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the Other and one's self. Furthermore, he asserted that ecstasy, or exteriority toward the Other, forever remains beyond any attempt at full capture; this otherness is interminable or infinite. This "infiniteness" of the Other would allow
Levinas to derive other aspects of philosophy as secondary to this ethic. Levinas writes:
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writes: "Existential philosophy defined the new concepts of ecstasy or of transcendence to fix a distinct kind of being that is by casting itself out of its own given place and time, without dissipating, because at each moment it projects itself — or, more exactly, a variant of itself — into another
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disagreed with
Heidegger's position regarding ecstasy and existential temporality from the perspective of the experience of insomnia. Levinas talked of the Other in terms of 'insomnia' and 'wakefulness'. He emphasized the absolute otherness of the Other and established a social relationship between
262:, Presses universitaires de France, 1991, p. 8). The "relation with the Other" is one among the "inevitable articulations of the transcendence of time" which are "neither ecstasy where the Same is absorbed in(to) the Other nor knowledge where the Other belongs to the Same" (
205:
understood etymologically, is not so much a state or a stance as a movement, which is by conceiving a divergence from itself or a potentiality of itself and casting itself into that divergence with all that it is." —Lingis, Alphonso. "The
Imperative," Indiana University Press,
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111:) is usually focused toward some person, task, or the past. Telling someone to "remain in the present" could then be self-contradictory, if the present only emerged as the "outside itself" of future possibilities (our projection;
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person, who falls well outside one's own self. In a sense consciousness is usually, "outside itself," in that its object (what it thinks about, or perceives) is not itself. This is in contrast to the term
77:, each of the following: the past (the 'having-been'), the future (the 'not-yet') and the present (the 'making-present') are the "outside of itself" of each other. The term ecstasy (
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The others that obsess me in the other do not affect me as examples of the same genus united with my neighbor by resemblance or common nature,
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This understanding of enstasis gives way to the example of the use of the "ecstasy" as that one can be "outside of oneself" with time. In
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Sociality is a "relation ... to the infinite" (E. Levinas,
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The Work of Art in the Age of
Mechanical Reproduction
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221:, John Wiley & Sons, 2009, p. 19.
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1546:The Origin of the Work of Art
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95:of 1927, argued that our
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233:Phenomenology World Wide
230:A-T. Tymieniecka (ed.),
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1123:The Critic as Artist
19:For other uses, see
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260:Le temps et l'autre
249:(eds), 2009, p. 18.
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1526:Letter on Humanism
1397:Hermeneutic circle
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1218:Applied aesthetics
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1672:Categories
1424:Thrownness
1357:Philosophy
1016:Recreation
994:Perception
887:Creativity
587:Baumgarten
577:Baudelaire
459:Classicism
374:Aesthetics
300:philosophy
266:., p. 13).
155:References
121:thrownness
35:(from the
1604:The Ister
1490:(1931–41)
1021:Reverence
927:Eroticism
897:Depiction
870:Masculine
772:Santayana
732:Nietzsche
677:Hutcheson
667:Heidegger
652:Greenberg
607:Coleridge
572:Balthasar
557:Aristotle
519:Theosophy
514:Symbolism
489:Modernism
474:Formalism
102:Existence
39:ἔκστασις
1560:(1951–2)
1365:Aletheia
1296:Category
1228:Axiology
1097:(c. 500)
1087:(c. 100)
962:Judgment
917:Emotions
912:Elegance
892:Cuteness
865:Feminine
828:Concepts
797:Tanizaki
777:Schiller
762:Richards
752:Rancière
722:Maritain
657:Hanslick
597:Benjamin
469:Feminism
438:Theology
418:Medieval
408:Japanese
403:Internet
196:scholar
63:enstasis
41:ekstasis
1391:Gestell
1379:Ekstase
1291:Outline
1206:Related
1073:Poetics
1041:Tragedy
1031:Sublime
1004:Quality
989:Mimesis
947:Harmony
932:Fashion
907:Ecstasy
902:Disgust
818:more...
787:Scruton
712:Lyotard
647:Goodman
627:Deleuze
562:Aquinas
552:Alberti
525:more...
504:Realism
484:Marxism
464:Fascism
447:Schools
433:Science
388:Ancient
115:Entwurf
83:Ekstase
33:Ecstasy
21:Ecstasy
1580:(1966)
1570:(1955)
1550:(1950)
1540:(1949)
1530:(1947)
1520:(1942)
1500:(1938)
1480:(1935)
1470:(1929)
1460:(1929)
1450:(1927)
1372:Dasein
1197:(2009)
1187:(1977)
1177:(1946)
1167:(1939)
1157:(1935)
1147:(1934)
1137:(1933)
1127:(1891)
1117:(1835)
1107:(1757)
974:Kitsch
952:Humour
882:Comedy
860:Beauty
802:Vasari
792:Tagore
767:Ruskin
707:Lukács
697:Langer
642:Goethe
567:Balázs
547:Adorno
428:Nature
393:Africa
108:Dasein
99:(See:
79:German
49:stasis
1438:Works
1414:Ontic
1286:Index
1055:Works
1036:Taste
1026:Style
807:Wilde
747:Plato
742:Pater
702:Lipps
662:Hegel
632:Dewey
622:Danto
602:Burke
423:Music
398:India
381:Areas
298:This
247:et al
206:1998.
180:(PDF)
173:(PDF)
148:genus
57:Other
1010:Rasa
968:Kama
942:Gaze
877:Camp
757:Rand
692:Klee
682:Kant
672:Hume
592:Bell
304:stub
264:ibid
105:and
937:Fun
717:Man
637:Fry
192:As
131:).
45:ek-
1674::
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1165:"
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123:;
81::
1574:"
1544:"
1524:"
1514:"
1494:"
1474:"
1454:"
1405:"
1401:"
1342:e
1335:t
1328:v
1161:"
1151:"
1121:"
366:e
359:t
352:v
335:e
328:t
321:v
310:.
23:.
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