911:"On her first cover of Life magazine in 1957, Marilyn Monroe famously said she only wore Chanel No.5 to bed. Now, a newly found recording of her from 1960 discussing the subject further with Marie Claire's then-editor in chief Georges Belmont is being used in a new advertising campaign for the fragrance set to break this fall. She said people pose questions. "They ask me: 'What do you wear to bed? A pajama top? The bottoms of the pajamas? A nightgown?' So I said, 'Chanel No.5,' because it's the truth....," she explained. "And yet, I don't want to say nude. But it's the truth!" The voice of Monroe who passed away in 1962 is to be accompanied by a photograph of her holding a scent bottle, taken by Ed Feingersh . The ad will run in publications and on television." Karimzadeh, Marc. "Memo Pad." WWD October 18, 2013: 11. Popular Magazines Plus. Web. February 17, 2016.
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834:"Winogrand eventually got a job as a stringer for the Pix agency. He gained access to a darkroom and an office where he could talk with other photographers. One of the other photographers, Ed Feingersh introduced Winogrand to the agent Henrietta Brackman, probably because he was tired of Winogrand “borrowing” materials all the time. She got Winogrand commissions shooting various general interest stories for Colliers and Argosy."
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Full of praise for his colleague's photography, Stein says that though many want to see 'Eddie's' work in public collections of 'museums to give him the recognition he deserves'. His collection is now in the archives of Life
Magazine and Getty Images and in the process of being edited and scanned,
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Edwin (a.k.a. Edward, commonly 'Ed' or 'Eddie') Feingersh was born in
Brooklyn on April 21, 1925, the second of three sons of Harry Feingersh, a women's fashion designer and Rae Feingersh (née Press). His Jewish grandfather Abraham, a tailor, migrated to America from
147:
photography under seemingly impossible conditions was well recognised. His pictures of
Marilyn Monroe are his best known, but he was a prolific photojournalist throughout the 1950s. Two of his moody photographs of jazz performers were selected by
443:, but Feingersh soon succumbed to alcoholism, poor mental and physical health, neglected his work and died 'in his sleep' on the morning of June 21, 1961, at the home of friends in New York. He was buried in the family plot at
375:, were the only candid images of the actress made specifically for publication. An example is a wide angle shot of the corseted Monroe reflected in a mirror contains an out-of-focus self-portrait of the photographer holding a
200:, he first attended New York University, where he joined the camera club, and later enrolled in Alexey Brodovitch's photography course at the New School for Social Research. He worked during this period as assistant to
891:"The "New York Times" issue on December 10, 1950 carried the following article by Jacob Deschin titled "JAPANESE CAMERA" which said that Nikon and Nikkor were scrutinized by experts and approved for their excellence.
812:. CAMERA: Robot rapid-sequence with 40- mm Xenar f/ 1.9 lens. EXPOSURE: 1/500 second at f/8. page 16 Technical data unavailable." Durniak, John (1957) 'Ed Feingersh: A Memorial Portfolio'. In
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between his bouts of frenetic activity, and in the years immediately after the Monroe shoot, and after a brief, failed marriage (1957) to Miriam (Mimi) Sakol (b.1933), he gave up photography.
808:. To take the photograph Feingersh had to crouch at the end of the ramp inches away from the cars which hurtled at a speed of 70 mph past him. The picture was taken on assignment for
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257:(1953), involved Feingersh carrying in addition to his cameras, the gun, pack, and other standard G.I. equipment, nevertheless, he produced imagery with his
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he customarily used and which was starting then to be adopted by picture magazines in
America previously wary of Japanese equipment.
275:. He developed a reputation for putting himself at risk to get the eye-catching shot the magazine editors craved; parachuting with
858:
Miller, Jennifer Jean (2014) Marilyn Monroe & Joe DiMaggio - Love In Japan, Korea & Beyond, J.J. Avenue
Productions U.S.A.
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32:
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For Ed
Feingersh and his connection to Brodovitch see U.S.Camera 1950.ed. Tom Maloney (New York: U. S. Camera, 1949), 239.
228:, a study of a disturbed boy's psychological rehabilitation and the story "The Great Rock 'n' Roll Controversy', both for
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photo agency in 1948. For them he produced stories for major magazines including a day in the life of a woman doctor for
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The photographs he made of her during the week March 24–30, 1955 as she prepares for two appearances; opening night of
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Durniak, John (1957) 'Ed
Feingersh: A Memorial Portfolio'. In Photography (USA) Annual 1957 pps.13, 148-157, 247-248
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279:, lying right in the path of stunt cars and having himself tied to the periscope to photograph a submarine diving.
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and consequently they are the most seen of
Feingersh's photojournalistic output, accessed via countless Monroe
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fragrance. It featured
Feingersh's photograph of the actress splashing herself with a bottle of the perfume.
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ran an advertising campaign using a recorded interview with Monroe in which she is asked about her use of
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Bird, Nichola
Cecelia. "GETTING IN ON THE ACT." (1998) is a Leeds University PhD submission available at
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and Mel Ferrier in Paris, again candidly, capturing their actions in dance rehearsals under difficult
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in March 1955 for a story which would follow Monroe through her daily routine, the photography to be
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He took up photography during while serving in Germany in the Army, where he bought an inexpensive
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Scully, Julia (1979) Seeing Pictures. In MODERN PHOTOGRAPHY July 1979, U.S.A. pps.29, 150, 152.
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and shot without flash in available light. The actress and her new production-company partner
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asked him to repeat the exercise in 1957, and he accepted their assignment to photograph
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that revealed the unpublished images from the Monroe series. This collection is held by
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804:"One of the most famous of Ed Feingersh's "daredevil" pictures is...of Irish Horan's
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Desfor, I. (November 13, 1956). Light and photography. The Christian Science Monitor
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Van Ham Kunstauktionen: Photographie 254. Auktion, 11. Mai 2007 (2007) (NFM)
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Marilyn Monroe day by day : a timeline of people, places, and events
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Argosy's Tips from Photographers: Mistakes That Make Pictures, (cl)
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What will happen to this boy?, produced by George B. Leonard, Jr.,
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In 1987, 26 years after Ed Feingersh died, photography collector
845:"Ed Feingersh, a pioneer in available-light photojournalism..."
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Durniak, John (1957) 'Ed Feingersh: A Memorial Portfolio'. In
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Une blonde Ă Manhattan : Ed Feingersh et Marilyn Monroe
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Une blonde Ă Manhattan : Ed Feingersh et Marilyn Monroe
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Feingersh, Ed; LaBrasca, Bob; Michael Ochs Archives (1990),
218:, moody and revealing scenes from a Tokyo night club for
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for her ride on a pink elephant at a charity event at
872:, Lanham Rowman & Littlefield (published 2014),
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Rollyson, Carl E. (Carl Edmund) (October 16, 2014),
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Ed Feingersh, Self-Portrait with Marilyn Monroe 1955
224:men's magazine, a report on German war orphans for
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707:Popular Photography, November 1951 Vol. 29, No. 5
598:Pictures Tell the Story: The Hot-Seat Drag, (pi)
549:Dave Chambers’ $ 2,000,000 Worth of Horses, (pi)
353:recommended him to the magazine as their choice.
721:, Serpent Ă plumes ; Monaco : Rocher,
506:, Serpent Ă plumes ; Monaco : Rocher,
651:You Can't Miss! (with Robert Bridgeport), (ar)
605:Pictures Tell the Story: The Last Patrol, (pi)
451:many of which can be found on gettyimages.com.
318:whom Feingersh introduced to the photo agency.
795:Photography (USA) Annual 1962 pps. 14-18, 213.
435:Stein subsequently invited him to join him at
521:Selected articles illustrated by Ed Feingersh
286:he worked alongside the agency photographers
234:, in addition to making a portrait series of
185:. Ed Feingersh majored in art at Manhattan's
8:
196:. After the war, with the assistance of the
118:Miriam Sakol (b.1933), m.1957, annulled 1957
1028:American people of Moldovan-Jewish descent
31:
20:
931:Stein, Robert (2005) "Do You Want to See
563:How Red China Gets Dope to Our GIs, (pi)
679:Zoom (NL) 1990, I/1, p. 38-45 (NFM)
691:
526:Argosy's Tips from Photographers, (cl)
265:perspective. The work was published in
172:Ed Feingersh, Combat Photo, Korea, 1953
981:: CS1 maint: archived copy as title (
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458:uncovered a cache of several rolls of
127:(1925–1961) studied photography under
635:The great rock 'n' roll controversy,
424:magazine and later, president of the
7:
939:; Nov/Dec 2005, Vol. 56 Issue 6, p50
426:American Society of Magazine Editors
1033:Photographers from New York (state)
849:Volume 72, 1973, p.83 CBS Magazines
16:American photographer (1925 - 1961)
591:Nice Work If You Can Get It, (pi)
584:Mistakes That Make Pictures, (cl)
14:
987:which analyses these photographs.
570:Irish Horan's Hell Drivers, (pi)
238:in New York and covering a night
676:. The World & I, 16(6), 84.
621:The Private Takes a Wife, (pi)
379:S2 fitted with 35mm lens, the
37:Ed Feingersh photographed by ©
1:
814:Photography (USA) Annual 1957
784:Photography (USA) Annual 1957
667:Marilyn Monroe and the camera
420:Robert Stein, then editor of
133:New School of Social Research
92:New School of Social Research
749:Kahn, Marion Jacobs (2008)
674:Immortalizing the ephemeral
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1013:American war photographers
364:, and being fitted with a
334:Ed Feingersh photographed
1043:Haaren High School alumni
1003:American photojournalists
717:Gombeaud, Adrien (2011),
502:Gombeaud, Adrien (2011),
486:Marilyn : March 1955
261:that conveyed a charged,
30:
816:pps.13, 148-157, 247-248
786:pps.13, 148-157, 247-248
556:The Hot-Seat Drag, (pi)
401:of 1/15 sec. and lower.
255:Battle of Pork Chop Hill
143:agency. His talent for
135:. He later worked as a
577:The Last Patrol, (pi)
536:March 4, 2016, at the
416:Late career and legacy
331:
181:in 1913 to escape the
173:
69:June 21, 1961, aged 36
1038:Artists from Brooklyn
753:. Itasca Books p.142.
397:conditions requiring
373:Madison Square Garden
358:Cat on a Hot Tin Roof
329:
314:, Bob Henriquez, and
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75:, New York City, U.S.
60:, New York City, U.S.
1008:Sports photographers
963:on December 22, 2015
847:Popular Photography,
669:. Bulfinch P. Books.
249:His coverage of the
769:Library of Congress
665:Russel, J. (1989).
253:, particularly the
672:Greer, H. (2001).
381:rangefinder camera
332:
310:, Bob Schwalberg,
288:Alfred Eisenstaedt
240:fighter squadron's
187:Haaren High School
174:
937:American Heritage
879:978-1-4422-3080-4
728:978-2-268-07129-9
628:Vice Squad, (pi)
513:978-2-268-07129-9
495:978-0-385-30119-0
290:, George Karger,
236:Albert Schweitzer
158:The Family of Man
156:’s world-touring
129:Alexey Brodovitch
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362:Morosco Theatre
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259:wide-angle lens
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150:Edward Steichen
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100:Photojournalist
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312:Lawrence Fried
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965:. Retrieved
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304:Cornell Capa
296:Eileen Darby
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277:paratroopers
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263:first-person
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194:35-mm camera
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160:exhibition.
125:Ed Feingersh
124:
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41:in NYC, 1952
39:Julia Scully
25:Ed Feingersh
18:
1023:1961 deaths
1018:1925 births
410:Chanel No.5
292:Jerry Cooke
997:Categories
687:References
430:depression
298:(Lester),
251:Korean War
97:Occupation
630:Adventure
530:Jul 1952
488:, Delta,
460:negatives
395:low-light
366:burlesque
244:Greenland
202:Gjon Mili
198:G.I. Bill
115:Spouse(s)
89:Education
73:Manhattan
977:cite web
655:Mar 1959
632:Dec 1954
625:Dec 1955
609:Dec 1953
602:Jul 1954
595:May 1954
588:Jul 1953
581:Dec 1953
574:Jun 1953
567:Feb 1954
560:Jul 1954
553:Mar 1955
546:Jul 1953
534:Archived
472:fansites
404:In 2013
343:magazine
216:McCall's
206:stringer
179:Moldavia
139:for the
58:Brooklyn
935:?". In
623:Redbook
437:Redbook
422:Redbook
387:Redbook
360:at the
341:Redbook
268:Pageant
226:Redbook
183:pogroms
131:at the
876:
810:Argosy
725:
653:Argosy
607:Argosy
600:Argosy
593:Argosy
586:Argosy
579:Argosy
572:Argosy
565:Argosy
558:Argosy
551:Argosy
544:Argosy
528:Argosy
510:
492:
464:proofs
406:Chanel
369:corset
347:candid
300:Robert
273:Argosy
221:Argosy
164:Career
961:(PDF)
954:(PDF)
478:Books
377:Nikon
208:with
105:Agent
983:link
969:2015
874:ISBN
723:ISBN
646:Look
637:Look
614:Look
508:ISBN
490:ISBN
462:and
338:for
302:and
271:and
231:Look
154:MoMA
152:for
66:Died
47:Born
933:Her
439:as
284:PIX
282:At
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