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Mary, later known as "Yuri," recalled feeling awkward about her third-wheel presence but felt relieved that Aiko never showed the slightest irritation. Yuri also recalled that Aiko Kondo was a portrait artist from an artistic family. When Yuri and her two brothers visited the Kondos, the siblings ran
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After the models are drawn, the director studies them and may suggest changes. If the proposed budget is suitable and the director is satisfied, the set plans go from the draftsman's workroom to the mill, where the units are made. After they're built, the sets are assembled on the stage and set up.
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First, he reads the script. If the movie must be shot on location, Imazu travels to an appropriate area and selects a site. For a studio movie, Imazu spends one or two months breaking the story into sets, estimating costs, making layouts, sketching and drawing models, and consulting the director.
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Note the discrepancy in both his name and birth dates here: Some places his birth month is listed as
December, but REALLY it's November, his real name is "Edwin" but it appears elsewhere on the internet as "Edward"; Eddie's youngest daughter corrects
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movies, the set's colors must beautifully offset the costumes, so wardrobe designers contribute ideas. Imazu's budget is 12% to 15% of the total production cost, usually about $ 250,000. A studio movie costs at the very least $ 1.5 million.
250:, Aiko Imazu said she preferred to make "rough sketches executed mostly in charcoal," whereas her husband created more complicated and detailed renderings. Aiko's brother Takashi "Teek" Kondo, an accomplished
285:. To retain Imazu as an art director, MGM offered him living accommodations inside the studio. But the government required Aiko Imazu and his daughters to report to the
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179:. This art director offered Imazu a job—either being a cameraman or working in the art field. Because of his interest in architecture, Imazu chose the latter.
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After retiring from MGM in the late 1960s, Imazu fell into poor health. He died 29 May 1979 at age 81 in Los
Angeles. Aiko Kondo Imazu died in April 1983.
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VIPs, personally greeted Imazu back to work. Well-liked and respected by colleagues, Imazu worked at MGM Studios for 35 years.
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harbor. Aiko’s father didn’t trust these young sailors, so he asked a pre-teen Mary
Nakahara to accompany Aiko on her dates.
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straight to the wastebaskets. They would rifle through the contents to retrieve discarded art, which they would take home.
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During the mid-1930s, Eddie Imazu married Aiko Kondo, creating a very happy, artistic union. In a 1947 interview with
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Imazu lines up the sets needed to ensure they're built in the proper order. He does a "roughing out," followed by a
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152:, Japan. As a teenager, he emigrated with his parents to Los Angeles. Employed as a houseboy while attending
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156:, Imazu studied architecture and became the school's first Japanese graduate. Afterward, Imazu attended the
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employee in the art department. Eddie and Aiko Imazu raised two daughters, Joyce and
Darleen.
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An inside-page interview of Imazu, at age 50, appeared in the edition of 20 December 1947 of
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A young Eddie Imazu discussing set design with brother-in-law
Takashi "Teek" Kondo
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isolated, inland detention centers surrounded by barbed wire and guard towers
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relocation camps, so Imazu chose to accompany his family into relocation.
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583:"Hollywood Story: A Portrait of Eddie Imazu, Art Director at MGM Studios"
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723:(PDF). Interviewed by Elizabeth Nakahara. Los Angeles. Archived from
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618:(PDF). Interviewed by Elizabeth Nakahara. Los Angeles. Archived from
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year, Imazu vacationed in Los
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Lastly, each set is painted, dressed and made ready to shoot. In
97:(12 November 1897 – 29 May 1979) was a Japanese-American
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Eddie Imazu (second from right) discusses set designs with
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at MGM, wired Imazu to offer him his old job. Studio head,
203:(MGM) in 1924. In 1929, MGM promoted him from draftsman to
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During the early 1930s, Imazu met Aiko Kondo, a cousin of
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in 1920. He remained at the studio until its merger with
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In the 24-inch profile, Imazu describes how he works.
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After release from detention, Imazu returned home to
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304:in the Los Angeles area. The next day,
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398:co-nominee for Best Art Direction on
351:(far left) and MGM Studio executives.
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695:Fujita, Darleen; Aiko Kondo (2011).
529:Fujita, Darleen; Aiko Kondo (2011).
806:American people of Japanese descent
265:and several weeks later, President
148:Imazu was born 12 November 1897 in
581:Sumida, Alice (20 December 1947),
218:Nakahara), who became a prominent
158:University of California, Berkeley
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441:. His television credits include
323:During the 1950s, Imazu became a
415:The Man Who Shot Liberty Valance
422:The Teahouse of the August Moon
405:Imazu's film credits include:
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721:"Interview of Yuri Kochiyama"
616:"Interview of Yuri Kochiyama"
160:and majored in architecture.
796:People from Yamaguchi (city)
786:Hollywood High School alumni
394:In 1936, Eddie Imazu was an
811:Japanese-American internees
377:, Eddie Imazu, lower left,
287:Santa Anita Assembly Center
273:. The EO 9066 required all
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316:, usually inaccessible to
105:, whose 50-year career in
697:"Correcting the Record"
648:Internet Movie Database
531:"Correcting the Record"
254:, eventually became an
791:American art directors
717:Kochiyama, Mary Yuriko
612:Kochiyama, Mary Yuriko
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154:Hollywood High School
472:Selected filmography
271:Executive Order 9066
136:, Japan and died in
201:Metro-Goldwyn-Mayer
103:production designer
95:Edwin "Eddie" Imazu
25:Edwin "Eddie" Imazu
479:The Great Ziegfeld
401:The Great Ziegfeld
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370:A Hole in the Head
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327:American citizen.
275:Japanese Americans
267:Franklin Roosevelt
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116:The Great Ziegfeld
443:The Twilight Zone
373:, on location in
289:and later to the
132:. He was born in
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436:Three Wise Fools
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58:(1979-05-29)
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16:Art director
781:1979 deaths
776:1897 births
757:Eddie Imazu
748:Eddie Imazu
677:MGM Studios
643:Eddie Imazu
453:(1963-1964)
388:Technicolor
367:The set of
325:naturalized
302:Culver City
175:at the old
163:During his
138:Los Angeles
72:Edwin Imazu
56:29 May 1979
770:Categories
664:References
593:California
408:McLintock!
279:west coast
252:cartoonist
144:Early life
126:John Wayne
77:Occupation
37:1897-11-12
318:Hollywood
227:San Pedro
193:draftsman
165:sophomore
150:Yamaguchi
134:Yamaguchi
107:Hollywood
88:1927–1967
45:Yamaguchi
761:AllMovie
460:(1958).
358:drafting
223:activist
199:to form
731:3 April
707:3 April
691:, Japan
653:15 June
626:3 April
541:3 April
450:Combat!
375:Florida
269:issued
47:, Japan
490:(1951)
482:(1936)
455:; and
446:(1964)
439:(1946)
434:; and
432:(1951)
425:(1956)
418:(1962)
411:(1963)
295:Rohwer
291:Jerome
183:Career
689:Osaka
512:this.
495:Notes
464:Death
191:as a
752:IMDb
733:2014
709:2014
655:2012
628:2014
543:2014
293:and
128:and
101:and
53:Died
31:Born
759:at
750:at
281:to
261:On
256:MGM
216:née
772::
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