas Tech University Press 1733:Latin Literature: A History 1731:Conte, Gian Biagio (1999). 1443:(1959-), 64, 71–102, p. 75. 780:the tenth age or generation 2575: 1931:Cambridge University Press 1873:Cambridge University Press 1704:C. Asinius Pollio and the 1588:Kronenberg (2017), p. 337. 1541: 1535: 1525: 1519: 1488:Kronenberg (2017), p. 339. 1354:Gransden 1992, p. 200–201. 1146:Ebbeler 2010, pp. 193–194. 1071:Mackail 2003, pp. 275–276. 902: 873: 837: 822: 765: 759: 731: 508:, as evidenced by line 22. 82:In late antiquity and the 2544:1st-century BC literature 2487: 2423:The Virgilian Progression 2024:10.1017/S0009838800006960 1857:Grandsen, K. W. (1992). " 1823:10.1080/00144949709595234 1665:. John Wiley & Sons. 1628:Bourne 1916, pp. 390–400. 1302:"Middle Eastern Religion" 1242:Arnold 1994, pp. 144–145. 1203:Arnold 1994, pp. 143–145. 1083:Miller 2009, pp. 254–255. 1052:"Sibylline Oracles"  1002:Williams, Robert Deryck. 980:Cairns (2008), pp. 55–62. 945:referenced in the Fourth 441:, died under the rule of 302:40 BC, both Octavian and 90:to be about the birth of 2445:Dante and Virgil in Hell 1420:Scafoglio (2013), p. 76. 1399:Scafoglio (2013), p. 76. 571:Epithalamium-like nature 421:Maurus Servius Honoratus 2215:English translation of 2007:The Classical Quarterly 1948:Morwood, James (2008). 1879:Kronenberg, L. (2017). 1661:Barolsky, Paul (2007). 1336:Nisbet 1978, pp. 66–67. 1307:Encyclopædia Britannica 1281:Rose 1924, pp. 113–114. 1182:Nisbet 1978, pp. 70–71. 1027:Steenkamp 2011, p. 101. 1008:Encyclopædia Britannica 925:, but nevertheless led 713:Acrostics and word play 599:cui non risere parentes 490:cui non risere parentes 2146:University of Michigan 1610:Vitto 1989, pp. 36–49. 1566: 1560: 1506:tuus iam regnat Apollo 1505: 1499: 1458: 1431: 1386: 1380: 1374: 1233:Gransden 1992, p. 200. 913:, a term referring to 891: 858: 843: 796:changed it to 15, the 753: 697: 688: 682: 669: 663: 654:dulce rideat ad patrem 653: 634:qui non risere parenti 633: 614: 598: 509: 286:tuus iam regnat Apollo 253: 158:. The fourth of these 31: 2170:Vitto, Cindy (1989). 2045:The Classical Journal 2016:Classical Association 1925:Miller, John (2009). 1784:10.1353/hel.2010.0016 1687:The Classical Journal 1645:The Classical Journal 1164:Ebbeler 2010, p. 194. 1155:Ebbeler 2010, p. 187. 1058:Catholic Encyclopedia 989:Fowler 1996, p. 1602. 951:Constantine the Great 503: 188:magnus ordo saeclorum 100:Constantine the Great 22: 1908:Kessinger Publishing 1893:Virgil's Works: The 1864:The Classical Review 1861:by James L. Kugel". 1815:Taylor & Francis 1263:Floyd 1997, pp. 3–4. 1224:Morwood 2008, p. 11. 1194:Miller 2009, p. 254. 1116:Arnold 1994, p. 144. 1039:Miller 2009, p. 255. 323:Gaius Asinius Pollio 261:John William Mackail 77:Gaius Asinius Pollio 61:Gaius Asinius Pollio 42:, also known as the 2559:Octavia the Younger 2477:The Barque of Dante 2393:Vergilius Vaticanus 2383:Vergilius Augusteus 2365:Appendix Vergiliana 2243:Full Latin text of 2234:Full Latin text of 2105:Classical Philology 1776:2010Helio..37..187E 1702:Cairns, F. (2008). 1619:Conte 1999, p. 267. 1579:Danielewicz (2019). 1411:Nisbet 1978, p. 70. 1345:Nisbet 1978, p. 71. 1327:Nisbet 1978, p. 59. 1272:Floyd 1997, p. 3–5. 1173:Stuart 1921 p. 209. 1092:Nisbet 1978, p. 62. 709:verse noted above. 618:non risere parentes 447:Octavia the Younger 407:Octavia the Younger 280:during the rule of 198:; the concept of a 73:Octavia the Younger 59:of Virgil's patron 2418:Sortes Vergilianae 2249:, courtesy of the 1887:, 161(2), 337–339. 1479:Kronenberg (2017). 1290:Rose 1924, p. 113. 1137:Rose 1924, p. 115. 1104:Rose 1924, p. 114. 798:college of priests 787:Phlegon of Tralles 763:here is short for 510: 462:Second Triumvirate 331:Jenny Strauss Clay 32: 2531: 2530: 2388:Vergilius Romanus 1533:uses both words ( 1470:, 71(3), 508–514. 1300:Gordon, Cyrus H. 1254:Floyd 1997, p. 4. 1212:Carus 1918, p. 6. 1128:Clay 2009, p. 13. 566:Textual criticism 556:Jewish messianism 529:, along with the 522:Sibylline Oracles 217:Sibylline Oracles 121:Hebrew Scriptures 2566: 2549:Poetry by Virgil 2522:Wikisource texts 2519: 2507: 2506: 2495: 2494: 2469:Dante and Virgil 2281: 2274: 2267: 2258: 2227: 2208: 2193: 2177: 2166: 2163:Penguin Classics 2149: 2133: 2094: 2075: 2073: 2071: 2035: 1996: 1967: 1944: 1921: 1876: 1853: 1837: 1826: 1795: 1750: 1727: 1699: 1676: 1657: 1629: 1626: 1620: 1617: 1611: 1608: 1602: 1595: 1589: 1586: 1580: 1577: 1571: 1569: 1563: 1556: 1550: 1544: 1543: 1538: 1537: 1528: 1527: 1522: 1521: 1516: 1510: 1508: 1502: 1495: 1489: 1486: 1480: 1477: 1471: 1461: 1450: 1444: 1434: 1427: 1421: 1418: 1412: 1409: 1400: 1397: 1391: 1389: 1383: 1377: 1370: 1364: 1361: 1355: 1352: 1346: 1343: 1337: 1334: 1328: 1325: 1319: 1318: 1316: 1314: 1297: 1291: 1288: 1282: 1279: 1273: 1270: 1264: 1261: 1255: 1252: 1243: 1240: 1234: 1231: 1225: 1222: 1213: 1210: 1204: 1201: 1195: 1192: 1183: 1180: 1174: 1171: 1165: 1162: 1156: 1153: 1147: 1144: 1138: 1135: 1129: 1126: 1117: 1114: 1105: 1102: 1093: 1090: 1084: 1081: 1072: 1069: 1063: 1062: 1054: 1046: 1040: 1037: 1028: 1025: 1019: 1018: 1016: 1014: 999: 990: 987: 981: 978: 894: 885: 882: 879: 876: 875: 870: 867: 864: 861: 855: 852: 849: 846: 840: 839: 834: 831: 828: 825: 824: 800:who guarded the 784: 781: 778: 774: 768: 767: 762: 761: 756: 750: 747: 744: 740: 734: 733: 700: 691: 685: 672: 666: 656: 646: 643: 640: 636: 630: 627: 624: 620: 611: 608: 605: 601: 560:Greco-Roman West 391: 382: 301: 268: 224:ascribed to the 222:Greek hexameters 2574: 2573: 2569: 2568: 2567: 2565: 2564: 2563: 2534: 2533: 2532: 2527: 2483: 2480:(1858 painting) 2472:(1850 painting) 2464:(1835 painting) 2456:(1835 painting) 2448:(1822 painting) 2432: 2397: 2371: 2290: 2285: 2251:Perseus Project 2201: 2196: 2190: 2169: 2152: 2136: 2097: 2078: 2069: 2067: 2038: 1999: 1970: 1964: 1947: 1941: 1924: 1918: 1890: 1856: 1850: 1829: 1798: 1753: 1747: 1730: 1717: 1679: 1673: 1660: 1641: 1637: 1632: 1627: 1623: 1618: 1614: 1609: 1605: 1596: 1592: 1587: 1583: 1578: 1574: 1557: 1553: 1517: 1513: 1496: 1492: 1487: 1483: 1478: 1474: 1454:Tibullus book 2 1451: 1447: 1428: 1424: 1419: 1415: 1410: 1403: 1398: 1394: 1371: 1367: 1362: 1358: 1353: 1349: 1344: 1340: 1335: 1331: 1326: 1322: 1312: 1310: 1299: 1298: 1294: 1289: 1285: 1280: 1276: 1271: 1267: 1262: 1258: 1253: 1246: 1241: 1237: 1232: 1228: 1223: 1216: 1211: 1207: 1202: 1198: 1193: 1186: 1181: 1177: 1172: 1168: 1163: 1159: 1154: 1150: 1145: 1141: 1136: 1132: 1127: 1120: 1115: 1108: 1103: 1096: 1091: 1087: 1082: 1075: 1070: 1066: 1061:. Vol. 13. 1048: 1047: 1043: 1038: 1031: 1026: 1022: 1012: 1010: 1001: 1000: 993: 988: 984: 979: 975: 971: 959:Dante Alighieri 917:who were never 907: 901: 883: 880: 877: 868: 865: 862: 853: 850: 847: 832: 829: 826: 802:Sibylline Books 782: 779: 776: 748: 745: 742: 715: 644: 641: 638: 628: 625: 622: 609: 606: 603: 594: 573: 568: 417: 416: 415: 414: 405:) and his wife 394: 393: 392: 384: 383: 372: 308:R. G. M. Nisbet 270: 255: 246: 244: 242: 240: 238: 236: 234: 168: 138: 133: 117:R. G. M. Nisbet 108:Dante Alighieri 17: 12: 11: 5: 2572: 2570: 2562: 2561: 2556: 2551: 2546: 2536: 2535: 2529: 2528: 2526: 2525: 2513: 2501: 2488: 2485: 2484: 2482: 2481: 2473: 2465: 2457: 2449: 2440: 2438: 2434: 2433: 2431: 2430: 2425: 2420: 2415: 2405: 2403: 2399: 2398: 2396: 2395: 2390: 2385: 2379: 2377: 2373: 2372: 2370: 2369: 2361: 2354: 2347: 2298: 2296: 2292: 2291: 2286: 2284: 2283: 2276: 2269: 2261: 2255: 2254: 2240: 2221: 2209: English 2200: 2199:External links 2197: 2195: 2194: 2188: 2167: 2150: 2134: 2122:10.1086/360358 2095: 2076: 2036: 1997: 1968: 1962: 1945: 1939: 1922: 1916: 1888: 1877: 1854: 1848: 1838:(3 ed.). 1827: 1806:The Explicator 1796: 1751: 1745: 1728: 1715: 1700: 1677: 1671: 1658: 1638: 1636: 1633: 1631: 1630: 1621: 1612: 1603: 1590: 1581: 1572: 1558:Words such as 1551: 1511: 1490: 1481: 1472: 1445: 1432:de Divinatione 1422: 1413: 1401: 1392: 1365: 1356: 1347: 1338: 1329: 1320: 1292: 1283: 1274: 1265: 1256: 1244: 1235: 1226: 1214: 1205: 1196: 1184: 1175: 1166: 1157: 1148: 1139: 1130: 1118: 1106: 1094: 1085: 1073: 1064: 1041: 1029: 1020: 991: 982: 972: 970: 967: 963:Alexander Pope 939:Late Antiquity 911:virtuous pagan 903:Main article: 900: 897: 714: 711: 593: 590: 572: 569: 567: 564: 506:Book of Isaiah 396: 395: 386: 385: 377: 376: 375: 374: 373: 371: 370:Interpretation 368: 316:Saturnia regna 278:Roman pantheon 230: 167: 164: 137: 134: 132: 129: 112:Alexander Pope 16:Poem by Virgil 15: 13: 10: 9: 6: 4: 3: 2: 2571: 2560: 2557: 2555: 2552: 2550: 2547: 2545: 2542: 2541: 2539: 2524: 2523: 2518: 2514: 2512: 2511: 2502: 2500: 2499: 2490: 2489: 2486: 2479: 2478: 2474: 2471: 2470: 2466: 2463: 2462: 2458: 2455: 2454: 2450: 2447: 2446: 2442: 2441: 2439: 2435: 2429: 2428:Virgil's tomb 2426: 2424: 2421: 2419: 2416: 2414: 2412: 2407: 2406: 2404: 2402:Miscellaneous 2400: 2394: 2391: 2389: 2386: 2384: 2381: 2380: 2378: 2374: 2367: 2366: 2362: 2360: 2359: 2355: 2353: 2352: 2348: 2345: 2341: 2337: 2333: 2329: 2325: 2321: 2317: 2313: 2309: 2305: 2304: 2300: 2299: 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1701: 1697: 1693: 1689: 1688: 1683: 1678: 1674: 1672:9780271032726 1668: 1664: 1659: 1655: 1651: 1647: 1646: 1640: 1639: 1634: 1625: 1622: 1616: 1613: 1607: 1604: 1600: 1594: 1591: 1585: 1582: 1576: 1573: 1568: 1562: 1555: 1552: 1548: 1532: 1523:(neuter) and 1515: 1512: 1507: 1501: 1494: 1491: 1485: 1482: 1476: 1473: 1469: 1465: 1460: 1455: 1449: 1446: 1442: 1438: 1433: 1426: 1423: 1417: 1414: 1408: 1406: 1402: 1396: 1393: 1388: 1382: 1376: 1369: 1366: 1360: 1357: 1351: 1348: 1342: 1339: 1333: 1330: 1324: 1321: 1309: 1308: 1303: 1296: 1293: 1287: 1284: 1278: 1275: 1269: 1266: 1260: 1257: 1251: 1249: 1245: 1239: 1236: 1230: 1227: 1221: 1219: 1215: 1209: 1206: 1200: 1197: 1191: 1189: 1185: 1179: 1176: 1170: 1167: 1161: 1158: 1152: 1149: 1143: 1140: 1134: 1131: 1125: 1123: 1119: 1113: 1111: 1107: 1101: 1099: 1095: 1089: 1086: 1080: 1078: 1074: 1068: 1065: 1060: 1059: 1053: 1045: 1042: 1036: 1034: 1030: 1024: 1021: 1009: 1005: 998: 996: 992: 986: 983: 977: 974: 968: 966: 964: 960: 956: 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58: 54: 50: 49: 45: 41: 38: 37: 29: 25: 24:Samuel Palmer 21: 2521: 2509: 2497: 2475: 2467: 2459: 2451: 2443: 2410: 2363: 2356: 2349: 2319: 2301: 2244: 2235: 2228: Latin 2216: 2173: 2155:The Eclogues 2154: 2142: 2138: 2109: 2103: 2102:iv. 60-63". 2099: 2090: 2084: 2080: 2068:. 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Index


Samuel Palmer
Virgil
consulship
Gaius Asinius Pollio
Mark Antony
Octavia the Younger
Gaius Asinius Pollio
Middle Ages
Christians
Jesus Christ
prophet
Constantine the Great
St. Augustine
Dante Alighieri
Alexander Pope
R. G. M. Nisbet
Hebrew Scriptures
oracles
Eclogues
Theocritus
Muses
Cumaean Sibyl
Hesiod
Ages of Man
Plato
Saturn
Sibylline Oracles
Greek hexameters
prophetesses

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